UNIVERSITY  OF  CALIFORNIA 
AT  LOS  ANGELES 


^*»-^ 


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AMERICAN  ART  GALLERIES 

MADISON  SQUARE  SOUTH 

NEW  YORK 


AUGUSTIN   DALY  COLLECTION 

PART  I 


AUGUSTIN   DALY  COLLECTION 


BRIC-A-BRAC,  ARMS  AND  ARMOR 
RELICS,  ANTIQUE  FURNITURE 
PAINTINGS,  WATER  COLORS 
FRAMED  ENGRAVINGS,  AND 
OTHER   OBJECTS 


SALE   AT   THE 

AMERICAN  ART  GALLERIES 

ON   THE    AFTERNOONS  OF   MONDAY.   TUESDAY   AND 
WEDNESDAY,   MARCH   19th,  20th  and  21st 

AT  2.;o  O'CLOCK 

AND    ON    MONDAY    EVENING,     MARCH     19th 

AT  8  O'CLOCK 


PART  I. 
Art  Objects 
Relics 

V^A  1   ALUUUC  Flimitui  c  *^ 

Oil  Paintings 
Water  Colors 
OF   THE  and  Framed 

F.ngiavings 

VALUABLE  LITERARY  AND 
ART  PROPERTY 

GATHERED  BY  THE  LATE 

AUGUSTIN    DALY 


TO    BE    DISPOSED    OF    AT    ABSOLUTE    PUBLIC    SALE 
BY  ORDER  OF  THE  EXECUTORS 

ON   MONDAY.  MARCH    iqth,  AND  FOLLOWING   DAYS 

AT  2.:!o  AND  8  O'CLOCK,  P.M. 

AT  THE   AMHRICAN   ART   GALLERIES 

MADLSON    SQUARE  SOUTH 


Where  the    entire    (.ulleclion   will    be   on   View    Day    :\nd    Evening   from 

Wednesdiiv,  Marcli  I4tli,  until  date  of  Sale 

inclusive  (Sunday  excepted) 


Thoma.s  E.   KiKBY  AMERICAN    ART    ASSOCIATION 

Aluiionlir  Managers 

NEW  YORK 
1900 


/ 


o 


v,l--3 


CONDITIONS    OF    SALE. 

1.  The  highest  Bidder  to  be  the  Buyer,  and  if  imy  dispute  arise  between 
two  or  more  Bidders,  the  Lot  so  in  dispute  shall  be  immediately  put  up  again 
and  re-sold. 

2.  The  Auctioneer  reserves  the  right  to  reject  any  bid  which  is  merely  a 
nominal  or  fractional  advance,  and,  therefore,  in  his  judgment,  likely  to  affect 
the  Sale  injuriously. 

3.  The  Purchasers  to  give  their  names  and  addresses,  and  to  pay  down  a 
cash  deposit,  or  the  whole  of  the  Purchase-money,  if  required^  in  default  of  which 
the  Lot  or  Lots  so  purchased  to  be  immediately  put  up  again  and  re-sold. 

4.  The  Lots  to  be  taken  away  at  the  Buyer's  Expense  and  Risk  upon  the 
conclusion  of  tJie  Sale,  and  the  remainder  of  the  Purchase-money  to  be  abso- 
lutely paid,  or  otherwise  settled  for  to  tb.e  satisfaction  of  the  Auctioneer,  on  or 
before  delivery  ;  in  default  of  which  the  undersigned  will  not  hold  themselves 
responsible  if  the  Lots  be  lost,  stolen,  damaged,  or  destroyed,  but  they  will  be 
left  at  the  sole  risk  of  the  Purchaser. 

5.  The  undersigned  ivill  not  hold  themselves  7-esponsible  for  the  correctness 
of  the  description,  genuineness,  or  authenticity  of,  or  any  fault  or  defect  in,  any 
Lot ;  and  make  no  Warranty  whatever. 

6.  To  prevent  inaccuracy  in  delivery,  and  inconvenience  in  the  settlement 
of  the  Purchases,  no  Lot  can,  on  any  account,  be  removed  during  the  Sale. 

7.  Upon  failure  to  comply  with  the  above  conditions,  the  money  deposited 
in  part  payment  shall  be  forfeited  ;  all  Lots  uncleared  within  one  day  from 
conclusion  of  Sale  shall  be  re-sold  by  public  or  private  sale,  without  further 
notice,  and  the  deficiency  (if  any)  attending  such  re-sale  shall  be  made  good  by 
the  defaulter  at  this  Sale,  together  with  all  charges  attending  the  same.  This 
Condition  is  without  prejudice  to  the  right  of  the  Auctioneer  to  enforce  the 
contract  made  at  this  Sale,  without  such  re-sale,  if  he  thinks  fit. 


THE   AMERICAN    ART   ASSOCIATION, 

Managers. 
Thomas  E.   Kirbv, 

Auctioneer. 


198': 


ORDER  OF  SALE 


MONDAY   AFTERNOON,    MARCH    iqth,   at  2.^0  o'clock 

AT  THH  AMERICAN  ART  GALLERIES 

BRIC-A-BRAC,   BRONZES.  RELICS  AND  OTHER  OBJECTS 

CATALOGUE  Nos.    i   to  25Q  INCLUSIVE 

MONDAY   EVENING,  MARCH    iqth,  at  8  o'clock 

OIL    PAINTINGS,    WATER    COLORS,    DRAWINGS   AND    FRAMED 

ENGRAVINGS 

CATALOGUE  Nos.  008  to  802  INCLUSIVE 

TUESDAY  AFTERNOON,   MARCH  20TH,  at  2.30  o'clock 

ARMS  AND  ARMOR,  MUSICAL  INSTRUMENTS.  FURNITURE 
AND  MISCELLANEOUS  OBJECTS 

CATALOGUE    Nos.  200   to   484    INCLUSIVE 

WEDNESDAY   AFTERNOON,  MARCH  21ST,  2.30  o'clock 

ANTIQUE   AND   MODERN    FURNITURE,   DRAPERIES 
RUGS   AND   CARPETS 

CATALOGUE  Nos.  48=;  to  007   INCLUSIVE 


AUGUSTIN   DALY 

Was  born  in  Plymouth,  N.  C,  July  20,  1838,  the  eldest  son  of  Denis  Daly  and 
Elizabeth  Therese  Duffey.  His  father,  when  a  young  man,  received  an  appoint- 
ment as  purser's  clerk  in  the  British  navy,  but  resigned  and  came  to  America, 
where  he  built  and  sailed  his  own  vessels,  ultimately  settling  in  Plymouth,  estab- 
lishing himself  in  the  lumber  trade.  He  died  in  1841,  leaving  two  children, 
Augustin  and  Joseph  F.  Daly.  He  had  married,  in  1S34,  the  daughter  of  J-ieut. 
John  Duffey,  of  Montego  Bay,  Jamaica,  \V.  I.,  who,  at  this  date  (1900),  still 
survives. 

After  a  brief  residence  in  Plymouth,  N.  C,  and  Norfolk,  Va.,  Augustin 
Daly,  then  a  boy  eleven  years  of  age,  removed  with  his  mother  and  brother  to 
the  city  of  New  York,  where  he  always  afterward  resided.  A  common  school 
education  fitted  him  for  the  business  career  for  which  he  was  originally  des- 
tined, and  in  which  he  was  most  actively  engaged  until  his  twenty-first  year, 
when  he  commenced  the  literary  pursuits  which  were  to  bring  him  fame  and 
fortune. 

Having  been,  from  his  earliest  years,  fond  of  the  drama,  he  began  while  yet 
a  boy  to  essay  dramatic  writing.  The  first  play  he  ever  saw  was  ''  Kookwood," 
played  at  the  old  theatre  in  Norfolk,  Xn.,  by  James  E.  Murdoch  and  Mrs.  Rus- 
sell, afterward  Mrs.  John  Hoey,  and  a  travelling  company.  This  was  in  1848, 
and  the  youthful  devotee  of  the  drama  immediately  began  private  theatricals 
with  his  infantile  companions  in  the  barn  on  the  maternal  premises.  These 
amusements  were  continued  in  New  York,  where  he  joined  two  amateur  compa- 
nies, whose  members  amused  themselves,  after  business  hours,  in  presenting  the 
masterpieces  of  Shakespeare,  Bulwer,  and  Knowles  to  their  admiring  friends. 

Several  original  plays,  never  destined  to  see  the  light,  were  offered  by  the 
young  writer  to  various  managers  while  he  was  a  writer  for  the  press,  until,  in 
December,  1862,  his  play  of  "  Leah  the  Forsaken,"  an  adaptation  from  the 
"  Deborah  "  of  Rosenthal  of  Vienna,  was  accepted  by  the  late  H.  L.  Bateman 
for  his  daughter  Kate,  and  was  produced  first  in  Boston  and,  subsequently, 
March,  1863,  at  Niblo's  (iarden  in  New  York,  with  J.  \V.  Wallack,  Jr.,  Edwin 
Adams,  Mrs.  Chanfrau,  Iv  Lamb,  and  other  well-known  actors  in  the  cast. 
From  this  time  until  August,  18C9,  Mr.  Daly  continuously  produced  plays,  orig- 
inal and  adapted,  in  the   New  York   theatres  :  '•  Taming  a  Butterfly  "  at  Mrs. 


John  Woods  Olympic  ;  -Judith"  and  others  for  Avonia  Jones  at  the  Winter 
Garden;  "(iriffith  Gaunt,"  "  Under  the  Gaslight,"  ''Norwood,"  and  "Pick- 
wick "  at  the  New  York,  and  "Flash  of  Lightning  "  at  the  Broadway,  formerly 
\\allack's,  at  Hroome  Street.  In  the  production  of  these  plays,  which  required 
the  greatest  skill  in  stage  management,  Mr.  Daly,  without  any  training  or 
experience  whatever  in  that  line,  developed  immense  aptitude  and  inexhaust- 
ible resources  as  stage  director,  and  every  qualification  for  the  managerial 
career  upon  which  he  soon  entered,  besides,  in  undertaking  the  management 
of  a  Southern  tour  for  Miss  Avonia  Jones,  acquiring  the  experience  necessary 
to  handle  a  company. 

In  June,  1869,  Mr.  Daly  took  from  James  Fisk,  Jr.,  a  lease  for  two  years, 
at  $25,obo  per  year,  of  the  small  but  beautiful  Fifth  Avenue  Theatre,  on  the 
site  of  the  present  Madison  Square  Theatre  in  Twenty-fourth  Street,  and  here 
he  introduced  that  brilliant  list  of  favorite  performers  with  whom  he  revolu- 
tionized dramatic  art  in  America.  Clara  Morris,  Fanny  Davenport,  Agnes  Ethel, 
Kate  Claxton,  Sara  Jewett,  Mrs.  G.  II.  Gilbert,  Mrs.  Scott-Siddons,  James  Lewis, 
Louis  James.  George  Clarke,  D.  H.  Harkins,  are  some  of  the  prominent  names 
found  in  his  play-bills  from  August  16,  1869,  when  the  theatre  opened,  to  Janu- 
uary  i,  1873,  when  it  was  destroyed  by  fire. 

After  that  calamity,  his  marvellous  work  of  reproducing  in  three  weeks  the 
atmosphere  of  the  brilliant  Fifth  Avenue  in  the  dingy  edifice  known  as  the 
New  York  Theatre,  728  Broadway,  was  the  town  talk.  Here  the  enterprising 
manager  remained  until  December  3,  1873,  when  he  opened  his  new  Fifth 
Avenue  Theatre  in  Twenty-eighth  Street.  His  next  and  final  move  was  to  the 
present  Daly's  Theatre  in  Broadway,  near  Thirtieth  Street,  which  he  opened  in 
1879,  and  where  he  produced  the  series  of  fine  old  and  new  comedies  which 
were  the  delight  of  a  generation  of  playgoers  as  interpreted  by  the  brilliant  Ada 
Rehan  and  the  polished  John  Drew,  the  favorite  James  Lewis,  and  the  ever 
young  Mrs.  Gilbert,  and  where  a  host  of  well-known  players  made  their  debut. 

From  Daly's  Theatre  in  New  York  the  manager  took  his  company  to  play 
an  engagement  in  England  in  1884 — the  first  attempt  on  so  large  a  scale  to  pre- 
sent American  histrionic  talent  to  our  transatlantic  friends.  This  experiment 
was  so  successful  that  it  was  repeated  in  1886  and  annually  thereafter,  culmi- 
nating in  the  building  of  Daly's  Theatre  in  London  in  1893.  The-  company 
made  visits  to  Paris  and  Berlin,  and  the  fame  of  Mr.  Daly  and  of  his  company 
and  plays  was  established  in  two  continents. 

From  this  brief  account  it  maybe  justly  inferred  that  Mr.  Daly's  life  was 
one  of  unceasing  activity.  He  was,  indeed,  one  of  the  most  industrious  of  mor- 
tals. It  was  his  habit  to  rise  early,  although  the  last  person  to  leave  his  theatre 
at  night.  He  personally  inspected  every  foot  of  his  premises  at  stated  periods, 
and  was  present  at  every  performance,  day  or  night.  He  superintended  every 
detail  of  every  production  as  to  rehearsals,  music,  scenery,  and  costumes.  He 
had  no  heads  of  departments— all  were  assistants.     Besides  thus  accomplishing 


perfectly  the  work  of  half  a  dozen  men,  he  put  forth  scores  of  plays,  a  vast 
number  of  manuscripts  in  his  own  hand  being  preserved.  His  busy  and  event- 
ful life  was  brought  to  a  sudden  close  on  June  7,  1899,  during  a  brief  visit  to 
Paris.  He  left  New  York  on  May  13th  for  a  trip  abroad — not  for  health,  but 
for  the  mixed  purpose  of  vacation  and  business,  as  was  his  wont.  Although 
he  had  been  ailing  for  a  few  days  before  his  departure,  it  was  thought  to 
be  a  malarial  attack.  A  severe  cold  and  fever  developed  on  the  voyage  over, 
and  although  he  seemed  to  rally  for  a  time  afterward,  heart  failure  ensued  and 
he  expired  peacefully,  his  last  words  being,  '•  If  I  fall  asleep  do  not  wake  me. '• 
The  grief  of  the  whole  profession  and  the  regret  of  the  whole  community  were 
the  tribute  to  the  unselfish  devotion  and  high  and  unfaltering  purpose  he 
brought  to  his  art. 

The  personal  enjoyment  of  Mr.  Daly  was  the  collection  of  rare  books, 
prints,  autographs,  and  manuscripts.  His;  well-known  taste  and  liberality  in  fur- 
nishing his  stage  with  veritable  treasures  in  draperies,  carpets,  bric-a-brac,  and 
furniture  might  well  lead  one  to  suppose  that  he  would  surround  himself  at 
home  with  even  more  choice  collections.  It  was  well  known  that  he  possessed 
a  library  of  the  first  importance,  gathered  with  the  greatest  discrimination  and 
an  utter  disregard  of  cost,  as  a  few  instances  will  suffice  to  show  : 

First  Editions.  Shakespeare's  Comedies,  1623  (and  the  second,  third, 
and  fourth  folios)  ;  Spenser's  Faerie  Queene,  1590-6  ;  Milton's  Paradise  Lost  ; 
Burton's  Anatomy  of  Melancholy,  1621  ;  the  works  of  W.  H.  Ainsworth,  Sir 
Edwin  Arnold,  Alfred  Austin,  Charles  Lever,  Tennyson,  Longfellow,  etc.;  and 
the  unsurpassable  collections  of  Charles  Dickens,  \\'illiam  Makepeace  Thackeray, 
and  Sir  Walter  Scott. 

The  Uniquk  Illustrated  Books,  led  by  the  finest  known  copy  of  Ire- 
land's New  York  Stage,  in  51  folio  volumes,  with  8,000  illustrations,  include  a 
Douai  Bible,  in  42  volumes,  with  over  8,000  inserted  plates  and  drawings  ;  Lives 
of  Edmund  Kean,  John  Philip  Kemble,  Richard  Brinsley  Sheridan,  Lord  Byron, 
Charles  Dickens,  Dora  Jordan,  James  Sheridan  Knowles,  the  Booth,  Wallack, 
and  Colman  families,  Collcy  Cibber,  David  Ciarrick,  Samuel  Johnson,  Charles 
Mathews,  Ada  Rohan,  Edwin  Forrest,  etc.,  extravagantly  illustrated,  and 
copies  of  Geneste's  History  of  the  English  Stage,  Matthews  and  Mutton's  Actors 
and  Actresses,  and  Doran's  History  of  the  Stage  and  Calt's  Lives  of  the  Players, 
full  of  portrait  treasures.  The  more  strictly  American  portion  of  this  group  is 
led  by  Sanderson's  Signers,  a  copy  which,  for  many  reasons,  is  now  historic, 
even  though  the  famous  Lynch  letter  is  now  reunited  to  its  earlier  companions. 

In  original  manuscripts  and  autogra[)h  letters  the  richest  side  of  this  collec- 
tion is  much  in  evidence  ;  yet  so  much  is  known  of  the  matchless  grouj")  of 
Lamb,  Dickens,  and  Thackeray  correspondence  that  the  story  will  not  need 
telling  at  this  place  Sheridan's  MS.  of  the  School  for  Scandal,  the  eight  Scott 
manuscripts,  and  valuable  examples  from  the  pen  of  Hazlitt,  Coldsmith,  Samuel 
Johnson,  etc.,  will  be  more  of  a  surprise  to  the  readers  of  the  book  catalogue, 


and  the  wealth  of  material  in  the  famous  collection  of  autographs,  etc.,  gathered 
by  William  L'pcott,  with  additions  by  Mr.  Daly,  would  lend  distinction  to  any 
library. 

Any  further  details  should  be  sought  not  only  by  the  printed  descriptions, 
but  by  a  critical  examination  of  the  greatest  collection  of  book  treasures  ever 
offered  at  auction  in  the  United  States;  yet  this  sketch  must  not  be  closed 
without  a  special  reference  to  the  illustrated  Nell  Gwyn  (and  the  original  Title- 
deeds  to  her  Pall  Mall  house),  as  well  as  the  lavish  decoration  bestowed  on 
several  copies  of  Mr.  Daly's  tribute  to  the  memory  of  Margaret  Wofifington. 
Famous  mezzotint.s,  spirited  drawings,  rare  play-bills,  and  the  scarcest  portraits 
known  to  the  collector  have  come  and  gone  in  the  public  marts  for  some  years 
and  left  little  trace  of  their  new  abiding  places.  The  amateur  who  examines 
the  illustrated  books  here  exploited  will  no  longer  wonder  where  these  rarities 
are  to  be  found.  As  they  have  crossed  the  Atlantic,  it  is  to  be  hoped  they  will 
remain  here.  What  one  American  has  accomplished,  others  can  retain,  if  they 
will. 


SPECIAL    NOTICE. 


This  heinof  an  Executor's  sale  to  close  the  estate,  a  cash  deposit 
will  be  required  from  ever}'  purchaser  without  exception. 

Intending  purchasers  wishing  to  avoid  the  trouble  and  confusion 
of  making  a  deposit  during  the  sale,  can  make  arrangements  pre- 
vious to  day  of  sale,  with  the  undersigned,  at  their  office,  6  East 
Twenty-third  Street. 

In  compiling  this  catalogue  Mr.  J.  O.  Wright  has  endeavored 
to  make  descriptions  thoroughly  accurate,  but  we  guarantee  neither 
description  nor  condition,  sufficient  time  being  allowed  for  a  care- 
ful examination  of  the  books  and  other  objects  to  be  sold. 

AMERICAN    ART    ASSOCIATION, 

Managers. 

Thomas  E.  Kirbv,  Auctioneer^ 


CATALOGUE 

FIRST    AFTERNOON'S    SALE 

Monday,   March    1 9th 

AT    THE    AMERICAN    ART    GALLERIES 

BEGINNING    AT    2:30    o'CLOCK 

BRIC-A-BRAC 

1  Banko  Teapot. 

Incised  and  relief  ornamentation. 

2  Delft  Incense-Jar. 

Blue  decoration. 

3  Statuette. 

Seated  figure  of  Japanese.     Glazed  and  decorated. 

4  Miniature  Bust. 

Shakespeare.  "  Copied  from  the  monument  erected  by  Shakespeare's 
family  in  the  church  at  Stratford-on-Avon.  Published  by  William 
Pearce,  Stratford-on-Avon." 

5  Sake-Kettle  and  Lotus  Stand. 

Carved  bamboo.     2  pieces. 

6  Japanese  Repouss6  Tray.     . 

7  Plated  Cigar-Holder  and  Ash-Receiver. 

8  Set  of  Five  Antique  Chinese  Trays. 

Brown  lacquer.     Legendary  subject  encrusted  in  mother-of-pearl 

9  Two  Japanese  Bamboo  Paper-Cutters. 

Carved  ornamentation. 


10  Two  Japanese  Trays. 

C'arviil  and  inlaiil  with  ivory 

11  Bronze  Sake-Kettle. 

Silver  lined. 

12  Old  Indian  Silver  Incense-Box. 

Heart-shaped,  pierced  desij^n.     Fourteenth  century. 

13  Old  Japanese  Iron  Jewelry-Box. 

Relief  ornamentation  of  peony  and  birds,  in  gold,  Shakudo,  and  other 
metals.     Silver,  gilt  lined. 

14  Antique  Bronze  Roman  Lamp. 

15  Antique  Silver  Punch-Ladle. 

I'.aiiy  luiglish.     Ebony  handle. 

16  Antique  Snuff-Box. 

Carved  ivory. 

17  Antique  Snuff-Box. 

Tortoise  shell.     Carved  and  inlaid  with  silver. 


18     Ant 


que  Snuff-Box. 

i'ortoise  shell,  encrusted  with  silver. 


19  Antique  Ring-Box. 

Dome-shaped.     Wrought  in  silver. 

20  Brass  Mounted  Paper-Cutter  and  Scissors. 

in  wrought  brass  case. 

21  Brass  Bell. 

Reproduction  of  old  Florentine  bell.     Ivory  handle. 

22  Ancient  Papier-Mache  Tray. 

Hand-painted  decoration. 

23  Pair  Hand  Screens. 

(Jarved  wood.      Decorated  panels,  by  G.  Burtons. 

24  Ceremonial  Baton. 

Used  by  Special  Reception  Committeemen  of  the  Guild  Hall  of  Strat- 
ford, on  the  occasion  of  the  Shakespeare  Jubilee. 

25  Antique  Official  Baton. 

Engraved  coat-of-arms,  St.  George  and  the  Dragon,  and  date  1760. 

26  Goblet. 

Made  from  the  wood  of  Shakespeare's  house  (gathered  during  altera- 
tion).    Presented  by  Richard  Savage  to  Augustin  Daly,  1888. 


27  Covered  Box. 

Made  from  the  wood  of  Shakespeare's  Mulberry  Tree.     Presented  by 
Richard  Savage  to  Augustin  Daly,  1888. 

28  Antique  Silver  Oblong  Box, 

Repousse   ornamentation,   "  The  Village  Dance."     Presented,  to  Au- 
gustin Daly  by  Mr.  John  Drew. 

29  Old  Corean  Pottery  Bowl. 

With  syphon  attachment.     Gray  glaze,  incised  ornamentation. 

30  Pair  Cylindrical  Vases. 

Carved  bamboo,  pierced  design. 

31  Pair  Cylindrical  Vases. 

Tortoise  shell  and  lacquer. 

32  Olive  Wood  Cigarette-Box. 

33  Japanese  Lacquer  Perfume-Box. 

34  Lacquered  Snuff-Box. 

Encrusted  with  mother-of-pearl. 

35  Carved  Soochow  Lacquer  Perfume-Box. 

36  Two  Delft  Candlesticks. 

One,  griffin  design. 

37  Delft  Plaque. 

Fishing  scene  in  blue. 

38  Delft  Tray. 

Decorated  in  blue.     Holland  scenes. 

39  Onyx  Chalice. 

40  Pair  Bronze  Stork  Candlesticks. 

41  Japanese  Pottery  Statuette. 

"  The  Frightened  Servant." 

42  Pair  Kyoto  Faience  Tall  Candlesticks. 

Dragon  in  relief,  and  decorated. 

43  Pair  Bronze  Groups. 

"  Tlie  Jugglers." 

44  Pair  Delft  Candlesticks. 

Decorated  in  blue. 

45  Ancient  Carved  Wood  Statuette. 

Priest.     Gold  enamel  decoration. 

3 


46  Delft  Octagonal  Jar. 

Decoration  of  figures  and  flowers  in  blue. 

47  Pair  Satsuma  Faience  Tall  Candlesticks. 

Incised  and  gilt  decoration. 

48  Italian  Faience  Plate. 

Decoration  of  birds  and  flowers. 

49  Crown  Derby  Statuette. 

Mary  Anderson. 

50  Pair  Royal  Dresden  Statuettes. 

_  .Morning  and  Night.     Richly  decorated. 

51  Beer  Set. 

Cierman  Faience. 

52  Pair  Japanese  Faience  Vases. 

Apple-green  crackle  glaze. 

53  Italian  Faience  Globular  Vase. 

Decoration  of  warrior  heads  and  bold  floral  designs  in  rich  colors. 

54  Antique  Italian  Majolica  Globular  Vase. 

Decoration  of  heads  and  floral  designs  in  bright  enamels. 

55  Decorated  Faience  Group. 

The  Young  Fishermen. 

56  Italian  Faience  Centre  Piece. 

Rich  decoration  of  birds  and  flowers  in  natural  colors. 

57  Decorated  Faience  Flower-Holder. 

Young  Bacchus. 

58  Repousse  Copper  Kettle  and  Stand. 

59  Japanese  Bronze  Mask. 

Silver,  bronze,  and  gilt. 

60  Antique  Inlaid  Woodwork  Basket. 

Metal  handle. 

61  Ancient  Japanese  Carved  Wood  Buddha. 

C;ilded. 

62  Antique  Repouss6  Copper  Tankard, 

Tall  form. 

63  Antique  Bootleg  Tankard. 

Dated  1646.     Metal  mountings. 

64  Plated  Tankard. 

To  commemorate  "the  first  performance  of  the  Taming  of  the  Shrew 
in  America,  at  Daly's  Theatre,  January  18,  1887." 

4 


65  Ancient  Venetian  Ecclesiastic  Coffer. 

Carved  and  decorated. 

66  Louis  XV.  Ormolu  Double  Candlestick. 

With  embroidered  sliding  screen. 

67  Plaster  Mask. 

Washington.     Mounted  on  oak  panel. 

68  Plaster  Mask. 

Ludwig  von  Beethoven. 

69  Plaster  Mask. 

Shakespeare.     From  the  Stratford  bust. 

70  Plaster  Mask. 

Goethe. 

71  Plaster  Mask. 

Frederick  Schiller. 

72  Plaster  Mask. 

David  Garrick. 

73  Plaster  Mask. 

Richard  Brinsley  Sheridan. 

74  Plaster  Mask. 

Maria  F.  Malibran. 

75  Plaster  Mask. 

Ludwig  von  Beethoven. 

76  Pair  Plaster  Figures. 

Burton   as  "  Captain  Cuttle  "  and  "  Aminadab  Sleek."     By  C.  Muller, 
New  York. 

77  Plaster  Bas-relief. 

A  wood  nymph.     From  "  A  Midsummer  Night's  Dream." 

78  Pair  Bohemian  Covered  Vases. 

Chalice-shaped.     Cut  and  gold  enamelled  ornamentation. 

79  Pair  Richly  Cut  Glass  Claret-Jugs. 

Heavy  texture. 

80  Pair  Antique  Cut  Glass  Decanters. 

Heavy  texture.     Quarts. 

81  Venetian  Glass  Flagon. 

Ruby  and  turquoise. 

82  Pair  Ruby  and  White  Glass  Candelabras. 

Five  lights  each. 

S 


83  Venetian  Ruby  and  White  Glass  Wine-Bottle. 

84  Three  Venetian  Glass  Flagons. 

\'ari(ius  colors. 

85  Bohemian  Glass  Flagon. 

Enamelled  decoration  of  equestrian  figure  and  coat  of  arms. 

86  Two  Venetian  Glass  Wine-Bottles. 

Eii^M-avcd. 

87  Venetian  Glass  Wine-Bottle. 

Barrel  design. 

88  Bohemian  Green  Glass  Tankard. 

lOnanielled  coat  of  arms. 

89  Bohemian  Green  Glass  Vase. 

Enamelled  coat  of  arms. 

90  Bohemian  Green  Glass  Large  Tumbler. 

I'-iiamcllcd  coat  of  arms  and  inscriptions. 

91  Bohemian  Wine  Glass. 

Enamelled  coat  of  arms. 

92  Bohemian  Wine  Glass. 

iMiamellcd  ornamentation. 

93  Venetian  Glass  Ornament. 

Dragon  holding  ruby  vase. 

94  Six  Venetian  Wine  Glasses. 

X'arious  patterns. 

95  Six  Combination  Wine  Glasses. 

Cut,  and  gold  enamelled. 

96  Pair  Carved  Wood  and  Gilt  Sconces. 

I'Y-male  figures. 

97  Old  Staffordshire  Blue  Plate. 

The  old  Park  Theatre.     Plush  frame. 

98  Oak  Cigar-Chest. 

Mcial  Hned. 

99  Pair  Bronze  Bas-reliefs. 

Mythological  subjects.     Carved  wood  frame. 

100     Pair  Bronze  Medallion  Heads. 

Corncillc  and  .Molicre.     Plush  frames. 

loi     Pair  French  Porcelain  Vases. 

Decoration  of  girl  with  parrot,  flowers,  and  other  designs. 

6 


102  Limoge  Faience  Vase. 

Bottle-shaped.     Floral  decoration  modelled  in  relief. 

103  Bottle  Vase. 

Chinese  porcelain.     Flowers,  birds,  and  butterflies  in  natural  colors. 

104  Large  Ivory  Tankard. 

Artistically  carved,  in  bold  relief,  dolphins,  Tritons,  sea-nymphs,  and 
Cupids.    Elaborate  repouss6  silver  mountings, 

105  Ruby  Glass  Syphon. 

Metal  mountings  and  marble  base. 

106  Pair  Old  Sheffield  Silver-Plated  Candelabras. 

Five  lights  each. 

107  Onyx  Mantel  Clock. 

With  gilt-bronze  bas-reliefs  of  classical  figures.     Surmounted  by  a 
bronze  and  gilt  figure,  The  Bather. 

108  Bronze  and  Red  Marble  Inkstand. 

With  green  bronze  Etruscan  vase. 

109  Fine  Bronze  Group. 

Diana.     By  Clesinger.     Rome,   i860. 

no    Bronze  and  Gilt  Bust. 

Egyptian  priest. 

111  Spelter  Bronze  Figure. 

Hamlet. 

112  Pair  Spelter  Bronze  Busts  on  Columns. 

Black  marble  bases. 

113  Large  Bronze  Figure. 

Mercury.     Golden  brown  patina,  black  marble  base. 

114  Large  Bronze  Group. 

Maternal  Love.     Golden  brown  patina,  red  marble  base. 

115  Elaborate  Bronze  Bust. 

Empress  of  Austria.    By  Lebosse.     Onyx  base. 

116  Elaborate  Bronze  Group. 

Equestrian  figure  of  Arab.     By  Edouard  Letourneau.     Enamelled. 

117  Heroic  Bronze  Bust. 

Hermes. 

118  Pair  Decorated  French  Porcelains  and  Gilt  Bronze  Candelabras. 

Six  lights  each. 

119  Two  Japanese  Lacquered  Panels. 

Carved  wood  frames. 

7 


120  Large  Kyoto  Faience  Cylindrical  Vase. 

Figures  of  Japanese  warriors,  and  landscape,  in  brilliant  colors  and 
gold. 

121  Plaster  Head  of  Sphinx. 

lironzc  patina. 

122  Wrought  Brass  Sconce. 

Openwork  design. 

123  Two  Japanese  Carved  Wood  Figures. 

The  long-legged  and  long-armed  men. 

124  Two  Illuminated  Glass  Panels. 

(ierman  female  heads. 

125  Two  Stained  Glass  Panels. 

Centre    medallions  taken  from  the   Shakespeare  Church,  Stratford- 
upon-Avon.     Presented  to  Mr.  Daly  by  the  Rev.  B.  F.  DaCosta. 

126  Eleven  Ruby  Rhine  Wine  Glasses. 

127  Ten  Amber  Rhine  Wine  Glasses. 

128  Ten  Tumblers. 

Flcjral  designs  embossed  in  blue  enamel. 

129  Nineteen  Wine  Glasses. 

To  match  the  preceding. 

130  Tv/elve  Bohemian  Champagne  Glasses. 

Green  and  gold.     Funnel-shaped  bowls. 

131  Eleven  Tall  Champagne  Glasses, 

To  match  the  preceding. 

132  Ten  Rhine  Wine  Glasses. 

To  match  the  preceding. 

133  Sixteen  Wine  Glasses. 

To  match  the  preceding.     Two  sizes. 

134  Five  Champagne  Bowls. 

Stem  and  leaf  supports. 

135  Sixteen  Venetian  Glass  Tall  Champagnes. 

Twisted  stems. 

136  Six  Claret  Glasses. 

Engraved  lilies-of-the-valley. 

137  Five  Tall  Champagnes. 

Embossed  in  gold.     Two  patterns. 

138  Seven  Assorted  Wine  Glasses. 

8 


139  Twelve  Baccarat  Liqueur  Glasses. 

140  Twelve  Spun  Glass  Ice-Cream  Dishes. 

141  Twelve  Spun  Glass  Ice-Cream  Dishes. 

Deep  form. 

142  Venetian  Glass  Decanter. 

Enamelled  floral  decoration. 

143  Punch  Set. 

Consisting  of  ruby  glass  punch-bowl,  amber  glass  tray,  and  12  ruby 
and  amber  glass  punch-mugs,  ornamented  with  enamelled  flowers. 

144  Twelve  Faience  Leaf-shaped  Trays. 

145  Twelve  Porcelain  Dessert  Plates. 

Decoration  of  cherubs.     Gilt  edges. 

146  Twelve  Ice-Cream  Saucers. 

To  match  the  preceding. 

147  Four  Dresden  China  Plates. 

Decoration  of  pastoral  subjects  and  sprays  of  flowers  in  panels. 

148  Nine  Dessert  Plates. 

Redon  Limoge.     Decoration  in  gold  enamel. 

149  Three  Fruit  Trays. 

Haviland's  I.imoge.     Figure  decoration. 

150  Twelve  Dinner  Plates. 

Stoke-upon-Trent.     Sprays  of  flowers  in  blue  and  gold. 

151  Twelve  Dessert  Plates. 

To  match  the  preceding. 

152  Twelve  Dinner  Plates. 

Haviland's  Limoge.    Sprays  of  flowers  and  lace  pattern.     Medallions 
in  gold  and  green  enamel. 

153  Twelve  Soup  Plates. 

Minton's.     Chinese    willow   pattern  in  cobalt  blue.     Basket-pattern 
borders. 

154  Fruit  Basket. 

Fischer  and  Meigs,  Carlsbad.     Openwork  design.     Gilt  decoration. 

155  Compote. 

Redon  Limoge.     Gilt  decoration. 

156  Twelve  Bouillon  Cups  and  Saucers. 

Cauldon  ware.     Flowers  in  cobalt  blue  and  gold. 

9 


157  Five  Tea  Cups  and  Saucers. 

To  match  the  preceding. 

158  Seven  After-Dinner  Coffee  Cups  and  Saucers. 

French  porcelain.     Blossoms  in  gold  enamel. 

159  Twelve  After-Dinner  Coffee  Cups  and  Saucers. 

Japanese  eggshell  porcelain.     Floral,  landscape,  and  figure  subjects. 

160  Old  English  Cup  and  Saucer. 

Floral  and  other  designs  in  pink,  green,  and  gold. 

161  Cup  and  Saucer. 

Limoge.     Sprays  of  flowers,  ferns,  and  butterflies  in  gold  enamel. 

162  Twelve  Roman  Punch  Cups. 

riower  and  leaf  designs. 

163  Three  Specimens  of  Dresden  China. 

Small  tray  and  saucers.     Figures  and  flowers  in  various  colors. 

164  Twelve  Assorted  Plates  and  Saucers. 

165  Seven  Faience  Ornaments  for  Table  Decoration. 

Mower  designs. 

166  Seven  Faience  Ornaments  for  Table  Decoration. 

Branches  of  roses. 

167  Four  Small  Faience  Ornaments  for  Table  Decoration. 

Branches  of  blossoms. 

168  Limoge  Dinner  Ware. 

Ciilt  decoration.     Comprising  fifty-seven  pieces. 

169  Twelve  Sterling  Silver  Teaspoons. 

Rococo  pattern.     Mark  initial  "  D." 

170  Twelve  Dessert  Spoons. 

To  match  the  preceding. 

171  Twelve  Soup  Spoons. 

To  match  the  ])receding. 

172  Twelve  Table  Forks. 

To  match  the  preceding. 

173  Twelve  Dessert  Forks. 

To  match  the  preceding. 

174  Twelve  Sterling  Silver  Oyster  Forks. 

King's  pattern, 

175  Twelve  Sterling  Silver  After-Dinner  Coffee  Spoons. 

Leaf  pattern. 


176  Four  Plated  Punch  Spoons. 

177  Thirteen  Assorted  Spoons. 

Marked  "Daly." 

178  Five  Assorted  Forks. 

Marked  "  Daly." 

179  Eighteen  Table  Knives. 

Repousse  silver  handles. 

180  Eighteen  Dessert  Knives. 

To  match  the  preceding. 

181  Set  Carvers. 

To  match  the  preceding.     Five  pieces. 

182  Twenty-four  Dessert  Knives. 

Silver  plates,  blades,  and  handles. 

183  Set  Carvers,  Forks,  and  Steel. 

Euckhorn  handles  and  silver  mountings. 

184  Two  Plated  Soup  Ladles. 

185  Plated  Salad  Fork  and  Spoon. 

Marked  "  Daly." 

187  Plated  Mustard  and  Horse-Radish  Cups. 

With  silver  spoons. 

188  Ice-Pick  and  Call  Bell. 

189  Eleven  Individual  Salt  Stands. 

Oyster  shells  mounted  in  silver. 

190  Six  Liqueur  Glasses. 

Repouss^  silver  mounting.     In  case. 

191  Twelve  Sterling  Silver  After-Dinner  Coffee  Spoons. 

Gilt  bowl.     In  case. 

192  Sterling  Silver  Ice-Cream  Knife. 

In  case. 

193  Gorham  Entree  Dish. 

Oval.     Repousse  chased  ornamentation. 

194  Gorham  Oblong  Entree  Dish. 

To  match  the  preceding. 

195  Set  of  Three  Gorham  Oblong  Trays. 

Rich  repouss^  chased  borders. 

196  Pair  Gorham  Oval  Entree  Dishes. 

Marked  "  Daly." 


197  Silver-Plated  Bottle  Holder. 

MarkcHl  "A.  Daly." 

198  Plated  Chafing  Dish. 

199  Plated  Ice  Bowl. 

Hammered  design. 

200  Plated  Fruit  Bowl. 

Repousse  band.     Marked  "  Daly." 

201  Two  Plated  Wine  Coolers. 

Etched  ornamentation. 

202  Porcelain  Kettle  and  Spirit  Lamp. 

203  Empire  Teapot,  Sugar  Bowl,   and  Cup. 

Figures  and  interior  views  in  panels. 

204  Empire  Cup  and  Saucer. 

Marine  view  in  panel. 

205  German  Stein. 

Figures  in  medallions. 

206  Japanese  Porcelain  Miniature  Flower  Pot  and  Stand. 

Stork,  and  bamboo  in  blue. 

207  Kyoto  Teapot. 

208  Mexican  Pottery  Jug. 

In  shape  of  dog. 

209  Antique  Copper  Lustre  Teapot. 

210  Curious  Bottle-Shaped  Vase. 

Made  of  numerous  fragments  of  glass  and  porcelains. 

211  Pair  Gilt  Bronze  and  Marble  Candlesticks. 

Phoenix  design. 

212  Silver  Censer. 

Openwork  design. 

213  Desk  Set. 

Comprising  tortoise-shell,  silver,  and  enamel  paper  knives,  clip,  and 
cigar  tray. 

214  Pair  Gilt  Bronze  and  Red  Marble  Candelabras. 

Three  lights  each.     Low  form. 

215  Bronze. 

Lion  and  Serpent.     Green  patina.     Signed  '*  Barye," 

216  Bronze. 

Elephant  Running.     Signed  "  Barye." 


217  Wooden  Card  Tray  and  Pearl  Chips. 

218  Statuette. 

Porcelain.     In  imitation  of  carved  wood. 

219  Antique  Italian  Faience  Jar. 

Medallion  head  and  floral  designs  in  blue  and  yellow  enamels. 

220  Decorated  Faience  Punch  Bowl. 

Figure  of  Punch,  support. 

221  Pair  Elaborate  Glass  Candelabras. 

Seven  lights  each,  with  engraved  candle  shades. 

222  Cabinet  of  Conjuring  Tricks. 

223  Thermometer. 

Mounted  on  halberd. 

224  Thermometer. 

Mounted  in  pottery  frame.     Girl  and  boy  with  fan. 

225  Pair  of  Wood  Carvings. 

226  Bronze  Bell. 

Japanese. 

227  Pair  of  Pocket  Kodaks. 

228  Calendar  Frame. 

With  barometer  and  clock. 

229  Iron  Teapot. 

Japanese. 

230  Electric  Lamp. 

231  Three  Bamboo  Panels. 

232  Terrestrial  Globe. 

233  Japanese  Masks. 

Four  pieces. 

234  Plaster. 

Bas-relief.     Shakespearian  scenes. 

235  Bust  of  Moli^re. 

236  Bronze  Pedestal  for  the  preceding  Bust. 

237  Pair  of  Dresden  China  Candelabra. 

238  Pair  of  Threefold,  Wood,  Lattice-work  Screens. 

239  Plaster  Bust  of  Sir  Walter  Scott. 

240  Egyptian  Hanging  Lantern. 

13 


241  Glass  Bottle. 

Painted  decoration  of  figures  and  fruits. 

242  Lacquered  Hat. 

243  Japanese  Wood  Carving. 

Figure  of  dragon. 

244  Italian  Brazier. 

Repousse  and  pierced  decoration  of  flowers,  birds,  and  animals. 

245  Stag's  Head. 

246  Stag's  Head. 

247  Kylin. 

Japanese  porcelain. 

248  Remington  Typewriter. 

249  Mosaic. 

Madonna  and  child. 

250  Repousse  Copper  Plaque. 

Head  of  Shakespeare,  and  characters  from  his  various  plays. 

251  Pair  Brass  Candelabra, 

Female  figure  supporting  branches. 

252  Antique  French  Jewel  Box. 

Panels  decorated  with  efifigies  and  coat  of  arms.     A  fine  specimen  of 
early  iron  work. 

253  Empire  Lamp. 

254  Brass  Lamp. 

Crystal  pendants. 

255  Engraved  Glass  Lamp. 

256  Student  Lamp. 

257  Terra  Cotta  Plaque. 

I'igure  of  old  woman. 

258  Hanging  Bracket  and  Pocket. 

Carved  wood  bust. 

259  Pair  Lanterns. 

Reticulated  bronze. 


14 


SECOND    AFTERNOON^S    SALE 

Tuesday,  March  20th 
AT    THE    AMERICAN    ART    GALLERIES 

BEGINNING    AT    2.30    o'CLOCK 

260  Sword  Cane. 

261  Cane. 

Carved  wood. 

262  Irish  Shillelah. 

263  Pair  Canes. 

264  Pair  Canes. 

265  Three  Canes. 

266  Umbrella  Stand. 

Repousse  brass. 

267  Figure  of  Monkey. 

268  Miniature. 

Signed  "  Maria  James." 

269  Glass  Inkstand. 

270  Pair  of  Partition  Decanters. 

271  Pair  Decanters. 

272  Covered  Mug. 

Bohemian  glass. 

273  Five  Wine  Glasses. 

Assorted. 

274  Glass  Pitcher  and  Two  Glasses. 

Bronze  mounts. 

275  Glass  Whiskey  Jug. 

276  Cut  Glass  Covered  Dish. 

15 


277  Piece  of  Coral. 

278  Pitcher. 

Doulton  ware.     Blue  and  white. 

279  Vase. 

Capo  di  Monti.     Pastoral  scenes. 

280  Coffee-Pot. 

Chinese  porcelain.     Floral  decorations. 

281  Teapot. 

I'^njrli.sh  porcelain. 

282  Pair  Egyptian  Lamps. 

283  Ann  Hathaway's  Cottage. 

Modelled  in  porcelain. 

284  Bronze  Statuette. 

Water  Carrier. 

285  Six  Nut-Dishes. 

French  porcelain,  floral  decoration. 

286  Cups,  Saucers,  and  Covered  Dish. 

Raised  floral  decoration.     Four  pieces. 

287  Lacquer  Stand, 

288  Wall  Bracket. 

Grotesque  figure. 

289  Wall  Bracket. 

Figure  of  monkey. 

290  Pompeiian  Lamp. 

Figure  of  Mercury. 

291  Candlestick. 

Low  form. 

292  Brass  Card-Receiver. 

Repousse  classic  figures. 

293  Copper  Tankard. 

294  Brass  Vase. 

Indian  decoration. 

295  Hob,  Kettle,  and  Bracket. 

296  Ram's  Head  Snuff-Box. 

Elaborately  mounted  in  sterling  silver.     Large  topaz  inserted   in  lid 
Engraved  monogram,  with  ceremonial  implements. 

16 


297  P3,ir  of  Busts. 

Grotesque  heads. 

298  Pair  Candelabra. 

Bronze  figures  supporting  six  lights. 

299  Bowl. 

Kaga.     Decoration,  "Wise  Men." 

300  Vase. 

Japanese    porcelain.      Square    form.      Landscape    and    figure   deco- 
rations. 

301  Vase. 

Satsuma.     Figure  and  landscape  decorations. 

302  Covered  Jar. 

Blue  and  white  Japanese  crackle. 

303  Vase. 

Blue  and  gray  mottled  splash  glaze, 

304  Vase. 

Chinese  porcelain.     Figures  of  vases,  fruit,  and  flowers  in  bold  relief 
on  yellow  ground. 

305  Vase. 

Blue  and  white  Japanese  porcelain.     Foliage  decoration. 

305*  Jewel  Casket. 

Panels  in  enamel  on  copper. 

306  Miniature. 

Portrait  of  Ada  Rehan.     And  jewels. 

307  Pair  of  Bronze  Candlesticks. 

Low  form. 

308  Mug. 

Gris  d'Flanders.     Pewter  top. 

309  Pair  of  Mugs. 

Gris  d'Flanders. 

310  Mug. 

Stoneware. 

311  Pair  of  Pitchers. 

Gris  d'Flanders. 

2  17 


312  Pair  of  Pitchers. 

I  iris  crFkmders. 

313  Pitcher. 

t'.ris  d  Flanders. 

314  Vase. 

Square  bottle  form.     Oris  d'Flanders. 

315  Pair  of  Tobies. 

316  Pitcher. 

Stoneware.     Bacchanalian  figures  in  relief. 

317  Covered  Mug. 

(Irecn  ^laze. 

318  Covered  Mug. 

Majolica. 

319  Pitcher. 

Ewer  .shape.     Twisted  handles. 

320  Pair  Vases. 

Pitcher  form.     Italian  majolica. 

321  Mug. 

322  Vase. 

Italian  majolica. 

323  Pitcher. 

Doulton  ware. 

324  Pair  of  Urn-shaped  Vases. 

Italian  majolica.     Decorations  of  Scriptural  scenes. 

325  Covered  Pitcher. 

Decorations  of  figures  in  relief. 

326  Pair  of  Vases. 

I'igure  and  landscape  decoration. 

327  Vase. 

Italian  majolica. 

328  Terra  Cotta  Statuette. 

Shakespeare. 

329  Clock. 

Ciilt-brass  case.     Kilpatrick,  New  York. 

18 


330  Pair  of  Thermometers. 

331  Butter-Dish  and  Toast-Rack. 

Silver  ]:)]ated. 

332  Coaster  and  Cups. 

Silver  plated. 

233    Nut-Dish. 

Silver  plated. 

334  Three  Trays. 

Silver  plated. 

335  Chocolate-Pot  and  Coffee-Pot. 

Silver  plated. 

336  Ice-Water  Pitcher  and  Tray. 

Silver  plated. 

337  Ice-Water  Pitcher,  Tray,  and  Cup. 

Silver  plated. 

338  Hot-Water  Kettle. 

Silver  plated. 

339  Pair  of  Candlesticks. 

Silver  plated. 

340  Ice-Water  Pitcher,  Tray,  and  Cup. 

Silver  plated. 

341  Montana  Silver  Statue. 

Gold  base.     World's  Columbian  Exposition,  1893. 

342  Tviro  Pewter  Tankards. 

343  Two  Pewter  Tankards. 

344  Two  Pewter  Tankards. 

345  Pair  of  Brass  and  Porcelain  Pedestals. 

346  Russian  Enamel  Box. 

347  Two  Repousse  Plaques. 

"  The  Lovers." 

348  Two  Bronze  Candlesticks. 

One  of  Persian  design. 

349  Pair  of  Candlesticks. 

Persian  design.     Low  form.     Bronze. 

19 


350  Pair  Antique  Iron  Lamps. 

351  Double  Goblet. 

Gothic  style.     Unique. 

352  Six  Finger  Rings. 

\'arii)us. 

353  Antique  Silver  Watch. 

With  fob  chain. 

354  Two  Revolvers. 

355  Detective  Camera. 

356  Desk  Articles. 

Calender,  jade  paper-cutter,  paper  clip,  and  pad  holder. 

357  Antique  Crucifix. 

Carved  coral,  enamelled  and  gilt  bronze. 

358  Sevres  Plate. 

Napoleon  III.     Letter  "  N.,"  with  crown. 

359  Bisque  Group. 

Cupid  and  Psyche. 

360  Vase. 

French  china.     Portrait  of  Petrarch's  Laura. 

361  Pair  of  Vases. 

Floral  decorations  in  colors. 

362  Tea-Set. 

French   porcelairi'.      Comprising    tea-pot,  pitcher,   sugar-bowl,    and 
seven  cups  and  saucers. 

363  Two  Cups  and  Saucers. 

Berlin  porcelain.     Floral  decoration. 

364  Wood  Carving. 

Fiji^ure  of  nun. 

365  Salad-Bowl. 

Berlin  china.     Conventionalized  floral  decoration. 

366  Vase. 

Dresden  china.     Richly  painted  panel.     Watteau  subject.     Rosette, 
figures  of  flowers,  fruit,  insects,  cupid,  and  female. 

367  Pair  of  Vases. 

Dresden     porcelain.       Richly    painted    panels.      Watteau    subjects. 
Rosette,  figures  of  fruit,  flowers,  and  cupids. 


368  Cast  of  the  Right  Hand  of  Thackeray. 

"  Which  ne'er  writ  a  flattery  nor  signed  the  page  that  yet  told  a  lie." 

Presented  to  Augustin  Daly  by  Sir  Henry  Thompson,  for  whom  it 
Avas  taken  from  the  body  of  Thackeray,  after  death,  by  Brucciani, 
with  presentation  letter,  which  reads  as  follows  : 

(35  WiMi'Oi.E  St.  W.),  Sep.  30,  '91. 
Dear  Mr.  Daly  : 

On  the  morning  on  which  my  poor  friend  Thackeray  (Xmas  day,  1863)  was 
found  dead  in  his  bed,  I  was  sent  for  to  see  him.  He  had  evidently  been 
dead  some  4  to  6  hours  and  I  went  to  Brucciani,  a  famous  artist  here  at  that 
time,  in  cast-production  from  the  body,  to  take  one  each  of  his  face  &  of  his 
right  hand.  By  some  mischance  the  former  was  not  agreeable,  none  of  the 
charm  of  expression  so  attractive  during  life,  &  it  was  rejected.  But  the 
hand  is  a  portrait  &  recalls  to  me  very  strongly  the  character  of  the  original. 

Please  accept  it,  in  the  little  case,  as  a  mark  of  my  great  respect  for  one 
who  so  highly  appreciates  the  master  &  his  writings,  &  who  possesses  those 
invaluable  autographs     . 

Yours  very  sincerely 

(Sir)  Henry  Thompson. 

368*  Portrait  of  Thackeray  by  Himself. 

With  a  letter,  hitherto  unpublished,  addressed  to  Lady  Molesworth. 
The  portrait  was  sold  with  the  Molesworth  collection  without  the 
discovery  of  the  letter,  which  was  concealed  at  the  back  of  the 
picture. 

369  Miniature    Portrait    of    Edmund    Kean    in    the   Character   of 

Hamlet. 

With  autograph  and  promissory  note  inserted  on  reverse. 

370  Kean  Relics. 

Shylock's  bond,  scales,  and  knife.  Used  by  Edmund  and  Charles 
Kean.     Mounted  in  glass  cabinet. 

371  Finely  Wrought  Silver  and  Gilt  Chess-Board. 

With  complete  set  of  chessmen,  in  cloth  case. 

372  Cardinal's  Antique  Ecclesiastical  Service  Complete. 

Wrought  in  silver  and  copper  gilt,  with  brocade  altar  cloth,  in  inlaid 
wood  and  plush-lined  chest.  Formerly  the  property  of  Cardinal 
Mertel,  Rome. 

373  Pair  Large  Vases. 

Sevres  style.  Decoration  of  pastoral  subjects  and  landscapes.  Tur- 
quoise-blue glaze,  with  gold  enamel  ornamentation.  Clilt-bronze 
mountings. 

374  Onyx  Pedestal. 

With  elaborate  gilt-bronze  mountings. 


375  Elaborate  Covered  Urn  and  Pedestal. 

Sarrcquimines.  Kich  king's  blue  and  splash  glaze,  with  pedestal  of 
griffin  design. 

376  Elaborate  Vase. 

Kyoto  faience.  Decoration  of  figures  of  priests,  daimio,  and  his- 
torical subject,  in  various  enamels  and  gold.  Handles  of  cords, 
and  tassel  pattern  modelled  in  relief. 

377  Large  Faience  Vase. 

King's  blue  glaze.  Rampant  lion  and  various  sprays  of  flowers 
modelled  in  relief  and  gilt. 

378  Elaborate  Jardiniere. 

Faience.     Figures  modelled  in  relief.     Mounted  on  a  carved  stand. 


ARMS,  ARMOR,  AND   WEAPONS 

379  Set  of  Fire-Arms. 

Case  containing  a  derringer,  and  three  revolvers  of  different  styles 
and  various  calibres  ;  French  manufacture. 

380  Antique  Powder-Horn. 

.Mbanian.     Sixteenth  century. 

381  Two  Ceremonial  Staffs. 

382  Short  Sword. 

Japanese. 

383  Short  Sword. 

Japanese.     Black  lacquer  and  gold  scabbard. 

384  Sword. 

Japanese.     Aventurine  lacquer  scabbard,  shark-skin  hilt. 

385  Java  Kris. 

386  Cutlass. 

Souvenir  of  Rice's  1492. 

387  Sword. 

Mounted  on  frame. 

388  Pair  Pistols. 

IJarrel,  lock,  and  stock  elaborately  decorated  with  gilt  bronze. 

389  Pair  Foils. 

390  Dress  Sword. 

Used  in  Twelfth  Night. 

22 


391  Pair  Dress  Swords. 

Used  in  Twelfth  Night. 

392  Sword. 

Used  in  Peg  Woffington. 

393  Sword. 

Used  in  Peg  Woffington. 

394  Dress  Sword. 

395  Dress  Sword. 

396  Dress  Sword. 

397  Trophy  of  Arms. 

Hehnet,  cuirasses,  gauntlets,  and  battle-axes. 

398  Suit  of  Chain  and  Plate-Armor. 

Hehnet,  with  vizor,  cuirasses,  gorget,  epaulieres,  rercbrace,  vam- 
braces,  cubitieres,  gauntlets,  jambs,  genouillieres,  sabotons. 

399  Suit  of  Plate-Armor. 

Helmet,  with  vizor,  gorget,  rerebrace,  vambrace,  cubitieres,  gauntlets, 
cuirasses,  fassets,  genouillieres,  greaves,  sabotons. 

400  Chain  and  Plate-Armor. 

Sallet,  with  plumes,  gorget,  cuirasses,  cuishes,  genouillieres,  jambs, 
sollerets,  and  spurs,  epaulieres,  rerebraces,  vambraces,  cubitieres, 
condieres,  gauntlets,  sword,  and  shield.     Fleur-de-lys  in  gold. 

401  Armor  for  Horse  and  Rider. 

Chamfron,  crimier  and  housings,  stirrups,  helmet,  with  plumes, 
gauntlets,  genouillieres,  jambarts,  sollerets. 


MUSICAL   INSTRUMENTS 

402  Auto-harp. 

403  Italian  Lyre. 

404  JEoUan  Harp. 

l^mpire  design. 

405  Music-Box. 

406  Zither. 

407  Spanish  Lute. 

408  Spanish  Mandolin. 

409  Venetian  Chittarone. 

23 


410  Venetian  Chittarone. 

411  Venetian  Chittarone. 

412  Kinnari   Bina. 

From  Hindustan. 

413  Kinnari  Bina. 

From  Hindustan. 

414  Kinnari  Bina. 

From  Hindustan. 

415  Kinnari   Bina. 

From  Hindustan. 

416  Guitar  Lyre. 

Italian. 

417  Japanese  Samisen. 

With  black  lacquer  case. 

418  Organ. 

Five  octaves,  made  by  Mason  and  Hamlin. 

419  Antique  Harpsichord, 

Inside  of  case  elaborately  decorated  vi^ith  painting  of  landscape  and 
social  scenes. 

420  Antique  Harpsichord. 

Two  banks  of  keys,  inside  of  case  elaborately  decorated  with  paint- 
ings of  flowers,  landscape,  and  social  scenes.  Made  by  Pietro 
Locatelli  in  Rome,  1660.  Restored  in  Genoa,  in  1839,  by  Vitorio 
Duclaud. 

421  Antique  Harpischord. 

Made  by  Johannes  Pohlman  Leuclen,  1775.  Mahogany,  and  case 
inlaid. 


FURNITURE 

422  Foot-Rest. 

423  Marquetry  Tray. 

424  Pair  Wicker  Corner  Chairs. 

Upholstered. 

425  Pair  Wicker  Arm-Chairs. 

426  Wicker  Corner  Chair. 

427  Wicker  Table. 

24 


428  Carved  Mahogany  Two-Fold  Screen. 

Painted  panels. 

429  Pedestal. 

Richly  carved  wood,  gilt. 

430  Couch. 

Carved  wood,  gilt,     l^pholstered. 

431  Couch. 

Carved  wood,  gilt.      Upholstered. 

432  Window-Seat. 

Carved  wood,  gilt. 

433  Window-Seat. 

Painted  decoration. 

434  Pair  of  Chairs. 

Painted  decoration. 

435  Arm-Chair. 

To  match. 

436  Centre  Divan. 

(iilt  wood.     Embossed  satin. 

437  Pair  of  Arm-Chairs. 

Antique  carved  oak.     Embroidered  seat. 

438  Divan. 

Circular  form. 

439  Divan. 

Circular  form. 

440  Table. 

(jcometric  inlay  of  mother-of-pearl  and  tortoise  shell. 

451  Arm-Chair. 

Sheraton  design.     Claw  and  ball-foot  legs. 

452  Centre  Table. 

Chinese.     Landscapes  and  boating  scene  in  ivory  inlay.     Legs,  richly 
carved  design,  dragons. 

453  Screen. 

Chinese.     Teakwood.     Inlaid  and  reticulated  wood. 

454  Arm-Chair. 

High  back.     Carved  wood. 

455  Hanging  Rack. 

Carved  oak. 

25 


456  Arm-Chair. 

Carved  oak. 

457  Arm-Chair. 

Ipliulstcred  in  Spanish  leather. 

458  Sofa. 

Carved  wood,  gilt.     Upholstered  in  embossed  plush. 

459  Pair  of  Mirror  Stands. 

460  Stool. 

Carved  wood.     Marble  top. 

461  Chair. 

(iilt    rosewood.      Swan-neck     arms,     claw    feet.       Upholstered    in 
applique  velvet. 

462  Secretary  Desk. 

Carved  walnut,  with  secret  drawers. 

463  Cabinet. 

Japanese  panels,  inlaid  with  mother-of-pearl. 

464  Table. 

Carved  wood  frame,  legs,  and  stretcher. 

465  Library  Table. 

IClaborately  carved  legs  and  stretcher. 

466  Three-Fold  Screen. 

Watteau  decoration. 

467  Mahogany  Shaving  Glass. 

468  Pair  of  Side  Chairs. 

Chippendale  design.     Brass  mounts. 

469  Arm-Chair. 

Sheraton  design.     Claw  and  ball-foot  legs. 

470  Centre  Table. 

Cliine.se.     I->lal)orate  inlay  of  ivory  and  wood.     Landscapes,  figures, 
birds,  and  dragons. 

471  Corner  Cabinet. 

Anticjue  oak.     Richly  carved  panels  of  masks,  flowers,  cherubs,  and 
scrolls. 

472  Cabinet. 

Antique  carved  oak.    Decorations  of  figures,  birds,  scrolls,  etc. 

473  Hall-Seat. 

Carved  wood. 

26 


474  PsLir  of  Torchons. 

Carved  wood,  gilt.     Elaborate  ornamentation  of  wreaths,  leaves,  and 
scrolls.     Eleven  lights  each. 

475  Arm-Chair. 

High  back.     Richly  carved  figures  of  grififins,  leaves,  and  scrolls  in 
low  relief. 

476  Pedestal. 

Carved  teakwood  and  marble. 

477  Three  Arm-Chairs. 

Carved  back  and  arms.     Monogram  "  P  "  "X  "  in  panel  on  back. 

478  Arm-Chair. 

479  Pair  of  Arm-Chairs. 

Carved  quatrefoil  and  trefoil  leaves. 

480  Arm=Chair. 

Elaborately  carved  back  and  arms.     Embossed  leather  seat. 

481  Four   Chairs. 

Old  German.     High  back.     Curious  inlay  of  natural  woods. 

482  Corner  Table. 

Carved  wood    figures  of   griffins  for  legs.     Top  of  table  carved  in 
masks,  etc.,  in  low  relief. 

483  Cabinet. 

Antique  carved  oak.     Female  figures  in  low  relief  in  panels  of  door. 

484  Corner  Cabinet. 

Marquetry  inlaid. 


27 


THIRD    AFTERNOON^S    SALE 

Wednesday f  March  2 1st 
AT    THE    AMERICAN    ART    GALLERIES 

BEGINNING    AT    2:30     o'ci.OCK 

ANTIQUE    AND    MODERN    FURNITURE, 
DRAPERIES,    RUGS,    AND    CARPETS 

485  Pair  of  Arm-Chairs. 

High  back.     Carved  arms,  legs,  and  stretcher. 

486  Arm-Chair. 

Old  German. 

487  Six  Side  Chairs. 

Antique  oak.     Upholstered  in  decorated  Spanish  leather. 

488  Eight  Dining  Chairs. 

Richly  carved  oak  dining  chairs.     Decorated  Spanish  leather  seats. 

489  Carved  Hanging  Rack. 

Carved  oak. 

490  Two  Arm-Chairs. 

Louis    XVI.    style.      Carved    wood,    gilt.      Vernis-Martin    panelled 
backs.     Upholstered  in  watered  satin, 

491  Arm-Chair. 

To  match  the  preceding. 

492  Reception-Chair. 

To  match  ilie  preceding. 

493  Two  Side  Chairs. 

To  match  the  preceding. 

494  Two  Side  Chairs. 

To  match  tiie  preceding. 

2S 


495  Venetian  Coffer. 

Carved  wood,  gilt.     Painted  panel  of  the  Crusaders  on  front;  and 
on  ends,  of  Francesco  and  Caterina  Sforza. 

496  Two  Arm-Chairs. 

Carved  wood,  gilt  frames.     Light  green  satin  upholstery. 

497  A  Pair  of  Chairs. 

Carved  wood,  gilt  frames.     T^ight  satin  upholstery. 

498  Sofa. 

Chippendale.     Inlaid  mahogany.     Upholstered  in  yellov/  satin. 

499  Arm-Chair. 

To  match  the  preceding. 

500  Boudoir  Set. 

Marquetry    inlaid    mahogany.     Upholstered  in  yellow  satin.     Com- 
prising sofa,  arm-chair,  two  reception-chairs,  and  window-seat. 

501  Pair  of  Stools. 

Carved  wood,  gilt  frames.     Upholstered  in  embossed  velvet. 

562    Pair  of  Stools. 

Carved  wood,  gilt  frames.     Upholstered  in  embossed  velvet.    Smaller 
than  the  preceding. 

503  Pair  of  Sofas. 

Louis  XVL    style.     Carved    wood,  gilt   frames.     Watteau    panelled 
backs.     Upholstered  in  pink  satin. 

504  Sofa. 

Louis  X\'.  style.    Carved  wood,  gilt  frames.    Watteau  panelled  backs. 
Upholstered  in  pink  satin. 

505  Jewel-Box. 

Painted  panels  of  landscapes  and  flowers.     Bronze  mounts. 

506  Clock. 

Buhl  inlaid  case.     Gilt-brass  face,  decorated  with  figure,  rising  sun, 
phoenix,  and  flowers.     Bas-relief  of  the  Three  Fates  on  front. 

507  Pianoforte. 

Buhl  inlaid  case.     Rich  gilt-bronze  mounts.     Seven  octaves.     Made 
by  Van  Overburgh. 

508  Marquetry  Chair. 

Inlaid.      High  back. 

509  Cabinet  Sideboard. 

Carved  walnut.     Italian. 


510  Renaissance  Panels. 

Richly  can-ed  designs  of  fruit  and  ribbons  in  bas-relief. 

511  Carved  Gilt  French  Coffer. 

Tainting  on  front  panel  reprcsenliny;  the  crowning  of  Arts  and 
Sciences.     Fleur-de-lys  and  classic  mouldings  on  top.     Claw  feet. 

512  Antique  Oak  Chair. 

Spanish  leather  seat  and  back. 

513  Louis  XV.  Clock. 

Buhl  and  polished  brass.  Made  by  Balthazar,  of  Paris.  Bold  relief 
figure  ornaments. 

514  Mirror. 

Bevelled  plate  glass.      Plush  frame. 

515  Mirror. 

Bevelled  plate  glass.     Plush  frame. 

516  Canopy-Seat. 

Old  English.  Carved  oak  panels,  illustrating  tourney  and  quarter- 
staff.     Upholstered  in  maroon  and  old  gold  tapestry. 

517  Antique  Hall   Seat. 

Richly  carved  panel  in  back,  of  satyr  pur.'-uing  nymph.  Back  sur- 
mounted by  scroll  work  and  masks.  Panel  of  St.  George  and  the 
dragon  on  front  of  box.    Upholstered  in  Spanish  leather. 

518  Pair  of  Carved  and  Gilt  Wood  Columns. 

Grape  and  vine  decoration. 

519  Pair  of  Carved  and  Gilt  Wood  Columns. 

Decoration  of  flowers,  leaves,  and  masks. 

520  Pair  Consoles. 

Carved  wood  and  gilt. 

521  Cabinet. 

Carved  wood  and  gilt. 

522  Mantel  Mirror. 

Bevelled  plate  glass.     Inlaid  rosewood  frame. 

523  Mirror. 

Bevelled  plate  glass. 

524  Arm-Chair. 

Antique  oak.     Upholstered  in  Spanish  leather. 

525  Arm-Chair. 

Antique  oak.     Upholstered  in  Spanish  leather. 

30 


526  Table. 

Norwegian.  Richly  carved  legs  and  frame.  Top  decorated  with  Nor- 
wegian scenes  carved  in  low  relief. 

527  Coffer. 

Carved  wood,  gilt.  Panel  in  front  decorated  with  griffins,  grotesque 
masks,  etc.     Claw  feet.     Used  in  Much  Ado  About  Nothing. 

528  Cabinet. 

Antique  oak.  Elaborate  decorations  ;  battle  scenes,  knights,  tro- 
phies of  arms,,  wreaths,  and  chimaera,  finely  modelled  in  bronze. 

529  Pedestal. 

Red  glazed  pottery. 

530  Hall-Seat. 

Antique  carved  oak.  Panel  in  back,  satyr  pursuing  nymph,  in  bold 
relief.  Grotesque  mask  and  flowers  on  top  of  back.  Lion's  head 
arms.  Front  panel,  in  lower  part,  St.  George  and  the  dragon.  Up- 
holstered in  Spanish  leather. 

531  Mirror  Sconce. 

Brass  frame.     Six  lights. 

532  Mirror. 

Carved  wood,  gilt.     Round  top. 

533  Lounge. 

Carved  wood,  gilt. 

534  Cabinet. 

Elaborately  carved  with  figures  of  cherubs,  heads,  wreaths  of  flowers, 
and  with  bacchanalian  caryatides. 

535  Table. 

Legs  and  frame  boldly  carved  with  masks,  grotesque  heads,  wreaths, 
and  drapery  ;  wood,  gilt. 

536  Carved   Wood   Rack. 

537  Cabinet. 

^Llrquetry  inlaid  rosewood. 

538  Cabinet. 

Companion  to  the  preceding. 

539  Hall-Seat. 

Mahogany.     Marquetry  inlaid. 

540  Bric-a-Brac  Cabinet. 

Old  Dutch,     Marquetry  inlaid. 

31 


541  Pair  of  Arm-Chairs. 

Old  Italian  Tarsia  work. 

542  Arm-Chair. 

Old  Italian  Tarsia  work. 

543  Arm-Chair. 

Mahogany.     Colonial.     High  back.     Rush  seat. 

544  Desk. 

Colonial.     Maliogany.     Carved  ball  and  claw  feet. 

545  Coffer. 

Venetian.  Carved  wood,  gilt,  with  claw  feet.  Wreath  of  fruit  and 
llowers  in  bold  relief. 

546  Chair. 

High  back.  ,,  Inlaid  mother-of-pearl  and  ivory. 

547  Upright  Piano. 

Seven  octaves.    Rosewood  case.     Made  by  Hopkinson,  of  London. 

548  Window-Seat. 

First  Empire.  Mahogany.  Carved  wood,  gilt  legs.  Ormolu  mounts. 
Upholstered  in  red  satin. 

549  Stool. 

First  Empire.  Mahogany.  Gilt  carved  wood  legs.  Ormolu  mounts. 
Upholstered  in  red  satin. 

550  Commode. 

First  Empire.  Mahogany.  Circular  form.  Gilt  bronze  mounts  of 
lyres,  rosettes,  etc. 

551  Pedestal. 

First  Empire.  Mahogany.  Gilt-bronze  mounts.  Classical  figure, 
lyre,  and  wreaths. 

552  Centre  Table. 

First  Empire.     Mahogany.     Bronze  mounts  of  masks  and  wreaths. 

553  Tete-a-Tete. 

First  Empire.  Mahogany.  Gilt-bronze  mounts.  Upholstered  in  red 
satin. 

554  Sofa. 

Finst  Empire.  Mahogany.  Rich  carved  wood  arms.  Ormolu  mounts 
of  griffins,  masks,  rosettes,  and  flowers.  Upholstered  in  richly 
embroidered  red  plush. 

3a 


555  Arm-Chair. 

First  Empire.    Mahogany.    Gilt  carved  wood  arms.    OrmoUi  mounts. 
Upholstered  in  red  satin. 

556  Arm-Chair, 

To  match  the  preceding. 

557  Pair  Side  Chairs. 

First  Empire.    Mahogany.    Trophy  of  arms  carved  on  back.    Ormolu 
mounts.     Upholstered  in  red  satin. 

558  Reception-Chair. 

First   Empire.     Mahogany.     Ormolu  mounts   of    masks,    stars,  and 
rosettes.     Upholstered  in  red  satin. 

559  Arm-Chair. 

First    Empire.     Mahogany.     Gilt   carved    wood    arms    of   dolphins. 
Ormolu  mounts. 

560  Pedestal. 

First  Empire.     Mahogany.     Gilt-bronze  mounts  of  classical  figure, 
trophy  of  arms,  masks,  etc. 

561  Cabinet. 

First  Empire.    Mahogany.    Marble  top.    Gilt-bronze  mounts  of  lyres, 
wreaths,  etc. 

562  Clock. 

First  Empire.     Mahogany.     Richly  chiselled  mounts  in  ormolu. 

563  Centre  Table. 

First    Empire.     Mahogany.     Bronze    mounts  of  stars  and  rosettes. 
Carved  wood  heads  of  females  on  legs. 

564  Commode. 

First    Empire.     Mahogany.     Circular   form.     Marble    top.     Bronze 
mounts  of  torches  of  Hymen  and  floral  decorations. 

566  Stool. 

First  Empire.     Mahogany.     Bronze  mounts. 

567  Arm-Chair. 

First  Empire.     Mahogany.     Finely  chased  bronze  mounts.     Carved 
wood  top  rail. 

568  Arm-Chair. 

First  Empire.  Mahogany.  Very  elaborate  bronze  mounts  of  sphinx, 
imperial  eagle,  classical  figures,  rosettes,   and   floral  decorations. 
Upholstered  in  red  satin. 
3  33 


569 

570 

571 
572 
573 

574 


575 

576 

577 

578 

579 

58o 
581 


Empire  Bookcase. 

Mahogany,     (ilass  doors.     Gilt-bronze  mounts. 

^Vidth,  61  inches  ;  depth,  16  inches  ;  height,  54  inches. 

Pedestal. 

First  llmpire.  Maho.Ljany.  Rich  ormolu  mounts  of  classical  figure 
surrounded  by  wreath,  torch  of  Hymen,  and  motto,  "11  fut  de 
ses  sujets  le  vainqucr  et  le  pere." 

Clock. 

I'irst  ICmpire.     Mahogany.     Richly  chiselled  mounts  in  ormolu. 

Pair  of  Arm-Chairs. 

First  Empire.     Mahogany 

Cabinet. 

First   Empire.     Mahogany 
sides  and  front. 


Ormolu  mounts. 


Ormolu  mounts  of  classical  figure  on 


Cabinet. 

First  Empire.  Mahogany.  Surmounted  by  clock  and  bronze  bust 
of  Napoleon  1.  Clock  face  surrounded  by  finely  modelled  signs  of 
the  Zodiac  in  bronze.  Very  elaborate  bronze  mountings  of  class- 
ical figures,  wreaths,  torches  of  Hymen,  and  floral  decorations. 
Finely  chased  female  heads  for  caryatides. 

Empire  Clock. 

iJronze  and  ormolu. 

Library  Table. 

First  Empire.  Mahogany.  Gilt  carved  wood  legs.  Ormolu  mount 
of  wreaths,  fruit,  and  floral  decorations. 

Empire  Secretary  Desk. 

Top  in  form  of  Grecian  temple.  Gilt-brass  mounts  of  sphinx,  cupids, 
torch  of  Hymen,  wreaths,  and  bouquets  of  flowers  and  stars. 

Pianoforte. 

First  Empire.  Mahogany  case.  Bronze  mounts  of  classical  subjects. 
Six  octaves.     Made  by  Roller  &  Blanchet,  makers  to  the  Queen. 

Piano  Stool. 

First  Empire.  Mahogany.  Inlaid  carved  back.  Ormolu  mounts. 
Upholstered  in  red  satin. 

Fender  and  Fire-Irons. 

Flmpire  design. 


Arm-Chair. 

Frame,  richly  carved  oak.     Back  and  sides  of  floral  design, 
legs,  female  caryatides.     Upholstered  in  red  plush. 

34 


Front 


582  Arm-Chair. 

Carved  oak.     Figure  of  knight  in  armor  on  back.     Spiral  legs. 

583  Dining  Chairs. 

Richly  carved  oak  high  back  dining-room  set.  Decorated  Spanish 
leather  seats,  comprising  one  arm  and  ten  side  chairs. 

584  Arm-Chair. 

Very  elaborately  carved  frame  of  young  bacchanalians,'  grapes,  and 

vines.     Upholstered  in  red  plush. 

585  Arm-Chair. 

Companion  to  the  preceding. 

586  Dining-Room  Table. 

Scroll  border  on  top.  Enclosed  box  stretcher,  with  carved  panels  of 
heads  and  foliage  in  bas-relief. 

587  Cabinet  Bookcase. 

Very  elaborately  carved  oak,  with  figures  of  music,  literature,  science, 
and  the  drama  in  bold  relief.  Emblems  of  music  and  literature  on 
panels  of  the  lower  doors,  and  elaborate  floriated  decoration  in 
relief  covering  the  entire  front. 

Width,  74  inches  ;  depth,  26  inches  ;  heiglit,  loi  inclies. 

588  Cabinet   Bookcase. 

Carved  oak.  Female  caryatides  supporting  cornice.  Figure  of 
Minerva  standing  on  console  on  style  of  door.  Figures  of  warriors, 
trophies  of  arms,  masks,  etc  ,  on  lower  front  panels  enriched  with 
carving  in  bas-rclicf. 

Widtli,  "2  inches  ;  depth,  27  inches  ;  height,  97  inches. 

589  Wood  Mantel. 

Richly  carved  oak  pa»iels,  busts  of  English  queens,  figures  of 
Crusaders,  Cupids,  masks,  birds,  and  foliage  in  bas-relief. 

Width,  85  inclies  ;  depth,  24  inches  ;  heiglit,  124  inches. 

590  Side  Board. 

Carved  oak.  Figures,  representing  Arts  and  Sciences,  resting  on  masks 
in  bold  relief.  Panels  of  busts  in  wreaths  surrounded  by  foliage  in 
bas-relief.  Cornice  supported  by  heads  of  warriors  and  female  cary- 
atides. Styles  of  doors,  on  lower  part,  of  figures  of  poetry  and  the 
drama  in  bold  relief.  Panels  of  heads  and  foliage  in  bas-relief. 
Panels  of  sides  with  heads  of  warriors,  birds,  and  foliage  in  low 
relief. 

Width,  90  inches  ;  depth,  24  inches  ;  lieijjht,  1(14  im-hes. 

591  Tall   Clock. 

Elaborately  carved  oak  case,  with  bronze  mountings  of  Cupids,  masks, 
trophies  of  musical  instruments,  and  female  figures. 

35 


592  Louis  Quinze  Sofa. 

Carved    s'''^    frame.      Ipholstered    in    brocaded  silk    tapestry,    with 
cushion. 

593  Louis  Quinze  Reception-Chair. 

Carved  gilt  frame,     l^pholstered  in  brocaded  silk. 

594  Louis  Quinze  Window-Seat. 

Carved  .t^ilt  frame.     Upholstered  in  figured  silk. 

595  Pair  Louis  XVL  Round  Stools. 

Carved  gilt  frames.     Upholstered  in  brocaded  silk, 

596  Louis  XVL  Square  Stool. 

Carved  gilt  frame.     Upholstered  in  brocaded  silk. 

597  Louis  XV.  Foot-Rest. 

Carved  gilt  frame.     Upholstered  in  silk  brocade. 

598  Square  Stool. 

Carved  gilt  frame.     Upholstered  in  silk  brocade. 

599  Louis  XVL  Square  Stool. 

Carved  gilt  frame.     Low  form.     Upholstered  in  brocaded  silk. 

600  Louis  XV.  Sofa. 

Carved  gilt  frame.     Upholstered  in  brocaded  satin. 

601  Louis  XV.  Arm-Chair. 

Carved  gilt  frame.     Upholstered  in  silk  brocade. 

602  Louis  XV.  Arm-Chair, 

Carved  gilt  frame.     Upholstered  in  brocaded  silk. 

603  Companion. 

604  Louis  XV.  Sofa. 

Very  elaborately  carved,  frame  finished  back  and  front.     Upholstered 
brocaded  ribbed  silk. 

605  Louis  XV.  Corner  Chair. 

Very  elaborately  carved  frame,  finished  front  and  back.      Upholstered 
in  brocaded  silk. 

606  Stool. 

Square  form.     Upholstered  in  silk  brocade. 

607  Buhl  Centre  Table. 

Elaborate  inlay  of  bacchanalian  scene  and  floral  design.     Gilt-bronze 
mounts. 

608  Cabinet. 

Marquetry  inlay.  Vernis-Martin  panel  in  door.    Rich  bronze  mounts. 


6o9    Cabinet. 

Elaborate  inlaid  pastoral  scenes,  scrolls,  and  floral  designs. 

6io    Pair  Ebony  Pedestals. 

Porcelain  plaques  in  panels  in  front.     Gilt-brass  mounts. 

6ii     Corner  Cabinet. 

Buhl  inlay.     Bronze  car3'atides.     Elaborate  bronze  mounts. 

6i2     David  Garrick's  Secretary  Desk. 

Decorated   in  oil,   with  his  portrait,  views  of  his  city  and  country 
houses,  and  scenes  from  the  plays  in  which  he  achieved  fame. 

Width,  44  inches  ;  depth,  23  inches  ;  height,  76  inches. 

613  Arm-Chair. 

Elaborately  carved  frame.     Fruits  and  flowers.     Upholstered  in  red 
plush. 

614  Arm-Chair. 

Companion  to  the  preceding. 

615  Pair  of  Side  Chairs. 

To  match  the  preceding. 

616  Arm-Chair. 

Carved  oak.     High  back.    Gothic  design.     Upholstered  in  red  plush. 

617  Arm-Chair. 

Carved  oak. 

618  Writing  Desk. 

Chippendale.     Marquetry,  inlaid.     Kidney  shape. 

619  Bookcase. 

Chippendale.     Mahogany,  inlaid.     Glass  doors. 

Width,  109  inches  ;  depth,  t8  inches  ;   height,  no  inclies. 

620  Cabinet  Bookcase. 

Chip|)endale.     Mahogany,  inlaid.     Cilass  doors. 

Widtli,  72  inches  ;  depth,  iS  inches  ;   height,  98  inches. 

621  Cabinet  Bookcase. 

Companion  to  the  preceding. 

622  Mantel  Bookcase, 

Chippendale.    Inlaid  marquetry.    Glass  doors.    Bevelled  plate  mirror. 

Width,  76  inches  ;  depth,  16  inches  ;  height,  O4  inches. 

623  Bookcase. 

Chippendale.     Marquetry,  inlaid.     Glass  doors. 

Width,  41  inciics  ;  dcptli,  28  inches  ;   lioight.  Tin  inches. 
37 


19 


624  Bookcase. 

Marquetry,  inlaid.     Glass  doors. 

Wiilth,  69  inches;  deptli,  17  inches  ;  height,  68  inches. 

625  Side  Chair. 

Sheraton  design.     Upholstered  in  figured  silk. 

626  Side  Chair. 

Marquetr}',  inlaid. 

627  Bookcase. 

Mahogany.     Glass  doors. 

^Vidth,  48  inches  ;  depth,  15  inches;  height,  58  inches. 

628  Bookcase. 

Black  walnut.     Glass  doors. 

Width,  49  inches  ;  depth,  16  inches  ;  height,  55  inches. 

629  Bookcase. 

Mahogany.     Glass  doors. 

Width,  70  inches  ;  depth,  16  inches  ;  height,  58  inches. 

630  Bookcase. 

Carved  oak.     Glass  doors. 

Width,  33  inches  ;  depth,  15  inches  ;  height,  65  inches. 

631  Bookcase. 

Carved  oak.     Glass  doors. 

Width,  44  inches  ;  depth,  15  inches  ;  height,  67  inches. 

632  Bookcase. 

Oak.     Glass  doors. 

Width,  44  inches  ;  depth,  14  inches  ;  heigiit,  68  inches. 

633  Cabinet. 

Carved    oak.     Female   caryatides.     Boy    with    swan,    dolphins,  and 
fruits  in  relief. 

634  Arm-Chair. 

Carved  oak.     Foliage  design.     Upholstered  in  red  plush. 

635  Arm-Chair. 

Companion  to  the  preceding, 

636  Three  Side  Chairs. 

To  match  the  preceding. 

637  Side  Chair. 

Mahogany.     Upholstered  in  embossed  plush. 

638  Side  Chair. 

Marquetry,  inlaid.     Upholstered  in  plush, 

38 


v639    Bookcase. 

Mahogany. 

Width,  55  inches  ;  depth,  12  inches  ;  height,  57  inches. 

640  Pair  Bookshelves. 

Black  walnut. 

Width,  29  inches  ;  depth,  13  inches;  iieight,  53  inches. 

641  Pair  Bookshelves. 

Ebonized. 

Width,  47  inches  ;  depth,  16  inches  ;  height,  60  inches. 

642  Combination  Bookcase  and  Desk. 

Carved  oak.     Glass  doors. 

Width,  52  inches  ;  depth,  30  inches  ;  height,  loS  inches. 

643  Combination  Bookcase  and  Cabinet. 

Carved  oak. 

644  Bookcase. 

Mahogany.     Glass  doors. 

Width,  74  inches  ;  d?pth,  14  inches  ;  height,  72  inches. 

645  Chair. 

Carved  oak.     Upholstered  in  plush. 

646  Bookcase. 

Chippendale.     Mahogany.     Glass  doors. 

Width,  32  inches  ;  depth,  15  inches  ;  height,  45  inches. 

647  Bookcase. 

Companion  to  the  preceding. 

648  Bookcase. 

Chippendale.     Mahogany.     Glass  doors. 

Width,  72  inches  ;  depth,  18  inches  ;  height,  57  inches. 

649  Bookcase. 

Companion  to  the  preceding. 

650  Bookcase. 

Companion  to  the  preceding. 

651  Bookcase. 

Companion  to  the  preceding. 

652  Bookcase. 

Chippendale.     Mahogany.     Glass  doors. 

Width,  36  inches  ;   depth,  18  inciies  ;   height,  dt)  inches. 

39 


653  Cabinet  Bookcase. 

CliippL-ndak-       Mahogany.     Glass  doors. 

\\  idtli,  35  inches  ;  depth,  26  inches  ;  heigiit,  90  inches. 

654  Pair  Side  Chairs. 

Inlaid  with  mother-of-pearl  and  ivory.     High  back. 

655  Window-Seat. 

Ujjholstercd  in  Spanish  leather. 

656  Arm-Chair. 

Upholstered  in  appiique  silk. 

657  Arm-Chair. 

Carved  oak.     Upholstered  in  figured  tapestry. 

658  Four-Fold  Screen. 

Panels  painted  on  silk.     Italian  Renaissance  style. 

659  Arm-Chair. 

Carved  tcakwood.     Chinese  porcelain  panels  in  seat,  back,  and  sides. 

660  Pair  Teakwood  Pedestals. 

Marble  top. 

661  Hall-Chair. 

Massive  carved  oak.     Italian  Renaissance.    Figure  of  Cupids,  masks, 
birds,  etc.,  in  bas-relief. 

662  Four  Side  Chairs. 

Carved  oak.     Upholstered  in  tapestry. 

663  Bookcase. 

Carved  oak.     Glass  doors. 

Width,  93  inches  ;  depth,  25  inches  ;  height,  69  inches. 

CURTAINS,    RUGS.    CARPETS.    AND   MISCELLA- 
NEOUS OBJECTS 

664  Tablecover. 

Light  blue  plush,  with  brocaded  border. 

665  Three  Window  Hangings. 

Tapestry  with  Aubusson  decoration.     Used  in  "  Much  Ado  About 

Nothing." 

Length,  16  feet  6  inches :  width    6  feet  10  inches. 

666  Pair  Cushions. 

Brocaded  silk. 

40 


667  Two  Cushions. 

668  Kakemono. 

Birds  and  flowers. 

669  Church  Vestments. 

Assorted,  7  pieces. 

670  Lot  of  Ci-epe  Cloth. 

II  pieces. 

671  Lot  of  Crepe  Cloth. 

8  pieces. 

672  Madras  Curtain. 

Used  in  play  of  "  Twelfth  Night." 

673  Pair  Curtains. 

Blue  embroidered  plush. 

674  Tablecloth. 

Peacock  green  plush  centre.     Rich  appliqu^  work  on  yellow  border. 
Used  in  "Twelfth  Night." 

675  Two  Pair  Portieres. 

Embossed  plush,  on  yellow  tinsel  cloth  ground. 

676  Three  American  Ensigns. 

677  English  Ensign. 

678  English  Royal  Standard. 

679  Three  Private  Flags. 

680  Hangings. 

Oreen  silk  brocade.      Used  in  "  Love  on  Crutches."     7  pieces. 

681  Oriental   Hangings. 

Used  in  "  Love  on  Crutches."     4  pieces. 

682  Oriental    Hangings. 

Used  in  "  Love  on  Crutches."     4  pieces. 

683  Tapestry  Hanging. 

684  Pair  Tapestry  Pillows. 

685  Hanging. 

Crimson  plush.     Appliqu6  work  on  yellow  border. 

686  Tablecloth. 

Cardinal  plush,  with  brocaded  border. 

41 


687 

688 
689 

690 
691 
692 

693 
694 

695 
696 

697 


Hanging. 

Plum  silk  plush.    Embroidered  in  rich  applique  with  flowers  and  fruit. 
Used  in  "  Much  Ado  About  Nothing." 

Bengal  Tiger-Skin  Rug. 

Used  in  "  Countess  Gucki." 

Bengal  Tiger-Skin  Rug. 

Used  in  "  Countess  Gucki." 

Goat-Skin  Rug. 
White  Bear-Skin  Rug. 
Skin    Rug. 
Turkish  Rug. 

Leng;th,  14  feet  6  inches  ;  width,  12  feet. 

Axminster  Carpet. 

Length,  17  feet  6  inches  ;  width,  12  feet. 

Aubusson  Carpet. 

Length,  25  feet  ;  width,  15  feet. 

Aubusson  Floor  Cover. 

Lenjjtli,  31  feet  ;  width,  13  feet-     With  ingrain  filler  31  feet  long,  15  feet  wide. 

Royal  Wilton   Carpet. 


42 


FIRST    EVENING'S    SALE 

Monday t  March  1 9th 
AT    THE    AMERICAN    ART    GALLERIES 

BEGINNING    AT    8    o'CLOCK 

WATER   COLORS 

J.  W.  WHYMPLE 

698 —  Deer  in  Forest 

BEATRICE    MORGAN 

699 —  Head  of  Spanish  Bull-fighter 

E.    GRIVAZ 

700 —  Inquisitive 

E.    GRIVAZ 

701 —  Blindman's    Buff 

(Fan  (lesiji^ii) 
43 


WATTE AU 

702—  Fete  Champetre 

(Fan  design) 

ronnerly  belonging  to  Marie  Antoinette,  and   from  the  collection  of   Monsieur  Delamaine, 
Paris,  1859. 

E.    GRIVAZ 

703 —  La   Gourmandise 

G.    AURELI 

704 —  The  Embarcation,  Venice.     Fifteenth  Century 


OIL  PAINTINGS 

E.    VITALI 

705 —  Lunch   Time 

V.  TOJETTI 

706—  Ideal  Head 

PIO  RICCI 

707 —  The  Miniature 

E.  GRIVAZ 

708 —  Inquisitiveness 

F.  PERAUX 

709—  In  the  Wine  Cellar 

44 


PIO  RICCI 

710 —  A  Discovery 

WILLIAM    HART 

711 —  Landscape  and  Cattle 

E.  H.  BLASHFIELD 

712—  Roman  Image  Seller 

LIPPINCOTT 

713—  Ideal  Head 

DE  SCHRYVER 

714 —  Paris  Flower  Girl 

S.    FRANdlAMORE 

715 —  The  Salutation 

A.  C;UACCIMANNI 

716 —  Boys  and  Girls 

A.    GUACCIMANNI 

717 —  Over  the  Sea  Wall 

OLD  MASTER 

718 —  Series  of  Seven  Biblical  Subjects  Painted  on  Copper 

OLD  DUTCH   PAINTING 

719—  "  Empire  of  Peace  " 

45 


OLD  MASTER 

^20 Biblical  Subjects 

(A  pair) 

OLD  MASTER 
y2i Madonna  and  Child 

GERARD  HONTHORST 

722—  Portrait  of  Ben  Jonson 

The  original  from  which  all  subsequent  portraits  have  been  copied.  An  engraved  portrait 
accompanies  the  above  painting. 

UNKNOWN 

723 —  Portrait  of  Shakespeare 

Believed  to  be  by  an  Italian  artist.  It  is  called  the  Cos7vt7_r  Portrait,  as  it  came  from  the 
celebrated  collection  made  by  Cosway,  Stratford  Place,  and  was  sold  in  his  sale  which  took  place 
soon  after  his  death  in  1821. 

It  was  exhibited  at  Stratford-upon-Avon  in  1864,  and  is  mentioned  in  Wivell's  "  Portraits  of 
Shakespeare,"  published  about  fifty  years  ago,  and  in  Ilain  Friswell's  "  Life  Portraits  of  Shake- 
sjjeare,"  published  in  1864. 

HOGARTH 

724—  Portrait  of  Peg  Woffington 

From  the  collection  of  Lord  Lonsdale. 

THOMAS  NAE(;LE 

725—  Portrait  of  Edwin  Forrest 

UNKNOWN 

726 —  Junius  Brutus  Booth  as  Sir  Giles  Overreach 

AFTER  SIR  JOSHUA  REYNOLDS 

727—  Sleeping  Girl 

46 


ATTRIBUTED  TO  HOGARTH 

728—  Portrait  of  Peg  Woffington 

WOLFSKN 

729—  Portrait  of  Nell  Gwynn 

BYZANTINE   PANEL 

730—  Madonna  and  Child 

ATTRIBUTED  TO  RAPHAEL 

731—  Madonna  and  Child 

OLD  MASTER 

732—  Madonna  and  Child 

BYZANTINE   PANEL 

733—  Virgin  and  Saints 

BYZANTINE   PANEL 

734 —  Adoration  of  the  Magi 

ANCIENT  MOSAIC 

735—  Madonna 

ANCIENT  CARVED  PANEL 

736—  Madonna  and  Child 

C.  BUTIN 

737—  The  King's  Jester 

47 


L.  HOTTOL 
738—  Moor  and  Moorish  Servant 

Fair  terra-cotta  bas-reliefs,  enamelled  and  decorated. 


JOSEPH  ZASCHE 
73g In  the  Woods 

Decorated  Vienna  plaque  in  frame. 


INNESS 

740—  Miniature  Portrait  of  Jenny  Lind 

McDOUGALL 

741 —  Portrait  of  Mary  Taylor 

UNKNOWN 

742—  Portrait  of  a  Woman 

UNKNOWN 

743 —  David  Garrick  as  Tancred 

A.  DELOBBE 

744 —  Italian  Child 

UNKNOWN 

745 —  Portrait  of  Boileau 

746 —  The  Falconer 

747 —  *  Fanny  Kemble 

48 


748 —  Female  Portrait 

749—  Male  Portrait 

750 —  Portrait  of  a  Gentleman,  Time  of  Louis  XV. 

751 —  Portrait  of  a  Lady,  Time  of  Louis  XV. 

J.    S.    HARTLY,    SCULPTOR 

752—  Marble  Bust,  Miss  Rehan  as  Katharine 


FRAMED  PHOTOGRAPHS.  ENGRAVINGS,  MINIA- 
TURES,   DRAWINGS,    AND   PRINTS 

753  Two  Photographs. 

Clara  Morris  and  Ada  Rehan.     Florentine  gilt  frames. 

754  Colored  Mezzotint  on  Silk. 

Ada  Rehan,  by  J.  F.  Roux.     Easel  frame. 

755  Photograph. 

Tennyson.      Presentation  copy  to  Mr.  Daly,  with  autograph. 

756  Two  Colored  Photographs. 

Ada  Rehan  as  Jennie  O'Jones  and  Peggy.     Carved  giit  frames. 

757  Crayon  Drawing. 

P,y  Callot.     Dated;  1683. 

758  Original  Petition  for  the  Erection  of  a  Statue  of  Washington 

in  New  York.  Dated  1842,  and  bearing  the  autographs  of 

Washington   Irving.  M.  H.  Grinnell.  W.  A.  Duer. 

Jame.s  Kent.  Morgan  Lewis.  Theodore  Frelinghuyscn. 

l"'itz  Greene  Halleck.  N.   P.  Willis.  Mortimer  Livingston. 

Henry  I'revoort.  Valentine  Mott.  Benjamin  T.  Onderdonk. 

Edwin  I^'orrest.  William  Ciillcn  Bryant.  Theodore  Sedgwick. 

James  K.  Paulding.  John   rnunbull.  vSamuel  F".  B.  Monse. 

759  Colored  Engraving. 

Mile.  Colombe.     Fancy  frame. 

4  'I'j 


760  Engraved  Portrait  of  Talma. 

761  Original  Drawing. 

Mile.  Rachel.     Character  study. 

762  Two  Photographs. 

Goethe  and  Schiller. 

763  Photograph. 

\'iclorien  Sardou.     Presentation  copy,  with  autograph. 

764  Photograph. 

Kaldenburg  and  Schanthau.     Presentation  copy,  with  autographs. 

765  Original  Drawing. 

Rosalind. 

766  Drawing  by  Watteau. 

767  Pencil  Drawing. 

l!y  Partolozzi.     "  Paris  tarrying  away  Helen." 

768  Original  Drawing. 

P>y  Gainsborough.     Portrait  of  Child  with  Dog. 

769  Original  Pen-and-ink  Drawing. 

By  Sir  John  Thornhill.     Fresco  design. 

770  Original  Drawing. 

I!y  Gainsborough.     Landscape. 

771  Pencil  Drawing. 

By  Bartolozzi.     "  The  Declaration." 

772  Two  Old  English  Engravings. 

'Ihe  Cottage  Breakfast. 

The  Cottage  Supper.     After  Biggs. 

773  Two  Colored  Engravings. 

Venus  and  Luna,  by  Charles  Turner,  after  Villiers. 

774  Old  Mezzotint. 

Ganick  in  "  Hamlet,"  by  McArdell,  after  Wilson. 

775  Colored  Engraving. 

Hamlet. 

776  Old  Mezzotint. 

Kcan  as  Sir  Giles  Overreach. 

777  Two  English  Colored  Prints. 

The  Steeple  Chase. 

50 


778  Two  English  Colored  Prints. 

Coaching  Party. 
The  Tandem. 

779  Large  English  Colored  Print. 

The  Start  for  the  Derby,  by  Charles  Hunt,  after  Herring,"  Sr. 

780  Old  Engraving. 

Reading  the  Play. 

781  Large  Photograph. 

The  School  of  Athens. 

782  Series  of  Three  Engravings. 

The  Hemicycle,  by  Paul  Delaroche. 

783  Pair  Old  Engravings. 

The  Young  Englishman. 

784  Miniature  Painting  on  Ivory. 

The  Secret  Letter,  by  Coypel. 

785  Pen-and-ink  Drawing. 

Fox  and  Birds. 

786  Old  Mezzotint. 

Mrs.  Siddons,  after  Sir  Thomas  Lawrence. 

787  Old  Mezzotint,  Colored. 

Mrs.  Jordan  in  the  Character  of  the  Comic   Muse.     Engraved  by 
T.  Parke,  after  Hoppner. 

788  Old  Copper-plate  Stipple  Engraving. 

Mr.  Kemble  in  the  Character  of  Richard  III.,  by  Bartolozzi,  after 
Hamilton. 

789  Old  Mezzotint. 

Kean  as  Richard  IIL 

790  Old  Stipple   Engraving. 

Mr.    Macklin    and   Mrs.   Pope   in   the   Characters  of  Shylock   and 
Portia,  by  Nutter,  after  Boyne. 

791  Old  Mezzotint. 

Mr.  Mathews  as   representing   four   extraordinary  Characters,  by 
Henry  Meyer,  after  Harlow. 

792  Old  Engraving. 

The  Propagation  of  a  Lie,  by  W.  Dickinson,  after  H.  Banbury. 

793  Mezzotint. 

Miss  Mellon  in  the  character  of  Mrs.  Page,  by  W.  Say,  after  Mas- 
querier. 

51 


794  Mezzotint. 

Miss  O'Neill  in  the  character  of  Juliet,  by  G.  Maile,  after  (i.  Dawe, 
R.A. 

795  Engraving. 

The  Resurrection,  by  Carolus  Ernestus,  after  Rubens. 

796  Engraving. 

1  he  Ascension,  by  Faustino  Anderloni,  after  Guido  Reni. 

797  Mezzotint. 

Rosalind. 

798  Reproduction. 

"  Christ  Walking  on  the  Water." 

799  Old  Dutch  Triple-Panel  Engraving. 

The  Crucifixion,  by  H.  Whitehouse,  1638,  after  Rubens. 

800  Lithograph, 

Head  of  Christ.     "The  Handkerchief  Print." 

801  Map  of  Paris,  1754. 

802  View  of  Ancient  Rome. 

803  Street  Scene,  Ancient  Rome. 

804  View  of  Rome  and  the  Coliseum. 

805  Head  of  Man. 

806  Portraits  of  Daly's  Company. 

807  Two  Portraits  of  Ada  Rehan. 

808  Colored  Portrait. 

Miss  Rehan. 

809  Portrait  of  Mr.  Phelps. 

810  Portrait  of  Mr.  Daly  and  two  of  his  Company, 

811  Portrait  of  Victorien  Sardou. 

With  autograph,  and  inscription  to  Mr.  Daly. 

812  Pair  of  English  Landscapes, 

813  Classic  Scene. 

814  Views  of  Daly's  London  Theatre. 

815  Dickens  and  his  Characters, 

From  a  painting  by  W.  H.  Beard. 

816  Ada  Rehan  and  Charles  Fisher. 

52 


8i7  Shakespearean  Colored  Portrait. 

8i8  Portraits  of  Daly's  Company. 

819  Portraits  of  Daly's  Company. 

820  Portraits  of  Daly's  Company. 

821  Colored  Portrait  of  a  Lady. 

822  Portrait. 

823  L'Ecole  de  Danse. 

Photogravure,  after  V.  Palmaroli. 

824  Forrest  as  Virginius. 

825  Scene  from  School  for  Scandal. 

Pastel  by  Sarony. 

826  Scene  from  School  for  Scandal. 

Pastel  by  Sarony. 

827  Scene  from  School  for  Scandal. 

Pastel  by  Sarony. 

828  Edwin  Booth. 

Crayon  by  Sarony. 

829  Edwin  Forrest  as  Metamora. 

Oil  painting  by  Gabriel  Harrison. 

830  Ada  Rehan. 

Signed   remarque   proof  (mezzotint),  by    S.  Edwards,  after  A.  M. 
Turner. 

831  Portrait  of  Miss  Rehan,  John  Drew,  and  Charles  Fisher. 

832  Crayon  of  Mr.  Daly. 

By  Kurtz. 

833  Portrait  of  Mr.  Daly. 

Pastel  by  A,  Guaccimanni,  1889. 

834  Portrait  of  Miss  Rehan. 

Pastel  by  A.  (iuaccimanni,  1889. 

835  Old  English  Print. 

Scene  from  "  As  You    Like   It,"  by  Charles  Knight,  after  H.  Bari 
bury. 

836  Two  Colored  Pictures. 

The  Saints,  and  The  Princes.      Old  English  prints,  by  G.  Hunt  and 
Theodore  Lane. 

837  Mr.  Kean  Imitating  Henderson's  Hamlet. 

53 


838  Miss  Rehan. 

Photogravure,  after  John  Sargeant. 

839  The  Doves  and  the  Mirror. 

840  Scene  from  Shakespeare. 

841  Ellen   Terry. 

342     Characters  from  the  Vicar  of  Wakefield. 

843  Garrick. 

By  S.  V\'.  Reynolds,  after  J.  Zoffany. 

844  William  Henry  West  Betty. 

Jioy  actor,  by  James  Heath,  after  John  Opie. 

845  Edmund  Kean. 

Mezzotint,  by  S.  W.  Reynolds,  after  Sir  Joshua  Reynolds. 

846  Love  Asleep,  and  Love  Awake. 

Pair  of  mezzotints,  after  Angelica  Kaufman. 

847  Miss  O'Neill  as  Juliet. 

Mezzotint,  by  G.  Maile,  after  (i.  Davve. 

848  The  Reconciliation. 

rhotogravure,  after  E.  Bayard. 

849  Children  of  Henry  VIL 

Engraving,  by  Geo.  Vertue,  after  I.  Maudeugius. 

850  Familia  Regia. 

Engraving,  by  Geo.  Vertue,  after  Holbein. 

851  Engraving. 

By  William  Ward,  after  Hogarth. 

852  Adrienne  Lecouvreur. 

Engraved  by  Dervet,  after  Charles  Cowel. 

853  Portraits  of  Peg  Woffington. 

Engraved  by  Faber  and  McArdle 

854  Miss   Rehan. 

Pastel  by  Sarony. 

855  Miss  Rehan. 

Pastel  by  Shettle. 

856  Portrait  of  Miss  Rehan. 

857  Portrait  of  Miss  Rehan. 

858  Miss  Rehan. 

Photogravure,  after  John  Sargeant. 

54 


859  Miss  Rehan. 

Copper- plate  engraving. 

860  Miss  Rehan. 

Pastel  by  W.  Shettle. 

861  Miss  Rehan  in  the  Geisha. 

Painting  on  silk,  by  Iclii  Ban,  Japanese  artist. 

862  Miss  Rehan. 

As  Viola  in  "Twelfth  Night,"  pastel  by  Wm.  Shettle. 


AMERICAN    ART  ASSOCIATION, 

Managers. 
THOMAS    E.    KIRP.V. 

.4  uctioueer. 


55 


PART  TI 
Bocki 


AMERICAN  ART  GALLERIES 

MADISON  SQUARE  SOUTH 
NF.\X'  YORK 


AUGUSTIN   DALY  COLLECTION 

PART  II 


AUGUSTIN   DALY  COLLECTION 


THE  VALUABLE   LIBRARY 

COMPRISING     MANY     EXTRA-Il.LUSTKATF.U     BOOKS    RANKING     WITH    THK    MOST    KAMOUS    IN    THK    WORLD    AND 

INCLUDING  THE  BIBLE  IN  KORTY-Two  VOLUMES  ;  IRELAND'S  NEW  YORK  STAGE  with  con- 
tinuation VOLUMES,  i-Ti-TY-ONE  IN  ALL;  COPIES  OF  DALY'S  WOFFINGTON ;  THE  celebrated  NELL 

GWYN,  BY  CUNNINGHAM  (AND  THE  TITLE  DEEDS  OF  HER  I'ALL  MALL  HOUSE);  THE  SUPERB  MEM- 
OIRS OF  CARRICK,  J.  p.  KEMBLE,  EDMUND  KEAN,  SHERIDAN,  BYRON;  an  unexcelled 
GATHERING  oi  THE  WORKS  OF  DICKENS,  THACKERAY  and  LAMB,  WITH  LARGE  additions  OP 
AUTOGRAPH  LETTERS,  and  other  well-known  books 


SALE    AT    THE 

AMERICAN  ART  GALLERIES 

BEGINNING   TUESDAY   EVENING.    MARCH   20th 


f'ART   11. 
Books 


CATALOGUE 


OF   THE 


VALUABLE  LITERARY  AND 
ART  PROPERTY 

GATHERED  BY  THE  LATE 

AUGUSTIN    DALY 


TO    BE    DISPOSED    OF    AT    ABSOLUTE    PUBLIC    SALE 
BY  ORDER  OF  THE  EXECUTORS 

ON   MONDAY,  MARCH    iqth,  AND  FOLLOWING   DAYS 

AT  2.30  AND  8  O'CLOCK,   P.M. 

AT  THE   AMERICAN   ART   GALLERIES 

MADISON   SQUARE  SOUTH 


Where  the   entire   Collection  will   be  on   View   Day   and    Evening   from 

Wednesday,  March  14th.  until  date  of  Sale 

inclusive  (Sunday  excepted) 


Thomas  E.   Kirby  AMERICAN    ART    ASSOCIATION 

Auctioneer  Managers 

NEW  YORK 
1900 


^^K^ 
^^W 


CONDITIONS    OF    SALE. 

1.  The  highest  Bidder  to  be  the  Buyer,  and  if  any  dispute  arise  between 
two  or  more  Bidders,  the  Lot  so  in  dispute  shall  be  immediately  put  up  again 
and  re-sold. 

2.  The  Auctioneer  reserves  the  right  to  reject  any  bid  which  is  merely  a 
nominal  or  fractional  advance,  and,  therefore,  in  his  judgment,  likely  to  affect 
the  Sale  injuriously. 

3.  The  Purchasers  to  give  their  names  and  addresses,  and  to  pay  down  a 
cash  deposit,  or  the  whole  of  the  Purchase-money,  if  required,  in  default  of  which 
the  Lot  or  Lots  so  purchased  to  be  immediately  put  up  again  and  re-sold. 

4.  The  Lots  to  be  taken  away  at  the  Buyer's  Expense  and  Risk  upon  the 
conclusion  of  the  Sale,  and  the  remainder  of  the  Purchase-money  to  be  abso- 
lutely paid,  or  otherwise  settled  for  to  the  satisfaction  of  the  Auctioneer,  on  or 
before  delivery  ;  in  default  of  which  the  undersigned  will  not  hold  themselves 
responsible  if  the  Lots  be  lost,  stolen,  damaged,  or  destroyed,  but  they  will  be 
left  at  the  sole  risk  of  the  Purchaser. 

5.  The  undersigned  will  not  hold  themselves  responsible  for  the  correctness 
of  the  description,  genuineness,  or  authenticity  of,  or  any  fault  or  defect  in,  any 
Lot ;  and  make  no  Warranty  whatei'er. 

6.  To  prevent  inaccuracy  in  delivery,  and  inconvenience  in  the  settlement 
of  the  Purchases,  no  Lot  can,  on  any  account,  be  removed  during  the  Sale. 

7.  Upon  failure  to  comply  with  the  above  conditions,  the  money  deposited 
in  part  payment  shall  be  forfeited  ;  all  Lots  uncleared  within  one  day  from 
conclusion  of  Sale  shall  be  re-sold  by  public  or  i)rivate  sale,  without  further 
notice,  and  the  deficiency  (if  any)  attending  such  re-sale  shall  be  made  good  by 
the  defaulter  at  this  Sale,  together  with  all  charges  attending  the  same.  'I'hir- 
Condition  is  without  prejudice  to  the  right  of  the  Auctioneer  to  enforce  the 
contract  made  at  this  Sale,  without  such  re-sale,  if  he  thinks  fit. 


THE    AMERICAN    AR'i'    ASSOCLA  IION, 

Managers. 

Thomas  E.   Kirhy, 

Auctioneer. 


ORDER  OF   SALE 


TUESDAY  EVENING,  MARCH  2oth,  at  the  American  art  galleries 

BEGINNINC.  AT  8    O'CLOCK,    CATALOGUE    Nos.    i    to    313    INCLUSIVE 

WEDNESDAY  EVENING.  MARCH  2Ist,  beginning  at  8  o'clock 

CATALOGUE  Nos.   314  to  649  INCLUSIVE 

THURSDAY  AFTERNOON,  MARCH  22D,  beginning  at  2.30  o'clock 

CATALOGUE  Nos.   oso  to  975   INCLUSIVE 

THURSDAY  EVENING,   MARCH  220,  beginning  at  8  o'clock 

CATALOGUE  Nos.  Q70  to   1281   INCLUSIVE 

FRIDAY  AFTERNOON,  MARCH  2}d.  beginning  at  2.30  o'clock 

CATALOGUE  Nos.    1282    10   1002   INCLUSIVE 

FRIDAY  EVENING,   MARCH  2}[i,  beginning  at  8  o'clock 

CATALOGUE  Nos.    1003  to   igio   INCLUSIVE 

SATURDAY  AFTERNOON,   MARCH  24TH,  beginning  at  2.  w  o'clock 

CATALOGUE  Nos.    191 1   to  2221   INCLUSIVE 

SATURDAY  EVENING,   MARCH  24TH,   beginning  at  8  o'clock 

CATALOGUE   Nos.   2222  to  2519  INCLUSIVE 

MONDAY  AFTERNOON,  MARCH  26th,  beginning  at  2.30  o'clock 

CATALOGUE  Nos.   2^40  to  2851    INCLUSIVE 

MONDAY  EVENING,   MARCH  26th,   beginning  at  8  o'clock 

CATALOGUE  Nos.   2852  to  3100  INCLUSIVE 

TUESDAY  AFTERNOON,  MARCH  27TH,  beginning  at  2.30  o'clock 

CATALOGUE  Nos.   3101   to   3478  INCLUSIVE 

TUESDAY  EVENING,  MARCH  27TH,  beginning  at  8  o'clock,  conch  imng 

sale   OE   BOOKii,    CATALOGUE  Nos.    H7^>   'O  ^1>>1  INCLUSIVE 


SPECIAL    NOTICE. 


This  being  an  Executor's  sale  to  close  the  estate,  a  cash  deposit 
will  be  required  from  every  purchaser  without  exception. 

Intending  purchasers  wishing  to  avoid  the  trouble  and  confusion 
of  making  a  deposit  during  the  sale,  can  make  arrangements  pre- 
vious to  day  of  sale,  with  the  undersigned,  at  their  office,  6  East 
Twenty-third  Street. 

In  compiling  this  catalogue  Mr.  J.  O.  Wright  has  endeavored 
to  make  descriptions  thoroughly  accurate,  but  we  guarantee  neither 
description  nor  condition,  sufificient  time  being  allowed  for  a  cape- 
ful  examination  of  the  books  and  other  objects  to  be  sold. 

AMERICAN    ART    ASSOCIATION, 

Managers. 

Thomas  E.  Kirby,  Auctioneer^ 


CATALOGUE 


1  Abbey  (E.  A.).     The  Quest  of  the  Holy  Grail.      Paintings  done  for  the 

decoration  of  the  Boston  Public  Library.      New  York,  1895. 
Oblong  4to,  boards. 

2  Abington  (Mrs.).     Life  of.     London,  1888. 

Large  paper,  illustrated  by  the  insertion  of  25  plates,  play-bills,  etc., 

including  the  "  Scrub  "  and  another  colored  portrait. 
4to,  half  calf,  gilt  top,  uncut  edges. 

3  Abrantes  (Duchesse  d').     Memoirs  of   Madame   Junot  :     Napoleon,   his 

Cpurt  and  Family.     Portraits.     New  York  [London],  1S83. 
3  vols.,  8vo,  cloth,  uncut. 

4     Memoirs  of  Napoleon,  etc.      Portraits.     New  York,  1855. 

2  vols.,  8vo,  half  calf. 

5  Ackermann.      Westminster   Abbey.     70   colored    plates   of  monuments, 

etc.,  by  Pugin,  etc.     London,  1812. 

2  vols.,  4to,  russia. 

6     Microcosm  of  T-ondon.      104  colored    jilates   by    Rowlandson  and 

Pugin.     London,  181 1. 

3  vols.,  4to,  calf. 

7  Acting.      Art  of  Acting  ;  or,  Guide  to  the  Stage.     New  York,  1S55. 

Post  8vo,  half  green  levant. 

An    Essay    on    the    Science  of    Acting.     P>y    a   X'eieran    Stager. 


Portrait  of  Shakespeare.     London,  1828. 

Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

9 Essay  on  the  Science  of  Acting.     Portrait.     London,  1828. 

Post  8vo,  half  calf. 

10     .American  Theatre.      Lopez   and    \Vcniyss's  edition,  with   the  rare 

American  portraits.     Philadelphia,  1826. 

3  vols.,  i2mo,  calf. 

11  Actor.      A  Defence  of  the  Profession  of  ail  Actor.      JA)ndoii,  iSoo. 

8vo,  half  blue  levaiU. 

I 


12  Actors  as  They  Are.     New  York,  1856. 

8vo,  half  calf,  gilt  top. 

13  ACTORS  AND   CRITICS.      A  collection  of  orioinal    pamphlets,  as 

follows  : 

1.  A  Letter  to  a  Noble  Lord  lui  "  Miss  Lucy  in  Town,"  1742. 

2.  Another  copy,  smaller. 

3.  George  Colman  Analyzed,  1761. 

4.  Essay  on  Stage-Craft,  by  Mary  Latter,  1763. 

5.  Palmer's  Lecture  on  Heads. 

6.  Essay  on  Satirical  Entertainments,  1772. 

7.  jackman's  Letter  to  P.  (ilovcr,  1787. 

8.  ]"".nquiry  into  the  Conduct  of  ¥.d.  Malonc,  1797. 

9.  C'ritique  on  the  Tragedy  of  Pizarro,  1799. 

10.  West's  Reflections  on  the  Tragedy  of  Hecuba. 

11.  Actors  and  Editors:  A  Poem.  1817. 

12.  Remarks  on  Colman's  Preface. 

13.  Two  Papers  :  A  'J'heatrical  Critique,  1819. 

14.  Thackeray  on  Theatrical  Emancipation,  1832. 
J 5.  Llaine's  Laws  of  Artistic  Copyright,  1853. 

16.   Hall's  Dramatic  Letters,  1867. 

Together,  16  vols.,  8vo,  half  brown  levant  morocco,  gilt  top. 

14  Actors  by   Daylight;  or,   l\MiciIiings    in    the    Pit.    \\'ood-cut  portraits. 

London,  1 83 8-g. 

2  vols,  in  I,  8vo,  half  blue  levanl  (53  numbers),  gilt  top. 

15     XXHI   chapters    mounted,  with    31    portraits   added,   many  quite 

rare. 

F(;lio,  half  morocco. 

16  Actors  by  Gaslight;  or,  "  Boz  "  in   the   Boxes.     Portraits  on  wood,  in- 

cluding an  extra.     London,   1838. 

The  thirty-seven  numbers  complete.      [Mackenzie,  ^^^5  I'js.  6i/.] 
Svo,  panelled  calf  extra,  gilt  edges. 

17  Actrices  de  Paris.      Fine  steel  portraits  by   Liphart,  and  text  illustra- 

tions.    Paris,  1882. 

Imp.  Svo,  half  citron  levant,  gilt  top,  uncut  edges. 

18  Adam   (R.  and   J.).     \\'(jrks  in   Architecture.      125    plates  by  Bartolozzi, 

Piranesi,  etc.     London,  1822. 

2  vols,  in  I,  atlas  folio,  broken  binding. 

19  Adams  (W.  1).).     P,y-Ways  in  Book-Land.     New  York  [London],  1889. 

i2mo,  half  morocco,  uncut  edges. 

20     With  Poet  and  Player.      London,  1891. 

Presentation  copy  from  the  author. 
Post  Svo,  cloth. 


21  Adams  (W.  D.).     Book  of  Burlesque  Sketches  of  English  Stage  Travestie 

and  Parody.  Portraits.  London,  1891. 
Presentation  copy  from  the  author. 
Post  Svo,  cl(jth. 

22     Women  of  Fashion  in  Letters  and  Society.     London,  1S78. 

2  vols.,  crown  Svo,  cloth,  uncut. 

23  Addis  and  Arnold.     A  Catholic  Dictionary.     New  York,  1884. 

Royal  Svo,  cloth. 

24  Addison  (Joseph).     Maxims,    Observations   and    Reflections.       Portrait. 

London,  17 19. 

i6mo,  half  morocco. 

25  Adler  (Cyrus)  and  Ramsay  (Allan).     Told  in  the  Coffee  House.     Turk- 

ish tales.     New  York,  1898. 

i6mo,  half  green  levant,  gilt  top,  uncut  edges. 

26  Adolphus  (John).    Memoirs  of  John  Bannister.    With  rare  portraits  of  Mr. 

and  Mrs.  Bannister  inserted.      London,  1S39. 

2  vols.,  Svo,  half  calf,  gilt  top,  uncut  edges.     [See  B.\nnister.] 

27  iEdes  Barberinae  ad  Quirinalem.     Plates.     Romae,  1642. 

Folio,  calf. 

28  iEsop.      Fables.     112  plates.     Stockdale,  London,  1793. 

2  vols.,  royal  Svo,  half  blue  morocco. 

29     A  Hundred  Fables  of.    Illustrated  by  Billinghurst.     London,  1899. 

Royal  Svo,  cloth. 

30  Ainger  (A.  C).     Eton  Songs.    Set  to  music  by  J.  Barnby.    Illustrated  by 

H.  Marshall.      London,  1S91-2. 

4to,  cloth. 

31  Ainsworth.     Rook  wood.     London,  1834. 

First  edition.      Presentation  copy  from  .the  author,  with  his  book- 
plate. 

3  vols.,  crown  Svo,  calf  extra,  gilt  top,  uncut  edges,  by  Riviere. 

32 Rookwood.      Illustrated  by  John  (iilbert.     London,  1857. 

First  octavo  edition. 

Svo,  half  calf  extra,  gilt  top,  uncut  edges. 

33     Jack  Sheppard.     Portrait  and   the  plates  by  Cruikshank.      London. 

1839- 

First  editi(jn  after  the  magazine  issue. 

3  vols.,  crown  Svo,  half  brown  levant,  gilt  top,  uncut  edges. 

24     Jack  Sheppard.     Portrait  and  the  famous  Cruikshank  plates.     Lon- 
don, 1S40. 

First  octavo  edition. 

Svo,  mottled  calf  extra,  gilt  edges,  by  Rivit:re. 

3 


35  Ainsworth.  Jack  Sheppard.  Plates  by  George  Cruikshank.   l>ondon,  1854. 

8vo,  half  calf  extra,  gilt  top,  uncut  edges. 

36     The  Tower  of  London.    With  the  plates  by  Cruikshank  and  numer- 
ous wood-cuts.     London,  1840. 

The  author's  presentation  copy  to  William  Beckford. 
Royal  Svo,  original  cloth,  uncut,  in  blue  morocco  case.     This  copy 
brought  over  $100  in  the  Mackenzie  sale,  1889. 

37     Old  Saint  Paul's.     Plates  by  Franklin.    London,  1841. 

First  edition. 

3  vols.,  crown  8vo,  half  brown  levant,  gilt  top,  uncut  edges. 

38     Old  Saint  Paul's.      Plates  by  Franklin  and  Browne.     London,  1847. 

First  octavo  edition. 

Svo,  half  red  morocco,  gilt  top,  uncut  edges. 

39     Guy  Fawkes.     Plates  by  Cruikshank.     I>ondon,  1841. 

First  edition.     This  copy  brought  $55  in  the  Mackenzie  sale. 
3  vols.,  crown  8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Riviere. 

40     Guy  Fawkes.    Plates  by  George  Cruikshank.     London,  1857. 

First  octavo  edition. 

8vo,  calf  extra,  gilt  top,  uncut  edges. 

41     The  Miser's  Daughter.     Plates  by  Cruikshank.     London,  1843. 

Second  edition. 

3  vols.,  crown  8vo,  half  brown  levant,  gilt  top,  uncut  edges. 

42     The  Miser's  Daughter.     Plates  by  George  Cruikshank.     London, 

1848. 

8vo,  tree  calf  extra,  gilt  top,  uncut  edges. 

43     Windsor  Castle.     With  all  the  original  illustrations  by  Cruikshank, 

etc.,  inserted,  both  steel  and  wood.     London,  1843. 

First  edition  after  the  magazine  issue. 

3  vols.,  crown  Svo,  half  brown  levant,  gilt  top,  uncut  edges. 

44     Windsor  Castle.     Plates,  etc.,  by  Cruikshank  and  Johannot.     Lon- 
don, 1847. 

Svo,  tree  calf  extra,  gilt  top,  uncut  edges. 

45     James  the  Second.     Plates  by  Buss.    London,  1848. 

I'irst  edition. 

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46     Crichton.     With  a  double    set  of   the   plates    by  H.    K.  Browne  ; 

one  colored.     London,  1S49. 

First  octavo  edition. 

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4 


47  Ainsworth.  Lancashire  Witches.  Illustrated  by  John  Gilbert.  London, 1854. 

8vo,  calf  extra,  gilt  top,  uncut  edges,  by  Riviere. 

48     The  Flitch  of  Bacon.     Illustrated  by  John  Gilbert.     London,  1854. 

First  edition. 

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49     The  Star  Chamber.     London,  1854. 

First  edition. 

2  vols.,  crown  8vo,  cloth,  uncut. 


50 


51 


52 


53 


54 


55 


56 


58 
59 


Ballads.      Illustrated  by  John  (»ilbert.      London,   1855. 

First  edition. 

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The  Star  Chamber.     Illustrated  by  "Phiz."     London,  1857. 

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Ovingdean  Grange.     Plates  by  H.  K.  Browne.     London,  i860. 

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Mervyn  Clitheroe.     Plates  by  II.  K.  Browne.     London,  1865. 

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Ainsworth's  Magazine.  Complete.   Plates  by  Cruikshank,  etc.   London, 
1842-5. 

Contains  the  original  i.ssue  of  the  Miser's  Daughter;  Windsor 
Castle  ;  Modern  Chivalry  ;  Memoirs  of  Elliston,  St.  James's  ; 
Revelations  of  London,  etc. 

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57     Album.      Illustrations,  and  spaces  for  additions. 
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Aldrich  (Thomas   B.).     Friar  Jerome's  beautiful   book. 
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5 


Decorations    by 


60  Aldridge  ( Ira).     I'he  African  Roscius — Memoir  of.     121110.     London,  n.  d. 

Inlaid  to  folio,  and  extra  illustrated  by  the  insertion  of  94  portraits, 
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61     Memoir  and  Theatrical  C'areer.     Portraits  inserteil.     London,  18 — . 

8vo,  half  calf,  gilt  top,  uncut  edges. 

62  Aleman  (Mateo).     Life  of  (niznian  d'Alfarache.    I'ranslation.     Plates  by 

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63     Histoire  de  Ciuzman  d'Alfarache.    With  plates  in  two  states,  plain 

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64  Alexander  (Louis).     The  Opera  Glass.     Portraits.     London,  1881. 

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65  Alexander's  Modern  Acting  Drama.     Philadelphia,  1835. 

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66  Alexandre    (A.).     Histoire    de    I'Art    Decoratif.      Plate    in    colors,  etc. 

Paris,  n.  d. 

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67     Suzanne  Reichenberg.      Numerous  illustrations.     Paris,  18 — . 

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68     The   Modern    Poster.      Illustrated.     New  York,  1S95. 

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69  Alfred  le  Petit.      Fleurs,  Fruits,  et  Legumes  du  jour.     31    colored  cari- 

catures, with  "  Legendes,"  by  Briollet.     Paris,  1871. 
4to,  boards. 

70  ALGER     (Wm.  R.).     LIFE  OF  EDWIN  FORREST.     No.  9  of  ico 

copies.     2  vols.,  4to.     Philadelphia,  1877. 

Half  crushed  levant  morocco,  gilt,  uncut  edges. 

Extended  to  6  vols,  by  the  insertion  of  over  1,160  illustrations. 
Beautiful  water-color  drawings  of  Forrest  (14),  Alger,  Jas.  Oakes, 
Satchell,  E.  N.  Thayer,  J.  R.  Scott,  Wm.  and  Mrs.  Pelby,  "Jim 
Crow  "  Rice,  Geo.  W.  Dixon,  Chas.  Durang,  Henry  I^lacide  (2), 
A.  J.  Allan,  J.  B.  Booth  (2),  Mrs.  Forrest,  Josephine  Clifton, 
Sandford.  Mme.  Ponisi,  Jameson,  Mrs.  Wheatleigh,  J.  W.  Booth, 
Finn,  Fenno,  Neafie,  etc.  Two  autograph  letters  of  Forrest  ;  satin 
play-bill  of  his  benefit  and  20  others  ;  Park  Theatre,  Pittsburg, 
1834,  Philadelphia,  1827-1840;  Franklin  Theatre,  Chatham  Theatre, 
Brougham's  Lyceum,  etc.  A  large  number  of  unusual  engraved 
portraits  of  Forrest  in  various  characters.  Many  India  proofs 
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including  Franklin,  by  Bisi  (b.l.)  ;  Washington  (i.p.b.l.),  etc.  (3), 
Alex.  Wilson,  Wallack  as  Alcibiades,  Finn  and  Kilner,  Maywood, 
Thos.  A.  Cooper,  by  Meyer;  Kean,  by  Heath;  John  Hcnvard  Payne 
(i.p.b.l),  Jas.  H.  Caldwell,  Lafayette  (i.p.b.l.),  Conway,  Dr.  ij'ird, 
Philip  Hone,  by  Uurand  ;  \Vm.  Dunlap  (i.p.b.l.),  Kemble,  by  'rurner 
(i.p.b.l.);  Forrest  as  RoUa,  by  Durand  (i.p.);  "Master  Payne," 
oval;  Garrick,  by  Heath  (i.p.)  ;  Fanny  Kemble,  by  Picart  (i.p.)  ; 
Stephen  Price  (i.p.),  Henry  Placide,  by  (iimber  ;  Vandenhoff  as 
Hamlet,  Alfred  Bunn  (i.p.),  Cooke  as  Richard,  Mrs,  Woffington, 
by  Freeman  ;  Cooke  (p  b.l.).  Kean  as  Brutus,  by  Stump  (i.p..)  ; 
Milton  (mezzo.),  by  Faber  ;  Francis  as  Sir  Geo.  Thunder  (p. b.l.), 
Mrs.  S.  Chapman,  by  Gimber  ;  Master  Jas.  Speaight,  Mrs.  Porter, 
G.  C.  Howard,  (ieo.  W.  Dixon,  Cooper  as  Pierre,  Henry  Russell, 
Garrick,  after  Pine  (p.b.l.),  etc. 

71  Allen  (F.  H.).     Masterpieces  of  Modern  German  Art.     100  photogravures 

and  etchings.     Boston,  1884. 

2  vols.,  royal  folio,  half  olive  levant,  gilt  top,  uncut  edges. 

72  Almanac.     In  Laudem  Operis  Calendarii  a  Johanne  de  Monte.     Raldolt 

Venetiis,  1485. 

Within   10  years  of  the  earliest  almanac  known,  which   was  issued 

by  the  same  printer  at  Augsburg,  1475. 
4to,  red   levant  morocco,  gilt  edges,  by  Riviere. 

73  Amalie  of  Saxony  (Princess).    Six  Dramas  Illustrative  of  German  Fife. 

Plates.     London,  1843. 
Crown  8vo,  cloth. 

74  Ambross  (Miss).   Life  and  Memoirs  of  Ann  Catley.   Portrait.   London,  n.  d. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

75  American   Art  and  Artists.     Edited  by  IL  C.  Jones.     Many  hundred 

illustrations.     New  York,  1894. 

Oblong  4to,  imitation  morocco. 

76  American  Biography  (National  Cyclopaedia  of).     New  York,  1S92-8. 

8  vols.,  imp.  8vo,  half  russia. 

77  American    Figure    Painters    (Book    of).      With    40   illustrations    m 

photogravure  by  the  most  famous  American  artists.     Pliiladelphia,  1886. 
Imp.  folio,  cloth. 

78  American  Views.      Allium   Pittoresque.     42  steel  plates,  some  colored. 

Paris,  n.  d. 

Folio,  half  red  morocco. 

79  Amicis    (Ed.  de).     Le  Maroc.      174  wood-cut  illustrations.      Paris,  1882. 

Folio,  half  red  morocco  extra,  gilt  edges. 

80  Anderson  (J.  W.).     The  Manner  in  which  the  Conmion  J'rayer  was  read 

by  Garrick.     London,  1797. 
8vo,  half  morocco. 


8 1  Anderson  (Mary).     A  Few  Memories.     Portraits.     New  York,  1896. 

Svu.  cloth,  uncut. 

82  Andrews  ( W.  L.).     New  Amsterdam,  New  Orange,  New  York.     A  chro- 

nologically arranged  account  of  engraved  views  of  the  city,  etc.     Dodd, 
Mead  iSc  Co.,  New  York,  1897. 

170  copies  printed  on  hand-made  paper. 

8vo,  cloth,  uncut  edges. 

83  Angelo  (Henry).     Memoirs  of.     London,  1828. 

4  vols.,  8vo.,  full  blue  crushed  levant  morocco,  gilt  edges.  Extra  il- 
lustrated by  the  insertion  of  153  portraits,  etc.,  including  character- 
istic autograph  letters  to  Pierce  Egan  ;  several  concert  tickets,  etc., 
by  Bartolozzi  ;  four  original  drawings  by  Rowlandson  ;  Captain 
VN'atken,  from  Thespian  Magazine  (p.b.l.);  Charles  Kemble  (p  b.l.), 
Augustus  Vt.  Howe,  John  (iully;  scarce  etching,  by  Henry  Angelo; 
Mrs.  Jordan,  etc. 

84  Angelo's  Pic  Nic  ;   or,  Tal)le  Talk.     Colored    frontispiece  by  George 

Cruikshank,  and  an  inserted  portrait.     London,   1834. 
8vo,  half  calf,  gilt  top,  uncut  edges. 

85  Angus  (J.   K  ).     A  Scotch  Play  House  :    the  Theatre  Royal,  Aberdeen. 

Aberdeen,  1878. 

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86  Anti-Philistine  (The),  June,  July,  1897.     London,  1897. 

i2mo,  cloth,  uncut. 

87  Antiquarian  Repertory.    Many  fine  portraits  and  plates.    London,  1807. 

4  vols.,  4I0,  half  calf. 

88  Apollo  and  Daphne.     A  Masque.     London,  17 16. 

4to,  half  citron  levant. 

89  Appleton's  Cyclopaedia  of  American  Biography.     Edited  by  James 

Grant  Wilson  and  John  Eiskc.     Portraits  engraved  on  steel  and  wood. 
New  York,  1887-9. 

6  vols.,  royal  8vo,  half  russia  extra. 

90  ARABIAN  NIGHTS.     Lane's  translation.     With  105  inserted  plates, 

in    addition   to  the  published   wood-cut    illustrations   and    special    title 
pages.     London,   1S41. 

6  vols,  extended  from  3,  royal  8vo,  half  citron  levant  morocco  extra, 
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Marillier,  the  Jouaust  etchings  and  others,  and  many  proofs  on 
India  i)aper. 

91     Arabian   Nights.     The  F^>ook  of  the  Thou.sand  and  One  Nights.     With 
notes,  etc.,  by  R.  F.  Burton.     Also  the  Supplemental  Nights,  and 
the  series  of  100  plates  by  Wood.     Benares,  1885-8. 
16  vols.,  8vo,  cloth,  uncut. 


92  Arabian  Nights.    Lady  Burton's  edition  prepared  for  household  reading, 

by  J.  H.  McCarthy.      Portrait.      London,  1886.' 

6  vols.,  8vo,  cloth,  uncut. 

93     Text  revised  by  Dulcken.     200  illustrations  engraved  by  the  Dal- 

ziels.     London,  n.  d, 

4to,  cloth. 

94  Archer   (Thos.).     Pictures  and   Royal  Portraits  Illustrative  of  English 

and  Scottish  History.     Fine  portraits  and  scenes.     London,  1878. 
2  vols.,  imp.  8vo,  cloth,  gilt. 

95  Archer  (Wm.).     About  the  Theatre.     London,  1886. 

Crown  8vo,  half  red  levant,  gilt  top,  uncut  edges. 

96     Henry  Irving  :  Actor  and  Manager.     Portrait.     London,   18 — . 

i2mo,  half  green  levant,  gilt  top,  uncut  edges. 

97     Masks  or  Faces.     London,  1888. 

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98     [Unanswered]   Questions  on  the  Art  of  Acting.     London,  18 — . 

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99     William  Charles  Macready.     New  York  [London],  1890. 

Crown  8vo,  half  calf,  gilt  top,  uncut  edges. 

100  Archie  (Armstrong).    Banquet  of  Jests.    Portrait,  etc.    Edinburgh,  1872. 

Whatman  paper  copy,  25  printed. 
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101  Arnold  (Sir  Edwin).     Adzuma  ;  or.  The  Japanese  Wife.     London,  1893. 

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102     Adzuma  ;  or,  The  Japanese  Wife.     London,  n.  d. 

Unrevised  presentation  copy  from  the  author. 

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103     Griselda  :  a  Tragedy,  etc.     London,  1856. 

First  edition. 

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104     Indian  Idylls.     London,  1883. 

First  edition. 

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105     In    My   Lady's    Praise.     Poems   written  to  the  honor  of  Fanny, 

Lady  Arnold.      London,  1889. 

First  edition. 

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106     Japonica.      Illustrated  by  Blum.      New  York,  1892. 

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9 


107  Arnold  (Sir  I'^dwin).     Lotus  and  Jewel,  etc.     London,  1887. 

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108     Oakfield  ;  or,  Fellowship  in  tiie  East.    By  Punjabee..   London,  1853. 

First  edition,  rare. 

2  vols.,  crown  8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

log     Pearls  of  the  Faith  ;  or,  Islam's  Rosary.     London,  1SS3. 

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110     Poems.     Oxford  (Chiswick  Press),  1853. 

First  edition. 

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111     Poems.     National  and  non-Oriental.     London,  1888. 

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112     Potiphar's  Wife:  and  other  poems.     New  York,   1892. 

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113     The    Book    of    Good    Counsels.     Illustrated    by    Harrison    Weir. 

London,  1861. 

First  edition. 

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114     The  Feast  of  Belshazzar.     Oxford,  1852. 

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115     The   Light   of  Asia.      Illustrated.      London,  1885. 

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116     The  Light  of  the  World.     Portrait,  etc.     New  York,  1891. 

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117     The  Light  of  the  World.     London,  1891. 

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118     The  Secret  of  Death.     London,  1885. 

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119     The  Song  Celestial.     London,  1885. 

First  edition. 

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120     With  Sa'di  in  the  Garden.     London,  1888. 

First  edition. 

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10 


121  Arnold  (S.  J.).     A  letter  to  all  the  proprietors  of   Drury-Lane  Theatre. 

London,  1818. 

8vo,  half  gray  levant,  gilt  top. 

122     Forgotten  Facts  in  the  Memoirs  of  Charles  Mathews.     London, 

1839- 

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8vo,  half  calf,  gilt  top. 

123  Arnold    (W.  H.).     First   Report  of  a  Book-Collector.     30  illustrations  ; 

some  unique.      Marion  Press,  Jamaica,  L.  L,  1897-8. 
No.  18  of  85  copies  printed. 
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124  Art.      Illustrated.     London,  1872. 

Vol.  3,  4to,  half  morocco. 

125  Artaud  (Chev.  d').     Lives  and  Times  of  the   Roman   Pontiffs  from  St, 

Peter  to  Pius  IX.      New  York,  1865. 

2  vols.,  royal  8vo,  half  morocco. 

126  Art  pour  tous.      Many  thousand  illustrations.     Paris,  1861-95. 

34  vols.,  folio,  portfolios. 

127  Art  Year   Book  (1884).     American  Art.     Made  for  the  New  England 

Manufacturers'  and  Mechanics'  Institute.   Illustrated.     New  York,  1884. 
4to,  boards. 

128  Ashbee    (E.  W.).     Occasional    Facsimile  Reprints  of  Rare  and  Curious 

Tracts.     London,  1868. 

Only  100  printed. 
2  vols.,  4to,  russia. 

129  Ashton   (John).     Old   Times.     88   illustrations.     New  York  [London], 

1885. 

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130 The  Fleet  :    its  River,  Prison,  and    Marriages.     Illustrated.     New 

York  [London],  188S. 
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131      Modern  Street  Ballads.     Illustrated.     London,  1888. 

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132  Astor  Place   Riot.     Scrap-book  of  contemporary  newspaper  accounts 

of  the  controversy  and  riots  of  May,  1849.  Play-bills  of  Thursday,  May 
loth  and  Macready's  second  night,  and  a  rare  folio  lithograj)!!  of  the 
Great  Riot. 

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133  Atlas  of  the  World.     Colored  m.aps.     Bradley.     Philadelphia,  1893. 

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134  ATTIC    MISCELLANY;    or,    Characteristic    Mirror   of    Men  and 

I'hinj^s.    Portraits  and  plates  by  Barlow,  after  Cruikshank,  etc.     London, 
1789-91. 

Very  rare. 

3  vols.,  8vo,  sprinkled  calf  extra,  gilt  edges,  by  Riviere. 

135  Audsley    and    Bowes.      Keramic    Art    of   Japan.     32   plates,  many  in 

colors,  and  other  illustrations.    London,  1881. 
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136  Austin    (Alfred).       England's    Darling.      Portrait.       New   York,    1896. 

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137     English  Lyrics.     London,  1896. 

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138 Fortunatus  the  Pessimist.     London,  1892, 

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139     In  Veronica's  Garden.      Illustrated.      London,  1895. 

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140     Lyrical  Poems.     London,  1S91. 

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141     Madonna's   Child.      Portrait.     London,  1895. 

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142     Madonna's  Child.     Frontispiece.     Edinburgh,  1873. 

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143     Narrative  Poems.      London,  1891. 

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144     Prince  Lucifer.     London,  1887. 

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145     Prince  Lucifer.     London,  1891. 

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146     Rome  or  Death  !      Edinburgh,  1873. 

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147     Savonarola:  a  Tragedy.      London,  1891. 

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148     The  Cx)nversion  of  Winckelmann,  etc.     London,  1897. 

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149     The  Human  'I'ragedy.     London,  1891. 

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150     The  Garden  that  I  Love.     Illustrated.     London,  1896. 

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268  Betty  (William  Henry  West).     Memoirs  of  the   Life  of.     Portraits  in- 

serted.    London,  1804. 

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269     Biographical  Memoirs.     Portraits,  two  inserted.     New  York,  1S06. 

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270     Biographical    Memoirs    of    "the   Young   Roscius."     Portrait    in- 
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271  Beverley  (Mrs.  R.).     The  Actress's  Ways  and  Means  to  industriously 

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272  Bewick   (Thomas).     History  of  Quadrupeds.     Wood-cuts.     Newcastle, 

1790. 

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273     History  of  British  Birds.     Wood-cuts.     Newcastle,  1797-1804. 

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274     Select  Fables.    With  cuts,  designed  and  engraved,  by  Thomas  and 

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275     Emblems  of  Mortality.     51  wood-cuts.     London,  1789. 

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276  Beyle    (M.    H.).      ["Stendhal"].     La   Chartreuse    de    Parme.     Trans- 

lated by  Robins.     30  etchings.     New  York,  1895. 

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277  Bibelot  (The).     A  Reprint  of  Poetry  and  Prose  for  Book  Lovers.     Port- 

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278     Old  and  New  Testaments.     Field,  London,  1653. 

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22 


279  Bible.      The  Holie  Bible  faithfully  translated   into  English,  etc.,  by  the 

English  College  of  Doway.     Kellam,  Doway,  1609-10. 
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280  Bickerstaff  (Isaac).     The    Romp  :  a   musical  entertainment.     I'ortrait 

of  Mrs.  Jordan.     Rare.     London,  n.  d. 
8vo,  wrappers. 

281  Billings  (Peter).     Folly   Predominant;  or,  the  Town  taken  in.     4  rare 

caricature  portraits  of  Foote,  Alacklin,  Stephens,  etc.     London,  1755. 
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282  BILLINGTON  (Mrs.).     MEMOIRS  OF,  from  her  birth,  with  copies 

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and  Adventures  of  Richard  Daly."  The  illustrations  include 
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her  famous  Reynolds  portrait  in  folio,  autograph  letters  of  .Mrs. 
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284     Memoirs  of.     4  portraits  inserted,  i  colored.     London,  1792. 

Svo,  half  calf,  gilt  top. 

285  Bing  (S.).     Artistic  Japan.     A  monthly  illustrated  Journal   of  Arts  and 

Industries,  with  a  large  number  of  colored  plates,  as  well   as  te.xt  illus- 
trations.    London,  1888-90. 

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trations.    London,  n.  d. 
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287  Bingham  (Frederick).     History  of  the  Richmond  Theatre,  Surrey,  from 

1765  to   1884.     Wood-cuts.     London,  1886. 
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288  Bjornson  (B.).     Pastor  Sang.     Translated.     London,  1893. 

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23 


289  Black  (Helen  C).     Notable  Women  Authors   of  the   Day.     Portraits. 

lilasgow,  1893. 
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290  Black  and  White.     Richly  illustrated.     London,  1S91-6. 

I J  vuls.,  folio,  half  morocco. 

291  Blackburn  (Henry).     Randolph  Caldecott  :  A  personal  memoir.     172 

illustrations.     London,  1886. 
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292     Art  in  the  Mountains  :  the  .Story  of  the  Passion  Play.     Illustrated. 

London,  1870. 

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293  Blackburne  (1'^.  O.).     Illustrious  Irishwomen.     London,  1877. 

2  vols.,  8vo,  cloth,  uncut. 

294  Blackmore  (R-  IX).     Lorna  Doone.     Photogravure  and  other  illustra- 

tions.    Cleveland,  1896. 

Edition  de  luxe,  with  the  e.xtra  plates  in  cloth  envelope. 

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295     Lorna  Doone.     Profusely  illustrated.     London,  1883. 

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296  Blades  (William).     Shakespeare  and  Typography.     New  York,  1897. 

Crown  8vo,  half  blue  levant,  gilt  top,  uncut  edges. 

297  Blaeu     (Joanne).       Novum     Magnum     Theatrum     L^rbium     Belgicae. 

Amsterdam. 

Fine  copy,  with  the  famous  maps,  views,  and  plans  all  colored  by 
hand  and  occasionally  heightened  with  gold. 

2  vols.,  imp.  folio,  parchment. 

298  Blaeu  (William  and  Jean).     Theatre  du  Monde  ou  Nouvel  Atlas.     Ams- 

terdam, 1645. 

Superb  copy,  with  all  the  maps  and  figures  beautifully  colored. 

3  vols.,  imp.  folio,  green  morocco  extra,  gilt  edges. 

299  Blaine  (D.  P.).     Encyclopaedia  of  Rural   Sports.     600   illustrations,  by 

Leech,  Aiken,  etc.     London,  1870. 
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300  Blake  (Charles).     Historical  Account  of  the  Providence  Stage.     Provi- 

dence, 1868. 

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i2mo,  half  red  levant,  gilt  top. 

301  Blanchard  (E.  Laman).     Life  and  Reminiscences.     Edited  by  C.  Scott 

and  C.  Howard.     Portraits,  etc.     London,  1891. 
2  vols.,  8vo,  cloth,  uncut. 

24 


302  Blanchard,   Gilbert,   etc.     Drawing-Room  Plays  and   Parlour  Panto- 

mimes.    Collected  by  Clement  Scott.     London,  1870. 
Crown  8vo,  cloth. 

303  Blessington  (Countess  of).      Literary  Life  and  Correspondence.     By 

R.  R.  Madden.     Portraits.     London,  1855. 

3  vols.,  Svo,  half  blue  morocco  extra,  gilt  top,  uncut  edges. 

304     Confessions  of  an  Elderly  Gentleman  [and  Lady].     Plates.     Lon- 
don, 1836-8. 

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305  • [?J.     Book    of    Costume,   by   a    lady  of    rank.     200    wood-cuts, 

COLORED    BY    HAND.       Londou,    1847. 

8vo,  cloth,  uncut. 

306  Blondel  (S.).     L'Art  Litime  et  le  Gout  en  France.     Profusely  illustrated. 

Paris,  1884. 

Imp.  Svo,  half  brown  morocco,  gilt  top,  uncut  edges. 

307  Bloomfield   (Robt.).     The  Farmer's  Boy.     Wood-cuts  by  Thurston  and 

Bewick.     Portrait  inserted.     I-ondon,  1803. 
i2mo,  calf. 

308  Blue  Beard,  etc.     Barbe-Bleue,  et  la  Belle  au  Bois  Dormant.    With  the 

beautiful   Pieaumont  illustrations,  executed   in  facsimile  of  the  original 
water  colors.     Paris,  1887. 

Folio,  half  blue  levant  morocco  extra,  gilt  top,  uncut  edges.     Leaf 
at  end  ink-stained. 

309  Blunt    (W.  S.).      Esther :    A  Young  Man's  Tragedy  ;     Together   with 

the  I-ove  .Sonnets  of  Proteus.     Cambridge,  1895. 
500  printed. 
4to,  boards. 

310  Boaden  (James).     Memoirs  of  Mrs.  Siddons.      Autograph  letter  of  the 

author,  and  numerous  scarce  portraits  inserted.      London,  1827. 
2  vols.,  Svo,  half  calf,  gilt  top,  uncut  edges. 

311     Memoirs  of  Mrs.  Inchbald.      Portrait.     London,  1S53. 

Unique  copy,  with  20  choice  and  rare  plates  inserted. 

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312     Life  of  Mrs.  Jordan.     London,  1S31. 

Autograph  letter  of  Dora  Jordan  and  numerous  portraits  inserted. 
2  vols.,  Svo,  half  calf,  gilt  to|->,  uncut  edges.      [See  Joud.vn.] 

313     T>ife  of  John  l^hilip  Kemble.     London,  1825. 

LInique  copy,  witli  26  jiortraits  of  the    Kemble-Siddons  family  and 

3  play-bills  inserted. 
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314  Boccaccio.     The  Modell  of  Wit,  Mirth  and  Eloquence.     London,  1C25. 

The  Decameron.     Numerous  cuts.     London,  1620. 

First  English  translation,  Mitford's  copy,  with  both  title-pages. 
Folio,  red  morocco. 

315     Decameron.     Portrait,  and    numerous  copper-plate    illustrations 

inserted.     London,  1822. 

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316     Decameron.     Translated    by  Kelly.     Portrait.      Bohn,   London, 

1 86 1 . 

Post  8vo,  cloth,  uncut. 

317     The  Decameron.     Numerous  plates.     London,  1896. 

Dutch  paper.      100  copies  printed. 

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318  Boileau.     The  Art  of  Poetry.     London,  1683. 

1 2 mo,  calf. 

319  Boilly  '  L.).     Humorous  Sketches.     38  colored  plates.     Paris,  1824. 

Folio,  half  morocco. 

320  Bois  (Jules).      Le  Satanisme  et  la  Magie.     Illustrated.     Paris,  1896. 

8vo,  original  covers,  uncut  edges. 

321  Boisgobey  (Fortune  du).     Works.     Translated,  and   many   illustrated. 

London,  etc.,  1876-91. 

Comprises  :  Fernande's  Choice  ;  An  Ocean  Knight  ;  The  Pride  of 
a  Day  ;  The  Golden  Tress  ;  Married  for  Love  ;  The  Half-Sister's 
Secret;  The  Cat's-eye  Ring,  2  vols.  ;  Saved  from  the  Harem; 
The  Day  of  Reckoning;  The  Red  Band  ;  The  Steel  Necklace; 
The  Coral  Pin  ;  The  Felon's  Bequest ;  Where's  Zenobia  ? ;  The 
Red  Camellia  ;  The  Golden  Pig  ;  Crime  of  the  Opera  House  ;  Old 
Age  of  Lecoq  ;  Cry  of  Blood  :  Mysteries  of  New  Paris  ;  Bertha's 
Secret  ;  Fight  for  a  Fortune  ;  Matapan  Affair  ;  Convict  Colonel  : 
Railway  Tragedy  ;  Who  Died  Last  ?  ;  Angel  of  the  Chimes,  and 
Nameless  Man. 

29  vols.,  i2mo  and  4to,  half  green  levant,  gilt  top,  uncut  edges. 

322 Fontenoy   the    Swordsman  ;    Married    for    Love,  and   the    Half- 
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323  Bolton  (C.  K.).      On  the  Wooing  of  Martha  Pitkin.     Boston,  1875. 

i6mo,  boards. 

324  Bon-Mots.     Edited  by  Walter  Jerrold.     Portraits,  etc.     London,  1893. 

i6mo,  cloth. 

325  Bonnard  (C).      Costumi  dei  secoli  XIII.,   XIV.,  &:  XV.      With  a  large 

number  of  colored  plates.     Milano.  1832. 

2  vols.,  4to,  half  green  morocco,  gilt  top,  uncut  edges.  [See 
Costume.  J 

26 


326  Bon  Ton  Theatricals.    3  portraits  inserted.    London,  1790. 

Svo,  half  calf,  gilt  top,  uncut  edges. 

327  Book-Buyer.     Illustrated.     New  York,  18S4-9. 

6  vols.,  Svo,  cloth. 

328  Book  of  Old   Ballads.      Illustrated  by  Alice   Havers.     London,   n.  d. 

Folio,  cloth. 

329  Book   Lover  (The).      A  monthlyjournal,  illustrated.      New  York,  1S90. 

4to,  half  morocco. 

330  Bookman  (The).     Illustrated.     New  York,  1895.     Vols,  i,  6,  7,  and  8. 

Svo,  cloth. 

331  Book-Plates.      Modern  book-plates  and  their,  designers.      Winter  num- 

ber of  the  Studio,    189S-9.     Numerous   illustrations.      London,   1899. 
4to,  half  olive  levant,  gilt  top,  uncut  edges. 

332  Bookworm   (The).     An  Illustrated  Treasury  of  Old-Time   Literature. 

2d  and  3d  series.     London,  1890. 
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333  Booth  (Barton).     Memoirs  of  the  Life  of.      Portraits  ;   5  inserted.     Lon- 

don, 1733. 

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334     Memoirs  of  the  Life  of.     Portrait  of   I'ooth  from  the  "  Cabinet." 

London,   1733. 

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335  Booth   (Edwin).     Memorial  Celebration.     Sixteenth  anniversary.     Por- 

trait.    New  York,  1S93. 

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336  BOOTH    IN    Twelve    Dramatic:    Characters,  with    a   Biographical 

Sketch  by  William  Winter.     Boston. 

Unique  copy,  with  autograph  letters  of  ^Vinter  and  Pxlwin  Booth 
(2)  ;  also  Records  of  Booth's  Theatre,  by  C.  C.  Moreau,  New 
York,  18S4,  and  other  letter-press  sketches,  by  Hennessey  and 
Linton  ;  the  whole  illustrated  with  j^rogrammes  of  special  per- 
formances and  every  possible  portrait  of  the  actor,  many  in  proof 
state,  etc.,  etc. 

Folio,  half  red  levant  morocco,  gilt  to[). 

337  BOOTH   (The  Elder  and  the  Younger).     By  Asia  Booth  Clarke. 

Boston,  1882. 

Unique  copy,  on  large  paper.  100  printed  ;  with  autograph  let- 
ters of  Junius  Booth  (8)  and  Garrick  ;  water-color  drawings  of 
D.  C.  Anderson,  W.  Winter,  W.  1^.  Burton,  P'erd.  Ewer,  John 
Howard  Payne,  Hamblin,  'V.  A.  Cooper,  l-'dmund  Kean,  L  B. 
Booth  (5),  Edwin  Booth  (2),  Mrs.  Booth,  the  Chatham  'i'iieatrc 
(exterior),   and  Bark  Theatre   (interior).     In    addition,   a   large 

27 


number  of  other  portraits  are  inserted,  some  in  proof  state,  and 
one  of  Edwin   IJooth,  with  autograph  inscription,  the  whole  sup- 
plemented with  special  play-bills,  etc. 
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338  BOOTH    MEMORIALS.      Passages,    Incidents,   and    Anecdotes  in 

the  Life  of  Junius   IJrutus  Booth  the  Elder.     By  His  Daughter.     New 

York,  1876. 

Enlarged  from  i2mo  to  .folio,  and  illustrated  by  the  insertion  of 
184  portraits,  autograph  letters,  etc.  The  autographs  include  J. 
B.  Booth  (4),  J.  Wilkes  Booth,  etc.;  and  among  the  portraits  are 
water-color  drawings  of  Booth,  Blake,  and  J.  Wilkes  Booth.  The 
last  portion  of  this  volume  contains  the  "  Life,  Crime,  and 
Capture  of  John  Wilkes  Booth,"  by  G.  A.  Townsend,  and  original 
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volume. 
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339  Booth  (Junius  Brutus).     Memorials.     By   His    Daughter.     Portrait  in- 

serted.    New  York,  1870. 

i6mo,  half  orange  levant,  gilt  top,  uncut  edges. 

340     And   His   Contemporaries.      The  Actor  ;  or,  A  Peep  Behind  the 

Curtain.     New  York,  1846. 

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341  Borrow  (George).     Word-Book  of  the  Romany.     London,  1888. 

Post  8vo,  cloth. 

342  Boston   Museum.     A  Retrospect.     Portrait  inserted.     Boston,  1880. 

i2mo,  half  red  levant. 

343  Boswell  (James).     Life  of  Samuel  Johnson  :  Tour  to  the  Hebrides  and 

Johnsoniana.     Steel  plates.     London,  1839. 

10  vols.,  foolscap  8vo,  half  morocco.     [See  Johnson.] 

344  Boucher    (Francois).     25   designs   in  colors  in   facsimile,  by  Thornley. 

Paris,  18 — . 

Royal  folio,  boards. 

345  Bouchot  (Menri).      L'ICmpirc.     Numerous  fine  portraits  and  other  illus- 

trations.     Paris,  n.  d. 

Imp.  8vo,  half  green  morocco,  gilt  top,  uncut  edges. 

346  Boughton  and  Abbey.     Sketching  Rambles  in  Holland.     Illustrated. 

New  York,  1885. 

8vo,  cloth. 

347  Boucicault  (Dion).     The  Irish  Heiress.     London,  1842. 

First  edition. 

8vo,  half  citron  levant,  gilt  top. 

28 


348  Bourgeois    (E.).      France    under    Louis    XIV.     Profusely    illustrated. 

New  V^ork  [London],  1897. 
Imp.  8vo,  cloth. 

349  Bourget    (Paul).     Pastels  of    Men.      Translated  by  K.    P.   Wormeley. 

Boston,   1891-2. 

2  vols.,  i6mo,  cloth. 

350  Boy  Detective  (The)  ;  or,  The  Crimes  of  London.     Wood-cuts.     Lon- 

don, n.  d. 

8vo,  paper. 

351  Bradley.     Llis  Book.     Lilustrated.     189G-7. 

2  vols.,  folio  and  4to,  cloth,  uncut. 

352  BRAY    (Mrs.).     LIFE  OF    THOMAS    STOTHARD,  with  personal 

reminiscences.     Portrait,  etc.     London,  185 1. 

Unique  copy,  enlarged  to  a  full  quarto,  and  extended  to  2  vols,  by 
the  insertion  of  over  200  portraits,  examples  of  Stothard's  work, 
etc.  These  latter  plates  include  the  illustrations  to  Robinson 
Crusoe  (India  proofs),  Gil  Bias,  Tom  Jones,  Shakespeare's  Plays, 
the  Poems  of  Burns,  etc.,  as  well  as  the  John  Gilpin  picture. 
Four  original  sketches  by  Stothard  and  15  autograph  letters  by 
the  artist,  the  author,  and  Anne  Eliza  Stothard,  lend  interest  to 
these  volumes. 
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353  BRAYLEY    (E.   W.).      THEATRES   OF    LONDON.      With    the 

original  colored  plates  by  Havell.     London,  1826. 

Unique  copy,  superbly  illustrated  by  the  addition  of  over  200  plates, 
and  autographs  of  unusual  importance  and  rarity.  The  autograph 
letters  include  examples  of  John  Rich,  Robert  Wilks,  Barton 
Booth,  J.  Winston,  J.  P.  Kemble,  C.  Kemble,  Vanbrugh,  George 
Colman,  Arnold  the  musician,  Mathews,  Grimaldi,  Thomas 
Dibdin,  Astley  ;  and  among  the  portraits  will  be  found  Mathews' 
"At  Home"  (colored);  Rich,  the  Harlequin;  Theophilus  Cil)ber, 
Elliston  (mezzotint),  Mrs.  Cibber  (mezzotint),  Mr.  Beard  (mez- 
zotint), by  Faber  ;  Hall  (colored),  Wofilington  (colored),  McSwiny 
(mezzotint),  Cuzzoni  and  Farinelli,  by  Lady  Burlington  (Walpoles 
copy  with  notes)  ;  Dr.  Arne,  by  Bartolozzi ;  Maddox  (2),  Jemmy 
Warner  (original  water  color),  Barrett  (colored  drawing),  J.  Palmer 
(a  superb  water  color),  C.  Bannister  (mezzotint),  Mrs.  (libbs 
(beautifully  colored);  also  the  original  illustrations  of  the  Duke's 
Theatre,  by  DoUe;  a  water  color  of  Astley's  Theatre,  and  the 
pamphlets,"  The  London  Theatres,"  a  poem  by  Thomas  Bellamy, 
"The  0-Period,"  etc. 
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edges,  by  Riviere. 

354     The^itres  of  London.     16  plates  by  Havell.     London,  1833. 

4to,  half  red  levant,  gilt  top,  uncut  edges. 

29 


355  Brereton  (Austin).     Henry  Irving.     18  portraits  and  (inserted)  HoUyer's 

plate  on  India  paper.     London,  1883. 

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363  Broadway  Journal  (The).     Vol.  2.     New  York,  1845. 

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367  BROOKLYN  THEATRE.     Historical  Account  of  the  Burning  of, 

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371  Brown     (J.    H.).     Cyclopredia   of    American    Biographies.       Portraits. 

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372  Brown    (T.    A.).     History  of  the    American   Stage.      Portraits.      New 

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373  Browne.     The  Genial  Showman.     Reminiscences  of  the  Life  of  Artemus 

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379  Bryant,  Gay,  and  Brooks.     Popular    History  of   the  United  States. 

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380  Buck    (J.    H.).     Old    Plate  ;  its   Makers  and    Marks.     82   illustrations. 

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381  Buckingham  (Geo.  \'illiers,  Duke  of).    '.Vorks.    Portraits,  etc.    London, 

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383  Buckstone  (J.  B.).     Rural  Felicity  :   an  Operatic  Comedy.      Frontis- 

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386  Bullock    (Chas.).     A    Woman's    Revenge  :   a    Comedy.      Frontispiece. 

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387  Bulwer    (J.).      Anthropometamorphosis :    Man    Transform'd  ;    or,    Lhe 

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433  BURTON     (Robt.).       THE     ANATOMY     OF    MELANCHOLY. 

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446  Byron  (Lord).    Hours  of  Idleness  ;  a  series  of  Poems,  original  and  trans- 

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447     English  Bards  and  Scotch  Reviewers.     London,  181 1. 

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450  C.  (J.).     A  Cure  for  Jealousie  :    a  Comedy.     London,  1701. 

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455  Caldecott  (Randolph).     Complete  Collection  of    Pictures   and    Songs. 

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475  Cams  (Paul).     Karma  :  A  Story  of  Early  Buddhism.     Colored  illustra- 

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489  Century  Dictionary  and  Cyclopedia.      With  the  Century  Cyclopedia 

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496  CHAMBERS   (Robert.)      BOOK    OF    DAYS.      A  iMiscellany  of 

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497  Chambers's    Encyclopaedia.     Maps    and    illustrations.     Edinburgh, 

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498  Chambers  (R.  W.).     A  King  and  a  Few  Dukes.     New  York,  1896. 

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499     With  the  Band.     Poems.     New  York,  1896. 

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506  Chance  Brothers.      Designs  for  Colored  Ornamental  Windows.     Plates 

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41 


507  Chants  et  Chansons  Populaires  de  la  France.     Notices  par  Dum- 

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512  Charke  (Charlotte).    Narrative  of  the  Life  of,  by  herself.    With  the  rare 

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513     Narrative  of  the  Life  of.     London,  1827. 

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516  [Chatterton    (Thomas)].     Poems   supposed    to  have  been    written  by 

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517  Chatto  (W.  A.).    Treatise  on  Wood  Engraving.    300  wood-cuts  by  John 

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518  Chaucer.    Works.    Edited  by  Urry.    Portraits  and  cuts.    London,  1721. 

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519  Cheltnam  (C.   S. ).     Dramatic  Year  Book  and  Stage  Directory  for  the 

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520  Chery  et  Alix.    Costumes  et  Theatres  de  toutes  les  Nations.    Numerous 

l)latcs,  mostly  printed  in  color.     Paris,  1790. 
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42 


521  Chetwood    (W.    R.).      The   British    Theatre.      Lives   of   the    English 

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522     (ieneral  History  of  the  Stage.    6  portraits,  etc.,  inserted.     London, 

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524     General  History  of  the  Stage.      London,  1749. 

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525  Child    (Theo.).     A    Mirror    of    Fair   Women.     Studies    in    beauty    and 

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526     Wimples  and  Crisping-Pins.      Illustrated.      New  York,  1895. 

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528  Chop-book  (The).     Vol.  8,  Nos.  4-12;  vol.  9,  Nos.  1-4;  January  i-July 

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529  Chorley  (Henry  F.).     Thirty  Years'  Musical   Recollections.     Portraits. 

London,   1862. 

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530     Modern  German  Music.     London,  1854. 

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531     Memorials  of  Mrs.  Hemans.    Portrait.    London,  1836. 

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532  Chorley  (H.  L.).     The  Lyric  Drama.    London,  1841. 

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533  Christy's  Minstrels.      I'lie  original   Dialogue  Book  of  G.  N.  Chri.sty. 

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8vo,  rough  sheep,  with  morocco  bands. 

43 


534  Christy  (R<i1h.).     Proverbs,  Maxims,  and  Phrases  of  All  Ages.    London, 

l8yS. 

Crown  8vo,  cloth.     Vol.  2. 

535  Chrysostom  Review  (i'he).  A  manuscript  of  64  pages  neatly  written, 

coinnunciiig  witli  an   article  entitled  "  The  Literary  Spirit  of  the  State 
of  New  York."     \o\.  3. 
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536  Church  (A.  J.).     The  Story  of  the  Last  Days  of  Jerusalem.     Illustrated. 

New  York,  n.  d. 
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537     Roman  Life  in  the  Days  of  Cicero.      Illustrated.     New  York,  n.  d. 

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538  Churchill  (Charles).     Poems   [and   collected  works].     London,  1763-4. 

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539 The     Rosciad    and    The    Apology.     8    portraits.       Only    400 

printed.      London,  1891. 
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540  Cibber  (Colley).      Dramatic   Works.      Portrait  by  Miller,  after  Vanloo. 

London,  1777. 

5  vols.,  i2mo,  calf  extra. 

541  Cibber  (C).    She  Wou'd  and  She  Wou'd  Not  :  a  Comedy.     London,  n.  d. 

Park  Theatre  prompt-book,  with  autograph,  etc.,  of  E.  Simpson. 
i6mo,  half  citron  levant. 

542  CIBBER  (Colley).     AN  APOLOGY  FOR  THE  LIFE  OF.    Portrait. 

London,   1740. 

Unique  copy  of  the  original  edition,  illustrated  l^y  the  insertion  of 
350  portraits,  etc.  I'hese  portraits  include  large  mezzotints  of 
Colley  Cibber,  Betterton,  Mrs.  Oldfield,  Kitty  Clive,  Quin,  Kneller, 
Penkethman,  the  Duchess  of  Cleveland,  Robt.  Wilks,  jonston, 
Vanbrugh,  McSwiny,  Purcell,  Antony  Leigh,  Joe  Harris,  Mrs. 
Cross,  Leveridge,  Sacheverell,  Foote,  Duke  of  Shrewsbury,  John 
Harper,  Sir  Robt.  Walpole,  Corelli,  Queen  Anne.  Tonson,  Rernardi, 
etc.;  drawings  of  Tom  Sheridan,  Charlotte  Charke,  Kitty  Clive, 
Nell  Gwyn,  Peg  Woffington  (colored),  Mrs.  Hughes  (colored), 
etc.;  rare  plates  of  Dr.  Busby,  Aphra  Behn,  Doga;ett,  Kynaston, 
Spranger  Barry,\Vm.  Cartwright,  Mrs.  Porter,  Garrick  ;  Theophilus 
Cibber.  as  Antient  Pistol  ;  Tom  Davies  (with  autograph  letter)  ; 
the  large  Vertue  ])rints  of  Pope,  Beaumont,  Fletcher,  and  Cowley, 
and  other  valuable  items.  In  addition,  the  text  has  been  widened 
by  the  addition  of  a  preface  by  Bellchambers,  the  Apology  of 
Theophilus  Cibber,  1740  ;  A  Lick  at  a  Liar,  and  other  interesting 
data. 

3  vols.,  royal  folio  (from  i  vol.,  4to),  half  green  levant  morocco, 
gilt  top,  by  Stikeman. 

44 


543  GIBBER  (CoUey.)  AN  APOLOGY  FOR  THE  LIFE  OF.  Lon- 
don, 1740. 

Unique  copy.  Extra-illustrated  by  the  insertion  of  85  portraits, 
etc.,  including  autograph  letters  of  John  Mills,  Rcjbert  Wilks 
(5),  CoUey  Gibber  (3),  Barton  Booth  (4),  John  Rich,  'Ihomas 
Doggett,  Joe  Miller,  and  Estcourt  ;  portraits  of  Wycherley, 
Penkethman,  Gave  Underbill,  Mrs.  Barry  as  Zenobia,  Mrs.  Brace- 
girdle,  Wm.  Bullock,  Wilks  as  Wildair,  Rich  and  Dr.  Faustus. 
Mrs.  Oldfield,  Owen  McSwiny,  Aaron  Hill,  Graggs  (p.b.I.),  Nell 
Gwynne,  Robt.  Wilks,  Gorelli  (p.b.I.),  etc.  The  scarce  etching 
of  the  stage  mutiny,  Broadside  Notice  to  Watermen  (Doggett's 
Goat  &  Badge),  and  original  water-color  drawings  of  Anthony 
Leigh,  Penkethman,  Mills,  Thomas  Doggett,  Mrs.  Tofts, 
Pack,   etc. 

2  vols.,  4to,  red  levant  morocco  extra,  gilt  back  and  sides,  gilt 
edges,  by  Riviere. 

544.     Apology  for  the  Life  of.     Portrait.     London,  1756. 

2  vols.,  i2mo,  calf. 

545     Apology  for  the  Life  of.     Edited  by  E.  Bellchanibers.     Portrait. 

London,  1822. 

8vo,  half  green  morocco,  gilt  top,  uncut  edges. 

546     Apology    for    His    Own    Life.     Numerous   plates,  in   two   states. 

London,  1889. 

Large  paper  copy. 

2  vols.,  royal  8vo,  half  calf. 

547  Gibber   (Theophilus).     An    Apology  for  the  Life  of.     Also  in  this  vol.: 

A    Serio-comic   Apology,    1748;    The   Buskin   and    Sock,    1743;    Four 
Original  Letters,  1739  ;  A  Lick  at  a  Liar,  1752,  and  Epistle  to  Garrick, 
1755.      London,  1740. 
8vo,  calf. 

548  Gibber  (Susannah  Maria).     Account  of  the  Life  of.     London,  1887. 

Large  paper.     Unique  copy,  with  nine  plates,  including  two  mez- 
zotints, a  water-color  drawing,  and  play-bills  inserted. 
4to,  half  calf,  gilt  top,  uncut  edges. 

549  Gibber  to  Pope.      Letter  from  :  with  the  very  rare  and  suggestive  fron- 

tispiece.    Glasgow,  n.  d. 

8vo,  half  morocco,  uncut  edges. 

550  Gibber  (Theophilus.)     The  Lover.     A  comedy.     London,  1730. 

8vo,  half  citron  levant. 

551  CIBBERIANA,     A  large  collection  of  books  by  and  relating  to  the 

Gibber  family,  as  follows  : 

1.  The  Non- Juror,  by  Gibber.     17 18. 

2.  Gompleat  Key  to  the  Non-Juror,  by  Joseph  Gay.      17 18. 

3.  Some  Gursory  Remarks  on  the  Non- Juror.     17  18. 

4.  The  Juror,  a  farce  by  W.  B.      1718. 

45 


5.  The  Theatre-Royal  turned  into  a  Mountebank's  Stage.     1718. 

6.  Characters  and  Conduct  of  Sir  John  Edgar  [Steele].     1720. 

7.  The  Provok'd  Musband,  by  \'anbrugh  and  Cibber.      1729. 

8.  The  Lover,  a  comedy  by  Theophilus  Cibber.     1730. 

9.  Four  Original  Letters.     1739. 

10.  Tryal  for  Criminal  Conversation  between  Theoj^hilus  Cibber  and 

William  Sloper.     1739.     Rare. 

11.  Tryal  of  Colley  Cibber  for  writing  "An  Apology."      1740. 

12.  The  Laureat  ;  or,  the  right  side  of  Colley  Cibber.      1740. 

13.  An  Apology  for  the  Life  of  Theophilus  Cibber.      1740. 

14.  Familiar  Epistle  to  William  Warburton.     n.  d. 

15.  Letter  from  Cibber  to  Pope.     1742. 

16.  Letter  to  Cibber  on  his  Letter  to  Pope.     1742. 

17.  A  Blast  upon  Bays.      1742. 

18.  Letter  from  Cibber  to  Pope.     1742. 

19.  Theatrical  Life  of  Colly  Cibber,  etc.     1742. 

20.  The  Egotist,  or  Cibber  upon  Cibber.      1743. 

21.  The  Ikiskin  and  Sock.      1743. 

22.  Another  Letter  from  Cibber  to  Pope.     1744. 

23.  Letter  to  Colley  Cibber  on  his  "  King  John."     1745. 

24.  The  Lady's  Lecture,  by  C.  Cibber.     1748. 

25.  Apology  for  the  Life  of  Colley  Cibber.     1750. 

26.  The  Oracle,  a  comedy  by  Mrs.  Cibber.      1752. 

27.  Lives,  etc.,  of  Actors  and  .Actresses,  by  Theophilus  Cibber.    1753. 

28.  Epistle  from  Theophilus  Cibber  to  Garrick.     1755. 

29.  Cibber's  Two  Dissertations  on  the  Theatres.      1756. 

30.  Theophilus    Cibber  to   David   (iarrick,  etc.,  with   the  very  rare 

portrait  and  plates.     1759. 

31.  The  Bays  Miscellany,  etc.,  etc. 

32.  Cibber's  Dissertations  on  Theatrical  Subjects.     1756. 
;i;^.  Epistle  from  Cibber  to  (iarrick.     Plates,     n.  d. 

34.  She  Wou'd,  and  She  Wou'd  Not,  by  Cibber,  1703. 
Together,  31  vols.,  8vo,  etc.,  half  brown  levant  morocco. 

552  Cicero.     Cato   Major  ;  or,  his   Discourse  of  Old  Age.     With  explana- 

tcjry  notes.     Franklin,  Philadelphia,  1744. 
Rubricated  title. 
8vo,  blue  levant  morocco,  gilt  edges,  by  Stikeman. 

553  Cinderella,  etc.     Cinderella  and  the   Two  Gifts,     ^^'ith  the  charming 

illustrations  by   Beaumont,  printed   in  imitation  of  the  original  water- 
color  drawings.     Paris,  188C. 

Royal  4to,  half  blue  levant  morocco  extra,  gilt  top,  uncut  edges. 

554  Clack  Book  (The).     Vols.  1-3.     April,  1896-June,   1897.     Illustrations 

plain  and  colored.      Lansing,  1896-97. 
2  vols.,  8vo,  cloth. 

555  Clairon  (liyppolite).     Memoirs  of.     Portraits  inserted.      London,  1800. 

2  vols.,  post  8vo,  half  calf,  gilt  top,  uncut  edges. 

556  Clapp,  Jr.  (W.  W.).     Record  of  the  Boston  Stage.     Boston,  1853. 

I.: mo,  half  green  morocco. 

46 


4 


557  Clare  and  Tyler.     Library  of  Universal  History.     Map?;,  portraits,  and 

views.     New  York,  1897. 

8  vols.,  royal  8vo,  eloth. 

558  Claretie  (Jules).     Camille    Desmoulins   and    his    Wife.     Translated    by 

Mrs.  Hoey.     Portrait.     London,  1876. 
8vo,  cloth,  uncut. 

559     La  Canne  de  M.  Michelet.     12  etchings.     Paris,  1886. 

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560  Clarke    (Chas.).     Architectura    Ecclesiastica    Londini.      With    122    fine 

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561  Clarke   (Mary  Cowden).     Concordance  to  Shakespeare.     London,  1886. 

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562  Clarke  (R.  H.).      History  of  the  Catholic  Church  in   the  United   States, 

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563  Clark  (Wm.    1.).     Commercial    Cuba.     Maps    and  other    illustrations. 

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564  Clayton  (Ellen  C).     Queens  of  Song.    6  steel  portraits.     London,  1863. 

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565  Clemens  (Samuel  L.).    "  Mark  Twain."  Works.   Numerous  illustrations. 

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567     The  Innocents  Abroad.     Illustrated.     Hartft)rd,  1S71. 

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47 


570  Clemens  (Samuel  L.)-     Mark  Twain's  Sketches,  New  and  Old.     Illus- 

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571     Adventures  of  Tom  Sawyer.     Illustrated.     Hartford,  1876. 

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574     Life  on  the  Mississippi.     300  illustrations.     Boston,  1883. 

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575     Adventures  of  Huckleberry   P'inn.     By  Mark  Twain.     174  illus- 
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576     A  Connecticut  Yankee  at  King  Arthur's  Court.     By  Mark  Twain. 

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580     How  to  Tell  a  Story  and  other  Essays.     By  Mark  Twain.     New 

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582  Clement  (C:.  E.).     Charlotte  Cushman.    Portraits.    Boston,  1882. 

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583  Coleridge    (S.   T.).     The   Rime    of  the   Ancient    Mariner.      Illustrated 

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584  Clinton  (Henry  Lauren).    Celebrated  Trials.    Portraits.    New  York,  1879. 

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585  Clive  (Mrs.).     The  Case  of  :  submitted  to  the  Public.     London,  1744. 

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586  Cobbett  (William).     History  of  the  Protestant  Reformation  in  Knglan 

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588  Cockton  (Henry).    Valentine  Vox.     Plates  by  Onwhyn.     London,  1840. 

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592  Cole  (John).     The  Talents  of  Edmund  Kean  Delineated.    London,  1817. 

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49 


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603  Collins  (U'ilkie).     The   Frozen   Deep.      A   drama  in  three  acts.     Not 

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605"*"   lolani  ;  or,  Tahiti  as  it  was.     A  Romance. 

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606  Collis  (Septima  M.).     A  Woman's  Trip  to  Alaska.     Illustrated.     New 

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607  COLMAN  (Francis  and  George).     Letters  to.     London,  1820. 

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609  Colman  (George,  Jr.,  etc.). 

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610  Colman  (George).    Narrative  of  Covent  Garden  Disputes.    London,  1768. 

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611     Some  Particulars  of  the  Life  of.      Portrait  inserted. 

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614  Combe  (Wm.).     The  En.fjlish  Dance  of  Death.     With  fine  impressions 

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616  Comedie  (La).     Illustrated.     1875-6. 

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617  Comic   Theatre.     A  free  translation  of  all   the  best  French  comedies. 

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618  Compton  (Chas.  and  Edward).     Memoir  of  Henry  Compton.     Portrait. 

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620  Congreve    (F.    H.).     Authentic    Memoirs   of    Charles    Macklin.     Fine 

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621  Congreve   (William).     Works.     Plays,  Poems,  and   Life.     Portrait  and 

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624  Contant  (C).     Parallelc  des  principaux  Theatres  Moderncs  de  I'Europe. 

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625  Cook  (Dutton).     On  the  Stage.     Portrait,  etc.     London,  1883. 

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626     Hours  with  the  Players.     Frontispiece.     London,  1883. 

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627  Cook  (T.  A.).     Old  Touraine,  its  Chateaux,  etc.     Illustrated.     London, 

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628  Cooke  (G.  and  E.   W.).     Views  in    London  and   its  Vicinity.     48  fine 

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630  Cooke  (James).     The  Stage.     London,  1840. 

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632  Cooke  (Wm.).    Memoirs  of  Samuel  Foote.    Portraits  by  Caroline  Watson, 

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634     Memoirs  of  Charles  Macklin.     Portraits  inserted.      London,  1S06. 

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635  Cooley  (Thomas   M.),  etc.      The  American  Railway.     200   illustrations. 

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636  Cooper  (James  Fenimore).     Novels.    Illustrated  by  Darley.     Townsend, 

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637     Pages  and  Pictures.     Steel  plates  by  Darley.     New  York,  1861. 

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638     Autobiography  of  a  Pocket-Handkerchief.     Kvanslon,  lit.,  1897. 

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53 


641  COQUELIN-IRVING  CONTROVERSY.    An  interesting  collec- 

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643  Corner  (John).     Portraits  of  Celebrated   Painters.     25   fine  plates,  with 

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644  Corney  Grain.     By  himself.     London,  1888. 

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645  COSTUMES    OF    ALL    NATIONS.     Kretschmer,  Racinet,  etc., 

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649  Costumes  de  Theatre  de  la  fin  du  XVII.  siecle  et  de  metiers  grotesques. 

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651     248  fine  colored  i)lates.     Ackermann,  London,  1810-41. 

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652  Costume.   Les  Rois  et  Reines  de  France.     Colored  plates.      Paris,  n.  d. 

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656  Cousin    (Charles).       Racontars    Illustres    d'un    Vieux    Collectionneur. 

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657  Coutts  (Thomas).     Life  of,  with  Anecdotes  of  his  Wives.    London,  n.  d. 

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658  Covent    Garden   Disputes,    comprising  the   Narrative  and  Colman's 

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659  Covent  Garden  Journal.     4  views.     London,  1810. 

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660  Covent    Garden    Theatre.     Recollections  of  the   Scenic   Effects  of 

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661  Cowell    (Joe).     Thirty  Years   passed  among  the   Player.s.     New  York, 

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662     Thirty  Years  among  the  Players.     New  York,  1845. 

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663  Cowley  (Abraham).    Works.    Fine  Portraits  and  other  jilates  on  copper. 

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664  Cox   (S.  S.).     The  Isles  of  the   Princes.      Map  and  illustrations.     New 

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665  Cox  (William).     Crayon  Sketches.     By  an  Amateur.     Edited   by  'I'hco. 

S.  Fay.     New  York,  1833. 
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55 


666  Coxe  (Peter).     The  Social  Day.     32  brilliant  plates.     London,  1823. 

Large  paper.     India  proof  copy.      [See  p.  2S8  for  the  first  plate 

engraved  on  steel.] 
Imp.  8vo,  boards. 

667  Crackanthorpe  (Hubert).     Wreckage.     London,  1894. 

Post  8vo,  half  green  levant  morocco,  gilt  top,  uncut  edges. 

668     Sentimental    Studies,  and    a  Set  of  Village   Tales.     New  York, 

1895- 

i2mo,  half  green  levant,  gilt  top,  uncut  edges. 

669  Craddock  (Joseph).     Literary  and  Miscellaneous    Memoirs.     Portrait. 

London,  1828. 

4  vols.,  8vo,  half  green  morocco. 

670  Craft  (Zach.).     First  Sitting  of  the  Committee  on  the  proposed  Monument 

to  Shakespeare.     Cheltenham,  1823. 
i2mo,  half  calf. 

671  Crane   (T.  F.).     Italian  Popular  Tales.     Boston,  1885. 

8vo,  cloth,  uncut. 

672  Crane  (Walter.)     The    First    of   May.      With  proof  impressions   of  the 

plates  signed  by  the  artist.     London,  n.  d. 
300  copies  printed. 
Atlas  4to,  half  morocco. 

673     Fight  Illustrations  to  Shakespeare's  Tempest.     Engraved  by  D. 

C.  Dallas.     London,  1894. 

No.  511  of  650  copies  printed. 
Royal  4to,  cloth  case. 

674  Crawford  (F.  Marion).     With  the  Immortals.     London,  1888. 

Best  edition. 

2  vols.,  crown  8vo,  cloth,  uncut  edges. 

675     Saracinesca.     Edinburgh,  1887. 

Best  edition. 

3  vols.,  crown  8vo,  cloth,  uncut  edges. 

676     Constantinople.     Illustrated  by  Weeks.     New  York,  1895. 

8vo,  cloth. 

677     Ave  Roma  Immortalis.     Map  and  plates.     New  York,  1898. 

Edition  de  lu.\e.     No.  23  of  150  copies. 

2  vols.,  Svo,  cloth,  uncut. 

678  Crawford  (O.),  I'.ditor.   Dialogues  of  the  Day.   Illustrated.  London,  n.  d. 

4to,  cloth,  uncut. 

56 


679  Crawford-Siddons.     A  Review  of   Mrs.  Crawford,  and  Mrs.  Siddons 

in  tlic  ciiaracter   of  Belvidera  :  In  A  Letter    to  a  Gentleman  at    Bath. 
London,  1782. 

Svo,  half  green  levant,  gilt  toj). 

680  Creahan  (John).     Life  of  Laura  Keene.     Portraits.     Philadelphia,  1897. 

Svo,  half  calf,  gilt  top. 

681  Creighton  (Bp.  Mandell).     Queen  Elizabeth.     Colored  and  other  illius- 

trations.     I3oussod,  Valadon  &  Co.     Paris,  1896. 
4to,  half  brown  levant,  gilt  top,  uncut  edges. 

682  Criterion  ('riic).      Profusely  illustrated.     New  York,  1897-9. 

4  vols.,  4to,  cloth,  uncut. 

683  Critic  (The).     New  York,  1881-3. 

3  vols..  4to,  cloth. 

6S4     Edited  by  A\illiam  Leggett.     New  York,  1828. 

Royal  Svo,  half  blue  levant,  gilt  top,  enclosing  the  original  covers. 

685  Crockett  (S.  R.).     Sweetheart  Travellers.   Illustrated.   New  York,  1895. 

Scjuare  Svo,  half  gray  levant,  gilt  top. 

686  Croker  (John  Wilson).     Familiar  Epistles  to  Frederick  J s  on  the 

present  state  of  the  Irish  Stage.     Dublin,  1804. 

i2nio,  half  maroon  levant,  gilt  top,  uncut  edges. 

687  Croker  (T.  C.).     Fairy  Legends  and  Traditions  of  the  South  of  Ireland. 

Plates.     London,  1826-8. 

3  vols.,  foolscap  Svo,  half  blue  morocco. 

688  Croker  (Wilson).     The  Familiar  Epistles.     Portrait.     London,  n.  d. 

1 2 mo,  half  green  levant. 

689  Croly  (George).     Salathiel.     London,  1S29. 

First  edition. 

3  vols.,  crown  Svo,  half  green  calf. 

690  Crombie  (B.  W.).     Modern  Athenians.     Numerous  portraits  on  48  i)lates, 

prniied  in  colors.     Edinburgh,  1882. 
4to,  half  green  morocco. 

691  Crosby.      Irish  Musical  Repository.     Music  and  words.      London.  1S08. 

Post  Svo,  half  green  morocco,  gilt  top. 

692  Crowquill  (Alfred).     Pantomime   to   be   i)layed  as   it   is,  and  will  be,  at 

home.      12  panoramic  plates,  representing  50  incidents  of  the  perform- 
ance.    London,  1S49. 

Oblong  4to,  calf  extra,  by  Riviere,  with  the  original  covers. 

693     'I'utor's  Assistant  ;  or.  Comic  I'"igures  of  .Vrilhmetic.      Wood-cuts, 

by  Alfred  Crowcpiill.     London,  1S43. 

i2mo,  half  blue  morocco,  gilt  edges. 

57 


694  Cruikshank  (George).    Greenwich  Hospital.    A  series  of  Naval  Sketches 

discriptivc  of  the  Life  of  a  iMan-of-War's  Man,  by  an  old  sailor.  With 
tlic  well-known  plates,  by  Geo.  Cruikshank,  in  two  states,  plain  and 
colored.     London,  1826. 

The  second  and  seventh  plates  have  been  improved  by  a  sepia 
wash. 

4to,  half  blue  morocco,  gilt  top,  uncut  edges. 

695     My  Sketch  Book.     37  colored  plates,  and  all  the  original  wrappers. 

J^ondon,  1834. 

Oblong  4to,  calf  extra,  by  Riviere. 

5q5     Illustrations  to  Brough's  Life  of  Falstaff.     London,  1857. 

Large  paper  copy,  with  proofs  of  the  plates  on   India  paper,  and 

5  of  the  original  drawings  inserted. 
Folio,  green  levant,  gilt  edges,  by  Pratt. 

697     Steel  Etchings  to  the  Comic  Almanacks,  1835-53.     A  complete 

set  of  the  plates  on  India  paper.     London,  n.  d. 
Royal  folio,  cloth. 

698 Phrenological  Illustrations.     Colored  cuts.     London,  1873. 

Oblong  4to,  paper. 

699     -   Illustrations    of    Time.     The    Bottle.     Punch    and    Judy,    and 

numerous  other  cuts,  some  colored.     London,  1827. 

Folio,  half  calf. 

700     The  Comic  Almanack  for  1839  and   1840.     Plates  and  wood-cuts. 

London,  1839-40. 

Contains    "Barber    Cox"    and    •' Stubbs's    Calendar,"    both    by 

Thackeray. 
2  vols.,  i2mo,  original  covers. 

701     Hans  of  Iceland.     Illustrated  by  George  Cruikshank.     London, 

1825. 

Original  edition. 

8vo,  mottled  calf  extra,  gilt  top,  uncut  edges,  by  Bedford. 

702     Italian   Tales,  selected  and  translated.     16    illustrations  by  Geo. 

Cruikshank.     Haldwyn,  London,  1824. 

First  edition. 

Post  8vo,  half  calf,  gilt. 

703     Der  Frt'ischiitz  :   Travestie  by  Septimus  Globus.    12  colored  plates 

by  Geo.  Cruikshank.     London,  1824. 

First  edition. 

Royal  8vo,  brown  levant  morocco  extra,  gilt  top,  uncut  edges,  by 
Riviere. 

58 


704  Cruikshank  (George).     The  Theatrical  House  that  Jack  built.     13  cuts 

by  Cruikshank.     London,  1819. 

8vo,  half  green  levant,  soiled  and  mended. 

705     The  Greeks. 

The  Pigeons. 
Fashion. 
Modern  l>elles. 
Dress  and  Address. 

Life  :    High  and  Low.      London,  /817-19. 
Illustrated  with  a  large  number  of  colored  plates. 
6  vols.,  i2mo,  calf. 

706     Sunday  in  London.    14  cuts  by  Geo.  Cruikshank.     London,  1833. 

Original  edition. 

8vo,  half  calf. 

707     ■  My  Sketch  Book.      London,  1834. 

Oblong  4to,  calf. 

708     The  Universal  Songster.    Illustrated  by  George  and  Robert  Cruik- 
shank.    London,  1825-6. 

Original  edition. 

3  vols.,  8vo,  calf,  a  cover  loose  and  fragment  of  title  page  missing. 

709     Omnibus.       Edited    by    Laman    Blanchard.       Imperfect    plates. 

London,  1842. 

First  edition. 
8vo,  red  cloth. 

710     'I'he    Pentamerone,  by   G.  Basile.     Translated    by  J.  E.  Taylor. 

Plates  by  Geo.  Cruikshank.     Bogue,- London,  1848. 

First  edition. 

Post  8vrt,  calf  extra,  gilt  top,  uncut  edges. 

711  Cumberland's  British  Theatre.     Numerous  illustrations  on  steel  and 

wood.     London,  n.  d. 

64  vols,  (minus  vol.  51),  i2mo,  half  blue  m()rv)cco,  gilt. 

712  Cumberland   (Richard).     Memoirs  of.     Autograph  letter  and  portraits 

inserted.     London,  1807. 

2  vols.,  8vo,  half  calf,  gilt  top,  uncut  edges. 

714     CUNNINGHAM    (Peter).     STORY     OF     NELL     C.WVN     AND 
THE  SAYINCiS  OF  CHARLES  II.     London,  1852. 

Unique  copy,  inlaid  to  folio  and  e.xtra-iliustratcd  with  S33  portraits, 
autographs,  views  of  theatres,  broadsides,  original  tradesmen's 
bills  of  Nelly,  etc.  It  is  impossible  in  the  narrow  limits  of  a 
sales  catalogue  to  give  an  adequate  idea  of  the  wealth  of  male- 
rial  in  what  is,  beyond  question,  the  finest  copy  of  this  book 
ever  done.     A  faint  idea  of  the  care  and  labor  expended  may  be 

59 


received  by  the  mention  of  a  small  portion  only  of  the  contents. 
Among  original  portraits  of  Nell  Gwyn,  all  of  them  brilliant  im- 
pressions and  in  perfect  condition,  are  the  Lely-Valck  4to 
mezzo.,  Lely-Valck,  folio  line  ;  Nell  and  her  two  sons  (Tomp- 
son,  folio,  mezzo.);  the  exceedingly  scarce  prints  of  Ellen 
Gwinn  and  her  two  sons  (Gascar-Masson);  Ellen  Gwin  (and 
her  two  sons)  (folio,  mezzo.,  Allard);  Leiy-P.  Tempest  (mezzo.); 
Kneller-Mosmer  ;  Lely-Bartolozzi  (i.p.b.l.,  and  also  printed  in 
colors);  mezzotint  (Cross-Tompson),  as  Cupid  (first  state  and  the 
only  known  impression);  Lely-P.  Van  Bleeck  (mezzo.);  "Madam 
Elinora  Gwin  "  (folio  mezzo.,  proof)  ;  Val  (ireen  (mezzo.,  bril- 
liant impression)  ;  Lely-Vischer;  mezzo.,  Earlom  ;  Lely-Scriven 
(4to),  from  Jamieson's  Beauties  (i.p.b.l.);  Cooper-Valck  (4to); 
Sheneker  ;  Ogbome,  printed  in  red,  and  many  others.  Besides  the 
exceedingly  rare  autograph  of  Nell  Gwyn,  will  be  found  those 
of  Bi.shop  Thomas  Tenison  (2);  John  Wilmot,  Earl  of  Rochester  ; 
Sir  Charles  Sedley,  Thomas  Killigrew,  James  II.,  Pepys,  Duke  of 
Buckingham.  Jeremy  Taylor,  George  Monk,  Charles  I.,  La  Belle 
Stuart,  Charles  II.,  Bishop  Burnet,  Catherine  of  Braganza,  Knel- 
ler  (2),  Gramont,  Orrery,  Fontenelle;  John,  Lord  Hervey;  l..ouis 
XIV.  (2),  Duchess  of  Portsmouth  (2),  Peter  Cunningham, 
Evelyn,  Earl  of  Arlington,  Cole  the  antiquary  (referring  to  the  cfis- 
covery  of  Nell's  autographs).  Sir  Thomas  Millington,  etc.  'l"he 
original  drawings,  which  are  beautifully  executed,  include  4  of 
Nell,  her  birthplace,  and  residence,  her  conversation  with  the 
king  from  her  balcony  ;  Michael  Mohun,  Tyrone  Power,  Kynas- 
ton,Betterton,  Lord  Braybrooke,  Joseph  Harris  as  Mustapha,  Far- 
quhar.  Queen  Catherine,  Selwyn,  Nat  Lee,  Shadwell,  Gay, 
'Thomas  Coutts,  Jane  Shore,  Meyrick,  Lord  Llailes,  Lady  Den- 
ham,  Lady  Mary  Tudor,  Duchess  of  Portsmouth,  Lady  Price, 
Lady  Diana  de  Vere,  Dugdale,  Jacob  Hall,  Nell's  two  sons,  and 
many  others.  The  collection  is  enriched  with  an  unusual  num- 
ber of  fine  and  rare  folio  and  smaller  mezzotints,  of  which  only 
a  few  can  be  mentioned  :  Charles  II. (folio,  brilliant  p.b.l.);  C.  K. 
Sharpe,  by  Dick  ;  Killigrew,  by  Smith  ;  "Irish"  Johnstone,  by 
Ward  ;  Mme.  Hughes,  by  Cooper  ;  Mrs.  Cross,  by  Smith  ;  Cave 
Underbill,  by  Faber  ;  Jane  Long,  by  Tompson  (2);  Anthony 
Leigh,  by  Smith  (proof);  Moll  Davis,  by  Valck,  de  Blois,  and 
Tompson  ;  Sir  Walter  Scott,  by  Walker  ;  Congreve  and  Van- 
brugh,  by  Faber  ;  Charles  II.,  by  Tompson  ;  Arthur  Murphy,  by 
Ward;  Burlington,  by  Faber  ;  Mrs.  Oldfield  ;  Miss  Fenton,  by 
Tinney  (proof)  ;  John  Murray,  by  Walker  ;  Lord  Dorset,  by 
Faber  ;  Wycherley,  by  Smith  ;  Lionel,  Duke  of  Dorset,  by  Faber  ; 
Pope,  by  Smith  and  by  Simon  ;  Marquis  of  Halifax,  by  Faber  ; 
Duchess  of  Cleveland,  by  Smith,  also  by  Watson  ;  Lely,  by  Valck  ; 
Marlborough  (several);  Beau  Fielding,  by  Becket  ;  Mrs.  Jordan 
as  Hypolita,  by  Jones;  Charles  XL,  by  Charles  Turner  (p.b.l.), 
also  by  Smith  ;  "  Trusty  Dick  "  Penderell,  by  Houston  ;  The 
Children  of  Charles  I.,  by  Purcell;  Samuel  Butler  (proof);  .^teele, 
by  Faber  ;  John  Nichols,  by  Meyer  ;  Henry  Sidney;  Dr.  Busby 
with  his  hat  on,  by  Watson  ;  Titus  Gates  (2),  Mary  II.  (.several), 
William    III.  (proof);    Lely,  Wissing,   and  Kneller,  by  Smith; 

60 


Mme.  Sedley,  by  Williams  ;  Sir  Robert  Clayton,  by  Smith  ; 
Tillotson,  by  Faber ;  Countess  of  Jersey,  by  Faber  ;  Duchess  of  St' 
Albans,  by  Smith  ;  Miss  Mellon,  by  Turner  ;  Cojley  Cibber,  by 
Fisher;  Queen  Catherine  (  p.b.l.);  Jacob  Tonson,  by  Faber  ;  Duke 
of  Ormond,  by  Pelham  ;  Duchess  of  York,  by  Tompson  ;  Duchess 
of  Portsmouth,  by  Beckett,  and  another  (p.b.l.),  Otway;  Duchess 
of  Cleveland,  by  Tompson;  Duchess  of  Portsmouth,  after  Gascar, 
another  by  McArdell  ;  Thomas,  eig^hth  Earl  of  Pembroke,  by 
Smith  ;  Duchess  of  Portsmouth,  by  blooteling  ;  Colonel  Blood  ; 
Duchess  of  Grafton,  by  Browne  and  Smith  ;  Countess  of  Litch- 
field, by  Beckett  ;  Charles,  Earl  of  Plymouth,  by  Smith  ;  Duchess 
Mazarin  (a  brilliant  proof);  Mrs.  Knight,  by  Faber  ;  Lady  Wil- 
liams, by  Cooper;  Lord  Cowper,  by 'Sniith  ;  Henry,  Prince  of 
Wales  (p.b.l.).  etc.  Of  equal  interest  and  importance  are  many 
choice  line  and  stipple  engravings,  etc.— Elias  Ashmole,  brilliant 
pb.l;  Oughtred,  by  Faithorne  ;  Killegrew,  by  Bosse,  also  by 
Faithorne  ;  Davenant,  by  Faithorne  ;  Joe  Haines,  John  Lacy 
(folio,  etching)  ;  Sir  Robert  Howard,  by  White;  Hogarth's  Beg- 
gar's Opera  (folio),  by  William  Blake  ;  Buckingham,  by  White; 
Garrick,  by  Skelton  (proof);  Milton  (4to),  by  Caroline  Watson  ; 
Jacob  Hall,  by  de  Prune  ;  Sir  William  Temple,  by  Vanderbanc; 
Monmouth,  by  Blooteling  ;  Evelyn,  by  Nanteuil  and  Bartolozzi; 
Roclie.ster,  by  White  ;  Rochester  Crowning  his  Monkey;  Countess 
of  Sunderland,  by  Lombart  ;  Hobbes.  by  Hollar  ;  Charles  H.,  by 
Hollar,  1649  ;  Dean  Sudbury;  Queen 'Elizabeth,  by  Crispin  de 
Passe;  Tillotson,  by  Blooteling;  Richard  Lower,  M.D.  (very 
scarce) ;  Bishop  Tenison  (folio),  by  Vanderbanc  ;  Dr.  Burney,  by 
William  Sharp  (proof)  ;  (iranger  (p.b.l.)  ;  Charles  IL,  by  WHiite, 
also  by  Van  Hoven  ;  Queen  Catherine,  by  Davis  ;  William  HI 
(and  Mrs.  Barry),  by  Baron  ;  Earl  Ca.stlemaine,  by  Faithorne ; 
Hogarth's  Cock-Pit  (folio);  John,  Lord  Eiervey;  Duchess  of  Ports- 
mouth ((xascar-Baudet);  Cham  of  Tartary,  by  Bertrand  ;  Sand- 
wich, by  Blootehng  ;  ALarie  d'E.ste,  by  Vanderbanc  ;  James  (H.), 
Duke  of  York,  by  Loggan  ;  Dugdale,  by  Hollar  ;  Queen  Eliza- 
beth, Burleigh,  and  Walsingham,  etc..  by  Faithorne  ;  Burford 
House,  by  Kip  ;  Nell's  Two  Sons,  by  White  ;  Duchess  Mazarin 
(folio),  by  Gerard  Natch  (p.b.l.),  and  with  additional  pen  work  by 
the  engraver,  possibly  unique  in  this  state  ;  London,  by  Vischer'; 
Windsor  Castle,  the  Tower,  and  many  others,  by  Hollar  ;  manv 
fine  folio  views  in  color,  etc. 
4  vols.,  folio,  half  crushed  levant  morocco,  gilt  backs  and  tops, 
uncut  edges,  by  Stikenian. 

715     CUNNINGHAM    (Peter).      STORY    OF    NELL    CiWYN.      New 

York,  1SS3. 

One  of  two  Cf)pies  i)rintrd  on  one  side  of  the  paper  only  ;  em- 
bellished with  62  original  water-color  drawings  by  Eugene 
Grivaz  ;  a  very  felicitous  jierformance  by  this  artist,  executed 
with  much  skill  and  in  singularly  good  taste. 

2  vols.,  4t(),  half  blue  levant  morocco  e.xtra.  gilt  loji,  uncut  edges, 
by  Stikeman. 

61 


716  CUNNINGHAM    (Peter).     STORY  OF  NELL  GWYN.     London, 

.852. 

Unique  copy,  inckidinof  the  Harding,  Scriven,  Jamieson,  and  Cabi- 
net prints  of  Nelly;  Jane  Shore,  by  Bartolozzi  ;  Sir  Charles  Sed- 
ley,  Davenant,  William  Cartwright  the  comedian,  Admiral  Feiui 
(mezzo.);  Sir  Robert  Howard,  by  White  ;  Pepys  ;  Cibber,  by  Van- 
dergucht,  Mrs.  Braccgirdle,  Brounker,  Duchess  of  Cleveland  (mez- 
zo., 2),  Old  Q.,  Henrietta  of  Orleans,  Perdita  Robinson,  Robert 
South,  Charles  L  (very  fine  and  old).  Sir  Robert  Viner,  Dr.  Busby 
with  his  hat  on,  Sir  William  Coventry,  Duchess  of  Portsmouth  ; 
Henr)',  Duke  of  Grafton  ;  George,  Duke  of  Northumberland  ; 
Aphar  Behn  ;  Ken,  by  Vertue ;  Catherine  Sedley,  Thomas 
Tenison  ;  Aubrey,  twentieth  Earl  of  Oxford  ;  Elizabeth  Barry, 
Arabella  Churchill,  etc. 

2  vols.,  crown  8vo,  green  morocco,  157  added  plates. 

717     Story  of  Nell  Gwyn.     London,  1852. 

Unique  copy,  with  autograph  letter  of  Cunningham,  an  original 
drawing  by  Henriot,  and  2  rare  portraits  inserted. 

Crown  Svo,  brown  levant  morocco  extra,  richly  tooled,  gilt  top, 
uncut  edges,  by  Alio. 

718     Story  of  Nell  Gwyn.     Portraits,  etc.     London,  1896. 

Crown  Svo,  half  calf,  gilt  top,  uncut  edges. 

719  Curling  (Henry).      Recollections    of   the    Mess-Table  and   the    Stage. 

London,  1855. 

Svo,  half  redTevant,  gilt  top,  uncut  edges. 

720  Curtain  (The).     Compendious  History  of  the  English  Stage.     Frontis- 

piece and  vignette.     London,  1800. 
i6mo,  boards. 

721  D.     Fifty  Years   of  a   Play-goer's  Journal  ;  or.  Annals  of  the  New  York 

Stage  from  1798  to  1848.     New  York,  i860. 
i2mo,  half  calf. 

722  D.   T.   C.     Madrona,  etc.     San  Franci.sco,  1876. 

Presentation  copy,  with  the  author's  inscription. 
i6mo,  cloth. 

723  DALY  (Augustin).     WOFFINGTON.     A  Tribute  to  the  Actress  and 

the  Woman.     Printed  for  the  Author  [N.  Y.],  1888. 

Twenty-five  copies  were  printed  of  this  size  ;  No.  3. 

Unique  copy,  illustrated  by  600  portraits,  views,  water-color  draw- 
ings, autograph  letters,  play-bills,  etc.,  in  addition  to  the  follow- 
ing important  items  : 

Draiuiii^s,  mostly  in  Water  Colors:  Portraits  of  Augustin  Daly, 
John  Cunningham,  W.  H.  W.  Betty,  Isaac  Sparks,  Mrs.  J.  M. 
Davenport,  Clara  Fisher,  Mossop.  Elrington,  John  Rich,  Peg 
Woffington,  Estcourt,  Mrs.  Mills,  Theop.  Cibber,  Thomas  Wal- 
ker,  Mrs.   Gifford,  Charles  Fleetwood,  J.  B.  Booth,  Jr.,  Blake, 

62 


Woffington  as  the  Recruiting  Officer,  Mrs.  Bellamy,  the  Clive- 
Woffington  Fight,  Mile.  Dumesnil,  Mrs.  Behn,  Mrs.  Baddeley,  Mrs. 
Wells  (Sumbel),  John  Rich,  Ada  Rehan  and  Mrs.  Gilbert,  Clara 
Morris,  Mrs.  Porter,  Digges  as  Sir  John  Brute,  Tom  Sheridan  as 
Brutus,  Woffington  and  bird,  Woffington  in  bed,  Shadwell,  Mrs. 
Gibber. 

Mc'zzotints :  Dora  Jordan;  Robt.  Wilks,  by  Faber  ;  Buadcn,  Sir 
Robert  Walpole,  Mrs.  Gross,  Robt.  Wilks,  Mrs.  Prichard,  Lord 
Garteret,  Griffin  and  Johnson;  Quin,  by  Faber;  Shuter,  by  Pawe  ; 
Garrick,  Burton,  and  Palmer  in  the  Alchemist  ;  Garrick,  by 
McArdell  ;  Vanbrugh.  by  Faber  ;  McSwiny  ;  Mrs.  Oldfield,  by 
Fisher;  Gibber  and  daughter,  by  Fisher;  Young  Pretender; 
Scene  in  the  Gareless  Husband,  by  Faber  ;  Mrs.  Gibber  as  Gor- 
delia.  Miss  Bellamy,  William  III.,  Miss  O'Neill  ;  Harry  Wood- 
ward, by  Smith  (proof)  ;  Steele,  Arthur  Murphy,  Mrs.  Oldfield; 
McSwiny,  by  Faber  ;  Maria  (Running,  by  Patton  ;  Lord  Buck- 
hurst  and  his  sister,  Duke  of  Dorset,  George  HI.,  Woodward  as 
"Ye  Fine  Gentleman  ;  "  Mrs.  Barry,  by  Paul  ;  Tate  Wilkinson  ; 
Garrick  between  Tragedy  and  Goniedy,  by  Fisher  ;  Garrick  as 
Abel  Drugger,  James  F,  Nell  Gvvyn,  Mary,  Queen  of  Scots  ; 
Vanbrugh,  by  Faber  ;  Miss  Gatley  as  Euphrosyne,  Kitty  Fisher, 
and  6  of  Peg  Woffington  herself,  by  Faber  (3),  McArdell,  jack- 
son,  etc. 

Aiitoi:;raph  Lrtters,  etc. :  Tom  Moore,  Clara  Fisher,  W.  H.  W. 
Betty,  J.  P.  Kemble,  Wilks,  Gibber,  and  Booth,  Tom  Davies  and 
wife,  Macklin,  Sir  Robt.  Walpole,  Arthur  Murphy,  Garrick's 
mother,  Samuel  Johnson,  Mrs.  Siddons,  Sir  Theodore  Martin, 
Tate  Wilkinson,  Ciarrick,  Horace  Walpole. 

Other  Important  Prints  :  Nell  Gwyn  (the  large  Valck  engraving), 
Mossop  as  Bajazet  ;  Mrs.  Gibber,  by  Marchand  ;  Garrick,  by 
Purland  (20  privately  printed);  Cleopatra  and  Cupid,  both  by 
Strange  ;  Mrs.  Siddons,  by  Jukes  (colored)  ;  Goldsmith,  by 
Bunbury;  Macready  as  Romeo,  by  Woodman  (colored)  ;  Quin 
as  Coriolanus  ;  Mrs.  Grouch,  and  Mary,  Queen  of  Scots,  both  by 
Bartolozzi  ;  Mrs.  Prichard,  by  Ravenet  ;  Shuter  as  tlie  Old  Man 
in  "  Lethe,"  Charlotte  Charke  as  Scrub,  Mrs.  Abingdon,  after 
Reynolds  (colored),  etc. 

The  other  600  illustrations  include  many  rarities  of  considerable 
value,  portraits  that  in  any  other  company  would  be  a  sufficient 
attraction  in  themselves,  play-bills  of  the  Smock  Alley  and  other 
theatres  in  which  Woffington  appeared,  and  the  original  text  of 
the  "  Monody,"  colored  views  of  Dublin,  etc. 

3  vols.,  royal  folio,  with  extra  title  pages,  half  olive  green  levant 
morocco  extra,  gilt  top,  uncut  edges,  by  Stikeman. 

724     DALY    Augustin\    WOFFINGTON.    Portraits,  etc.    New  York,  1S82. 
Of  this  edition  125  copies  were  printed. 
Extra-illustrated  with  water  colors  and    pen-and  ink  skel(  hes  (50), 

prints,  autograpli  letters,  reviews,  etc. 
The  water  colors  are  due  to  the  genius  of  D.  E.  Cronin  ;  the  auto- 

63 


graph  letters  are  largely  from  distinguished  persons  who  were 
fortunate  enough  to  get  presentation  copies  from  the  author, 
including  "  Mark  Twain,"  General  Sherman,  Austin  Dobson,  W. 
K.  Vanderbilt,  H.  H.  Furness,  and  others. 

The  illustrations  inserted  comprise  mezzotints  of  Lord  Carteret ; 
Nell  (iwyn,  by  Val  Green  ;  Garrick  (the  small  oval  published  by 
Stewart)  ;  John  Milton,  by  Haid  ;  McSwiny,  by  Faber  ;  Eliza- 
beth Gunning,  Mrs.  Barry,  etc.  Also  the  rare  portraits  of  Dora 
Jordan,  by  Bartolozzi  ;  and  Garrick,  by  Wood  ;  in  addition  to 
over  loo  other  prints  of  interest.  The  volumes  conclude  with 
cuttings  from  many  numbers  of  the  Dublin  Gazette  during  VVof- 
fington's  Irish  tour,  original  pamphlets  consulted  in  the  prepara- 
tion of  this  work,  criticisms  of  the  same,  etc.,  etc. 

2  vols.,  folio,  half  green  levant  morocco  extra,  gilt  top,  uncut 
edges. 

725  DALY  (Augustin).     VVOFFINGTON.     New  York,  1888. 

No.  I  of  25  copies. 

Superbly  illustrated  and  embellished  with  over  100  original  water- 
color  drawings  by  Eugene  Grivaz,  including  3  full-page  designs 
— the  artist's  masterpiece. 

In  addition,  over  5c  other  illustrations  have  been  inserted,  includ- 
ing drawings  of  VVoffington  (2),  Mrs.  Bellamy  as  Juliet,  Colley 
Gibber,  B.  Johnson,  Kitty  Clive,  Mrs.  Siddons,  etc.,  and  mezzo- 
tints of  Woffington,  by  Faber  (2)  and  McArdell  ;  McSwiny,  by 
Faber  ;  Maria,  C'ountess  of  Coventry,  by  McArdell  ;  Miss  Ellen 
Terry  (with  autograph);  Mrs.  Abington,  by  Wilson  ;  Betterton, 
by  Williams  ;  Quin,  Mrs.  Cibber,  Nell  Gwyn,  AVycherley,  Pope, 
Prior,  and  Dryden,  etc.  Also  portraits  of  Mrs.  .Siddons  as  Mel- 
pomene; Garrick,  by  Skelton  (India  proof)  ;  Woodward  as  Mer- 
cutio  (colored),  Dora  Jordan,  by  Bartolozzi,  and   many  others. 

Imp.  folio,  green  levant  morocco  extra,  green  silk  linings,  gilt  top, 
uncut  edges. 

726     WOFFINGTON.     New  York,  1888. 

Unique  copy.     Largest  paper,  No.  i  of  25  copies  printed. 

The  450  illustrations  inserted  in  this  copy  include  a  superb  group 
of  mezzotint  engravings,  embracing  the  large  and  small  plates  of 
Mrs.  Woffington  as  Mrs.  Ford,  by  Faber,  as  well  as  the  mezzo- 
tints by  Jackson,  McArdell,  Tinney,  as  Phoebe,  etc.,  two  of  Mrs. 
Bracegirdle  ;  Penkethman,  by  Smith  ;  the  Gunning  sisters,  by 
Houston,  Finlayson,  and  Houston  ;  McSwiny,  by  Faber  ;  Mrs. 
Barry,  by  Watson  (proof)  ;  Garrick  in  the  Farmer's  Return, 
.  by  Haid  ;  John  Wesley  (proof);   Campbell,  by  S.  W.  Reynolds; 

Griffin  and  Johnson,  Mrs.  Cibber  as  Cordelia.  Tate  Wilkinson 
(proof)  ;  2  superb  portraits  of  H.  W.  Betty,  by  Ward  and  S.  W. 
Reynolds  ;  Kemble  as  the  Count  Narbonne  ;  (iarrick,  by  Dick- 
inson ;  C'oUey  Cibber,  by  Fisher,  and  as  the  Fine  Gentleman,  by 
Simon  ;  Woodward,  by  Watson  ;  .'-pranger  Barry  ;  Nell  Gwyn 
and  her  sons,  by  Tompson  ;  Mrs.  Oldfield,  by  Simon  and 
Fisher  ;  Beard,  by  McArdell  ;  Scene  from  the  Rivals,  by  Smith, 

64 


Garrick,  Time,  etc.  ;  Mrs.  Gibber,  by  Faber  ;  Scene  from  the 
Recruiting  Officer,  by  Faber ;  Garrick  and  Mrs.  Prichard  in 
Macbeth  (a  proof  as  well  as  a  plain  print),  by  Val.  Green  ; 
Woodward  as  Petruccio,  by  Smith  ;  Mrs.  Oldfield,  by  Simon  ; 
Nell  Gwyn,  by  F.  von  Bleek  (very  fine)  ;  Crarrick  and  Mrs.  Bel- 
lamy as  Romeo  and  Juliet,  by  Lowrie  ;  Barton  Booth  ;  Handel, 
by  C.  Turner;  Garrick  as  Richard  III.  (proof  before  letters)  ; 
Shuter,  by  Dawe  ;  Garrick  as  Abel  Drugger  (proof);  Kitty 
Clive  ;  Garrick,  by  McArdell  ;  Fleetwood  ;  Quin  as  Falstaff,  by 
McArdell  ;  Mrs.  Rafter  (Glive)  as  Philida  ;  Mrs.  Prichard. 
by  McArdell  ;  Mrs.  and  Miss  Cholmondely,  by  Corbutt  and 
Marchi  ;  Mrs.  Siddons,  Mrs.  Delany;  Garrick  and  Mrs.  Gibber 
as  Jaffier  and  Belvidera,  by  McArdell  ;  Wilks,  by  Faber  ;  Better- 
ton  ;  (jarrick  as  Auctioneer,  by  McArdell,  etc.  In  addition 
to  these  plates  there  are  many  fine  colored  prints  and  drawings, 
35  rare  play-bills,  some  from  Smock  Alley ;  autographs  and 
autograph  letters  of  Thackeray,  Tom  Moore  (a  poem),  Sir  Robt. 
Walpole,  Mad.  Volnys,  Clara  Fisher,  Doran,  John  Gay,  Chet- 
wood,  Fstcourt,  Mrs.  Piozzi,  Garrick,  Horace  Walpole.  James 
Boswell,  Saml.  Johnson,  Siddons,  Digges,  Mad.  D'Arblay,  Mack- 
lin,  Vanbrugh,  Barton  Booth,  Dora  Jordan,  Selvvyn,  Wilkinson, 
John  Rich,  Wilks,  Doggctt  and  Gibber,  Steele,  Quin,  Kitty;  Glive, 
Geo.  Anne  Bellamy,  and  the  original  Petition  of  Woffington  to 
the  Lord  Lieutenant  of  Ireland. 

Among  other  rare  plates  inserted  will  be  found  the  Cleopatra,  and 
Venus  blinding  Cupid,  by  Strange  ;  Quin  as  Corioianus  ;  Shuter 
and  ^^'offington  ;  Beggar's  Opera,  by  Hogarth  ;  Woodward  and 
Shuter  ;  Shuter  as  Joe  Haynes  on  an  ass,  by  Burgess  ;  Stage 
Mutiny,  with  portrait  of  Theoj).  (Mbber,  etc.  ;  Lacy,  Queen 
Catherine's  Dream,  by  Bartolozzi  ;  Kilty  Fisher;  Mrs.  Clive  as 
the  Lady  in  Lethe  ;  Garrick  as  Lord  Chalkstone;  Maddox.  Mas- 
ter Burke  (2  colored),  and  a  drawing  of  Woffington's  tomb  and 
the  church  where  she  is  buried. 

727     DALY    (Augustin).     Woffington.     16  plates.     New  York,  1S88. 

The  original  edition.      No.  100  of  150  printed. 

4to,  half  green  levant  morocco  extra,  gilt  top,  uncut  edges. 

This  particular  copy  has  been  embellished  with  nearly  150  water- 
color  drawin<js,  conceived  and  executed  by  Alfred  Thompson. 
The  designs  are  in  striking  contrast  to  the  (jrivaz  atpiarelics,  the 
treatment  being  in  the  opera  bouffe  style,  punning  the  text  in 
many  instances,  and  looking  behind  the  .scenes  wiienever  oppor- 
tunity offered. 

728 Woffington.      Portraits,  etc.     Troy,  1S91. 

4to,  cloth. 


65 


Unique  copies  of  Augustin  Daly's  Arrangements  of  Shakespearean 
AND  other  Plays,  all  privately  printed  on  large  paper  and 
inlaid  to  folio  by  Aug.  Toedteberg. 

729  Daly  (Augustin).     'Ivvo    Gentlemen    of    Verona,    by  W.    Shakespeare. 

New  York,  n.  d. 
Illustrated  by  the   insertion  of  200  portraits  of  Mr.  Daly's  company, 

play-bills    (including-   famous    performances  of  past    days),  and 

numerous  engravings. 
Royal  folio,  half  olive  levant  morocco  extra,  gilt  top,  uncut  edges, 

by  Stikeman. 

730     Midsummer  Night's  Dream,  by  Shakespeare.     New  York,  1888. 

Illustrated  with  about  300  portraits  of  actors,  including  the  mem- 
bers of  Mr.  Daly's  company,  and  rare  portraits  of  Lampc  (mezzo- 
tint by  McArdell)  and  George  ('olman  (the  Scriven  plate  beau- 
tifully colored),  nearly  50  costume  plates,  original  drawings  in 
color,  souvenir  and  rare  play-bills,  autographs,  etc.,  and  9  leaves 
from  the  folio  of  1632. 

Royal  folio,  half  olive  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

731     Much    Ado    About    Nothing,   by    W.    Shakespeare.     New  York, 

1897. 

Illustrated  with  over  200  portraits  of  famous  actors,  including  Mr. 

Daly's  company,  souvenir  play-bills,  colored  photographs,  scenes 

from  the  play,  etc. 
Royal   folio,  half  olive  levant  morocco  extra,  gilt  top,  uncut  edges, 

by  Stikeman. 

732     The  Tempest,  by  Shakespeare.     New  York,  1S97. 

Illustrated  by  the  insertion  of  163  portraits,  play-bills,  scenic  illus- 
trations, and  original  drawings  (19)  of  costume.  Some  of  the 
engraved  portraits  are  very  rare,  including  the  Romney  Lady 
Hamilton  as  Miranda. 

Royal  folio,  half  olive  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

733     Taming  of  the  Shrew,  by  Shakespeare.     New  York,  1S87. 

Illustrated  by  the  insertion  of  over  200  portraits,  scenic  plates,  rare 

American    play-bills,   photographs    of   the    Daly  company,   etc, 
including  the  mezzotint  portrait  of  Mr.  Shuter,  by  Dawe. 
Royal  folio,  half  olive  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

734     -'^s  You  Like  It.  by  Shakespeare.     New  York,  1890. 

Illustrated    by  the  insertion  of  over  300  portraits,  photographs  of 

the  Daly  company,  rare  play-bills,  autograph  letters  (including 
one  from  "  Lillie  "  stating  that  "  Fred  is  a  dear,"  colored  draw- 
ings, the  "  Seven  Ages,"  by  Aiken  (colored)  ;  as  well  as  the  Stot- 

66 


hard  series  ;  Mrs.  Siddons,  by  Shervvin  (colored)  ;  Mrs.  Pope  as 
Juliet  (mezzotint,   by   U'ard)  ;    Kitty  Clive  (mezzotint,  by   Tin- 
ney)  ;  Wofifington  (mezzotint,  by  Faber),  and  other  rarities. 
2  vols.,  royal  folio,  half  olive  levant  morocco  extra,  gilt  top.  uncut 
edges,  by  Stikeman. 

735  Daly  (Augustin).    Twelfth  Night,  by  Shakespeare.     New  York,  1893. 

Illustrated  by  the  insertion  of  400  portraits,  scenes,  play-bills,  au- 
tographs, etc.,  mcluding  50  water-color  and  other  drawings  of 
portraits  and  costumes,  the  portraits  being  copies  of  rare  prints  ; 
also  a  fine  mezzotint  of  Miss  ]3uncan,  by  C.  Turner. 

2  vols.,  royal  folio,  half  olive  levant  morocco  extra,  gilt  top,  uncut 
edges,  by  Stikeman. 

736     Merry  Wives  of  Windsor,  by  Shakespeare,  with  a  facsimile  of  the 

first  quarto.     New  York,  1886. 

Illustrated  by  the  insertion  of  240  portraits,  scenes,  play-bills,  etc., 
some  colored  by  hand.  The  scenes  include  an  original  set  of 
the  Cruikshank  Falstaff  plates,  and  among  the  portraits,  a  mezzo- 
tint of  Quin  as  Falstaff. 

Royal  folio,  half  olive  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

^37     The  Merchant  of  Venice,  by  Shakespeare.     New  York,  1S99. 

Unique  copy,  illustrated  by  the  insertion  of  378  portraits,  scenes, 
play-bills,  etc.,  including  53  costume  designs  (original  water- 
colors),  17  portraits  also  in  water  colors,  158  engraved  portraits, 
48  views,  35  play-bills,  etc. 

2  vols.,  folio,  half  olive  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

738     Love's  Labor's  Lost,  by  Shakespeare.     New  York,  1891. 

Illustrated  by  the  insertion  of  115  portraits,  scenes,  play-bills,  au- 
tograph letters,  and  over  50  original  drawings  of  costume,  and 
portraits. 

Folio,  half  olive  levant  morocco  extra,  gilt  top,  uncut  edges,  by 
Stikeman. 

739     Taming  of  the  Shrew,  by  Shakespeare.     New  York,  18S7. 

Illustrated  by  the  insertion  of  over   100  portraits  and  autograph 

letters,  the  latter  including.congratulations,  etc.,  from  Ada  Rehan, 
(ieneral  Sherman,  H.  H.  Furness,  Elihu  Vedder,  C.cneral  de 
Peyster,  S.  L.  M.  Barlow,  Lester  Wallack.  Laurence  Hutton, 
Gen.  Horace  Porter.  Mark  Twain,  I'.dgar  Fawcctt.  Ch.irles 
Fisher,  Rose  Kytinge.  Mrs.  (iilbert.  James  Lewis.  Wm.  Winter, 
Edwin  Booth,  Dion  Boucicault,  Chauncey  Depcw,  W.  D.  Howclls. 
Bronson  Howard,  Whitelaw  Reid,  C.  A. 'Dana,  Roscoe  Conkling. 
Sarah  Bernhardt  (2),  and  many  others,  including  all  the  prominent 
members  of  the  Daly  company. 
2  vols.,  imp.  8vo,  half  olive  levant  morroco  extra,  gilt  top.  uncut 
edges,  by  Stikeman. 

67 


740  Daly  (Augustin).  The  Inconstant,  by  George  Farquhar.    New  York,  1889. 

Illustrated  by  the  insertion  of  nearly  150  plates,  play-bills,  etc., 
including  many  rare  engravings,  18  colored  drawings  of  cos- 
tume, and  the  original  text  of  1702. 

Folio,  half  olive  levant  morocco  extra,  gilt  toj),  by  Stikeman. 

741     The  \V()nder,  by  Mrs.  Ccntlivre.     New  Y(;rk,  1893, 

Illustrated  by  the  insertion  of  200  portraits,  in  character,  of  the 
Daly  company,  and  other  famous  actors  and  actresses,  including 
3  drawings,  and  a  mezzotint  of  Jolinston  as  Gibby;  also  numerous 
play-bills  of  special  interest. 

Folio,  half  olive  levant  morocco  extra,  gilt  top,  by  Stikeman. 

742     Ihe  Foresters,  by  Alfred  Tennyson.     New  York,  1892. 

Illustrated  with  220  portraits  of  the  Daly  company,  etc.,  including 

42  colored  drawings  of  costume,  autograph  letters  of  Tennyson 
and  Lady  Tennyson,  etc. 
2  vols.,  folio,  half  olive  levant  morocco  extra,  gilt  top,  by  Stikeman. 

743     The  Hunchback,  by  Sheridan  Knowles.     New  York,  1893. 

The  inserted  illustrations  are  167  in  number,  and  include  portraits 
of  the  Daly  company,  and  many  famous  English  actors,  play- 
bills, etc.,  and  drawings  of  I'"anny  Kemble,  Knowles  (2),  and 
Mrs.  Barnes. 

Folio,  half  olive  levant  morocco  extra,  gilt  top,  by  Stikeman. 

744     School  for  Scandal,  by  R.  B.  Sheridan.     New  York,  1891. 

Illustrated  by  the   insertion  of    178  portraits,  play-bills  of   famous 

performances  in  America  and  England,  views,  programmes,  etc., 
including  a  fine  mezzotint  of  King,  Smith,  Palmer,  and  Mrs. 
Abington,  in  the  chief  characters  ;  autograph  letters  of  Sheri- 
dan, Tom  King,  and  Maria  Eoote,  Kemble  as  Charles  Surface, 
by  Dighton  (colored),  etc. 
Folio,  half  olive  levant  morocco  extra,  gilt  top,  by  Stikeman. 

745     The  CountrvGirl,  adanted  by  David  Garrick  from  '"The  Country 

Wife,"  by  Wm.  Wycherley.    'New  York,  1884. 

Illustrated  by  66  portraits,  play-bills  (including  one  of  the  Park 
Theatre,  1805),  etc.  The  portraits  include  Mrs.  Jordan,  by  Bar- 
tolozzi,  and  drawings  of  Mrs.  Alsop,  etc. 

Folio,  half  olive  levant  morocco  extra,  gilt  top,  by  Stikeman. 

746     She  Wou'd  and  SheV/ou'd  Not,  by  Colley  Gibber.   New  York,  1886. 

Illustrated  with  28  portraits  of  Miss  Rehan,  etc.,  a  drawing  of  Mrs. 

John  Drew,  and  play-bills. 
Folio,  half  olive  levant  morocco  extra,  gilt  top,  by  Stikeman. 

747     The   Belle's  Stratagem,   by   Mrs.  Cowley  ;  and    the   >Vondcr,  by 

Mrs.  Centlivre.     New  York,  1893. 

Illustrated  by  131  in.serted  plates,  play-bills  of  the  Chatham  Street 
Theatre,  colored  drawings  of  Dora  Jordan,  Mrs.  Merry,  and  Miss 
Rock,  etc. 

Folio,  half  olive  levant  morocco  extra,  gilt  top,  by  Stikeman. 

68 


748  Daly  (Augustin).     The  Critic,  by  R.  B.  Sheridan.     New  York,  1SS9. 

lUustrated  by  the  insertion  of  114  portraits,  etc.,  including  Chatham 

Street  Theatre  play-bills,  3  original  drawings,  etc. 
Folio,  half  olive  levant  morocco  extra,  gilt  top,  by  Stikeman. 

749     The  Recruiting  Officer,  by  John  Farquhar.    New  York,  1S85. 

Illustrated  by  the  insertion  of  60  portraits,  play-bills,  etc.,  including 

colored  drawings  of  Woffington,  Tom  Barry,  Mr.  Abbott,  Henry 
Placide,    Mrs.    Vernon,    Bullock,  and   Farquhar  ;    mezzotint    of 
Quin  ;  Woffington,  by  Marchand,  etc. 
Folio,  half  olive  levant  morocco  extra,  gilt  top,  by  Stikeman. 

750     The  Prodigal  Son,  by  Michel  Carre,  fils.    Music  by  .\ndre  Worms. 

Paris,  1890. 

Illustrated  by  the  msertion  of  30  portraits  of  Ada  Rehan,  and  an- 
notated as  a  prompt  book. 
Imp.  8vo,  half  olive  levant  morocco  extra,  gilt  lop,  by  Stikeman. 

751     Shakespeare's  Comedies  :  Love's  Labors  Lost,  Two  Gentlemen  of 

Verona,   Twelfth   Night.  Midsummer   Night's  Dream,  As   You  Like   It, 
and  Taming  of  the  Shrew. 

Old  Comedies  :  School  for  Scandal,  The  Wonder,  The  Critic,  Belle's 
Stratagem,  Inconstant,  and  Hunchback.     New  York,  v.  d.* 
Large  paper  copies,  with  numerous  portraits,  some  added. 
2   vols.,  royal   8vo,   half  green   levant  morocco  extra,  gilt  top,  by 
Stikeman. 

752  Daly's  Theatre.     Bills  of  the  Play,  Programmes,  etc.     The  complete 

series,     v.  d. 

42  vols.,  Svo,  4to,  and  folio,  half  brown  and  half  red  morocco. 

753  Daly's  Bills  of  the  Play.     Grand  Opera  House.     Season,  1873-4. 

4to,  half  morocco. 

754     Season  (Fifth  Ave.  Theatre)  1875-6-7. 

2  vols.,  4to,  half  brown  morocco. 

755     Season  of  1881-2  and  1884-5. 

2  vols.,  4to,  half  red  morocco. 

756  Daly's  Theatre.     Bills  of  the  Play.     New  York,  1S90-96. 

5  vols.,  4to,  half  brown  morocco. 

757     Programmes.     Season,  1897-8. 

3  vols.,  royal  8vo,  half  morocco. 

758  Daly's  Programmes.     Seasons  of  1886-7  and  1.S90-1. 

2  vols.,  4to,  half  brown  morocco. 

759  Daly's  European  Tour,  1888.     Posters.  Play-liills,  etc. 

Imp.  folir),  half  morocco. 

t.y 


760  Daly  and   Palmer  Supper.     Good  Words  in  Honor  of  Edwin   Booth, 

i'niitfd  for  the  IMaycrs,  New  York,  1889. 
4to,  half  calf,  gilt  top,  uncut  edges. 

761  Daly  (Frederick).     Henry   Irving  in   England    and  America.     Portrait. 

London,  18S4. 

Post  8vo,  half  calf,  gilt  top. 

762  Dance  (George).     Portraits  sketched  from  Life.     142  plates  in  imitation 

uf  the  original  drawings.     London,  1793,  etc. 
50  copies  printed. 
Royal  folio,  cloth. 

763  Daniel  (George).     Merrie    England.      Plates   and  cuts   by  Leech,  etc. 

London,  1842. 

Original  edition. 

2  vols  ,  crown  8vo,  calf  extra,  gilt  top,  uncut  edges. 

764     Merrie  England.    Illustrated  by  Leech  and  Cruikshank.     London, 

n.  d. 

Post  8vo,  half  green  morocco. 

765     Garrick  in  the  Green  Room.     With  a  key  to  the  large  engraving. 

London,  1829. 

8vo,  half  citron  levant. 

766  Dante.     Inferno,  etc.     Translated  by  I.  C.  Wright.     Portrait  and  plates. 

London,  1866. 

Post  8vo,  cloth. 

767     The  New  Life  of  Dante  Alighieri.     Translated  by  Dante  Gabriel 

Rossetti.     Portland,  1896. 

1 2 mo,  boards. 

768  Dapper     (O.).     Die    Unbekante    Neue    Welt    oder    Beschreibung    des 

Welt-teils  Amerika,  etc.     Copper-plate  engravings,  including  a  view  of 
New  York.     Amsterdam,  1673. 
Folio,  parchment. 

769  D'Arblay  (Madame)    [Fanny  Burney].     Diary  and    Letters   complete. 

Portraits.     London,  1854. 

7  vols.,  post  8vo,  half  calf,  gilt. 

770  Dasent  (A.  I.).     History  of  St.  James's  Square.     Illustrated.     London, 

Svo.  cloth,  uncut. 

771  Daudet    (Alphonse).     Works  :  Tartarin  of   Tara.scon  ;   Tartarin  on  the 

Alps  ;  -Artists'  Wives  ;   Kings  in  P2xile  ;  Sappho  ;  Thirty  Years  of  Paris, 
and  Recollections  of  a  Literary  Man.     Illustrated.     London,  1887-90. 
7  vols.,  post  Svo,  half  morocco,  gilt  top,  uncut  edges. 

70 


772  Daudet  (Alphonse).    The  Fig  and  the  Idler,  etc.     Illustrated.     London, 

1893. 

Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

773     Letters  from   my   Mill.      Illustrated    by   Lemaire   and   Edwards. 

New  York,  1893. 

Svo,  cloth,  uncut. 

774  Daudet,  Sand,  and   Loti.     Robert    Helmont,   Francis   the  Waif,  and 

Madame  Chrysantheme.     Beautifully  illustrated.     London,  1888-9. 
Limited  to  1,000  copies. 
3  vol?.,  8vo,  half  morocco,  gilt  top,  uncut  edges. 

775  D'Aurevilly  (J.  A.  Barbey).     Of  Dandyism   and  of  George  Brummell. 

London,  1897. 

Post  8vo,  vellum,  uncut  edges. 

776  Davenant  (Sir  Wm.).     The  First  Day's  Entertainment  at  Rutland  House. 

London,  1657.     Very  rare. 

Small  8vo,  half  calf. 

777  David  (F.  A).     Histoire  de   France.     Over  100  plates  printed  in  red. 

Paris,  1787-96. 

5  vols.,  4to,  half  red  morocco,  uncut. 

778  Davidson  (John).     Plays.     Frontispiece  by  Aubrey  Beardsley.     London, 

1894. 

500  copies  printed. 

8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

779  Davies  (Thos.).     Life  of  David  (iarrick.     London,  1780. 

Autograph  letter  of  Davies,  and  12  portraits  inserted. 

2  vols.,  Svo,  half  calf,  gilt  top,  uncut  edges.      [See  Garrick.] 

780     Dramatic  Miscellanies.     Portrait  of  Betterton.     London,  1784. 

3  vols.,  crown  Svo,  calf  e.xtra. 

781  Daviliier.      Spain.     Profusely  illustrated  by  Gustave  Dore.     New  York 

[London],  1876. 

Folio,  cloth,  gilt. 

782  Davis,   Lang,   etc.      Great   Streets    of    the  World.     Illustrated.      New 

York,  1892. 

Royal  8vo,  cloth. 

783  Day  (Louis  F.).     Windows.     A  book   about  stained   and  |)ainlcd  glass. 

Profusely  illustrated.     London,  1897. 
Svo,  cloth. 

784  Day  (W.  C).      P.ehind  the  Footlights.      Illustrated.      London.  1S85. 

Post  Svo,  half  brown  levant  morocco,  gill  to(). 

71 


785  Day    and     Dines.      Illustrations    of    Mediceval    Costume    in    England. 

Colored  plates.     London,  18 — . 
4to,  cloth. 

786  Dayton  (A.  C).     Last  Days  of  Knickerbocker  Life  in   New  York.     Il- 

lustrated.    New  York,  1897. 
.Svo,  cloth,  uncut. 

787  Dear  Old   Songs.     Illustrated   by  Gregory,   Lauber,  and   Brennenian. 

New  York,  1889. 
4to,  cloth. 

788  De  Favre  (Abbe).     Beauty's  Day.     With  the  charming  illustrations  by 

l.eclcrc.     London,  n.  d. 

4to,  half  blue  levant,  gilt  top,  uncut  edges. 

789  Delany  (Mrs.).     Autobiography  and  Correspondence.     Numerous  steel 

portraits.     London,  1861-2. 

Both  series  complete.    Unique  copy,  with  175  steel  and  copper-plate 
portraits  inserted. 

6  vols,,  Svo,  calf  extra,  gilt  top,  uncut  edges,  by  Riach. 

790  Delarue.      Nouvelles  Maisons   de   la   Campagne.     Numerous  plates   in 

color.      Paris,  18 — . 

Folio,  boards. 

791  Delpech  (F.  S.).     Iconographie  des  Contetnporains,   1789-1829.     With 

all  the  fine  lithograph  portraits.     Paris,  1S32. 
3  vols.,  imp.  folio,  half  red  morocco. 

792  Delpla  (A.).     French  Drama.     London,  1818. 

Svo,  half  green  levant,  gilt  top. 

793  De   Manne.     Troupe  de  Voltaire.     Numerous  etched  portraits.     Lyon, 

1877. 

Svo,  half  calf. 

794  De    Manne  et  Menetrier.     Acteurs  Fran^ais.     Numerous  etched  por- 

traits.    Lyon,  1 87 7. 

Svo,  half  calf,  gilt  top,  uncut  edges. 

795     La  Comedie  Fran(;aise.     Numerous  etched  portraits.    Lyon,  1876. 

Svo,  half  calf,  gilt  top,  uncut  edges. 

796  Dennie    (John).     Rome  of  To-day  and  Yesterday.     Maps  and   illustra- 

tions.    New  York,  1S96. 

Svo,  half  calf,  gilt  top,  uncut  edges. 

797  Dennis.     A  Plot,  and  no  Plot.     A  Comedy.     London,  n.  d. 

4to,  citron  levant. 

798  Depew  (Chauncey  M.).    Orations  and  After-Dinner  Speeches.    Portrait. 

New  York,  1890. 

Large  paper  copy  ;  100  printed. 
4to,  half  red  morocco,  gilt  top. 

72 


799  De    Pezay    (Marquis)    and    Dorat    (Claude  Joseph).     Delia  Bathing; 

Celia's  Doves.      Plates  by  Eisen.     London,  n.  d. 

Royal  8vo,  half  blue  levant,  gilt  top,  uncut  edges. 

800  Detective    Stories. 

Mysteries  of  Police  and  Crime,  by  A.   Griffiths.     2  vols.,  8vo.     Lon- 
don, 1899. 

A  Slender  Clue,  by  L.  L.  Lynch.     London,  1894. 

Chronicles  of  Michael  Danevitch,  by  Donovan.     London,  1897. 

A  Villain  of  Parts,  by  B.  P.  Neuman.     London,  1898. 

Dorrington  Deed-Box,  by  A.  Morrison.      London,  18 — . 

Tracked  by  a  1  attoo,  by  F.  Hume.     London,  18 — . 

Three  Exploits  of  M.  Parent,  by  Lerminer.     London,  1894. 

Claude  Duval  of  Ninety-five,  by  F.  Hume.     London,  18 — . 

Crime  of  the  Boulevard,  by  J.  Claretie.     New  York,  1897. 

Mystery  of  the  Patrician  Club,  by  A.  D.  Vamdam.     2  vols.     London. 
1894. 

An  African  Millionaire,  by  Grant  Allen.     London,  1897. 

The  Big  Bow  Mystery,  by  L  Zangwill.     London,  1892. 

Crime  of  the  "  Liza  Jane,"  by  F.  Hume.     London,  1895. 

Dorcas  Dene,  Detective,  by  G.  R.  Sims.     London,  1897. 

Case  of  George  Candlemas,  by  G.  R.  Sims.     London,  1890. 

A  Dead  Man's  Step,  by  L.  L.  Lynch.     London,  1893. 

That  Affair  Next  Door,  by  Anna  K.  Green.     New  York,  1897. 

Strange  Schemes  of  Randolph   Mason,  by  M.  I).   Post.     New  York, 
1896. 

The  Clock  Struck  One,  by  F.  Hume.      London,  1898. 

42  Famous  Stories.     New  York,  n.  d. 

22  vols.,  Svo  and  post  8vo,  half  green  levant,  gilt  top.  uncut  edges. 

801  Devey  (Louisa).      Life  of  Rosina,  Lady  Lytton.     Portrait.     London,  1887. 

8vo,  cloth,  uncut. 

802     Letters  of  Bulwer  to  his  wife.    In  vindication  of  her  memory.    Por- 
trait.     London,  1884. 

8vo,  cloth,  uncut. 

803  Dibdin  (Chas.).     Complete  History  of  the  English  Stage.      London,  n.  d. 

5  vols.,  8vo,  half  red  levant,  gilt  ton,  uncut  edges. 

804 Son.gs,  with  the  Music.      Portrait  and  (inserted)  autograph.     Lon- 
don, 1844. 

Royal  8vo,  half  blue  morocco,  gilt  top,  uncut  edges. 

805  DIBDIN,    JR.  (Charles).      IILSTORY    AND    ILLUSTRATIONS 

OF  THE  LONDON    i'llEAlRES.    Numerous  plates.     London.  1S26. 
Only  25  copies  printed.     This  copy  has  about  60  added  jiiaies,  elc, 

some  proofs,  and  some  early  music  scores. 
4to,  iialf  green  levant  morocco  extra,  gilt  top,  uncut  edges,  liy  Tout. 

806     London  Theatres.      Numerous  plates.      Londo;i.  1826. 

Large  paper,  presentation  copy  from  John  P.ritton  ;   25  printed. 
4to,  half  red  levant,  gilt  top,  uncut  edges. 

73 


807  Dibdin  (Thomas).     The    Last    Lays   of  the  last  of  the  three  Dibdins. 

I'urtrait.      London,  n.  d. 
Svo,  boards,  uncut. 

808     Reminiscences.     London,  1837. 

Unique  copy,  with  135  portraits  and  views  inserted. 
2  vols.,  Svo,  half  morocco,  gilt  top,  uncut  edges. 

809  Dibdin  (T.  I"".).     Bibliomania;  or,  Book-Madness.      London,  1842. 

Best  edition. 

Royal  Svo,  half  maroon  morocco,  gilt  top,  uncut  edges. 

810     Aedes  Althorpianae,  etc.     Many  vignettes  ;   but  the  large  plates 

abstracted.     London,  1S22. 

2  vols.,  royal  Svo,  morocco. 

811  Dickens  (Charles).     Sunday  under  Three  Heads.     Illustrated  by  Phiz. 

London,  1S36. 

First  edition,  with  the  original  covers. 

Post  Svo,  red  levant  morocco  extra,  gilt  top,  uncut  edges,  by 
Zaehnsdorf. 

812     The  Village  Coquettes.     A  comic  opera.     Music  by  Jolin  HuUah. 

London,  1S36. 

First  edition,  with  frontispiece  by  Pailthorpe  (plain  and   colored). 

and  a  play-bill  inserted. 
Svo,  red  levant  morocco  extra,  gilt  top,  uncut  edges,  by  Riviere. 

813     The  Village  Coquettes.     London,  1836. 

First  edition. 

Svo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

814     Sketches  by  Boz.     With  the  plates  by  George  Cruikshank.      Lon- 
don, 1836-7. 

Both  series  complete  of  the  first  edition,  with  the  preface  dated 
1836,  and  the  author's  presentation  inscription  to  Her.tky  in  the 
third  volume. 

3  vols.,  crown  Svo,  red  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Riviere. 

815     Sketches  by    Boz.       Illustrated   by    Geo.  Cruikshank.      London, 

1836-7. 

Original  edition,  both  series  complete. 

3  vols.,  crown  Svo,  brown  levant  morocco,  gilt  top,  uncut  edges. 

816 Sketches  by  Boz.     40  illustrations  by  Geo.  Cruikshank.      London, 

1839- 

First  octavo  edition,  with  an  extra  set  of  the  ])lates  colored,  first 
impressions  of  the  12  plates  to  the  second  series,  the  suppressed 
plate  "  Free  and  Easy  Night,"  and  specimen  of  the  original 
covers. 

Svo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

74 


8i6='=  DICKENS  (Charles).     THE   POSTHUMOUS  PAPERS  OF  THE 
riCKW'lCK.    CLUB.     With  the  original  illustrations.      London.  1837. 
A  remarkably  fine  copy  of  the  original   numbers,  clean  and  un- 
opened. 
2  vols.,  8vo,  in  half  red  levant  morocco  cases. 

817     THE  POSTHUMOUS  PAPERS  OF  THE  PICKWICK  CLUB. 

With  43  illustrations  by  Seymour  and  Phiz.     London,  1837. 
First  edition,  with  sample  wrappers. 

In  addition  to  the  regular  plates  this  copy  has  (inserted)  the  plates 
by  Pailthorpe,  a  cf)lored   set  of  the   Seymour  plates   unlettered, 
a  colored   set   of  the    Phiz  illustrations,  wood-cuts  colored,  the 
Onwhyn  plates,  and  many  other  additions. 
2  vols.,  8vo,  brown  levant  morocco,  gilt  top,  uncut  edges. 

8lg     Pickwick  Club.     43  illustr^itions  bv  Seymour  and   Phiz.      London, 

1837. 

The  scarce  Ackermann  plates  have  been  inserted  in  this  copy. 

8vo,  half  calf,  gilt. 

819     Pickwick    Club.     Illustrated.     Edited    by    Charles    Dickens   the 

younger.      London,  1886. 

First  issue  of  the  Jubilee  edition. 

2  vols.,  crown  8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

820     POSTHUMOUS  PAPERS  OF  THE  PICKWICK  CLUB  (Ed- 
ited by  C.  P.  Johnson),     Chapman  and  Hall,  1SS7. 

The  Victoria  edition,  with  59  India  proof  plates  by  Seymour,  Phiz, 
Buss,  and  Leech,  reproduced  for  the  first  time  from  the  original 
drawings   of  those  artists,  some  never  before  published  in  any 

form,   AND     FURTHER    ILLUSTRATED     I5V      THE    ADOrriOX     OF     THE 
FOLLOWING    MATTER  :  — 

Two  sets  of  the  original  engravings,  issued  in  1837,  before  and  after 
the  inscriptions,  showing  many  interesting  variations,  alterations, 
and  additions. 

Set  of  32  plates  by  T.  Onwhyn,  1837.  Set  of  40  colored  plates  by 
Alfred  Crowquill. 

Two  sets  of  Pailthorpe's  24  illustrations  of  the  Pickwick  Papers, 
being  India  proof  and  colored  etchings.  Set  of  Sibson's  sketches 
of  expeditions  from  the  Pickwick  Club,  10  plates,  1885.  Two 
plates  by  Buss,  reproduced  from  the  original  drawings.  Por- 
trait of  Dickens,  by  Count  D'Orsay,  1841. 

Another  portrait,  by  George  Cruikshank  (one  of  50  India  proofs), 
1879. 

Two  portraits  of  Phiz,  by  F.  W.  Pailthorpe,  India  proofs. 

2  vols.,  8vo,  the  whole,  with  covers,  etc.,  inlaid  and  inserted,  and 
bound  in  blue  morocco  super  extra,  uncut,  top  edges  gilt,  i)y 
Riviere. 

75 


821  Dickens  (Charles).     Pickwick    Club.      With   plates  by  Seymour,  Buss, 

U.  K.  Browne,  and  Leech.     London,  1887. 
The  Victoria  edition. 

One  of  500  copies,  with  the  plates  on  India  paper. 
2  vols.,  royal  8vo,  half   red  levant  morocco  extra,  gilt  top,  uncut 
edges. 

822     PICKWICK  AND  ITS  ILLUSTRATORS. 

I'he  autographic  tale  of  Robt.  Wm.  Buss  cind  his  grievance  against 
Chapman  and  Hall  in  regard  to  his  and  Seymour's  connection 
with  the  Pickwick   Club,  written  March,  1872. 

As  pertinent  to  this  story  of  the  artist  he  has  interpc>lated  6  plates 
by  Seymour,  a  large  number  of  pen-and-ink  sketches  by  himself, 
and  the  rejected  Pickwick  illustrations,  first  proofs  of  two  of  the 
plates  by  Phiz  for  Nicholas  Nickleby  before  they  were  finishd 
by  Sands,  and  5  other  plates  as  examples  of  the  later  work  by 
Buss.  The  whole  concludes  with  an  autograph  letter  of  John 
Forster  and  a  portrait  of  Buss. 

These  details  were  so  thoroughly  exploited,  at  the  time  the  \'ic- 
toria  edition  of  the  Pickwick  Papers  was  issued,  that  this  treasure 
must  be  well  known  to  Dickens  collectors. 

4to,  boards. 

823     AX  ACCOUNT   OF    THE  ORIGIN  OF    THE    PICKWICK 

PAPERS,  by  Mrs.  Seymour,  with  Mr.  Dickens's  version  and  her  reply, 
etc.     Printed  for  the  author.     London,  n.  d. 

Unique.  Commencing  with  a  portrait  of  Seymour,  an  original  draw- 
ing, and  the  title-page,  on  which  Mrs.  Seymour  inscribes  the  fact 
that  this  is  the  only  copy  remaining  in  her  possession.  This 
copy  encloses  : 

1.  A  long  letter  from  Mrs.  Seymour,  detailing  the  circumstances 
under  which  her  husband  drew  the  illustrations  for  the  Pickwick 
Papers. 

2.  Seymour's  visiting  card. 

3.  Four   of    the    famous    plates,  accompanied    by    the    Original 

Drawings. 

4.  Three  unpublished  drawings. 

5.  The  original  letter  of  Dickens  to  Seymour,  with  his  comments 

on  the  drawings. 

6.  Two  colored  prints  by  Seymour,  "  A  Political  Pyramid." 

It  is,  perhaps,  needless  to  measure  the  great  interest,  value,  and 
importance  of  this  volume  after  its  universal  exploitation.  It 
cost  over  ij$2,5oo  in  its  present  shape. 

Inlaid  to  4to,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

824     riie  Penny  Pickwick,  edited  by  "  Boz."     Wood-cuts. 

The  entire  series. 

8vo,  red  levant  morocco  extra,  gilt  top. 

825     Plays,  Peregrinations  of   Pickwick  ;  Mrs.  Harris  ;   Battle  of  Life, 

etc.     London,  etc.,  v.  d. 

i6mo,  red  levant  morocco  extra. 

76 


826  Dickens  (Charles).     A  Pickwickian    Pilgrimage,   by  J.  R.   (;.   Hassard. 

Boston,  1881. 

i6mo,  red  levant  morocco  extra,  gilt  top. 

827     History  of  Pickwick,  with  a    Bibliography  by  Percy   Fitzgerald. 

London,  1891. 

8vo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

828     Pickwick  in  America.      Indited  by  "  Bos."     46  engravings.      Lon- 
don, n.  d. 

8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges,  by  Riviere. 

829     The    Origin    of   Sam   Weller  ;  also,   The    Beauties    of    Pickwick. 

Frontispiece.     London,  1 883-1 838. 

8vo,  red  levant  morocco,  gilt  top. 

830     The  Library  of  Fiction.      14   plates  by  Geo.  Cruikshank.     Lon- 
don, 1837. 

First  edition,  with  "  The  Tuggs's  at  Ramsgate  "  and   "  Spring  and 

the  Sweeps,"  both  signed  "  Boz." 
2  vols.,  crown  8vo,  red  levant   morocco  extra,  gilt  top,  uncut  edges, 

by  Riviere. 

831     Memoirs  of  Joseph  Grimaldi.   Plates  by  Cruikshank.  London,  1S38. 

Unique  copy  of  the  first  edition,  with  the  "Last  Song"  plate  in  a 

border;  several  rare  colored  portraits  of  (irimaldi  inserted,  and 
3  play-bills. 
2  vols.,  crown  8vo,  original  cloth,  uncut,  in  brown  levant  case. 

832     Memoirs   of  Josepii   Grimaldi.      Illustrated  by  Geo.  Cruikshank. 

London,  1838. 

First  edition. 

2  vols.,  crown  8vo,  red  levant  morocco  extra,  gilt  top.  uncut  edges, 
by  Riviere. 

833     MEMOIRS  OF  JOSEPH  GRLMALDL     Edited  by  Boz,  revised 

by  Chas.  Whitehead.   Illustrations  by  George  Cruikshank.   London,  1846. 

Unicjue  copy,  extended  from  i  vol.,  post  8vo,  to  2  vols.,  4to,  by  the 
insertion  of  200  interesting  and  valuable  plates,  autograph  letters, 
play-bills,  etc.  The  autograj^h  letters  include  specimens  from  the 
hands  of  Grimaldi,  Norman  the  Pantaloon,  Diamond,  John  Brun- 
ton,  R.  B.  Peake,  Robert  Keeley,  Alfred  Bunn,  (ieorgc  Barik-y, 
a  long  manuscript  by  Winston,  used  by  Dickens  in  writing  or 
editing  this  memoir,  and  leaves  from  the  Journal  or  Ledger  of 
the  Covent  (larden  Theatre.  The  portraits  include  numerous 
rare  prints  of  Grimaldi,  mostly  colored,  an  India  proof  of  Mrs. 
Dilxlin,  the  nude  caricature  of  Miss  Farren,  and  the  rare  print  of 
Charles  Lewis  (a  fortunate  error).  At  page  14S  of  the  second 
volume  is  inserted  a  sheet  of  autograph  music  and  words,  signed 
by  Mary  Anne  Wood  (Miss  Paton)  and  Jo.senh  ^V()()d,  and  the 
volume  concludes  with  a  sale  catalogue  including  property  of 
Grimaldi. 

2  vols.,  4to,  brown  levant  morocco  extra,  gill  edges,  by  Riviere. 

77 


834  Dickens  (Charles).     The  Strange  Gentleman.     London,  1837. 

Double  title-pages  and  frontispiece  by  Pailthorpe,  both  plain  and 

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835     The  Strange  Gentleman  :  A  C'omic  Burletta.      London,  1837. 

The  Hermann  copy. 

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836     The  Strange  Gentleman. 

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Flynn,  Providence  Theatre,  Rhode  Island. 

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837     Sketches  of  Young  Gentlemen.     Plates  by  Phiz.     London,  1838. 

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838     Sketches  of  Young  Couples.     Plates  by  Phiz.     London,  1840. 

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1838.     Sketches  of  Young  Couples,  1S40.     Illustrations  by  Phiz.     Lon- 
don, 1837-40. 

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840     Sketches  of  Young  Ladies,  Young  Gentlemen,  and  Young  Couples. 

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841     Oliver  Twist.     Illustrated  by  George  Cruikshank.     London,  1838. 

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842     Oliver  Twist.     24  plates  by  Cruikshank,  and  iK)rtrait  by  Maclise. 

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843     Sikes  and  Nancy.     A  reading.     London,  n.  d. 

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78 


844  Dickens  (Charles).     Life  and  Adventures  of  Nicholas  Xickleby.     Por- 

trait by  Maclise  ;    39  plates  by  Phiz.     London.  1839. 

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847     Master    Hum|)hrey's   Clock   (Old    Curiosity    Shop    and    Barnaby 

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850     .American  Notes  for  General  Circulation.     London,  1841. 

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851     Change   for  the  American  Notes,  by  an  .American  lady.     [Henry 

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853     'Pile    Pickwick    Papers.      Illustrated     by    Cruiksh.iiik,    Phiz.    etc. 

London,  1841. 

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79 


854  Dickens  (Charles).    A  Christmas  Carol.    Plates  by  Leech.   London,  1843. 

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855     Christmas  Carol.     A  facsimile  of  the  original  MS.     Introduction 

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855'' A  Christmas  Carol.     London,  1868. 

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856     Martin  Chuzzlewit.     Plates  by  Phiz.     London,  1844. 

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857     Evenings  of  a  Working  Man,  by  John  Overs.     Preface  by  Charles 

Dickens.     London,  1844. 

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858     To  Be  Read  at  Dusk  (from  the  Keepsake  of  1852),  and  A  Word  in 

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859     To  Be  Read  at  Dusk.     1852. 

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860     I  o  Be  Read  at  Dusk,  and  other  Stories  now  first  collected.     Lon- 
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861     The  Chimes.     Illustrated  by  Maclise.     London,  1845. 

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862     The  Chimes.     Illustrated  by  Maclise.     London,  1858. 

Presentation  copy  from  the  author  to  his  son,  Charles  Dickens,  Jr., 

with  autograph  inscription. 
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863     The  Battle  of  Life.     Illustrated  by  Maclise.     London,  1846. 

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864     The  Cricket  on  the  Hearth.    Illustrated  by  Maclise.    London,  1846. 

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865     Pictures  from  Italy.     Wood-cuts  by  Palmer.     London,  1846. 

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80 


866  Dickens   (Charles).      Facts  and   Figures  from   Italy,    by   Don   Jeremy 

Savonarola.     An  appendix  to  the  "Pictures."     London,  18.17. 
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1848. 

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869     The  Story  of  Little  Dombey.     London,  1858. 

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871     Mr.  Nightingale's  Diary.     Colored  frontispiece  inserted.     London, 

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872     Mr.  Nightingale's  Diary  :  A  Farce.      Boston,  1877. 

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gy^     A  Child's  History  of  England.     Frontispieces  by  Topham.      Lon- 
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875     Bleak  House.     Illu.strations  by  H.  K.  Browne.     London,  1S53. 

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876     Hard  Times.     London,  1854. 

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877     Speech  at  the  meeting  of  the  .\dniinistration  Reform  .\ssocialion, 

June  27,  1855.     London,  1855. 

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6  81 


878  Dickens  (Charles).     Speech,  etc.     Another  copy.     London,  1855. 

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879     Little  Dorrit.     Plates  by  Phiz.      London,  1857. 

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880     The  Poor  Traveller  ;  Boots  at  the  Holly-Tree  Inn,  and  Mrs.  damp. 

London,  1S38. 

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880* Another  edition.      London,  1862. 

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881     A  Tale  of  Two  Cities.      Plates  by   Phiz,  and   ])ortrait.      London, 

1859- 

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882     A  Tale  of  Two  Cities.     Plates  by  H.  K.  Browne.     London,  1859. 

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883     Hunted  Down.     The  original  numbers  of  the  New  York  Ledger. 

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884     Hunted  Down.     London  [1870]. 

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885     Great  Expectations.     London,  186 1. 

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886     The  Uncommercial  Traveller.     London,  1861. 

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887     The  Uncommercial  Traveller.     Illustrated.     London,  1868. 

The  Charles  Dickens  edition. 

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888     Our  Mutual  Friend.     Plates  by  Stone.     London,  1865. 

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S2 


889  Dickens  (Charles).     Little  Dombey,  etc.     Readings. 

Christmas  Carol,  etc. 
Dr.  Marigold. 
David  Copperfield,  etc. 
Nicholas  Nickleby. 

Boston,  1868. 
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890     The   Mystery  of  Edwin   Drood.      Portrait  and    12   illustrations. 

London,  1870. 

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891     The  Mystery  of  Edwin  Drood.     Portrait  and  12   illustrations  by 

Fildes.      London,  1870. 

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892     The  Mystery  of  Edwin  Drood,  complete.     Brattleboro,  \'t.,  1873. 

With  the  "  Medium's  "  Preface,  signed  Thos.  P.  James. 

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893      Is  She  His  Wife?     A  comic  burletta.     Boston,  1877. 

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894     Life  of  Charles  James  Mathews.     Portraits.     London,  1879. 

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895     The  Lamplighter.     .\  farce.     London,  1879. 

250  copies  printed. 

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896     Dramatic  Readings  as  read  in  America,     lioston,  1879-82. 

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897     Boots    at   the   "  Holly-Tree    \nn."     Colored  plates   after   Ueard. 

London,  1882. 

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898     A  Wonderful  Ghost  Story.     Reprinted  from  AW  the  Year  Round, 

with  facsimile  letters  of  the  author.      By  Thos.  Heapy.     J-ondoii,    1883. 

Unique    copy    inlaid    to    4to,    with    the  origin.\ls    of  the  letters 

inserted. 
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899     and   Collins.       The   Lazy  Tour  of  Two    Idle   .\pprenticcs  ;     No 

Thoroughfare,    and     Perils  of   Certain    English    I'risoners.      Illustrated. 
London,  1890. 

First  complete  edition. 

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8< 


900  Dickens  (Charles).     Letters   to    Wilkie   Collins.     Edited  by   Laurence 

Hutton.     Facsimiles,  etc.     New  York,  1892. 
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901     Old  Lamps  for  New  Ones,  etc.     New  York,  1897. 

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902     Extracts  from   Household    Words,  "  the  Lazy   Tour."     London, 

1857-9- 

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QO3  Christmas  Numbers  of  Household  Words,  with  the  tales  by  Dick- 
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904     Christmas  Stories  from  the  Household  Words.     London,  n.  d. 

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905  The  Original  Numbers  of  "  All  the  Year  Round,"  with  the  Christ- 
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906     Speeches,    1 841-1870.     Edited,  etc.,  by  R.  H.   Shepherd,  with   a 

new  l^ibliography.     London,  1884. 

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907     Speeches.     Another  copy.     London,  1884. 

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908     Speeches,  literary  and  social.     IvOndon,  n.  d. 

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909     Plays  and    Poems,   etc.,  now  llrst  collected.     Edited   by  R.   H. 

Shepherd.     London,  18S2. 

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910  Plays  from  his  Novels.  Barnaby  Rudge,  Fortunes  of  Smike,  Bat- 
tle of  Life,  Cricket  on  the  Hearth,  Old  Curiosity  Shop,  Lord  Bateman, 
Christmas  Carol,  Dead  Witness,  Sarah  Camp,  Pickwickians,  I'Abime, 
Oliver  Twist,  Martin  Chuzzlewit,  No  Thoroughfare,  Dombey  and  Son, 
David  Copoerficld,  Nicholas  Nickleby,  and  a  Tale  of  Two  Cities. 
New  York  and  London,  v.  d. 

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84 


911  Dickens  (Charles).     Memento,   with  Introduction   by    Phillimore,   and 

-'  Hints   to  Dickens'  Collectors,"  by    Dexter.     Catalogue  with  names 
and  prices  of  the  pictures,  etc.,  of  Charles  Dickens.     London,  1870. 
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912     Memento.     Another  copy.     London,  1870. 

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913     Childhood   and    Youth   of,  by   R.    Langton.     Illustrated.     Man- 
chester, 1883. 

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914     •  Childhood    and    Youth  of,  by  R.  Langton.      Illustrated.      Man- 
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915     Childhood  and  Youth  of,  by  Robt.  Langton.     London,  1891. 

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916     The    Youth    and    Middle    Age    of    Charles   Dickens,   by    James 

Payn.     London,  1883. 

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917 Charles  Dickens  as  I  Knew  Him,  by  Geo.  Dolby.     London,  1885. 

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918     The  Story  of  His  Life.     Illustrated.     London,  n.  d. 

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919     ■  Charles  Dickens,  by  Geo.  Aug.  Sala.     London,  n.  d. 

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920 Charles  Dickens,  by  G.  A.  Sala.      London,  n.  d. 

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922     Charles  Dickens  and  the  Stage,  a  record  by   V.  E.  Pemberton.     3 

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923     .Vnother  copy.     3  portraits.     London,  1888. 

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Q24     etc.     No  Thoroughfare,  Little  Em'ly,  etc.     New  York.  n.  d. 

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925     Dickens  (Charles).      Lizzie  Leigh. 

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g26     Yesterdays  with  Authors,  by  J.  T.  Fields.     Steel  portraits.     Bos- 
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Dickens,  pp.  127-250. 

121110,  red  levant  morocco  e.vtra,  gilt  top,  uncut  edges. 

927     Catalogue  of  the  Modern   Pictures,  etc.,  of  Charles  Dickens,  with 

prices  and  names.     London,  1870. 

4to,  half  red  levant  morocco  extra,  gilt  top. 

Q28     Pearl-Fishing.     Choice  Stories  from  Dickens's  Household  Words. 

Portrait.     Auburn,  1854. 
Both  series  complete. 
2  vols.,  i6mo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

929     About  England  with  Dickens,  by  .Alfred  Rimmer.     58  illustrations. 

London,  1883. 

Crown  8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

9^0     A  Day  with  Charles  Dickens.     Edited  by  Hlanchard  Jerrold,  witli 

a  facsimile.     London,  1871. 

From  "The  Best  of  all  Good  Company." 
Royal  8vo,  half  red  levant  morocco  extra. 

931     A  Week's  Tramp   in    Dickens-Land.     Over   100   illustrations  by 

Kitton,  etc.     London,  1S91. 

8vo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

932     Life  of,  by  R.  Shelton  Mackenzie.  Portrait,  etc.  Philadelphia,  1870. 

i2mo,  red  levant  morocco,  gilt  top. 

933     Dickensiana.     A  Bibliography  of  the  Literature  relating  to  Charles 

Dickens  and  his  Writings.     By  F.  G.  Kitton.     Portrait.     London,  1886. 

Crown  8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

934     The    Dickens    Dictionary,  by  Pierce    and   Wheeler.     Illustrated. 

Boston,  1872. 

i2mo,  red  levant  morocco,  gilt  top,  uncut  edges. 

935     Immortelles   from  Charles  Dickens.     By  Ich.     [Eliz'th   Holden 

CressyJ.     London,  1856. 

Crown  8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

936     Holiday  Romance  (from  Our   Young  Folks),  1868  ;  Dickens,  by 

G.  B.  Smith  ;    Dickens  as  a  Dramatic  Critic,  1883  ;  In  London  with 
Dickens  ;  In  Memoriam,  etc.     London,  etc.,  v.  d. 

8vo,  red  levant  morocco  extra,  gilt  top. 

937     Magazine  Articles,  viz.  :  Dickens's  place  in  Literature  ;  Mr.  Pick- 
wick and  Nicholas  Nickleby  ;  Dickens  Characters,  etc.      London,  v.  d. 

Royal  8vo,  half  red  levant  morocco  extra. 

86 


938     Dickens  (Charles).     Glimpses  of  Charles  Dickens,  etc.,  by  E.  S.  William- 
son.    Illustrated.     Toronto,  1898. 

8vo,  half  red  levant  morocco  extra. 


My   Father   as    I    Recall    Him,  by   Marie    Dickens.     Illustrated. 

Westminster,  18 — . 

Post  8vo,  half  red  levant  morocco,  gilt  top,  uncut  edges. 
The    Battle    of    London    Life  ;   or,    Boz   and    his    Secretary,    by 


Morna.     Illustrations  by  Sala  (and  a  copy  of  Sala's  letter,  stating  Capt. 
Thos.  O'Keefe  to  have  been  the  author).     London,  1849. 
Post  8vo,  red  levant  morocco  extra,  gilt  top. 

Another  copy. 

Half  red   levant   morocco  extra,   gilt  top,  uncut  edges,  with  the 
original  covers,  though  somewhat  torn. 

Charles  Dickens  ;  a  critical  biography.     London,  1858. 

i2mo,  half  red  levant  morocco,  with  the  original  covers. 


Authentic  Record  of  the  Public  Banquet  to,  at  Freemason's  Hall, 

Nov.  2,  1867.     Portrait.     London,  1867. 

8vo,  red  levant  morocco  extra,  by  Zaehnsdorf. 

Charles    Dickens   and    Rochester,   by    R.    Langton.     Illustrated. 


London,  1880. 

8vo,  red  levant  morocco  extra,  with  the  original  covers. 

Pen   Photographs  of  Charles  Dickens's  Readings,  by  Kate  Field. 


Illustrated.     London,  1871. 

Presentation  copy  from  the  author,  with  autograph  letter  inserted. 
Post  8vo,  red  levant  morocco  extra,  gilt  top. 

A  Tramp's  Wallet,  by  W.  Duthie.     London,  1858. 

Revised  by  Charles  Dickens. 

Post  8vo,  red  levant  morocco  extra. 

A  Stray  Leaf  from  the  Correspondence  of  Washington  Irving  and 


Charles  Dickens,  by  William  Loring  Andrews.     Illustrated.     New  York, 
1894. 

Japan  paper  copy  ;  77  printed. 

i2mo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

947     Infelicia,  by  Adah  Isaacs   Menken.     Portrait  and  facsimile  of  i. 

letter  from  Dickens.     London,  1868. 

First  edition. 

i6mo,  red  levant  morocco  extra. 

948     Memoir  of,  by  Wm.  Watkins.      London,  n.  d. 

i6mo,  red  levant  morocco  extra,  and  the  original  covers. 

87 


949  Dickens  (Charles).    Our  Miscellany  (which  ought  to  have  come  out,  but 

didn't).     Edited  by  Yates  and  Brough.     London,  1856. 
Contains  "  Hard  Times,"  by  "Charles  Diggins." 
Post  8vo,  half  red  levant  morocco  extra. 

950     Dickens,  by  A.  W.  Ward.     London,  1882. 

Crown  8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

951     Birthday  Book.    Compiled  and  illustrated  by  his  daughters.    Lon- 
don, 1882. 

8vo,  cloth. 

952     Old   Leaves  Gathered  from  Household  Words,  by  W.   H.  Wills. 

London,  i860. 

Post  8vo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges,  by 
Riviere. 

953     A   Sketch  of  his  Life  and  Works,  by  F.  B.  Perkins.     Portrait. 

New  York,  1870. 

i2mo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

954.     ITnimitable  Boz,  par  Robert  du  Pontavice  de  Heussey.     Paris, 

1889. 

Japan  paper  copy  ;  25  printed,  with  portraits  on  Lidia  paper. 
8vo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

955     Charles  Dickens  as  a  Reader,  by  Charles  Kent.     London,  1872. 

Post  8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

956     Hints  to  Collectors  of  Original  Editions,  by  C.  P.  Johnson.     Lon- 
don, 18S5. 

Post  8vo,  half  red  levant  morocco,  gilt  top,  uncut  edges. 

957     Hints  to  Collectors,  by  C.  P.  Johnson.     London,  1885. 

Large  paper  copy  ;  50  printed. 

8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

958 Bibliography  of  the  Writings  of,  by  James  Cook.     London,  1879. 

8vo,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

959     Bibliography  of. 

Privately  printed  ;  50  copies  only.     Second  edition,  enlarged. 
8vo,  half  red  levant  morocco  extra,  gilt  top. 

960     Wellerisms  from  "  Pickwick,"  etc.     London,  1886. 

i2mo,  cloth,  uncut. 

961     Dombey  and   Daughter.     A  moral   fiction  by  Renton    Nicholson, 

Wood-cuts.     London,  n.  d. 

Imp.  8vo,  half  brown  morocco,  with  original  wrapper. 


962  Dickens  (Charles).    Music  Score,  etc.,  of  The  Chimes,  Nicholas  Nickleby, 

and   Pickwick   Quadrilles,  the  Cricket  Polka,  and   "Autumn   Leaves" 
from  the  Village  Coquettes.     London,  1839,  etc. 

Five   autograph  letters  of   Dickens  enclosed,  one  announcing  the 
birth  of  a  daughter,  another  relative  to  the  "damnable  shadow  " 
cast  by  his  father,  and  others  of  interest. 
Royal  8vo  case,  brown  levant  morocco. 

963     The    Original    Manuscript    of  "  His    Brown    Paper    Parcel  ; "' 

eleven  octavo  pages  mounted  on  cardboard. 

8vo,  brown  levant  box. 

964     LIFE  OF  CHARLES  DICKENS,  by  John  Forster.  London, 1872. 

Unique  copy,  extended  from  3  vols.,  8vo,  to  9  vols.,  folio,  by  the 

insertion  of  an  extraordinary  collection  of  autograph  letters,  por- 
traits, views,  play-bills,  and  other  pertinent  illustrations.  The 
autograph  letters  include  interesting  specimens  from  Dickens, 
Robert  Burns,  Tom  Hood  (3),  Douglas  Jerrold,  Macready,  R.  D. 
Blackmore  (2),  John  Forster,  Wm.  Black,  N.  P.  Willis,  R.  Sey- 
mour (a  receipt),  Geo.  Cruikshank,  Buss,  a  memorandum  signed 
by  Dickens,  Bentley  and  Ainsworth,  Leigh  Hunt  (3),  Stanfield, 
Cattermole,  Ainsworth,  Chas.  Kean,  Mrs.  S.  C.  Hall,  Chas. 
Knight  (4),  Jerdan,  Lady  Coutts  (2),  Lord  Geo.  Gordon  to  the 
King,  Danl.  O'Connell,  Lord  Brougham  (2),  Bulwer  (5),  Robt. 
Peel,  Sydney  Smith,  Geo.  Eliot,  Thos.  Campbell  (2),  Robert 
Browning  (3),  Southwocjd  Smith,  Talfourd  (2),  Napier  (2),  Cob- 
den,  DTsraeli,  Miss  Hogarth,  George  IV.,  Mazzini,  Scott,  Ten- 
nyson, Dumas,  Bellocq,  Lever  (3),  D'Orsay,  Fanny  Kemble  (3), 
Wellington,  Duke  of  Devonshire,  Mark  Lemon  (3),  "  Phiz," 
Wordsworth,  Doyle  (2),  Hugo,  Sue,  G.  H.  Lewes,  Charlotte 
Yonge,  Leech,  Anthony  Trollope  (3),  C.  R.  Leslie,  Albert  Smith 
(3),  Knowles,  Mathews,  Wilkie  Collins  (5),  Shirley  Brooks,  Swin- 
burne, Leech  (6  pages  with  sketch),  Carlyle,  Hawthorne.  Mrs. 
Gaskell,  Sala  (2),  Landseer  "Barry  Cornwall,"  Lord  Wellesley, 
Hon.  IVIrs.  Norton,  Monckton  Milnes  (Lord  Houghton),  Simms 
Reeves,  Sam.  Phelps,  S.  C.  Hall,  Chas.  Lyell,  R.  Owen  (2),  Plan- 
che,  Ruskin,  David  Roberts,  Ben.  Webster,  Edmund  Yates,  Chas. 
Reade,  Tyndale,  Balzac,  Arthur  Helps,  J.  P.  Collier,  Lord  Stan- 
hope, the  manuscript  of  Samuel  Johnson's  Prayer,  pages  of  Dick- 
ens MSS.,  etc. 

The  illustrations  comprise  many  fine  portraits,  including  a  quantity 
of  proofs,  Darley's  illustrations  on  India  paper,  several  original 
drawings,  embracing  a  pencil  sketch  of  Dickens  on  board  the 
Britannia,  and  other  matter,  making  in  all  over  1,600  additions. 

9  vols.,  folio,  half  blue  levant  morocco  extra,  gilt  top,  by  Stikeman. 

965     LETTERS.     Edited  by  his  sister-in-law  and  his  eldest  daughter. 

London,  1880-2. 

Unique  copy,  uniform  with  the  Life,  and  with  about  Soo  inserted 
plates,  autograph  letters,  etc.  'I'he  letters  are  peculiarly  inter- 
esting, having  for  the  most  part  some  relevant  connection  with 
the  text  of  the  book.     They  include  over  50  fine  examples  frt)ni 

89 


the  pen  of  Dickens,  largely  relating  to  business  matters  with  his 
publishers  (with  a  large  "promise  to  pay"  signed  by  Chapman 
and  Mall),  many  confidential  letters  signed  John  Dickens,  and  a 
mass  of  correspondence  from  Italy,  by  Chas.  Lever.  The  other  let- 
ters are  from  John  Forster,  Ainsworth,  Cruikshank,  Carlyle  (8), 
James  Payn  (5),  Doyle,  Amelia  B.  Edwards,  Tom  Hood, 
Macready,  Bulwer,  John  Morley,  Chas.  Mackay,  Chas.  Reade, 
Henry  Kingsley,  Leigh  Hunt,  Jerdan,  Le  Fanu,  Blanchard  Jer- 
rold,  W.  J.  IByron,  R.  F.  Burton,  Sue,  Hingston  "  the  showman," 
Thos.  Hardy,  Whyte  Melville,  Richd.  Jefferies,  Tennyson,  Sala, 
Miss  Braddon,  Anthony  Trollope,  Florence  Marryat,  Alfred 
Austin,  Wills,  W.  D.  Adams,  Harry  Furness,  Lord  Lonsdale, 
Farjeon  (6),  Chas.  Lyell,  Blanche,  A.  L.  Dickens,  Wingfield, 
Clark  Russell,  Clement  Scott,  Madox  Brown,  Edmund  Yates, 
Princess  Soltykoff,  etc.  The  portraits,  etc.,  are  for  the  most  part 
well  selected,  and  22  pen-and-ink  sketches,  seemingly  by  Sala, 
will  be  found  grouped  in  one  of  the  volumes. 
8  vols.,  folio,  half  blue  levant  morocco,  by  Stikeman,  uniform  with 
the  Life. 

966  Dickens  (Charles).    Charles  Dickens,  by  pen  and  pencil,  and  the  Supple- 

ment, by  F.  (j.  Kitton.  Proofs,  and  remarque  proofs  on  India  paper,  of 
the  large  portraits, and  the  cutsduplicated  on  Japan  paper.   London,  1890. 

Special  copy,  with  all  the  additional  plates. 

2  vols.,  folio,  half  blue  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

967     Letters  of   Charles    Dickens   to  Wilkie  Collins.     Edited  by  Lau- 
rence Hutton,  with  portraits  and  facsimiles.     New  York,  1892. 

Unique  copy,  illustrated  by  the  insertion  of  93  portraits  and  views, 

including  many  fine  India  proofs. 
Folio  (inlaid  from  i2mo),  half  blue  levant  morocco  extra,  gilt  top, 

by  Stikeman. 

968     ORIGINAL    AUTOGRAPH    LETTERS    of    Charles    Dickens 

and  other  writers,  150  in  all,  including  100  by  Dickens  to  Cattermole, 
his  Publishers  (with  statements  of  account),  and  \V.  H.  KoUe  (25),  the 
friend  of  his  youth.  The  other  letters  are  from  P.  B.  Shelley,  Elihu  Bur- 
ritt,  Samuel  Lover,  Ouida,  Miss  Mulock  (2),  De  Quincey  (2),  Doran  (2), 
Mary  and  William  Howitt,  Henry  Kingsley  (4),  T.  H.  Bayley  (2), 
Guizot,  Thiers,  Timbs,  Tupper,  T.  Roscoe,  Louis  Blanc  (4),  Frank 
Buckland  (2),  Fairholt,  Baring-Gould,  Coventry  Patmore,  A.  H. 
Clough,  etc. 

Folio,  half  blue  levant  morocco  extra,  gilt  top,  by  Stikeman. 

969     Life  of,  by  John  P'orster.     3  vols.     London,  1872-4. 

Letters   of,    edited    by    Misses     Hogarth    and    Dickens.     3    vols. 

London,  1880-2. 
Unique  copies,  illustrated  by  the  insertion  of  240  plates,  many  proofs 

on  India  paper,  including  portraits  of  contemporaries  of  Dickens, 

scenes  from  his  principal  novels,  by  Phiz,  etc., and  numerous  views. 
6  vols.,  8vo,  red   levant   morocco  extra,  gilt  top,  uncut  edges,   by 

Riviere. 

90 


970  Dickens  (Charles).    Letters  of.    Edited  by  his  sister-in-law  and  daughter. 

London,  1880-2. 

Over  100  fine  portraits  and  views  inserted,  some  proofs. 
3  vols.,  Svo,  calf  extra,  gilt  top,  uncut  edges,  by  Riviere. 

971  DICKENS'S   CORRESPONDENCE.     ORIGINAL  LETTERS 

OF  AND  TO  CHARLES  DICKENS.  An  unusually  large  and  im- 
portant collection.  Autograph  letters  from  Dickens  to  Richard  Rentley, 
Sept.  19,  1837  ;  to  Chapman  and  Hall,  May  8,  1S36  ;  to  John  Macrone, 
May  8,  1836  ;  86  to  Thomas  Mitton,  from  1832  to  1861  ;  S;^  to  Frederic 
Ouvry,  June,  1858  to  1870  ;  i  House  agreement,  Dec.  20,  1841,  peti- 
tion of  Maria  Wilby.  Also  2  cautions  from  his  solicitors,  autograph 
letters  to  Dickens  from  Ceorgina  Hogarth,  Mrs.  Dickens,  6  of  Ains- 
worth,  I  from  Lord  Ashley  (Shaftesbury),  2  from  Lady  Blessington, 
Lord  Brougham;  5  from  "  Phiz,"  Hablot  Knight  Browne;  8fromCatter- 
mole,  including  a  pencil  drawing  ;  C.  Cowden  Clarke,  10  from  Baroness 
Burdett-Coutts,  6  from  Geo.  Cruikshank,  2  from  D'Orsay,  4  from  Dr. 
Elliotson,  I  from  Albany  Foublanque,  i  from  Lord  Provost  Forrest,  1 
from  W.  P.  Frith,  2  from  Mrs.  Gore,  16  from  Capt.  Basil  Hall,  2  from 
J.  P.  Harley,  i  from  Rev.  Wm.  Harness,  4  from  Lady  Holland,  2  from 
Tom  Hood,  i  from  Leigh  Hunt,  i  from  Washington  Irving,  4  pp.,  from 
Sunnyside,  1841  (of  exceptional  interest)  ;  10  from  Lord  Jeffrey,  i  from 
R.  Keeley,  3  from  W.  S.  Landor,  i  from  Chas.  Lever,  i  from  Bulwer,  14 
from  Maclise,  2  of  them  with  sketches;  11  from  Macready,  3  from 
Macvey  Napier,  3  from  Samuel  Rogers,  i  from  Sir  M.  A.  Shee,  i  from 
Sydney  Smith,  3  from  Clarkson  Stanfield,  5  from  Thos.  Noon  Talfourd. 
6  from  C.  Hare  Townshend,  i  from  Benjamin  Webster,  and  i  from  Sir 
David  Wilkie — in  all,  326.  Inserted  also  are  6  excellent  portraits  of 
Dickens,  of  which  5  are  India  proofs. 

2  vols.,  4to,  brown  morocco  gilt  extra,  gilt  backs  and  edges. 

972  DICKENS-CATTERMOLE    CORRESPONDENCE.      Auto- 

graph letters,  Geo.  Cattermole  to  My  Dearest  Clarissa,  "  I  have  yielded 
to  a  very  earnest  invitation  to  dine  with  Dickens,  .  .  .  Dickens,  I 
told  you,  is  married, — //ity  are  amongst  the  few  friends  I  mark  out  for 
our  future  acquaintance."  2  autograph  letters  from  Dickens  to  Catter- 
mole ;  the  very  rare  "strictly  private"  St.  James's  Theatre  bill,  with 
Dickens  as  Bobadil,  Cattermole  as  Wellbred,  etc.;  3  autograph  letters 
from  Wm.  P.  Frith  to  Cattermole  ;  2  drafts  of  the  appeal  for  Catter- 
mole's  family  in  Dickens's  hand  ;  proof  of  one  of  Cattermole's  illustra- 
tions to  Dickens  ;  20  sketches  by  Cattermole,  for  Old  Curiosity  Shop, 
Barnaby  Rudge,  etc.  (one  of  them  in  color),  and  an  original  sketch  by 
Sir  Edwin  Landseer. 
4to,  morocco. 

973  Dickins    (F.  V.).     Translator.     Chiushingura  ;    or,  The  Loyal   League. 

Wood-cuts  by  Japanese  artists.     London,  1880. 
Svo,  cloth. 

974  Dick's  British  Drama.     London,  n.  d. 

II  vols,  (minus  vol.  10),  post  Svo,  boards. 


975  Diderot.     The    Paradox   of   Acting.     Translated    by   W.    H.    Pollock. 

J.ondon,  18S3. 

Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

976  Didier  (C.  Peale).     Twixt  Cupid  and  Croesus.     With  the  original  idea  of 

facsimile  letters  and  illustrations.     Baltimore,  1896. 
4to,  cloth. 

977     R.  S.  V.  P.     A  novelette.     Illustrated.     r>altimore,  1897. 

Oblong  4to,  half  cloth. 

978  Didon  (Rev.  Father).     Jesus  Christ.     London,  1891. 

2  vols.,  8vo,  cloth,  uncut. 

979  "Die  Miinchener."     15  illustrations.     Leipzig,  1888, 

i2mo,  half  calf,  gilt  top. 

980  DIGGES-WARD  CORRESPONDENCE.     The  Original  Auto- 

j^rajih  Letters  of  this  notorious  e|)isode,  45  in  all  ;  some  covering  4  folio 
pages,  and  nearly  all  showing  much  wear  and  tear  ;  mounted  carefully 
on  heavy  paper. 

Contains  18  letters  from  West  Digges,  addressed  to  "My  Dearest 
Sally,"  "  My  Dearest  Life,"  "  Laconick  Madam,"  etc.,  and  27 
letters  from  Sara  Ward,  addressed  to  "  Dear  Westy,"  etc. 

Folio,  red  straight  grain  morocco. 

981  Digges  rs.  Ward.     Letters  which   passed  between  West  Digges  and 

Sara  Ward.     Portrait  inserted.      Edinburgh,  1833. 
8vo,  half  calf,  gilt  top,  uncut  edges. 

982  Digges- Ward,     Another  copy.     Edinburgh,  1833. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

983  Disraeli  (Benj.,  Lord  Beaconsfield).     Novels  and  Miscellaneous  Works. 

Vivian  Grey.     5  vols.     1826. 
Voyage  of  Captain  Popanilla.     1828. 
The  Young  Duke.     3  vols.     1831. 
Contarini  Fleming.     4  vols.     1832. 
The  Wondrous  Tale  of  Alroy.     3  vols.      1833. 
Letters  of  Runnymede.     1836. 

Llenrietta  Temple.     3  vols.     1837.     Venetia.     3  vols.     1837. 
Vindication  of  the  English  Constitution.     1835. 
Coningsby.     3  vols.      1844.     Sybil.     3  vols.      1845.  ' 

Tancred.     3  vols.      1847.     Ixion  in  Heaven,  etc.      1859. 
The  Revolutionary  Epick.      1864. 
Speeches  on  Parliamentary  Reform.     1867. 
Lotliair.     3  vols.     1870.      Endymion.     3  vols.      1880. 
All  but  Coningsby,  Ixion  in  Heaven,  and  Lothair  are  first  editions. 
42  vols.,  post  8vo  and  8vo,  calf,  gilt.     London,  1826-80. 

92 


984  Disraeli  (Ben j.,  Lord  Beaconsfield).   Lord  Beaconsfield's  Correspondence 

with  his  Sister,  1832-52.     Portrait.      London,  1886, 
8vo,  cloth. 

985  DOBSON  (Austin).     POEMS  ON  SEVERAL  OCCASIONS.     New 

York,  1889. 

The  margins  of  this  charming  copy  are  decorated  with  57  charm- 
ing original  drawings  in  water  color  by  Eugene  and  Marie 
Grivaz. 

2  vols.,  i2mo,  green  levant  morocco  extra,  gilt  top,  uncut  edges, 
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986     The  Sun  Dial.    Illustrated  by  G.  W.  Edwards.     New  York,  1890. 

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-  Eighteenth  Century  Essays.     London,  1882. 
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-  Editor.  The  Dance  of  Death.    Plates  by  Holbein.    London.  1892. 
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■  William   Hogarth.     Portrait  and  other   illustrations.     New  York 

[London],  1891. 

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William  Hogarth.     Plates  on  Japan  and  India  paper.     London. 

1891. 

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Horace  Walpole.     Illustrated   by  P.  and   L.  Moran.     New  York, 


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The  Ballad  of   Beau  Brocade.      Illustrations  by  Hugh  Thomson, 


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995     Dobson    (Austin).     The    Story  of    Rosina,  etc.      Illustrated    by   Hugh 
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1893- 

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999     Vignettes  in  Rhyme,  and  Vers  de  Society.     London,  1873. 

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1000     Editor.     Old    English  Song.s.     Illustrated  by   Hugh  Thomson. 

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lOoi     Four  French  Women.     London,  1890. 

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1002     Collected  Poems.     Portrait.     London,  1897. 

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1003  Dodge  (Mary  Mapes).     Hans   Brinker.     60   illustrations.     New  York, 

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1004  Dodgson.     Alice's  Adventures  in  Wonderland,  by  Lewis  Carroll.     Il- 

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1005     The   Hunting  of  the  Snark,  by    Lewis  Carroll.     9  illustrations 

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1006     Sylvie  and   Bruno,  and  Sylvie  and  Bruno,  continued.     92  illus- 
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94 


1007  Dodsley.     Select  Collection  of  Old  English  Plays,  with  notes,  etc.,  by 

Reed,  (iilchrist,  etc.     London,  1825-7. 
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1008     The  GEconomy  of  Human  Life.     London,  1751. 

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1009  Dome  (The).     A  Quarterly,  containing  examples  of  all  the  arts.     Lon- 

don, 1897-8. 

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loio     Donaldson  (Thomas).     Walt  Whitman  the   Man.     Illustrated.     New 
York,  1896. 

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1011  Donaldson  (Walter).     Recollections  of  an  Actor.     London,  1865. 

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1012  DORAN  (John).     ANNALS  OF  THE  ENGLISH  STAGE.     Por- 

traits.    London,  1864. 

Unique  copy,  extended  from  2  volumes  to  8,  by  the  insertion  of 
1,000  portraits  and  other  illustrations,  including,  Mrs.  Abington 
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rare  plates,  including  many  proofs  on  India  paper. 

8  vols.,  8vo,  half  red  morocco  extra,  gilt  top,  uncut  edges. 

1014     :  Annals  of  the  English  Stage.      Numerous  portraits  and  vignette 

illustrations.     London,  1888. 

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3  vols.,  royal  8vo,  half  red  levant,  gilt  top,  uncut  edges. 

1015  Dorat  (Claude  Joseph).     The  Kisses.     With  beautiful  illustrations  by 

Eisen.     London,  n.  d. 

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1016  Dor^    (Gustave).     Life    and    Reminiscences.     Compiled    by    Blanche 

Roosevelt.     Illustrated.     New  York,  1885. 
8vo,  cloth. 

1017  Doris  (Chas.).     Secret  Memoirs  of  Napoleon.    Portrait.     London,  1897. 

8vo,  cloth,  uncut. 

1018  Douce  (F.).     Illustrations  of   Shakespeare,  and   of  Ancient    Manners. 

Wood-cuts.     London,  1807. 

A  curious  binding  on  a  book  now  scarce. 
2  vols.,  8vo,  russia  bevelled,  gilt  and  blind  tooled. 
95 


lOIQ     Douglas  (Robt.  B.).     Sophie  Arnould.     7  etchings  by  Lalauze.     Paris, 
189S. 

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1020     Life  and  Times  of  Madame  du  Barry.     Portrait.     London,  1896. 

Svo,  cloth,  uncut. 

1021  Dowries  (John).     Roscius  Anglicanus  ;  or,  an  Historical  Review  of  the 

ICnglish  Stage.     London,  1708. 

The  very  rare  first  edition,  from  the  Jolley  collection. 
Svo,  half  red  morocco. 

1022     Roscius  Anglicanus,  with  Additions  by  Thomas  Davies.     Lon- 
don, 1789. 

8vo,  boards. 

1023     Roscius   Anglicanus.      Preface   by  Joseph    Knight.      London, 

1886. 

135  copies  printed. 
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1024  Dowson  (Ernest).     The  Pierrot  of  the  Minute.     London,  1S97. 

300  small  paper  copies  printed. 

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1025  Doyle    (A.   Conan).      Adventures   of    Sherlock    Holmes.     Illustrated. 

London,  1S93. 

Royal  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1026     Memoirs   of   Sherlock  Holmes.     Illustrated  by   Sidney  Paget. 

London,  1894. 

Royal  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1027  Doyle  and  Planch^.     An  Old  Fairy  Tale  Told  Anew.     [The  Sleep- 

ing Beauty.]     Illustrated.     London,  n.  d. 
4to,  cloth. 

1028  Drake   (Nathan).     Shakespeare   and   His  Times,  with   10  rare  colored 

plates  by  Dighton  inserted.     London,  1S17. 
The  colored  plates  are  of  great  rarity. 
2  vols.,  4to,  calf. 
See  Shakespeakr  for  the  illustrated  copy  in  5  volumes. 

1029  Drake  (S.  A.).     Nooks  and  Corners  of  the   New  England  Coast.     Il- 

lustrated.    New  York,  1875. 
Svo,  cloth. 

1030     Book  of  New  England   Legends  and  Folk  Lore.     Illustrated. 

Boston,  1884. 

4to,  cloth. 

96 


1031  Drama,  etc.     Scrap   Books.     Drama,   Exhibitions,  Concerts,  Gardens, 

and  Walloons.     Bills,  engravings  (87),  etc.     v.  d. 

Many  of  the  plates  are  very  rare,  as  well  as  the  play-bills,  etc. 
The  autographs  include  one  of  EUiston.  Collected  bv  T.  Pur- 
land. 

2  vols.,  4to,  half  morocco. 

1032  ' I\Iagazine  Articles   on    Talma,   Edmund   Kean,    Edwin    Booth, 

etc.     V.  d. 

2  vols  ,  royal  8vo,  half  calf. 

^^33     (^^''^0  ;    o^j  Theatrical  Pocket  Magazine.     Numerous  portraits. 

Elvey,  London,  182 1-5. 

8  vols.,  i2mo,  half  blue  levant. 

1034     Beauties  of  the  English  Drama.      London,  1777. 

4  vols.,  i2mo,  calf. 

1035     Desultory  Thoughts  on  the  National  Drama,  past  and  present. 

By  an  Old  Playgoer.     London,  1850. 

8vo,  half  green  levant,  gilt  top. 

1036     The  Past  and   Present  State  of  Dramatic  Art  and  Literature. 

London,  1839. 

8vo,  half  green  levant. 

1037  Dramatic    Biographies.     Life  of  Garrick,  etc.     Portraits  and  Maga- 

zine Articles.     London,  v.  d. 

Svo,  half  morocco. 

1038  Dramatic  Censor.     Being  Remarks  upon  the  Conduct,  etc.,  of  Our 

most  Celebrated  Plays.     London,  1752. 

Svo,  half  morocco. 

1039  Dramatic    Costumes,     no  plates  in  color.      Lacy,  etc.     London, 

V.   d. 

Royal  Svo,  halt  green  morocco. 

1040  Dramatic  Literature.     Report  from  the  Select  Committee  on.     Lon- 

don, 1833. 

Folio,  half  red  levant,  gilt  top. 

1041  Dramatic    Magazine.     With    13   rare    portraits   of    Wallack,   Fanny 

Kemble,  Miss  Paton,  T.  P.  Cooke,  Mathews  the  elder,  etc..  etc.     Lon- 
don, 1829. 

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7  97 


1042  Dramatic   Mirror  and   Literary  Companion.     Edited  by  James 

Rees.     Wood-cuts.      New  York,  1 841-2. 

The  entire  issue  ;  i.e.,  vol.  i.  A  presentation  copy  from  F.  C. 
Wemyss,  with  aut05ji;raphs,  etc.,  of  the  editor  inserted,  and  a 
play-l)ill  of  the  American  Theatre,  New  Orleans,  April  10, 
1827. 

4t(),  half  bound. 

1043  Dramatic  Omnibus,  etc.     Including  numbers  of  the  Printer's  Devil, 

llic  Play  Goer,  etc.      1849-50. 

An  interesting  collection  of  short-lived  dramatic  papers. 
Crown  8vo,  half  blue  levant,  gilt  top,  uncut  edges. 

1044  Dramatic  Register  for  1853.     London,  1854. 

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1045  Dramatic  Review  ;  cr,  Mirror  of  the  Stage.     18  fine  portraits  inserted. 

London,  1795. 

Svo,  half  calf,  gilt  top. 

1046  Dramatic  Tracts. 

Life  of  Barton  Booth.     Portrait.     1733. 

Usefulness  of  the  Stage.     Frontispiece.     1738. 

Epistle  from  Mrs.  Oldfield  to  Mrs.  Bracegirdle.      1743. 

The  Case  of  Mrs.  [Kitty]  Clive,     1744. 

Green  Room  Mirror.     Portrait.     1786. 

Life  of  John  Henderson.     Portrait.     1777. 

Life  of  John  Reeve.     Portrait,     n.  d. 

The  Rape  of  Joseph.     Colored  frontispiece,     n.  d. 

Theatrical  House  that  Jack  Built.     1819. 

Life  of  Anne  Paton  [Lady  Lennox],     n.  d. 

Harley's  Life  of  Betty.     Portrait.     1804. 

And  30  other  interesting  pamphlets. 

4  vols.,  Svo,  half  calf. 

1047  Drama.      An  Impartial  View  of  the   Stage,  from  the   Day.?  of  Garrick 

and  Rich  to  the  present  period.      By  Dramaticus.     London,  1816. 
Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1048  Drant  (R.  P.).     Hell  up  to  Date.     Cuts  by  A.  Young.     Chicago,  n.  d. 

Oblong  4to,  paper. 

1049  Draper   (John   C).     Anatomy,  Physiology,   and   Hygiene.      170  illus- 

trations.     New  York,  1866. 
Svo,  cloth. 

1050  Draper  (L.  C).     Essay  on  the  Autographic  Collections  of  the  Signers 

of  the  Declaration  of  Independence.     Portrait.     New  York,  1889. 
4to,  cloth,  uncut. 

98 


1051  DRURY  LANE  THEATRE  ROYAL,  ACCOUNT  BOOKS 

Receipts  and  payments,  1766-7,  1771-2,  1815-6 46  vol... 

Nightly  accounts,  1776-9,  1796-7,  1799-1800,  1802-3, 
1811-2,  1812-3,  1814-5,  1820-1,  1S27-S,  1834-5, 
1842-3,  1846-7,  1850,  185 1-2 25  vols. 

Check  book  (weekly  accounts),  1812-3,  1814-5,  1817-8, 

1827-8,   1831-2,   1834-5 15  vols. 

Ledger,    1790-6,    1795-9,    1799-1802,   1802-6,    1806-9, 

1812-5,  1815-7,  1816-9,   1826-7 13  vols. 

Salaries,   1789-94,   1799-1802,   1804-5,   1S06-9,   1808-9, 

1812-3,  1814-5,  1817-8,  1820-4,  1826,  1844-5 22  vols. 

Cash  book,  1797-8,  1825-6,  1845-6 3  vols. 

Register  of  renters,  free  admissions,  etc 27  vols. 

Miscellaneous  : 

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acters ;  order  book  ;  journal  ;  monthly  journal  ; 
journal  (Reins);  inventory  of  furniture  ;  claims,  etc.; 
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tories, 1819  ;  nightly  receipts  in  order  of  amount  ; 
inventory  of  wardrobe  (3);  box  book,  181 2-1 3 21  vols. 

172  vols. 
The  weekly  accounts   contain   many  marginal   notes   relating  to 
performances  of  individual  plaj^ers. 

1052  Drury  Lane  Theatre,  etc.     The  Case  between  the  Managers  of  the 

I'wo  Theatres  and  their  Princijial  .'\ctors.      London,  1713  [1743]. 
8vo,  half  morocco. 

1053  Du  Bois.      Four   Private    Libraries  of    New   York   [the    collections  of 

Samuel  P.  Avery,  George  B.  De Forest,  Valentine  Blacque,  and  jolly 
BavoillotJ.     Facsimiles,  etc.     New  York,  1892. 

Japan  paper  copy.     200  printed. 

8vo,  silk,  uncut  edges. 

1054  Ducros  (Emmanuel).     Une    Cigale  au    Son  de,   1885.     Tinted    Illus- 

trations.    London,  1888. 
4to,  original  covers. 

1055  Dudley  (Robert).   Monthly  Ma.xims.  Colored  illustrations.    London,  n.d. 

4to,  cloth. 

1056  Dufferin  (Helen,  Lady).     Songs,  Poems,  and  Verses.     Portrait.      Lon- 

don, ii'^94. 

Crown  8vo,  cloth,  uncut. 

1057  DUGDALE  (Sir  William).     MONASTICON  ANGLICANUM.  .\ 

history  of  the  Ahbies  and  other  Monasteries,  Hospitals.  Frienes,  and 
Cathe.lral  and  Collegiate  Churches,  etc.,  in  ICngland  and  Wales,  etc. 
Additions  by  Caley,"  Ellis,  and  Bandinel.  With  all  the  fine  plates. 
London,  1817-30. 

8  vols.,  royal  folio,  russia  extra,  panelled  back  and  sides,  gilt  edges. 

99 


1058  Dumas  (Alex.).     Works.     Translated.     Plates.     Little,  Brown  &  Co., 

Boston,  1888-97. 

Large  paper  copy,  comprising  the  D'Artagnan,  Valois,  Historical, 
Regency,  Marie   Antoinette,  and    Napoleon  Romances  ;   Monte 
Cristo,  and  Notes. 
61  vols.,  8vo,  boards,  uncut,  and  the  special  plates  in  a  morocco 
case. 

1059     Le  Chevalier  d'Harmental.     Profusely  illustrated.     Paris,  1854. 

Imp.  8vo,  half  morocco. 

1060     Memoirs.      Translated    by    \.    F.    Davidson.      Portrait.     Lon- 
don, 1891. 

2  vols.,  post  8vo,  cloth,  uncut. 

1061     Memoirs.       Selected    and    translated    by    Davidson.       Portrait. 

London,  1891. 

2  vols.,  post  8vo,  cloth. 

1062     Le  Chevalier  de  Maison-Rouge.     Illustrated  by  Le  Plant.     Tes- 

tard,  Paris,  1894. 

2  vols.,  imp.  8vo,  original  covers,  uncut. 

1063     Les  Trois  Mousquetaires.     Superbly  illustrated  by  Maurice  Le- 

loir.     Levy,  Paris,  1894. 

2  vols.,  imp.  8vo,  original  covers,  uncut. 

1064     The  Three  Musketeers.     Translated  by  W.  Robson.     250  illus- 
trations by  Leloir.     New  York,  1894. 

2  vols.,  imp.  8vo,  buckram,  uncut  edges. 

1065     Les   Mousquetaires.     162    pages  of  the  Original  Manuscript 

in  the  handwriting  of  the  author. 

Signed   at  the  end  "  Offert    a  M.  de  Guerville  par  I'auteur.     A. 

Dumas." 
Commences  with  the  Adventure  of  Marie  Michon. 
Oblong  4to,  half  morocco. 

1066     Tlie    Three    Musketeers.      250    illustrations    by    Leloir.      New 

York,  1898. 

2  vols.,  8vo,  cloth. 

1067     Le  Mousquetaire.     From  November,  1853  (Part  I.)  to  Decem- 
ber, 1856.     Paris,  1853-6. 

6  vols.,  folio,  half  calf. 

1068     The   Count  of   Monte-Cristo.     Profusely  illustrated,  and  an  in- 
serted portrait.     London,  1888. 

5  vols.,  imp.  8vo,  half  blue  levant  morocco,  gilt  top,  uncut  edges. 

1069     Pascal    Bruno.      A    Sicilian    Story.      Edited    by    Theo.    Hook. 

London,  1837. 

Post  Svo,  boards,  uncut. 


loyo     Dumas  (Alex.).     Celebrated  Crimes.     London,  1843. 
8vo,  cloth,  uncut. 

1071     Celebrated  Crimes.     Translated  by  I.  G.  Burnham.     Photograv- 
ures.    Philadelphia,  1895. 

8  vols.,  8vo,  cloth,  uncut. 

1072     Celebrated  Crimes.     lUu.straied.     Boston,  1896. 

Large  paper  copy. 

3  vols.,  8vo,  cloth,  uncut. 

1073     Mary  Stuart,  Queen  of  Scots.     Translated  by  J.  M.  Howell.     Illus- 
trated.    New  York,  1896. 

i2mo,  cloth. 

1074  Dumas  and  Sue.     Forty-five  Guardsmen  (and   Miscellaneous  Works). 

Illustrated.     London,  1848. 
8vo,  half  morocco. 

1075  Dumas  (Alex., /7.f).     Lady  of  the  Camelias.     Anew  translation,  with 

new  preface  by  the  author.  Illustrated  by  40  elegant  photogravures 
in  tints,  and  etchings  by  Albert  Lynch.     London,  1887. 

Only  550  copies  printed. 

4to,  cloth,  uncut. 

1076     La  Dame  aux  Camelias.     Tinted  illustrations  by  Leloir.     Paris, 

18—. 

Imp.  8vo,  original  covers,  uncut  edges. 

1077  Du  Maurier.     Trilby.     The  original  pages  from  Harper's  Magazine 

with  all  the  illustrations,  including  Whistler's  portrait,  also  a  transla- 
tion of  the  French  sentences,  and  other  addenda  of  value.  New  York, 
1894. 

Royal  8vo,  half  red  morocco. 

1078     Trilby.     Illustrated  by  the  author.     New  York,  1895. 

Edition  de  luxe  ;  600  printed. 

Royal  8vo,  cloth,  uncut. 

1079     Social  Pictorial  Satire.     Illustrated.     New  York,  1898. 

i2mo,  cloth,  uncut  edges. 

1080     Peter  Ibbetson.     Illustrated  by  the  author.     London,  1892. 

2  vols.,  8vo,  cloth,  uncut. 

1081     The  Martian.     Illustrated  by  the  author.     London.  1889. 

Large  paper  copy  :  250  printed. 

4to,  half  vellum,  uncut  edges. 

1082     A  Legend  of  Camelot.     Pictures  and  Poems.     Illustrated.     New 

York,  1898. 

Oblong  4to,  cloth  back. 


1083  Dunlap   (Wm).      The  Father  of  American  Shandy-ism.     New  York, 

1789. 

The   rare   first   edition   of  wliat   is   practically  the  first  American 

play. 
8vo,  unbound  and  untrimmed. 

1083*  Ihe  Father  of  American  Shandy-ism.     A  Comedy.     New  York, 

1789. 

Svo,  half  brown  levant,  gilt  top,  uncut  edges,  stained  and  re- 
paired. 

1084     The  Archers.     An  Opera.     New  York,  1796. 

First  edition,  rare. 

Svo,  maroon  levant,  gilt  top,  uncut  edges. 

1085  DUNLAP    (Wm.).      HISTORY    OF    THE    AMERICAN    THE- 

ATRE.    New  York,  1832. 

Unique  copy.  Inlaid  t0  4to,  and  extra  illustrated  by  the  insertion 
of  375  rare  portraits,  autographs,  views,  theatres,  play-bills, 
original  drawings,  etc.  Among  the  rarities  may  be  mentioned: 
Dunlap  (i.p.b.l.),  Garrick  (p.b.l.),  Henry  Cruger,  Farquhar, 
Hugh  Kelly  (mezzo.),  Myles  Cooper,  Kemble  (mezzo.);  Ccoper 
as  Hamlet  and  as  Leon,  by  Edwin  ;  O'Keefe  (i.p.),  Ezra  Stiles, 
"  The  Late  Mrs.  Morris  "  ;  Fred.  Reynolds,  by  Heath  ;  Hodg- 
kinson,  by  Leney  ;  Mrs.  Hodgkinson,  by  Tiebout,  and  i.p.  by 
HoUyer ;  Mrs.  Melmoth  as  Elvira,  by  Tiebout  ;  Fennel, 
Francis;  J.  E.  Harwood,  by  Edwin;  Jefferson  and  Blissett  ; 
Mr.  Ricketts,  by  Scoles  ;  T.  A.  Cooper,  by  Harris,  also  a  proof 
by  Mayer  ;  Mrs.  Siddons  (i.p.),  by  Turner  ;  Warren  and  Mrs. 
Warren,  by  Edwin  ;  Park  Theatre  and  Corner  Stone,  original 
drawings  ;  Mr.  and  Mrs.  Wood,  by  Edwin  and  by  Ellis;  Gen. 
Wolfe  ;  Mrs.  Darley,  by  Edwin  and  by  Leney  ;  Sadlers  Wells, 
original  drawing  ;  Mrs.  Wignell,  by  Edwin  ;  Mathevv  Carey, 
J.  W.  Wallack  (i.p.)  ;  Master  Payne,  by  Leney  ;  Master  Betty, 
John  Howard  Payne  (lith.),  Pendleton,  Mr.  and  Mrs.  Duff, 
Edmund  Simpson  (first  issue),  Stephen  Price  (lith.).  Burning 
of  Richmond  (i.p.),  Jas.  H.  Caldwell,  Cooke  as  Lear  and  by 
Scriven,  Cooke's  Tomb,  Kean  in  Indian  dress  (original),  Mr. 
and  Mrs.  Barnes,  Burke;  Forrest,  by  Meyer;  Hackett  as  Fal- 
staff  (rare  lith.),  13  bills  of  John  St.  Theatre,  3  of  Park,  and  i 
of  Ricketts'  Circus,  etc. 

4  vols.,  4to,  half  blue  levant  morocco,  gilt  backs  and  tops,  uncut 
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1086     History  of  the  American  Theatre.     New  York,  1832. 

8vo,  half  red  levant,  gilt  top.  Name  in  ink,  on  title-page,  of 
Alfred  Bunn,  etc. 

1087     Hi.story   of   the    American    Theatre.      Frontispiece,    by    Cruik- 

shank.     London,  18 — . 

8vo,  half  red  levant,  gilt  top,  uncut  edges. 

102 


1088  Dunlap  (VVm.).  Life   of   George   Fred.    Cooke.     Some  rare  portraits 

inserted.     London,  1815. 

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1089     Life  of  Geo.  Fred.  Cooke.     Portrait.     New  York,  1813. 

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1090     History   of   New    York.      Frontispieces   and    woodcuts.      New 

York,  1837. 

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1091  Dunlap  Society.     First  Series.  '     '"'  '^ 

No.     I.  The  Contrast,  a  Comedy,  by  Royall  Tyler.     1887. 

No.     2.  The  Father  of  American  Shandyism,  by  W.  Dunlap.   1887. 

No.    3.  Andre,  a  Tragedy,  by  W.  Dunlap.     1887. 

No.    6.   Biennial  Reports.      18S8. 

No.  II.   Sketch  of  the  Life  of  John  Gilbert.     1890. 

No.  15.   Bunker  Hill,  by  John  Burk.      1891. 

6  vols.,  Svo,  original  covers,  uncut. 

1092     Second  Series. 

No.  I.   First  Theatre  in  America,  by  C.  P.  Daly.     1896. 

No.  2.  The  Magazine  and  the  Drama,  by  J.  W.  Pence.     1896. 

No.  3.  Autobiography  of  Clara  Fisher  Maeder.    Edited  by  Douglas 

Taylor.     1897. 
No.  4.  Group  of  Theatrical  Celebrities.     1897. 
No.  5.  The  Circus,  by  L  J.  Greenwood.     1898. 
No.  6.  Duse  and  the  French,  by  V.  Mapes.     1898. 
No.  7.  A  Wreath  of  Laurel,  by  W.  Winter.      1898. 
No.  8.  Washington  and  the  Theatre,  by  P.  L.  Ford.     1S99. 
8  vols.,  8vo,  original  covers,  uncut  edges. 

1093     Occasional  Addresses,  edited  by  Laurence  Hutton  and  William 

Carey.     New  York,  1890. 

185  printed. 

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1094     Opening    Addresses,  edited    by   Laurence   Hutton.     ]>iue-[)late 

frontispiece.     New  York,  1887. 

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1095     William  E.  Burton,  a  sketch  of  his  career,  etc.,  by  Wm.  L.  Keese. 

Portrait  inserted.     New  York,  1891. 

Only  190  copies  printed. 

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103 


1097  Dunlap    Society.      Brief  Chronicles,  by  Wm.  Winter.      Illustrated. 

New  York,  icSSp. 

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1098     Charlotte    Cushman,    by    Lawrence    Barrett.       Portrait.       New 

York,  1889. 

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1099  Du    Plessis.     Memoirs,  with   Description  of  Some   Strolling-Players. 

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1 100  Duruy  (Victor).     History  of  Rome.     2,500   illustrations,  some  colored. 

London,  1884. 

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1101     History  of  Greece.      Colored  plates,   maps,   and  2,000  illustra- 
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1 102  Dusejour  (Mile.  Dionis).    The  Origin  of  the  Graces.  Plates  by  Cochin. 

London,  n.  d. 

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1103  DUYCKINCK   (Evert   A.).     FITZ-GREENE   HALLECK.     Pri- 

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Unique  copy  (of  an  edition  of  50  only),  with  105  portraits  inserted, 
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1104  Duyckinck  (E.  A.  and  G.   L.).     Cyclopaedia   of   American  Literature. 

Portraits,  etc.     New  York,  1855. 
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1105  Easby-Smith  (J.  S.).     The  Songs  of  Sappho.     Washington,  1891. 

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1106  Earle  (A.  M.).     Curious  Punishments.     Illustrated.     Chicago,  1896. 

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1107  Ebers  (John).     Seven  Years  of  the  King's  Theatre.     Portraits.     Lon- 

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104 


1108  Ebers   (John).     Seven  Years  of  the  King's  Theatre.     Portraits.     Lon- 

don, 1828. 

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1109  Echo  (The).     Colored  and  other  illustrations.     Chicago,  1895-6-7. 

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mo     Edinburgh  Dramatic  Review.     Complete.     Edinburgh,  1822-3. 
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illl     Edmondson  (J.).     Precedency.     Every  page  engraved.     London,  n.  d. 
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1112  Edwardes  (Geo.).     Birthday  Book,  with  fine  portraits  of  his  company. 

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1113     Birthday  Book.     Another  copy.     London,  1897. 

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1114  Edwards  (H.  S.).     Old   and  New  Paris.     Profusely  illustrated.     Lon- 

don, 1893-4. 

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1 1 15     The  Prima  Donna.     London,  1888. 

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III6 The  Lyrical  Drama.     London,  1881. 

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1 1 17     Famous  First  Representations.     London,  1886. 

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1 1 18     Idols  of  the  French  Stage.     Portraits.     London,  1889. 

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don, 17 — . 

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1 120     Life  and  Adventures  of,  by  an  Old  Croney.     Portraits  inserted. 

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1 121      etc.     Edwin's  Pills  to  Purge  Melancholy,  and    Paddy  \\  hack's 

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8vo,  half  calf. 

1122  Egan  (Maurice  F.).     The  Hierarchy  of  the  Roman  Catholic  Church  in 

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1 124     The  Life  Around  Us.     New  York,  1885. 

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,  shank.     London,  1828-29-30. 

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1 126 Finish    to    the  Adventures  of  Tom,  Jerry,  and  Logic.     Colored 

plates  by  R.  Cruikshank.     London,  n.  d. 

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1129  Egerton  (^^'m.).     Faithful  Memoirs  of  the  Life  of  Mrs.  Anne  Oldfield. 

With  the  rare  portrait.     London,  1731. 

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1 130     Faithful  Memoirs  of  the  Life,  Amours,  and  Performances  of  Anne 

Oldfield.     With  the  rare  portrait.     London,  1731. 

The  "Art  of  Knowing  Women,"  1730,  is  bound  with  this  volume. 

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1 131     Theatrical  Remembrancer.     A  complete  list  of  all  the  dramatic 

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London,  1788. 

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1132  Eichendorff  (J.  Freiherr  von).     Leaves  from  the   Life  of  a  Good-for- 

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1889. 

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1 133  Eighteenth  Century.     Le  Di.x-Huitieme  Siecle,  les  Moours,  les  Arts, 

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trations, some  in  tint.     Hachette,  Paris,  1899. 
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1 134  Elderkin  (John).     Brief  History  of  the  Lotus  Club.    Illustrated.    New 

Vork,  1895. 

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106 


1135  Eldridge  (Benjamin    P.)  and  Watts  (William  B.).     Our    Rival,   the 

Rascal.     Portraits.     Boston,  1897. 
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1136  ELIOT  (GEORGE).     WORKS,  with  Life.  Portraits,  etc..  as  follows: 

Scenes  of  Clerical  Life.  2  vols.  1S58.  Middlemarch.     4  vols.     1871. 
Adam  Bede.     3  vols.     1859.  Jubal,  etc.     1S74. 

Mill  on  the  Floss.     3  vols.      i860.     Daniel  Deronda.  8  vols.  1876. 
Silas  Marner.     1861.  ^I'heophrastus  Such.     1879. 

Romola.     3  vols.     1863.  Essays.     1884. 

Felix  Holt.     3  vols.     1866.  Life  by  Cross.     3  vols.    1885. 

Spanish  Gypsy.     1868.  ,  . 

First  editions. 

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1 137     Romola.     Illustrated.     Bostom,  1890. 

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1 138     Romola.     Portrait  and  plates,  proofs.     Philadelphia,  1S90. 

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1 139  Eliot  Portfolio.       60    Japan    [)roofs    of   the    illustrations    to   George 

Eliot's  Works.     Boston,  1888. 
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1140  ELIZABETHAN   SONGS.     Li   Honor  of    Love  and  Beauty.     Il- 

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drawings,  by  Eugene  Grivaz. 
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1141     Illustrated  by  E.  H.  Garrett.     Boston,  1893. 

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1 142  Elliott   (Grace    Dalrymple).      Journal  during   tlu'    French    Revolution. 

Portrait.      London,  1859. 

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India  paper. 
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1143  Elliston   (R.  W.).    Copy  of  a  Memorial  against   the  Olympic  ami   Sans 

Pared  Theatres.     London,  18 18. 
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1144  ELLSLER     (Fanny).     THE  LETTERS  AND    JOURNAL  OF. 

New  York,  1845. 

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and  the  autogra[)h  letters  are  from  Ellsler,  and  Inman  the 
painter. 

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1 145  Emerson  (R.  W.).     Nature.     Munroe,  Boston,  1836. 

First  edition. 

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1 146  Empress  of  Austria.     The  Martyrdom   of  an   Empress.     Portraits. 

New  York,  1S99.  ' 

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1 147  English  Biography.      Dictionary  of  National  Biography.     Edited  by 

Leslie  Stephen  and  Sidney  Lee.  A  to  WAK  all  yet  published. 
Smith,  Elder  &  Co.,  London,  1885-99. 

No  more  important  work  has  been  published  in  this  century,  and 
its  bibliographical   information    is  of   incalculable  value.     The 
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58  vols.,  8vo,  cloth,  gilt  top. 

1 148  English    Cathedrals.     Canterbur)-,   Salisbury,   Chester,    Winchester, 

Lnicoln,  Lichfield.  Hereford,  Peterborough,  Norwich,  Wells,  Exeter, 
Oxford,  Rochester,  and  Southwell.  Profusely  illustrated.  Bell, 
London,  1897-8. 

14  vols.,  post  8vo,  cloth. 

1 149  English  County  Songs.     Words  and  music,  collected  and  edited  by 

Lucy  E.  Broadwood  and  J.  A.  Fuller  Maitland.     London,  1893. 
Imp.  8vo,  cloth. 

1 150  English  Song,     Fifty  Years  of.     Edited   by  H.   F.  Randolph.     Por- 

traits.    New  York,  1888. 

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1151  English   Princess   ('I'he)  ;  or,  the   Death  of   Richard   III.     Londor 

1O67. 

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1152  ENGLISH  SPY  (The).     An  Original  Work,  characteristic,  satirical, 

and  humorous,  comprising  Scenes  and  Sketches  in  every  rank  of 
Society,  being  Portraits  of  the  Illustrious,  Eminent,  Eccentric,  and 
Notorious.  Drawn  from  the  Life  by  Bernard  Blackmantle.  The 
illustrations  designed  by  George  Cruikshank.     London,  1825. 

108 


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Among  these  inserted  plates  may  be  mentioned  Beau  Brummell. 
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1 155  Era  Almanack  (The).     London,  1868-84. 

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1 156  Erasmus  (D.).     Works  : 

Apophthegmes.     Boston,  1877. 

Praise  of  Folly.     With  the  Holbein  cuts.     London,  1876. 

Colloquies.     .;  vols.     London,  1878. 

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1 157  Erk.     Deutscher  Liederschatz.     Music  and  Words.     Leipzig,  n.  d. 

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1158  Esquemeling.      Buccaneers  of  America.    All  four  i)arts,  with  the  cop= 

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1159  Etherege  (Sir  George).     Works  of.     Containing  his  Plays  and  Poems 

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1160  Eulenstein  (C).     Sketch  of  the  Life  of.      Portrait.      London,  1833. 

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1161  Euphues.      Coldcn    Legacie.      Rosalynd.      4   i)lates   by    Harding.      No 

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1162  Evans    (T.    W.).      Memoirs   of    Heinrich    Heine.     Poriraii.     London, 

1884. 

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109 


Il63     Everard  (Edward  Cape).     Memoirs.     Edinbur-^^v,  1818. 
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1165  Examen  Poeticum  :    Being  the    Third    Part    of    Miscellany  Poems. 

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1166  Examiner  (The)  for  Oct.  11,  1818,  containing  criticisms  on   Farren's 

Sir  Anthony  Absolute,  and  Keats's  Endymion.     London,  1818. 
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1 167  Eyries  (Gustave).     Chateaux  Historiques  de  la  France.    Etchings  and 

text  illustrations  on  India  paper.     Paris,  1877. 

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1168  Eytinge  (Rose)  and  Fisher  (S.   A.).     It   Happened   the  Way.     New 

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1 169  Faber  (F.  W.).     Growth  in  Holiness.     Baltimore,  n.  d. 

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1170  Fables;  Original,   and   Selected,  with   Notes  by  (i.  M.  Bussey.      Illus- 

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1171  Fairbtirn.     Valentine  Writer,  etc.     London,  1805. 

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1172  Fairchild    (II.    Le    Roy).     History    of   the    New    York    Academy    of 

Sciences.     Portraits.     New  York,  1887. 
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I  to  63,  n.  d.     London,  1838. 

Containing  64  plates  and  portraits,  including  Macready  as  Vir- 
ginius,  Edmund  Kean,  Charles  Kean  as  Hamlet  and  Richard 
III.,  Charles  Mathews,  Madame  Vestris  (a  singular  sketch 
of  the  latter),  Mrs.  Nisbett,  and  Mrs.  Hoey. 

A  gossiping  publication  of  a  somewhat  dubious  character,  occu- 
pying a  position  between  the  Town  Talk  of  the  same  date  and 
the  society  journals  of  the  present  day.  It  is  largely  devoted 
to  theatrical  matters  and  to  illustrating  the  intrigues  subsequent 
to  the  Queen's  accession  to  the  throne. 

4to,  calf  extra,  gilt  edges,  by  Riviere. 

1305  Fog's  Weekly  Journal.     Select  Letters  from.     London,  1732. 

With  the  Bramston  book-plate  in  each  volume. 
2  vols.,  8vo,  calf. 


1306  FOOT    (Jesse).     LIFE    OF    ARTHUR   MURPHY.   Portraits,  etc. 

London,  uSii. 

Unique  copy,  with  225  portraits  and  views  inserted,  including 
heads  of  Lord  George  Gordon,  Garrick  and  wile,  Mrs.  Bellamy 
(colored),  Mrs.  Yates  (mezzotint),  Mrs.  Clive  (colored),  George 
Steevens,  and  numerous  other  colored  plates,  mezzotints,  etc. 

2  vols.,  8vo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

1307  Foote  (Horace).     A  Companion  to  the  Theatres.     London,  1829. 

i2mo,  half  red  levant,  gilt  top,  uncut  edges. 

1307*  Companion  to  the  Theatres.     Frontispiece.     I>ondon,  1829. 

i2mo,   half  morocco. 

1308  Foote  (Maria)  and  Hayne  (Joseph).     Trial    for    Breach    of    Promise. 

Colored  caricature.     London,  1824. 
8vo,  half  calf. 

1309  Foote  (Samuel).     Letter  to  C^arrick  on  "The  Minor."     London,  1760. 

8vo,  half  brown  levant  morocco,  gilt  top. 

1310     The   Roman   and   English  Comedy  Consider'd   and   Compar'd. 

London,  1747. 

8vo  half  green  levant,  gilt  top. 

1311     Dramatic  Works.     Frontispiece.      London,  i78i,etc. 

4  vols.,  8vo,  calf. 

1312     Memoirs  of  the  Life  and  Writings  of.     London,  n.  d. 

8vo,  red  morocco,  gilt  top,  uncut  edges. 

1313     ^  Table-'i'alk  and  Bon-Mots.   14  illustrations.   New  Southgate,  1889. 

This  edition  was  limited  to  350  coi^es. 
8vo,  half  calf,  gilt  top,  uncut  edges. 

1314  Forbes  (Archibald).     Life   of    Napoleon  the    Third.     37  illustrations. 

London,   1898. 

8vo,  cloth,  uncut. 

1315  Ford.  ]      Letter  to  J.  P.  Kcmblc,  involving  strictures  on  a  recent  edition 

of  John  Ford's  Dramatic  Works.     Camljridge,  181 1. 
8vo,  half  calf,  gilt  top. 

1316  Ford  (P.  L.).     The  True  George  Washington.      Illustrated.      Philadel- 

[)hia,  1896. 

i2mo,  cloth,  uncut. 

1317  Forester  (Thos.).      Paris  and  its  Environs.    Ilhistralcd.     London,  i,S5<). 

Post  8vo,  cloth. 


1318  FORRESTIANA.      Portraits,  Play-bills,  and  Obituaries  relating   to 

Lduiii  l'"orrcst. 

203  plates  and  photos,  of  which  no  less  than  116  are  portraits, 
caricatures,  or  representations  of  Forrest.  In  addition,  there 
are  4  autograph  letters  of  Forrest  ;  original  drawings  of  Mrs. 
Forrest,  John  Howard  Payne,  Josephine  Clifton,  Chatham, 
National  and  Park  Theatres,  and  15  of  Forrest,  including  a 
superb  folio,  Metamora,  painted  by  A.  'Poedteberg,  Oct.,  1852; 
hundreds  of  Forrest  play-bills,  etc. 

2  vols.,  folio,  half  crimson  crushed  levant  morocco,  gilt  back  and 
tops,  uncut  edges,  by  Stikeman. 

1319  Forster  (John).     Life    and   Adventures   of    Oliver   Goldsmith.     Illus- 

trated.    London,  1848. 

The  Bunbury  portrait  of  Goldsmith  inserted. 
Crown  8vo,  calf  extra,  gilt  edges. 

1320     Life  of  Charles  Dickens.     London,  1872. 

Unique  copy,  vvMth   134  fine  portraits  and  views  inserted. 

3  vols.,  8vo,  calf  e.xtra,  gilt  lop,  uncut  edges.     [See  Dickens.] 

1321     I'ife  and  Times  of  Oliver  Goldsmith.     Portrait.     London,  1871. 

2  vols.,  8vo,  cloth,  uncut. 

1321*  Life  and  Times  of  Goldsmith.     Illustrated.     London,  n.  d. 

Thick  8vo,  cloth. 

1322  Foster  (Vere).     The  Two  Duchesses  of  Devonshire — Georgiana  and 

]vlizabeth.     Portraits.     London,  1898. 

8vo,  cloth,  uncut. 

1323  Fouard  (Constant).     The  Christ  the  Son  of  God.     London,  1891. 

2  vols.,  post  8vo,  cloth. 

1324  Four  O'clock.     February,    1897-March,    1899.     Colored    and    other 

illustrations.     Chicago,  1897-99. 
2  vols.,  royal  8vo,  cloth,  uncut. 

1325  Fowke  (F.  R.).     The  Bayeu.\    Tapestry.     Illustrated.     London,  1898. 

Post  8vo,  cloth.' 

1326  Fox  (C.  II.).     The  Art  of  Making  Up.     Wood-cuts.     London,  18 — . 

8vo,  half  red  levant,  gilt  top,  uncut  edges. 

1327  Foyer  des  Artistes  (Le).     20  charming  plates  after  Barth,  Kaulbach, 

L(jssow,  Vautier,  Thumann,  etc.     Paris,  18 — . 
Folio,  cloth. 

1328  France  (Anatole).     The  Cure's  Mignonette.     New  York,  1898. 

500  copies  printed. 

Royal  8vo,  half  green  levant,  gilt  top,  uncut  edges. 
122 


1329  Franco   (G.).     Habiti    d'Huomcni    ct    Donne    Veneliane.     43    plates. 

Venice,  1876. 

A  facsimile  of  the  rare  original  ;  only  100  printed. 
Folio,  maroon  morocco,  gilt. 

1330  Franklin  (Benj.).     Prefaces,  Proverbs,  and  Poems.     Originally  printed 

in    Poor    Richard's   Almanacs.      Illustrated.     Edited    by   P.  L.  Ford. 
Brooklyn,  1890. 

Privately  printed  (iop),and  a  presentation  copy  from  the  author. 
Svo,  half  roan,  gilt  to|),  uncut  edges. 

1331  Freher    (M.).     Originum    Palatinarum.     Portrait.     Gotthardi    \'oege- 

lini,  1613. 

Folio,  boards. 

1332  French  Folly  in  Maxims.     C)f  the  Stage,  and  Letters.     New  York, 

1894. 

2  vols.,  i6mo,  limp  leather. 

^333     French    Strollers.     Some    Considerations  on.     The  Pehavior  of  the 
Bully-Champions,  etc.     London,  n.  d. 
Svo,  half  morocco,  wormed. 

1334  French  Tragedies.     A  collection  of  twenty.     Paris,  1820. 

2  vols.,  8vo,  half  calf. 

1335  Frere   (B.).     Adventures  of  a  Dramatist  on   a  Journey  to   the  London 

Managers.      London,  1813. 

2  vols.,  i2mo,  half  calf,  gilt  top,  uncut  edges. 

1336  Friswell  (J.  Hain).     Familiar  Words.     London,  1874. 

Post  8vo,  cloth. 

1337  Froissart.      Ixs  Chroniques.     11  plates  in  gold  and  colors,  and  nearly 

300  other  illustrations.     Paris,  1881. 

Royal  Svo,  half  red  morocco  extra,  gilt  edges. 

1338  Froissart    and    Monstrelet.     Chronicles   of    England,    France,    and 

Spain.     Translated  by  Thos.  Johnes.      Numerous  illustrations.      Lon- 
don, 1840-4. 

4  vols.,  royal  Svo,  half  red  morocco  e.xtra,  gilt  top,  uncut  edges. 

1339  Frost  (Thos. ).     Circus  Life  and  Circus  Celebrities.        London,  1875. 

Post  Svo,  half  red  levant,  gilt  top. 

1340     Obi;  or,  Three-Fingered  Jack.     Wood-cuts.     Londtni,  I'^si. 

Svo,  boards. 

1341  Fugger  (R.).      Liscriptiones   Sacrosanctae    Vetustatis,    etc.       Curious 

copper-plate  engravings.     Ingoldstadii,  1534. 
Folio,  stamped  calf. 
1341*  Fuller.  (Lf.  B.).     The  Chevalier  of  Pensieri-Vani.     New  York.  1S92. 
i2mo,  half  green  levant  morocco,  gilt  top,  uncut  edges. 
1-3 


1342  G.   i^'.  \  .,1.     Pilgrimage  to  Stratford-upon-Avon.     Portrait  and  plates. 

London,  1850. 
i2mo,  cloth. 

1343  G.   (H.  J.  L.).      Medleys  and  Songs  without  Music.     London,  1891. 

Presentation  copy  from  the  author. 
Post  8vo,  cloth. 

1344  G.  ('I'.).     A  True  and  Exact  Account  of  Sadlers  Well.     London,   1684. 

4to,  half  morocco.     Rare. 

1345  Gaboriau  (Emile).     Novels:  Translated,  comprising  : 

The  My.^tery  of  Orcival.     1886. 
Dossier  No.  113.      1887. 
In  Peril  of  His  Life.     1884. 
The  Catastrophe.     1886. 
Lecoq,  the  Detective.     1881. 
The  Count's  Millions.     1885. 
Other  People's  Money.      1881. 
The  Lerouge  Case.     1887. 
The  Slaves  of  Paris.      18 — . 

Together,  12  vols,  in  9,  post  8vo  and  8vo,  half  orange  levant 
morocco,  gilt  top. 

1346  Gaedertz   (K.  T.).     Zur  Kenntnis  der  altenglischen  Buhne.     Bremen, 

1888. 

8vo,  paper. 

1347  Galerie  Theatrale.     Collection  de  144  portraits  en  pied  des  princi- 

pau.x  Acteurs  et  Actrices  Franyaise.     Paris,  1873. 
The  portraits  are  beautifully  colored. 
2  vols.,  royal  4to,  half  blue  calf,  gilt  top,  uncut  edges. 

1348  Gallery  of  Players  from  the  Illustrated  American.     Edited  by 

A.  Brereton.      Profusely  illustrated.      New  York,  1894. 
4to,  half  calf  gilt. 

1349  GALT  (John).     LIVES  OF  THE  PLAYERS.     London,  1831. 

Unicjue  copy,  presented  to  Wm.  Upcott  by  the  publishers,  and 
illustrated  by  the  insertion  of  autograph  letters,  etc.,  of  the 
author.  Garrick,  etc.,  over  200  portraits  and  other  plates,  etc., 
and  a  neatly  written  inde.x.     Many  of  the  portraits  are  very  rare. 

Extended  from  2  to  5  vols.,  crown  8vo,  brown  morocco,  gilt 
edges. 

1350     Lives  of  the  Players.   Numerous  portraits  inserted.   London,  1831. 

2  vols.,  crown  8vo,  half  calf,  gilt  top,  uncut  edges. 

1351  Games  and   Songs  of  American   Children.     Collected  by  W.  VV. 

Newell.     New  York,   1883. 

Svo,  cloth. 

124 


1352  Garcia   (Gustave).     The  Actor's  Art.     Illustrated  by  Forcsiier.     Lon- 

don, 1882. 

4to,  half  puri)Ie  levant,  gilt  top,  uncut  edges. 

1353  Gardner  (James).      The  Faiths  of  the  World.    Plates.     Edinburgh,  n.  d. 

2  vols.,  royal  8vo,  half  red  morocco. 

1354  Garnett  (Richard).     Maid  Marian.     London,  1891. 

Post  8vo,  cloth. 

1355  Garrett  (  Thos.  E.).     The  .Masque  of  the  Muses.     St.  Louis,  1885. 

8vo,  cloth. 

1357     GARRICK.     MURPHY  (Arthur)     LIFE  OF  GARRICK,  1801. 
2  vcls.,  8vo,  inlaid  to  4  vols.,  410. 

PRIVATE  CORRESPONDENCE  OF  GARRICK  with  the 
most  celebrated  persons  of  his  time,  now  first  published  with 
Notes  and  Memoir,  by  J.  Pioaden,  1831-32.  2  vols.,  4to, 
enlarged  to  4  vols.,  4to.  This  copy  belonged  to  the  famous 
collector  William  Upcott,  and  bears  numerous  corrections  and 
additions  in  his  hand,  while  on  the  half-title  appears  the  fol- 
lowing note  : — "  This  copy  has  been  carefully  compared  with 
the  original  letters  in  my  possession,  and  the  numerous  gross 
errors  of  the  editor,  J.  Boaden,  written  in  the  margin  by  me, 
William  Upcott."  The  copy  hence  possesses  unique  as  well  as 
valuable  literary  interest. 
Contents : 

1  Catalogue  of  Sale  of  the  Library  of  Garrick,  1823,  with  printed 
prices  and  purchasers'  names. 

2  Catalogue  of  Garrick's  Engravings,  etc.,  including  Shakespear- 
ean Relics,  the  Stratford  Jubilee  Presentation  Mulberry  Cup, 
Gold  Medals  of  the  Jubilee,  etc.,  .sold  1825. 

3  Catalogue  of  the  Property  of  Mrs.  Garrick,  sold  1823. 

4  Catalogue  of  Pictures,  the  property  of  the  late  David  Garrick, 
including  original  portraits  of  Garrick,  etc.,  sold  by  Christie, 
1823,  with  the  prices  and  purchasers'  names  neatly  added. 

5  Catalogue  of  Furniture,  etc.,  of  the  late  Mrs.  Garrick,  sold 
1823. 

6  Catalogue  of  the  late  David  (iarrick's  Effects  in  tlic  Adelphi. 
sold  1823. 

7  Catalogue  of  the  Valuable  and  Curious  Effects  of  David  Gar- 
rick at  Hampton,  including  the  I'^lbow  Chair  of  the  Shakes- 
peare Mulberry  Tree,  etc.,  sold  at  Hampton,  July  21st,  etc. 

8  Various  paj^ers  relating  to  the  formation  of  the  Garrick  Club. 
The  whole  inlaid  to  quarto  size. 

A  volume  of  966  Contemporary  Newspaper  Cuttings,  from  1701 
to  1838,  comprising  Advertisements  of  Performances,  .-Vnec- 
dotes,  Personal  Details,  Letters  by  Garrick  and  others,  etc. 
The  collection  is  of  the  greater  importance  from  the  fact 
that  some  are  proved  to  have  passed  through  Garrick's  own 
hands.     The  cuttings  eventually  came  into  the  possession  of 

125 


Upcott,  being  with  little  doubt  pcirt  of  the  Garrick  Papers  for 
which  he  gave  ;i^5oo  ;  and  he  has  with  most  painstaking  care 
dated  and  arranged  them  in  chronological  order.  Five  bear 
notes,  in  Garrick's  '  hand,  as  follows:  Damn'd  Nonsense;  an- 
other, Captain  Thompson's  Nonsense  and  not  ye  original 
Mouse  (respecting  a  letter  which   refers  to   Little    David   and 

Mr.  G )  ;  upon  a  criticism  of  The  School  for  Scandal,  printed 

three  davs  after  its  first  production,  he  writes  "  'I'his  critique  by 
D.  G.,"  while  other  extracts  he  endorses,  "A  Silly  Dispute  at 
York  about  Othelloo  between  an  old  actor  and  now  a  Justice, 
and  another  Fool,  and  Bates'  translation — good."  To  several 
of  the  advertisements  Garrick  has  added  the  days  of  the  week 
upon  which  the  performances  took  place.  The  whole  bound 
in  ID  vols.,  4to,  and  illustrated  by  the  addition  of  712  portraits, 
engravings,  autograph  letters,  documents,  play-bills,  and  draw- 
ings, including  an  unknown  will  of  prior  date  to  that  printed 
in  Murphy's  Life,  signed  in  full  by  Garrick  on  each  of  its 
13  sheets,  and  attested  by  his  friends  Holland,  the  actor,  T. 
Evans  and  T.  Wyld,  maroon  morocco  extra,  gilt  edges,  by 
Riviere. 

The  following  analysis  of  the  contents  affords  some  idea  of  the 
importance  and  interest  of  what  may  be  truly  called  a  monu- 
ment to  Garrick's  genius  : 

Portraits :  Of  these  there  are  268,  including  many  fine  and  rare, 
of  Garrick,  the  others  being,  with  but  one  or  two  exceptions, 
those  of  his  contemporaries  and  intimates.  Among  them  is 
one  of  Mrs.  Garrick  at  the  age  of  97.  Many  are  proofs  and 
proofs  before  letters. 

Character  Portraits,  113:  Many  extremely  rare  and  fine  engrav- 
ings in  mezzotint  arid  copper,  representing  Garrick  and  most 
of  the  other  favorites  of  his  time,  including  a  rare  private  plate 
of  Garrick  as  Hamlet  in  a  bag  wig. 

Engravings,  in  :  Including  views  of  his  villa  at  Hampton  ;  Ticket 
of  Admission  to  his  Funeral  in  Westmin.ster  Abbey  ;  Cast  of 
his  Face  after  Death  ;  Ticket  of  Admission  to  view  Garrick's 
house. 

Autograph  Letters  by  Gai-rick,  7,  as  follows  :  One  to  his  brother 
George,  dated  Venice,  1764,  mentioning  his  wife,  Colley  Cibber, 
and  Yates  ;  one  dated  "  Hampton,  Sunday,  at  dinner,"  being 
the  first  sketch  of  an  indignant  denial  of  being  the  author  of  a 
libel,  evidently  written  while  laboring  under  much  agitation, 
and  bearing  many  alterations  ;  one  to  Foote,  4  pages,  4to,  a 
most  cordial  and  interesting  epistle  referring  to  Sir  Francis 
Delavall  ;  an  ode  of  his  upon  Foote,  and  giving  an  epigram 
on  Derrick  of  Bath  ;  one  enclosing  tickets  and  giving  the  last 
date  of  performing  that  season  ;  one  dated  "  Adelphi,  March 
I  (1776),"  demanding  an  apology  ;  a  very  amusing  note  to  his 
friends,  the  Adams,  the  architects  of  his  house  in  the  Adelphi, 
accepting  an  invitation  to  dine  with  them,  with  his  seal  (head 
of  Shakespeare)  attached  ;  a  brief  and  indignant  note  to  Mrs. 
Brooke. 

126 


Manuscript  Matter  m  Garrick's  If  and,  O:"  relating  to  him.  22  :  in- 
cluding a  humorous  poem  on  Colley  Gibber  by  (iarrick  ;  Docu- 
ment signed  by  his  Orandmother  ;  his  Pedigree  ;  North  Ameri- 
can Prescription  for  Gout,  page  4to,  by  Garrick  ;  Copy  of  his 
Marriage  Certificate  ;  Ode  to  Garrick  on  tlie  Shakesi^eare 
Temple  and  Statue  ;  Stratford  Jubilee  Ticket,  signed  by  Geo. 
Garrick  ;  Order  of  Admission  to  the  Jubilee,  written  and  signed 
by  David  (iarrick  ;  Notice  in  Garrick's  Hand  respecting  the 
bad  weather  at  the  Jubilee  and  postponement  of  the  Pageant  ; 
Order  of  Admission  into  the  Orchestra,  written  and  signed  by 
Garrick  ;  Order  of  Mrs.  Garrick  to  admit, company  into  her  P.ox 
at  Drury  Lane  ;  Superscription  of  a  packet,  in  Garrick's  hand, 
as  follows  :  "  Mr.  Walmsley's  Letters  about  me  and  Mr.  John- 
son ;  "  a  Forged  Draft  upon  (Warrick,  with  note  by  liim  ;  two 
pages  of  xMS.  by  Garrick,  being  notes  for  either  a  speech  or  an 
address  to  his  Patrons  at  the  close  of  a  season  ;  a  Prescription 
for  the  Stone,  sent  to  him  at  Bath  by  Charles  Baker,  "■  Twelve 
years  your  One  Shillmg  Gallery  Office-Keeper  ;  "  Two  i^rescrip- 
tions  for  the  Gravel,  in  Garrick's  hand  ;  Superscription  of  a 
letter  by  Gibbon,  endorsed  by  Garrick  ;  Notice  of  a  Ball  and 
Cotillon  in  Dedication  of  the  Shakespeare  Hall,  in  Garrick's 
hand  ;  List  of  the  Mourners  at  Mrs.  Garrick's  Funeral ;  Elegy 
to  the  Memory  of  Garrick,  by  the  Hon.  Charles  Fielding,  4  pages. 
4to  ;  Invitation  from  Lord  Hardwicke  for  Mr.  and  Mrs.  Garrick 
to  visit  him,  1773  ;  and  the  Original  MS.  of  Bate's  Apology  to 
Garrick  (printed  in  the  "  Correspondence,"  vol.  2,  p.  143). 

Miscellaneous  Autograph  Letters,  Documents,  etc.,  118:  Including 
letters  addressed  to  Garrick  by  Edmund  Burke,  4  pages,  4to, 
referring  to  business  in  Parliament,  Lord  Shelburne,  Agricul- 
ture, etc. ;  Lydia  Sterne,  4  pages,  4to,  referring  to  subscrip- 
tions for  her  father's  works,  etc. ;  Thos.  Davies  (author  of  Life 
of  Garrick),  mentioning  Dr.  Johnson,  Baldwin  (publisher  of  the 
St.  James'  Chronicle),  and  Don  Saltero's  Coffee  House,  Chel- 
sea ;  Samuel  Foote  (an  amusing  letter  respecting  the  produc- 
tion of  Hamlet)  ;  H.  Cholmondeley,  an  extraordinary  letter, 
3  pages,  4to,  begging  for  seats,  and  indicating  the  furore  of 
the  town  to  see  Garrick  in  Richard  III.,  Lear,  etc.;  Dr.  Camp- 
bell ;  W.  H.  Ireland  asking  if  Garrick  had  ever  played  the 
Ghost  in  Hamlet,  as  a  bet  depended  thereon  ;  Miss  Marc,  with 
receipts  for  the  gout ;  De  Loutherbourg,  3  pages,  4to  (in 
French),  making  propositions  for  the  decorations  of  Drury 
Lane  Theatre ;  Mrs.  (iriffith,  suggesting  collaboration  with 
Garrick  to  write  a  comedy  ;  Mrs,  Montagu,  referring  to  Gar- 
rick's performance  of  Don  Felix,  says  tliat  Miss  Gregory  of 
Edinburgh,  a  beautiful  girl,  will  break  her  heart  if  she  docs 
not  see  Garrick,  mentions  Bickerstaffe,  Ireland,  Barry,  Mrs. 
Montagu,  and  T.  Bate;  also,  letters,  etc.,  of  Mrs.  CJarrick, 
William  Garrick  and  George  Garrick  (both  brothers  of  David 
Garrick),  Mrs.  Barry,  Mrs.  Pope,  Par.^on.s,  Henderson,  Mrs. 
Abingdon,  Palmer,  Woodfall,  Boswell,  Lewis,  1  alma,  Quirk, 
Mrs.  Sheridan,  Dibdin,  Miss  Catley,  Mrs.  Bracegirdle,  Maione, 
J.    P.   Kemble,    Thos.    King,   Woodward,   Kitty  Clive,  Colley 

127 


Gibber,  Macklin,  George  Golman,  and  Tate  Wilkinson  (three 
interesting  letters  on  theatrical  business  to  Macklin,  Maihews 
and  Harris  of  Govent  Garden)  ;  John  Bannister,  mentioning 
George  Colman,  etc. 

Playbills,  42  :  Including  many  of  Garrick's  performances  and 
others  of  Peg  Wofifington,  Macklin,  Woodward,  Mrs.  Yates, 
Kitty  Glive,  etc. 

Original  Drawitigs,  22  :  Including  a  Gharacter  Portrait  of  Mrs. 
Barry,  taken  from  life  ;  a  choice  water  color  of  Garrick's 
Adelphi  house,  by  Schnebbelie  ;  a  water  color,  by  Gosden,  of 
his  Tombstone  in  Westminster  Abbey  ;  a  water  color  of  Sheri- 
dan's lombstone  ;  Portrait  of  Mrs.  Garrick  in  her  Coffin,  by  J. 
T.  Smith  ;  sepia  portrait  of  West  Digges  ;  Mrs.  Abingdon,  in 
Character  ;  water  color  of  Johnson's  Tomb,  etc. 

Pamphlets,  9  :  Including  Particulars  of  the  Sale  of  Garrick's  Villa 
at  Hampton,  w'ith  plans,  views,  etc.  ;  Shakespeare's  Garland ; 
Songs,  Ballads,  etc.,  performed  at  the  Stratford  Jubilee. 

Together  10  vols.,  4to,  red  levant  morocco  extra,  gilt  edges,  by 
Riviere. 

1358  Garrick.   His  Portrait  in  New  York,  its  Artist  [R.  E.  Pine]  and  History. 

New  York,  1857. 

Unique  copy,  illustrated  by  the  insertion  of  117  portraits,  etc.,  a 
drawing  in  colors  of  the  portrait  in  question,  and  a  second 
drawing  in  sepia;  also  drawings  of  Harlequin  Rich,  C.  Gib- 
ber, Houdon,  Stephen  Price,  Ed.  Kean,  etc.  ;  an  autograph 
letter  of  Garrick,  rare  portraits  of  Washington,  etc.,  lend  addi- 
tional interest  to  this  volume. 

4to  (8vo),  half  red  levant  morocco  extra,  gilt  top. 

1359     LIFE  AND  LETTERS.      Published   in    1831   in   2   vols.,  4to, 

extended  to  6  vols.,  and  illustrated  by  the  addition  of  385  fine 
portraits,  views,  and  other  illustrated  prints,  comprising  numerous  beau- 
tiful and  rare  mezzotints  and  proofs  before  letters,  several  fine  water- 
color  drawings,  a  very  large  and  fine  assemblage  of  autograph  letters, 
scarce  tracts,  newspaper  cuttings,  etc.  On  the  margin  of  the  book 
are  various  MS.  notes  by  J.  W.  Croker. 

Titles  printed  expressly  for  this  collection,  which  is  arranged  as 
follows : 

Vol.  I. — 133  portraits,  views,  etc.,  including  a  rare  caricature  on 
Garrick,  and  28  various  portraits  of  this  celebrated  actor  ;  au- 
tograph letter  of  Boaden,  the  editor  of  the  book.  After  title  : 
Letters  of  (jarrick  and  his  father  and  mother,  very  scarce  ;  after 
List  of  Contents  then  follow  27  portraits  of  Garrick,  14  por- 
traits of  Shakespeare,  a  fine  autograph  of  Pulteney,  Earl  of 
Bath.  etc. 

Vol.  II.  —  A  beautiful  portrait  in  water  colors  of  Mrs.  Garrick, 
and  two  other  scarce  portraits,  by  W.  P.  Sherlock  and  J.  R. 
Cruikshank  ;  98  portraits  and  views,  a  fine  water-color  draw- 
ing of  Canterbury  and  Cambridge,  by  S.  Ireland  ;  autograph 
letters,  etc. 

128 


Vol.  III. — 69  portraits,  views,  mostly  proofs,  etc..  and  autograph 
letters. 

Vol.  IV. — 54  portraits,  etc.,  mostly  proofs  ;  and  autoo;rapli  let- 
ters and  drawings,  being  views  in  Brighton,  Bath,  and  Rich- 
mond. 

Vol.  V. — 32  portraits,  etc.,  and  autograph  letters. 

Vol.  VI. —  Letter  of  Garrick,  and  37  autograph  letters  addressed 
to  Garrick  by  noblemen  and  literati,  and  indorsed  t>y  liim  ;  cut- 
tings from  the  newspapers  of  Garrick's  time,  letter  of  \'ictor 
in  autograph,  scarce  tracts  relating  to  Garrick,  etc. 

6  vols.,  4to,  green  morocco  extra,  gilt  sides,  gilt  backs,  and  gilt 
edges,  by  Riviere. 

1360     GARRICK.     TIT   FOR    TAT,  ETC.,    THE.  FIRSl    (AND    SEC- 
OND)   SEASON    OF    MR.    G K'S   MANAGEMENT.     The 

House  opened  Tuesday,  September  ye  15th,  1747.     Ending  : 

Then  let  the  stricken  deer  go  weep, 
The  hart  ungall'd  go  play,  etc. 

An  extremely  interesting  unpublished  manuscript  (46  pages 
quarto),  furnishing  a  cash  account  of  the  receipts  for  every 
night  of  Garrick's  first  two  seasons  as  manager  of  Drury  Lane, 
with  the  names  of  the  plays  (commencing  with  the  Merchant  of 
Venice),  together  with  a  Cidculation  of  the  nightly  expence  of 
D — y  L — ne  PI— y  H— se,  in  order  to  show  the  net  profits. 

Small  4to,  beautifully  written  in  a  clear  and  legible  hand,  maroon 
morocco  extra,  uncut,  by  Riviere. 

This  important  manuscript  derives  its  chief  interest  from  the  fact 
that  it  is  an  attack  upon  the  management  of  Drury  Lane,  made 
by  the  person  who  was  for  four  years  its  deputy  treasurer,  and 
a  man  of  considerable  ability.  It  was  written  for  publication, 
and  a  further  instalment  promised,  to  contain  particulars  of 
the  intended  partnership  between  R— h  (Rich)  and  L— y,  and 

how  Mr.  G k  came  to  be  admitted,   his  compact  with  Mrs. 

P — h— d  (Mrs.  Pritchard),  etc.,  but  the  fear  of  legal  entangle- 
ments may  have  rendered  the  search  for  a  publisher  vain.  This 
is  the  more  likely,  as  the  author  admits  the  extreme  care  he 
has  been  compelled  to  take,  since  he  has  been  given  to  unc'.er- 
stand  that  "  Facts  maybe  libels — that  all  advantages  will  be 
taken— that  I  must  have  a  care  what  I  do,  and  that  power  may 
get  the  better  of  truth."  He  narrates  in  full  the  .^tory  of  his 
connection  with  Drury  Lane,  the  desperate  state  of  its  finances 
before  Garrick  came  to  the  rescue,  and  the  manner  in  which 
the  latter  put  in  Mr.  Pritchard  as  principal  treasurer  over  his 
head,  because  his  wife  was  going  to  play  for  them.  The  state- 
ment of  receipts  contains  particulars  of  extreme  interest, 
among  which  may  be  noted  the  benefits  of  Peg  Woffington. 
Mrs.  Pritchard,  Mrs.  Cibber,  Kitty  Clivc,  Macklin.  Dr.  Aii;e. 
Dr.  Johnson  (in  connection  with  his  play  of  Irene),  P.arry. 
Woodward,  and  others,  besides  several  private  benefits  of  Gar- 
rick's,   respecting    which   the    author    says:    "The    reason    of 

Q  1=9 


entering  it  among  the  rest  of  these  sums  was,  because  the 
principal  treasurer  should  know  nothing  of  the  matter,"  and 
again,  "  This  charge  was  also  set  down,  that  the  principal  treas- 
urer should  not  know  to  the  contrary,  because  it  was  told  him 
that  Mrs.  Gibber  paid  for  her  benefit,  and  he  perhaps  would 
have  insisted  upon  the  same  terms  for  his  wife  (Mrs.  Pritchard). 

Mr.  G k  is  the  author  of  '  Lethe,'  and  did  receive  ^56  Ss. 

dd.  for  this  night.  The  audience  would  not  suffer  this  farce  to 
go  on."  Finally,  among  many  other  items  which  could  only 
be  known  to  those  connected  with  the  management,  may  be 
noted  the  curious  one  of  fees  received  from  the  orange  women, 
details  as  to  lamplighters,  bill  stickers,  and  wardrobes,  and 
several  royal  commands  by  George  II.  and  Frederick,  Prince 
of  Wales. 

I361     Garrick.      Memoirs  of  the  life  of  David   Garrick,  by  Thomas  Davies. 
Portrait.      London,  1780. 

Unique  copy,  illustrated  by  the  insertion  of  over  300  portraits, 
including  the  following  rarities :  Mr.  Powell,  Tom  Davies, 
Theop.  Gibber,  John  Arthur,  Mrs.  Bracegirdle,  Eustace  Bud- 
gell,  Penkethman,  Robt.  Dodsley,  Bubb  Doddington,  Sir  John 
Hill,  Shad  well,  Miss  Younge,  Nell  Gwyn,  Mr.  Hull,  Beau  Nash, 
numerous  portraits  of  Garrick,  etc. 
4  vols.,  8vo,  half  calf  extra,  gilt  top,  uncut  edges. 

'^Z'^Z     ^^   Letter  from  the  Rope-Dancing  Monkey  in  the  Hay- Market, 

to  the  Acting  Monkey  of  Drury  Lane,  on  the  Earl  of  Warwick.     Lon- 
don, 1767. 

8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1364     ,  etc.     A  Treatise  on  the  Passions.     London,  n.  d. 

A  criticism  of  Garrick,  Quin,  and  Barry. 

8vo,  half  morocco. 

1365     Elephantasmagoria  ;  or,  the  Govent  Garden  Elephants.  A  Letter 

from  the  Shade  of    Garrick  to  J.  P.    Kemble,  by  Sappho.     3   plates 
inserted.     London,  1812. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

1366     An  Examen  of  "  The  Suspicious  Husband,"  etc.,  and  numbers  i 

and  3  of  "  The  Gomedian."     London,  1747-32. 

8vo,  boards. 

1367     Mr.  Garrick's  Gonduct  as  Manager.     London,  17 — . 

8vo,  half  citron  levant,  gilt  top. 

1368     A    Letter  to   Mr.  G k,  with   Remarks   on    Lethe.     London, 

1749- 

8vo,  half  morocco. 

1369     An    Essay  on   Acting,  in  which  will  be  considered  the   Mimical 

Behaviour  of  a  certain  Actor.     London,  1744. 

8vo,  cloth. 

130 


1370  Garrick.   1) — ry  L — ne  P — y  h — se  Broke  Open  in  a  Letter  to  Mr.  C, . 

London,  1748. 

8vo,  half  morocco. 

1371      The  Farmer's  lleturn  from  London.     Frontispiece  by  Hogarth. 

London,  1762. 

4to,  hall  maroon  levant. 

1372     Letter   to  David  Garrick  on    Opening  the   Theatre.     London, 

1769  [1759]- 

Svo,  half  citron  levant,  gilt  top. 

1373     Letter    to  Garrick   on   his   Drury  Lane   Patent.     T>ondon.  n.  d. 

[1747]- 

Svo,  half  citron  levant,  gilt  top. 

1374  Garrick  Club  (Cambridge).     Album  of.     Steel  portraits.     Cambridge, 

1836. 

Post  8vo,  half  coif,  gilt  top,  uncut  edges. 

1375  Garrick  (David).     Poetical  Works.   Now  first  collected.  London,  17S5. 

2  vols.,  i2mo,  half  morocco. 

1376  Gaskell  (Mrs.).     Cranford.     Colored  and  other  illustrations  by  Hugh 

Thomson.     Macmillan,  London,  1898. 
Post  Svo,  cloth. 

1377  Gautier.      Mademoiselle  de  Maupin.     Illustrated.     London,  1887. 

Post  Svo,  cloth. 

1378     ,  etc.     Famous  French  Authors.     Portraits.     New  York,  1879. 

Svo,  cloth. 

1379  Gavarni.     Album  Comique.     Numerous  lithographs.     Paris,  n.  d. 

4to,  half  citron  levant. 

1380  Gay  (John).     The  Confederates.     A  Farce.     Vignette.     London,  17 17. 

First  edition. 

Svo,  half  olive  morocco,  gilt  top. 

1381     The  Beggar's  Opera  and   Polly.     Music  score  and  words.      Har- 
rison, London,  n.  d. 

Oblong  4to,  half  blue  levant  morocco,  by  Bedford, 

1332     The    Beggar's    Opera.     Third    edition,    with    the    music   score. 

London,  1733. 

Svo,  half  calf. 

1383  Gay,    Pope,   and  Arbuthnot.      Three    Hours   after   Marriage.     Lon- 

don. 1 7 17. 

Svo,  lialf  citron  levant. 

1384  Gazette   des    Beaux-Arts.      Numerous  plates,  !)ut  a  icw  missing. 

Paris,  1S59-69,  1873-76. 

34  vols.,  royal  Svo,  half  morocco. 
131 


1386  GENESTE.    HISTORY  OF  THE  ENGLISH  STAGE.  Bath,  1832. 

Unique  copy,  originally  illustrated  for  Sir  Charles  Price,  and 
afterwards  considerably  augmented,  with  a  printed  index  of 
the  2,300  inserted  plates. 

The  illustrations  in  this  book  are  remarkable  for  their  rarity  and 
exceptional  excellence,  and  the  modern  collector  cannot  ap- 
preciate their  value  from  anything  but  a  personal  examination. 

The  colored  drawings,  many  equal  to  miniature  paintings, 
include  portraits  of  O'Brien,  Nat  Leigh,  Bullock,  Mrs.  Bicknell, 
West  Digges,  Mathews,  Mrs.  Robinson,  ALicready,  Waldron, 
Doggett,  Chetwood,  Arthur,  ISIossop,  Lacy,  Jackson,  Mrs.  Mor- 
ton, Cornelys,  Miss  Simms,  and  many  others  of  importance. 

The  mezzotints  represent  Mrs.  Martyr,  Mad.  Vestris,  Sarah 
Siddons,  Kemble,  Mrs.  Barry,  Mrs.  Gibber,  Nell  Gwyn,  Gar- 
rick,  Duchess  of  Cleveland,  O'Brien,  Shuter,  Mrs.  Yates,  Mrs. 
Baddely,  Foote,  King,  Kean,  Chas.  Bannister,  and  others  of 
equal  rarity,  frequently  cut  from  important  folios. 

The  other  portraits  are  largely  proofs,  and  will  satisfy  the  most 
critical  taste.  Many  have  been  drawn  from  tb.e  Cabinet  series, 
the  colored  Cruikshank  plates,  and  other  sources  scarcely 
available  at  the  present  day  ;  and  the  impossibility  of  duplicat- 
ing even  a  small  proportion  of  the  ])iates  will  at  once  be 
evident. 

24  vols,  (extended  from  10),  Svo,  red  morocco  extra,  gilt  edges,  by 
Riviere. 

1387     Some  Account  of  the  English  Stage.     Bath,  1832. 

10  vols.,  Svo,  cloth,  uncut. 

1388     Ana  relating  to  the  English  Stage,  from  1740  to  183 1.     Some 

thousands  of  newspaper  cuttings  of  announcements,  criticisms,  scan- 
dals, etc. 

7  vols.,  4to,  half  brown  morocco. 

1389     Supplemental  History  of  the  English  Stage.     Autograph  letters, 

portraits,    play-bills,   etc.,   extra-illustrated  with   335   portraits,  auto- 
graphs, bills,  etc.     Bath,  1832. 

2  vols.,  4to,  half  blue  levant. 

1390  Genin  (J.  N.).      Illustrated   History  of.  the  Hat  from  the  Earliest  Ages 

to  the  Present  Time.     New  York,  1848. 

Unique  copy,  inlaid  from  i2mo  to  4to,  and  illustrated  by  the 
insertion  of  171  plates,  indicating  the  ramifications  of  male 
head-gear  in  peace  and  war,  and  a  few  feminine  specimens. 
Some  of  the  plates  are  colored,  and  several  of  the  copper- 
plate engravings  are  quite  rare. 
2  vols.,  4to,  half  green  levant,  gilt  edges. 

1391  Genouillac  (H.  G.  de)  et  Martin  (Henri).     Paris  a  travers  les  siecles. 

Wood-cuts  and  colored  illustrations.     Paris,  1879-82. 
5  vols.,  4to,  boards. 


1392  Gentleman's  Magazine.     P:dited  by  William  E.  Burton  and  Edgar 

A.  Poe.     Plates.      Philadelphia,  1837-40. 
7  vols.,  8vo,  half  morocco. 

1393     ^oJs.  5  and  6  of  the  above  in  i  vol.,  Svo,  half  calf.     Contains  all 

the  Poe  items. 

1394  GeoiTroy  (C).     Artistes  Dramatiques  Vivants.     40  fine  steel  portraits. 

Paris,  1855. 

4to,  half  calf,  gilt  top,  uncut  edges. 

1395  George  IV.     Memoirs  of  the  Prince  of  Wales.      London, .1S08. 

3  vols.,  i2mo,  half  calf,  gilt. 

1396  George   (Ernest).     Etchings    (20)    of    Old    London,  with    descriptive 

letter-press.     London,  18S4. 

Folio,  cloth. 

1397  Gerard  (F.).     Picturesque  Dublin,  old  and  new.     Over  100  illustrations. 

London,  1898. 

Royal  8vo,  cloth,  gilt  top. 
Germ  (The).     [See  Rossetti.] 

1398  Gesta  Romanorum.      Ancient  Entertaining  Stories  invented  by  the 

Monks.     New  York  [London],  1872. 

Large  paper  copy. 
2  vols.,  8vo,  calf,  gilt. 

1399  German  Tales.     Translated  by  Oxenford  and  Feiling.    London,  1844. 

Svo,  cloth,  uncut. 

1400  Gibson  (Chas.  Dana).     Pictures  of  People.     Engravings  from  "  Life," 

etc.     New  York,  1866. 

One  of  500  signed  copies. 
Oblong  4to,  half  cloth. 

1401     Pictures  of  People.     Second  Series.     New  York,  1898. 

Oblong  4to,  cloth. 

1402     Sketches  and  Cartoons.     New  York,  1898. 

Signed  Japan  proof  inserted  ;  250  copies  printed. 
Oblong  4to,  cloth. 

1403     Sketches  and  Cartoons.     New  York,  1898. 

Oblong  4to,  boards. 

1404     London  as  seen  by.     Over  50  illustrations.     New  York,  1897. 

Proof  copy,  No.  19  of  250  copies,  with  a  signed  Ja[)an  proof. 
Oblong  4to,  cloth. 

1405  Gibson  (L.  H.).     Convenient  Houses.    50  plans,  etc.     Now  York,  1S89. 

4to,  cloth. 

133 


1406  Gibson  (L.  H.).    Beautiful  Houses.     Over  250  illustrations.     New  York, 

1895. 

8vo,  cloth. 

1407  Gibson  (W.  Hamilton).     Pastoral  Days.     Illustrated.     New  York,  18S2. 

4to,  cloth. 

1408     Highways  and  Byways  ;  or,  Saunterings  in  New  England.    Illus- 
trated.    New  York,  1883. 

4to,  cloth. 

1409  Gilbert  (W.  S.).     Songs  of  a  Savoyard.     Illustrated.     London,  n.  d. 

"8vo,  cloth. 

1410     Bab  Ballads  and  Songs  of  a  Savoyard.     Portrait  and  350  wood- 
cuts.    London,  1898. 

8vo,  cloth,  uncut. 

1411 "(jretchen."     A  play.     London,  1S79. 

Post  8vo,  cloth. 

1412  Gilchrist  (F.  B.).     The  True  Story  of  Hamlet  and  Ophelia.     Boston, 

1S89. 

i2mo,  sVieets  folded. 

1413  Gilliland    (Thos.).       The    Dramatic    Mirror.       Portraits    and     plates. 

London,  1S08. 

2  vols.,  post  8vo,  half  red  levant,  gilt  top,  uncut  edges. 

1414  Glaisher,  Flammarion,  etc.     Travels  in  the  Air.     118  illustrations. 

London,  187 1. 

Royal  8v(),  half  red  morocco,  gilt  top. 

1415  Glenn  (T.  A.).     Some  Colonial   Mansions  and  those  who  have  lived  in 

them.     Beautifully  illustrated.     Philadelphia,  1898. 
2  vols.,  8vo,  cloth,  uncut. 

1416  Glover  (Lyman  B.).     The  Story  of  a  Theatre  [Powers'].     Illustrated. 

Chicago,  n.  d. 

i2mo,  cloth,  uncut. 

1417  Goddard    (Arthur).       Players   of   the    Period.      Illustrated.     London, 

1891. 

2  vols.,  crown  8vo,  cloth,  uncut. 

1418  Godwin  (Parke).     Biographv  of  William  Cullen  Bryant.      New  York 

1883. 

Unique  copy,  illustrated  by  the  insertion  of  nearly  400  plates, 
etc.,  including  a  large  collection  of  portraits,  views  of  New 
York,  etc.,  of  uniform  excellence  ;  also  autograph  letters  of  B. 
Silliman,  'IT.omas  Hicks,  Edward  Everett,  etc.,  and  an  auto- 
graph of  Bryant. 

6  vols,  (extended  from  2),  8vo,  green  morocco  extra,  gilt  top, 
uncut  edges. 

134 


1419  Godwin    and    Britton.       Churches    of    London.       Xumerons    plates. 

London,  1839. 

2  vols,  in  I,  royal  Svo,  half  red  morocco. 

1420     Churches  of  L.ondon.     Tlates  by  Tx  Keux,  etc.     l,ondon,  1839. 

2  vols. ,  royal  Svo,  half  morocco. 

1421  Goethe.      Faust.      Translated   by  I.  An:^ter.       Illustrated   by    Laurens. 

T>ondon,  1887. 

The  Henry  Irving  edition. 
4to,  red  satin. 

1421*  Faust.      Translated    by   John    .\nsier,    with    the    superb    illus- 
trations in  cok)r  by  F.  M.  (iregory.     London,  1888. 
Imp.  folif),  cloth. 

1422     Wilhelm  Meister's  Apprenticeship.    Translated  by  Thos.  Car/yle. 

Edinburgh,  1824. 

Carlyle  autograph  inserted. 

3  vols.,  crown  8vo,  half  vellum. 

1423     Letters    to    Leipzig    Friends.      Kdited    by   O.    Jahn.     Portraits. 

London,  1866. 

Crown  Svo,  cloth. 

1424  Gofline.      Devout   Instructions   on    the    Kj/istles    and    Gospels.      Illus- 

trated.    New  York,  1896. 
8vo.  cloth. 

1425  Golden  (W.  E.).     A  Brief  History  of  the   English  Drama.     New  York, 

1890. 

A  presentation  copy  from  the  author. 
i2mo,  cloth. 

1426  Goldsmith  (Oliver).      Poems  and    Plays.      Indited  by  Austin    Dobson. 

Etchings  by  Jellicoe  and  Railton,      London,  1889. 

Unique  copy  on  large  paper,  with  over  200  marginal  sketches, 

some  colored,  by  D.  E.  Cronin. 
2  vols.,   post    Svo,  green   levant  morocco   extra,    gilt   back   aiul 

sides,  gilt  top,  uncut  edges. 

1427     ORIGINAL    MANUSCRIPT    OF    THr:     EPILOGUE    TO 

"THE  SISTER."  To  be  spoken  by  Mrs.  Bulkeley  and  Anne 
Catley.  Tliree  folio  pages  in  the  handwriting  of  Gokismith.  also 
"epilogue  intended  for  Mrs.  Ikilkeley,"  in  the  handwriting  of  Up. 
Percy.     In  excellent  preservation. 

Folio,  brown  levant  morocco,  by  Riviere. 

1428     'i"he  Vicar   of   Wakefield.      24  colored    plates    by    Rowlandson. 

Ackermann,  London,  181 7. 

Royal  Svo,  calf  extra,  gilt  edges,  by  Zaehnsdorf. 

135 


1429     Goldsmith  (Oliver).      Vicar  of   Wakefield.     114  colored  illustrations 
by  I'oirson.     New  York  [Nimmo,  London],  1886. 
Royal  8vo,  cloth,  uncut  edges. 

1430 Comedies.     Illustrated  by  C.  Hammond.     London,  n.  d. 

Post  8vo,  cloth. 

1431  Goncourt  (Ed.  and  Jules  de).     Germinie  Lacerteux  ;  also  Ren^e  Mau- 

perin.     Translated  and  illustrated.     Vizetelly,  London,  1887. 
2  vols.,  post  8vo,  cloth. 

1432  Goodman  (Walter).     The  Keeleys  on  the  Stage  and   at  Home.     Por- 

traits, etc.     London,  1895. 
Svo,  cloth,  uncut. 

1433  Goodwin  and  Knight.      Through  the   Wordsworth  Country.     Plates 

on  India  paper.     London,   1887. 

Large  paper  copy. 
Imp.  8vo,  cloth,  uncut. 

1434  Goodwin  and   Mason.     Sketches  and    Impressions,    Musical,    Theat- 

rical, etc.     New  York,  1887. 

i6mo,  half  red  levant,  gilt  top,  uncut  edges. 

1435  Gordon    (Ale.x.).     History    of    the    Ancient    Amphitheatres.     Plates. 

London,  17 — . 

8vo,  calf.  . 

1436  Gordon  (A.  C.)  and  Page  (T.  N.).     Befo'  de  War.     New  York,  1891. 

Presentation  copy,  with  inscription  of  Page. 
i6mo,  cloth. 

1437  Goring  (Charles).     Irene  ;  or.  the  Fair  Greek.     A  Tragedy.     London, 

1708. 

4to,  half  citron  levant. 

1438  Gosse  (K.  W.).     A  Critical   F^ssay  on  the  Works  of  George  Tinwortli, 

with  a  catalogue  and  30  plates  on  India  paper.     London,  18S3. 
Oblong  4to,  vellum  paper,  uncut. 

1439  Gosse.      Essais  Decoratifs.     25  photographs. 

Folio,  boards. 

1440  Gosset    (A).     Traite    de    la   Construction     des    Theatres.     62    plates 

Paris,  1886. 

Folio,  cloth. 

1441  Gougenheim  (Adelaide    and    Joey).      Histrionic    Memoir.     Portraits 

San  Francisco,  1856. 

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136 


1442  Gower  (Lord  Ronald).     Joan  of  Arc.     lo  illustrations.     London,  1893. 

Large  paper  copy  ;  208  printed. 
Royal  8vo,  cloth,  uncut. 

1443  Grand-Carteret   (J.).      XIX'^  Siecle   (en   France).      Classes,  mocurs, 

usages,  costumes,  inventions.      16  colored   plates  and  over  500  other 
illustrations.     Paris,  1893. 

Royal  Svo,  half  red  morocco  extra,  gilt  edges. 

XIX.  Siecle  en  France.     16  colored  plates  and  over  500  otlier 


illu-trations.     Paris,  189- 

Royal  Svo,  half  red  morocco. 

Grands  Peintres.  Franrais  Etrangers.  With  numerous  tinted  photo- 
gravures of  great  excellence  and  beauty,  and  a  profusion  of  other 
illustrations.     Paris,  1884. 

The  large  plates  are  proofs  on  Lulia  paper. 

2  vols.,  royal  folio,  Iialf  olive  levant,  gilt  top,  uncut  edges. 

Granger  (James).  Biographical  Sketches  of  Eminent  Persons.  Lon- 
don, 1795. 

Unique  copy,  with  over  100  plates  inserted,  many  both  scarce  and 

valuable. 
8vo,  russia  gilt  (back  loose). 

Biographical  History  of  England.     With  original  impressions  of 


the  Richardson  portraits  inserted.     London,  1824. 

6  vols.,  Svo,  maroon  morocco  antique,  gilt  top,  uncut  edges. 

liiographical  History  of  England.     London  (1824). 

Large  paper  copy,  with  over  100  portraits   inserted,  chiefly  from 

the  Woodburn  and  Richardson  series. 
3  vols.,  folio,  half  russia. 

Grant  (James).      The  Clans  of  Scotland.     Arms  in   gold,  silver,  and 
colors.      Edinburgh,  1886. 
Royal   4to,  cloth. 

Old  and  New  Edinburgh.     Profusely  illustrated.     London,  n.  d. 

3  vols,,  imp.  Svo,  cloth,  gilt  top. 

GRANT  (U.  S.).     PERSONAL  MEMOIRS  OF.    New  York,  18S5. 

Unique  copy,  illustrated  with  an  immense  number  of  sketches  in 
pen  and  ink,  sepia,  and  water  colors,  by  Major  Cronin. 

The  [M:)rtraits  are  from  the  best  engravings  known,  ;uk1  are  exe- 
cuted with  microscopic  fidelity  ;  and  tlie  battle-scenes  embrace 
a  large  number  of  figures. 

Autograph  letters  of  Ceneral  (Jrant,  the  illustrator,  etc.,  are  in- 
serted, showing  the  inside  history  of  these  volumes,  and  the 
fact  that  they  were  held  at  $2,500. 

2  vols.,  crimson  levant  morocco  extra,  double  of  green  levant, 
tooled,  gilt  back  and  sides,  top  edges  gilt,  others  uncut. 

137 


1452  Grant  (U.  S.)-   Personal  Memoirs.     Illustrated.     New  York,  1895. 

2  vols.,  8vo,  cloth,  uncut. 

1453  Graphic  (I'lie).     Profusely  illustrated.     London,  1869-96. 

52  vols.,  folio,  half  morocco. 

1454  Gray  (Thomas).     Desiijns  b}'  Mr.  R.  Bentley  for  Six  Poems  by  Mr.  T. 

(iray  (the   Elegy  and   Odes).     Full-page   illustrations  and  vignettes, 
Dodsley,  London,  1775. 
4to,  half  calf  extra. 

1455     Ele.uy    (with    polyglot   versions),  and    The    Bard.      Illustrated. 

^'an  Voorst,  London,  1837-9. 

2  vols.,  Svo,  cloth. 

1456  Greard  (\'.  C".  O.).      Meissonier.     34  plates  and    236  text   illustrations. 

New  York  [London],  1897. 
4to,  cloth,  uncut. 

1457  Green  (J.  R.).     History  of  the  English  People.     Profusely  illustrated. 

New  York,  1893-5. 

4  vols.,  royal  Svo,  cloth,  uncut. 

1458  Green  Room.     Authentic    Memoirs    of   the    Green    Room    for    1802. 

I'ortrait.     Roach,  London,  1802. 

i2mo,  half  red  morocco,  uncut  edges. 

1459     Authentic   Memoirs  of  the  Green  Room,  and   Amusing  Recrea- 
tions.    Portrait  of  Miss  Murray  inserted.      London,  n.  d. 

Post  Svo,  half  calf,  gilt  top. 

1460     Authentic  Memoirs  of  the  (ireen  Room.    Portrait.    London,  n.  d. 

Post  Svo,  half  citron  levant,  gilt  top. 

1461     Authentic    Memoirs  of   the    Green  Room  ;    including   sketches, 

biographical,  critical,  and  characteristic.     Portrait.     Roach,   London, 
181-. 

i2mo,  half  green  levant. 

1462     Green-Room    (iossip  ;    or.  Gravity  Gallinipt,  etc.,  by   Gridiron 

Gabble.     London,  1809. 

Post  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1463     Green-Room  Gossip.    Collected  by  J.  Hazlewood.    London,  1809. 

Post  Svo,  calf,  uncut  edges. 

1464     Green  Room  (iossip.     London,  1809. 

Unique  copy,  with  numerous  rare  portraits  inserted. 
Post  Svo,  calf  extra,  by  Bedford. 

1465     Green-Room  Mirror,  by  a  Genuine  Reflection.     London,  17S6. 

J.  P.  Kemble's  copy,  with  inscription. 

Svo,  half  calf. 

138 


1466  Green  Room.     Secret  History  of  the  Green  Room.     London,  1795. 

2  vols.,  post  8vo,  half  citron  levant,  i^jilt  top,  uncut  ecly;es. 

1467  Greey  (E.).     The  Golden  Lotus  and  other  Legends  of  japan      Boston 

1883. 

Presentation  copy  from  the  author. 
i2mo,  cloth. 

1468  Grego  (Joseph).      Rowlandson.  the   Caricaturist,   a   selection  from   his 

Works,  with  Sketch  of    his  Life,  etc.     400  illustrations.     New  York 
[London],  1880. 

2  vols.,  4to,  half  red  morocco  extra. 

1469  Greville  (C.  C.  F.).     Journal  of  the  Reigns  of  George  IV.  and  William 

IV.     London,  1875. 

3  vols.,  8vo,  cloth,  uncut. 

1470  Grevin  (A.).     Les  Filles  d'Eve.     25  colored  plates.     Paris,  n.  d. 

Oblong  4to,  cloth. 

1471  Griffiths  (Arthur).     Chronicles  of  Newgate.     Illustrated.      New  York 

[  London],  1884. 

8vo,  cloth. 

1472 Mysteries  of  Police  and  Oime.     London,  1899. 

2  vols.,  8vo,  cloth. 

1473  Grimaldi  (loseph).     Life  of.     Portraits,  etc.;  some  inserted.     London 

18—. 

i2mo,  half  calf  gilt,  gilt  top,  with  the  original  cover. 

1474  Grimm  (Herman).    Life  of  Michael  Angelo.    Illustrated.    Boston,  1896. 

2  vols.,  8vo,  cloth,  uncut. 

1475  Grinsted    (T.    P.).      [Relics    of    (ienius].     Last   Homes  of    Departed 

Genius.     London,  1867. 

Unique  copy,  extended  to  3  volumes  by  the  insertion  of  nearly 
300  portraits,  many  being  rare. 

3  vols.,  post  8vo,  red  morocco,  gilt  top.  uncut  edges. 

1476     Last  Homes  of  Departed  Genius.     Illustrated.      London,  1867. 

Post  8vo,  cloth. 

1478  Grolier  Club.     Modern  P>ookbinding   Practically  Consiilcnd.  bv    \\  m. 

Matthews.      Illustrated.     New  York,  1889. 
4to,  original  cloth,  uncut. 

1479     Washington    Irving:    A    Sketch,    by    Geo.    Win.    Curtis.       New 

York,  i89r. 

Numerous  fme  portraits  added  to  those  pul)lishe(l  with  the  book. 

8vo,  original  red  morocco. 

•  3<j 


1480     Grolier  Club.     Teg  Woffington,  by  Charles  Reade.     New  York,  1887. 
2  vols.,  121110,  original  cloth. 

j^^gi     Year  Book.     New  York,  1889. 

1 61110,  boards. 

1482  Grose    (Francis).     Antiquities   of    England    and   Wales.    With  a  large 

number  of  copper-plate  views.     London,  1787. 
8  vols.,  4to,  russia. 

1483  Grose  and  Darell.      Antiquarian  Works  :   Antiquities  of  England  and 

Wales,  6  vols.;  Scotland,  3  vols.;  Ireland,  2  vols.;  Military  Anti- 
quities, 2  vols.,  and  [Darell's]  Dover  Castle.  Many  hundred  copper- 
plate views.     London,  17  73-1 801. 

Large  paper  copy. 

13  vols.,  4to,  red  morocco  extra,  gilt  edges,  by  J.  Wright. 

1484  Gross  (S.  E.).     The  Merchant  Prince  of  Cornville.     Cambridge,  1896. 

Only  250  copies  printed.     Presentation  copy  from  the  author. 
4to,  cloth,  uncut. 

1485  Grossman   (Edwina  Pooth).      Edwin  Booth  Recollections.      Portraits. 

New  \'(M'k,  1894. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

i486     Grossmith  (Geo.).    A  Society  Clown.     Reminiscences.     Bristol,  1888. 
T2nio,  half  calf,  gilt  top. 

1487  Grossmith    (Master).      Life  of   tlie    Celebrated    Lifant   Roscius,    by 

E.  C.  B.     Reading,  1825. 

1 2mo,  half  red  morocco,  gilt  edges. 

1488  Grosvenor  (I'dwin  A.).     Constantinople.     Illustrated.     Boston,   1895. 

2  vols.,  royal  8vo,  cloth. 

1489  Gubernatis  (Angelo  de).     Zoological  Mythology  ;   or,  the  Legends  of 

Animals.     London,  1872. 

2  vols.,  8vo,  cloth,  uncut. 

1490  Gueranger  (Dom).     Sainte  Cecile  et  la  Soci^te  Roniaine.     2  colored 

plates,  and  250  other  illustrations.     Paris,  1879. 
Royal  8vo,  half  red  morocco  extra. 

1491  Guichard  (E.).     Grammaire  de  la  Coleur.    Over  500  examples.    Paris, 

1882. 

3  vols.,  oblong  8vo,  cloth. 

1492  Guilmard  (1).).    Decoration  au  XIX.  Siecle.     Numerous  plates.    Paris, 

n.  d. 

Folio,  original  covers. 

1493  Guinot  (E.).     A  Summer  in  Baden-Baden.     Plates,  plain  and  colored. 

London,  n.  d. 

Royal  8vo,  cloth. 

140 


1494  Guizot.     Corneille  and  liis  Times.     Numerous  portraits  inserted.    Lon- 

don, 1852. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

1495     History  of  France.     Translated  by  Robt.  Black.     Profusely  illus- 
trated.    London,  1872. 

6  vols.,  royal  Svo,  cloth,  gilt  toj).  ,;i   .  j 

1496  Gustafson  (Z.  B.).     (ienevieve  Ward.     Portrait.     London,  18 — . 

Post  8v(),  half  calf,  gilt  top. 

1497     Genevieve  Ward.     Portrait.     London,  n.  d. 

Post  8vo,  half  calf,  gilt  top,  uncut  edges. 

1498  Guthrie  (William).      An  Essay  upon    luiglish  Tragedy.      London,  n.  d. 

Svo,  half  green  levant. 

1499  Hale  (Edward    E.).     The    Man  without  a  Country.      Illustrated.     Bos- 

ton, 1889. 

4to,  cloth.    *  -•..-• 

1500  Halevy    (Ludovic).     Notes  et   Souvenirs  de    Mai  a  Decembre,    187 1. 

Fine  plates.     Paris,  1888. 

Japan  paper  copy  ;   200  printed. 

4to,  half  red  levant,  gilt  top,  uncut  edges. 

1501     Autumn  Manoeuvres.       New  York,  1898. 

i6mo.  half  green  levant,  gilt  toj),  uncut  edges. 

1502     A   Marriage   for  Love.     Illustrated  by  Wilson   de  Meza.     New 

York,  1890. 

4to,  half  blue  levant   morocco  e.xtra,  gilt  top,  uncut  edges. 

1503     L'Abbe  Constantin.      Beautiful   plates  by    Madeleine    Lemaire. 

Paris,  1887. 

4to,  half  blue  levant  morocco,  gilt  tcjp,  uncut  edges. 

1504  Haliburton  (Judge).     High  Life  in  New  York.     London,  1844. 

2  vols.,  crown  Svo,  cloth,  uncut. 

1505  Hall    (A.  ().).     The  Congressman's  Christmas  Dream,   and   the   Lobby 

Member's  Happy  New  Year.      Illustrated.     New  York,  1S70-1. 
Royal  Svo,  cloth. 

1506  Hall   (S.   C).     Baronial    Halls  of  England.     71   plates   in  colors,   and 

numerous  other  illustrations.     London,  1881. 
2  vols.,  folio,  red  morocco  e.xtra,  gilt  edges. 

1507     Baronial  Halls.     Another  copy. 

2  vols.,  folio,  cloth. 

141 


1508  Hall  (S.  C).     Book  of  Memories  of  the  Great  Men  and  Women  of  the 

Age.     Illustrated.     London.  1877. 

Unique  copy,  with  73  portraits  and  views  inserted. 
Square  8vo,  red   levant  morocco   extra,  gilt  back  and   sides,  gilt 
edges,  by  Zaehnsdorf. 

1509     Book  of  Memories.     Illustrated.     London,  1871. 

4to,  cloth. 

1510  Hall  (Mr.  and  Mrs.  S.  C).     Book  of  the  Thames.     Lavishly  illustrated. 

London,  1859. 

Unique  copy,  illustrated  by  the  insertion  of  140  views  and  Wal- 

tonian  plates,  many  of  rare  excellence. 
2  vols.,  8vo,  half  blue  levant  morocco  extra,  gilt  top,  uncut  edges. 

1511     A  Week  at  Killarney.     Beautiful  illustrations  on  steel  and  wood. 

London,  1850. 

Square  8vo,  half  green  morocco  extra,  gilt  edges. 

1512  ■ L-cland.    It.'-  scenery,  etc.    Fine  steel  plates  and  numerous  wood- 

cuts. London,  1841. 
Original  edition. 
3  vols.,  royal  8vo,  half  calf. 

1513  Halleck  (Fitz-Greene).   Poetical  Works.  Steel  plates.    New  York,  1848. 

Unique   copy,  extended   to  2  vols,  by  the   insertion   of  over   100 

fine  steel  engravings  ;  some  proofs  cm  India  i)aper. 
2  vols.,  8vo,  half  blue  morocco  extra,  gilt  top,  uncut  edges. 

1514  Halliwell  (J.    O.).     Dictionary  of  Old   English   Plays,   in   print   or  in 

manuscript.     London,  i860. 
8vo,  cloth,  uncut  edges. 

1515  The  Management  of  Covent  Garden  Theatre  Vindicated.  Au- 
tograph letter  of  Madame  Vestris  and  5  rare  plates  inserted,  includ- 
ing portrait  of  Pepys,  by  White.      London,  1841. 

Privately  printed. 
8vo,  half  red  levant. 

1516  Halliwell-Phillipps.     Outlines  of    the    Life   of    Shakespeare.      Illus- 

trated.    London,  1S86. 

The  sixth  edition,  enlarged. 
2  vols.,  royal  8vo,  cloth,  uncut. 

1517  ^  '""e  Visits  of  Shakespeare's  Company  of  Actors  to  the  Provin- 
cial cities  and  towns  of  England.     Brighton,  1887. 

Privately  printed. 

4to,  half  red  levant,  gill  top,  uncut  edges. 

1518     The  Visits  of  Shakespeare's  Company  of  Actors.     Brighton,  1887. 

Privately  printed. 

8vo,  cloth,  uncut. 

142 


Hamerton  (P.  G.).     Man  in  Art.     With  proofs  of  the  plates  on  Japan 
paper.     London,  1892. 

Large  paper  copy. 

Folio,  vellum,  uncut  edges. 

Paris  in  Old  and  Present  Times.     12  fine  etchings  and  numerous 

vignettes.     Boston  [London],  1885. 

Folio,  cloth. 

Paris  in  Old  and  Present  Times.     Illustrated.     Boston  |  London], 


1005. 

4to,  cloth. 

1521*   Hamilton    (Ale.\.).     The  Federalist.     New  York,  1788. 
'I'he  rare  first  edition. 
2  vols.,  i2mo,  half  blue  levant,  gilt  top,  uncut  edges,  etc. 

1522  HAMILTON    (Anthony).      MEMOIRS    OF     COUNT    GRAM- 

MONT.     Fine  portraits  (64)  by  Scriven.     London,  181 1. 

Large  paper  copy,  additionally  illustrated  by  the  insertion  of  the 
Harding  portraits,  also  mezzotints  of  Catherine  of  Braganza, 
the  Countess  Gramniont ;  William,  Duke  of  Gloucester  ;  Duch- 
ess of  Cleveland  (2),  Marlborough,  William  III.,  Nell  Gwyn, 
and  Moll  Davis.  Autograph  letters,  documents,  etc.,  of  Count 
Grammont,  Scriven  the  engraver,  Charles  I.,  Louis  XIV.,  Conde, 
Lord  Norfolk,  Henry  IV.,  Clarendon,  Duchess  of  Richmond, 
Charles  II.,  and  Lord  Chesterfield.  Many  other  rare  portraits 
will  be  found  in  these  volumes,  including  Nell  Ciwyn,  by  Og- 
borne  (before  the  name  was  changed  to  Bartolozzi)  ;  Jacob 
Hall  (colored)  ;  Charles  I.,  the  three  heads  unfinished  ;  Duke 
of  Hamilton,  unfinished  plate  ;  Arabella  Churchill  (2),  rare 
portraits  by  White,  etc.     Over  300  plates,  etc.,  in  all. 

4  vols,  (extended  from  2),  red  levant  morocco  extra,  gilt  top,  un- 
cut edges. 

1523     Memoirs  of  Count  Grammont.     2  fine  portraits.     London,  iSrS. 

2  vols.,  i2mo,  boards,  uncut. 

1524  Hamilton  (Lady).      Memoirs    of.     5    fine    portraits,  4   being    inserted. 

London,  1815. 

Crown  8vo,  half  calf,  gilt  top,  uncut  edges. 

Hamilton  (\Valter).      French  Book  Plates.     Illustrated.     London,  1S92. 
Post  8vo,  cloth. 

Hamlyn  (Clarence).      Manual  of  Theatrical  I. aw.      London,  1891. 
Post  8vo,  cloth. 

Hammerton  (J.  A).     The  Actor's  Art.     London,  1897. 
Crown  8vo,  half  red  levant,  gilt  fnp,  uncut  edges. 

Handel  (Geo.  Fred'k).    Memoirs  of  the  Life  of.    Portrait.   I.iuulon,  1760. 
8vo,  half  calf,  gilt.     Margins  ink-stained. 
143 


1529  Harding's  Biographical  Mirror.     With  the   150  fine  and  rare  por- 

traits.    London,  1795. 

3  vols,  in  I,  4to,  calf. 

1530  Hardy  (R.  B.).     Lectures  on  the  Drama.    Shakespeare.    Glasgow,  1834. 

Presentation  copy  from  the  author. 
i2mo,  cloth,  uncut  edges. 

1531  Hare  (A.  J.  C).    Walks  in  London,  2  vols.;  Paris,  and  Days  near  Paris 

Illustrated.      London,  1878-87. 

4  vols.,  post  8vo,  cloth,  uncut. 

1532  Harland    (.Marian).     Some    Colonial    Homesteads    and    their    Stories. 

Illustrated.     New  York,  1897. 
8vo,  cloth,  uncut. 

1533  Harley  ((»eo.  D.).     Authentic  Biographical  Sketch  of  the  Life,  etc.,  of 

William  Henry  West  Betty.     Portrait.     London,  1804. 
8vo,  half  calf,  gilt  top,  uncut  edges. 

1534     Biographical  Sketch  of  Betty,  and  Critical  Essays  by  J.  Bisset. 

London,  1804,  etc. 

Unique  copy,  with  over  50  fine  portraits  inserted. 
8vo,  calf  extra,  by  Bedford. 

1535  Harper's  Magazine.     Complete,  from  its  commencement    in    1851. 

Many  hundred  illustrations.     New  York,  1851-1898. 

98  vols.,  8vo,  half  maroon  morocco,  gilt  top,  uncut  edges. 

1536  Harper's  Weekly.     Profusely  illustrated.     New  York,  1857-98. 

42  vols.,  folio,  half  morocco. 

1537     Profusely  illustrated.     New  York,  1871-88. 

6  vols.  (15,  24  to  27,  and  32),  folio,  cloth  (5),  and  half  morocco  (i). 

1538  Harper's   Translations.     Maria,  by  Isaacs  ;  The  Odd  Number,  by 

Maupassant  ;  Ten  Tales,  by  Coppee  ;  House  by  the  Medlar  Tree,  by 
Verga  ;  'Pale  of  Two  Countries,  by  Kielland  ;  Dame  Care,  by  Sunder- 
man  ;  Green  Book,  by  Jokai  ;  Parisian  Points  of  View,  by  Halevy  ; 
Dona  Perfecta,  by  Galdos  ;  Modern  Ghosts  ;  and  Pastels  in  Prose. 
Beautifully  illustrated.  New  York,  1890-7. 
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1539  Harris  (Joel  Chandler).     Uncle  Remus.     Illustrated   by  Frost.     New 

York,  1895. 

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1540  Harrison  (Mrs.  Burton).     History  of  the   City  of   New  York.     Illus- 

trated.    New  York,  1896. 

This  is  Chapter  xxi..  Vol.  2,  of  Lambs  History. 
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144 


1541  HARRISON     (Gabriel).     EDWIN  FORREST.     Brooklyn,  1889. 

No.  I  of  200  copies. 

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and  subsequent  records,  and  much  matter  relative  to  the 
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1542     John  Howard  Payne.     Philadelphia,  1885. 

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1543     'l"he    Stratford  TUist  of  William  Shakcsi)eare.     A  critical  int}uiry. 

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10  145 


1545     Harrison  (Gabriel).     John  Howard  Payne.     Portrait,  etc.    i'liiladelphia, 
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1^46     Life  and  Writings  of  John  Howard  Payne.     Albany,  1875. 

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1548  Harrison     (Wilmot).     Memorable    Paris   Houses.     Illustrated.     Lon- 

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1549  Hart  (Charles  Henry).     Browere's  Life  Masks  of  great  Americans.     21 

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1550  Harte  (Bret).     Writings  of.     Etched   portrait  and  photogravure   illus- 

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1 155     The  Queen  of  the   Pirate   Isle.     Colored    illustrations,  by  Kate 

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1552  Hartley  (J.  S.).     Anatomy  in  Art.      Illustrated.     New  York,  1891. 

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1553  Hasenauer  (C.   F.  von).      Das  K.  K.  Hofburgtheater  in   Wien.     Nu- 

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1554  Hassell   (J.).     Memoirs  of   the   Life  of  George  Morland,  the  painter. 

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1555  Hatton  (Joseph).     In  Jest  and  I^arnest.     London,  1893. 

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1556  Havard  (Henry).     Dictionnaire  de  I'Ameublement  et  de  la  Decoration. 

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146 


1557  Havard  (Henry).     LArt  dans  la  Maison.     Profusely  illustrated,  many 

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1560  Have    at  You    All ;    or,   the    Drury-Lane    Journal.     By  Madam 

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1561  Hawkins  (Tredk.).      French    Stage  in    the   Eighteenth  Century.      Por- 

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1562     Annals  of  the  French  Stage.     Portraits.     London,  1884. 

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1563  Hawkins  (F.  \V.).     Life  of  Edmund  Kean.     London,  1S69. 

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1567  Hay  (Hon.  John).      In  Praise  of  Omar.     An  Address  before  the  Omar 

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147 


1569  Haydn.     Dictionary  of  Dates.     New  York,  1893. 

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1570  Haydn,  Vincent,  and  Putnam.   Dictionary  of  Dates.  New  York,  1870. 

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1571  Haydon  (Benj.  Robt.).     Correspondence  and  Table-Talk.     Numerous 

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1572  Hayes  (Catherine).     Memoir  of.     Portrait,  and  musical  score  of  Kath- 

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1573  Hayns  (Jo.).     Life  of.     London,  1701.  * 

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1574  Haywood  (Eliza).     Love-Letters  on  all  Occasions  Lately  passed  be- 

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1575  Hazlitt  (William).     Works  and  Life.     First  editions. 

Principles  of  Human  Action.     London,  1805. 

New  and  Improved  Grammar.     London,  1810. 

The  Round  Table.     2  vols.     Edinburgh,  1817. 

The  Dramatic  Scorpion.     London,  1818, 

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"Don  John  ;  "  or,  Don  Juan  Unmasked.     London,  1819. 
Criticisms  on  the  Bar,  by  Amicus  Curis.     London,  1819. 
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Table  Talk.     London,  182 1. 
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1586  HAZLITT    (Wm.).     The   ORKHNAL  MANUSCRIPT,  33    folio 

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1589  Head  (F.  II.).  Shakespeare's  Insomnia  and  tlie  Causes  thereof.    Boston, 

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1590  Heckethorn  (C.  VV.).     Secret    Societies    of    all    Asjes    and    Countries. 

New  York  [London],  1897. 
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1591  Hedelin.       llie  Whole  Art  of  the  Stage.      London,  1684. 

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1594  Henderson  (Alfred).      Latin  Proverbs  and  Quotations.      London,  1869. 

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1596     Genuine  Narrative  of  the  Life  of.     London,  1777. 

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1598  Henley   (W.   E.).     The   Graphic  Gallery  of    Shakespeare's    Heroines. 

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1605  Herrick  (Robt.).     Poetical  Works.     Pickering,  London,  1825. 

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1610  Hettinger   (F.)-      Dante's   Divina   ("ommedia.      Its  scope  and   value. 

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1617     '■ —  Dramatic  Genius.     London,  1762. 

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1618  Hill  (Aaron).     Works:   Letters,  Poems,  and  Essay  on  the  Art  of  Acting. 

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1620     The  Actor.     London,  1755. 

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1626  Hill  (Sir  John).     Orpheus  :  An  English  Opera.     London,  1740. 

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1628  Hillis  (W.  J.).      Metrical  History  of  the  Life  and  Times  of  Napoleon 

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1632  Hitchcock    (Robt.).       Historical   View  of   the    Irish   Stage.      Dublin, 

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1633  Hoadly  (Bp.).     The  Suspicious  Husband.     A  comedy.     Frontispiece. 

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1634  Hodder  (George).      Memories  of  my  Time,  including  personal  reminis- 

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Vestris,  H.  K.  Browne  ("  Phiz  "),  Hepworth  Di.xon,  Richard 
Bentley,  Doyle,  Dickens,  Thackeray,  Lamb,  etc. 

Svo,  calf  extra,  gilt  top,  uncut  edges,  by  Riviere. 

1635  Hodson  (Henrietta).     Letter  in  Relation  of  the  Persecutions  of  U'm. 

S.  Gilbert.     London,  1877. 
Privately  printed. 
Svo,  half  calf,  gilt  top. 

1636  Hoffmann.     Contes  Fantastiques.      Illustres  par  Gavarni.      Paris,  n,  tl. 

9  portraits  and  other  plates  inserted. 

Royal  Svo,  half  blue  morocco  extra,  gilt  top,  uncut  edges,  by 
Hardy. 

1637  Hogarth   (Geo.).     Memoirs    of  the    Musical   Drama.     Steel  portraits. 

London,  1S38. 

2  vols.,  Svo,  half  calf,  gilt  top,  uncut  edges. 
153 


1638  HOGARTH  (William).  WORKS.  An  extraordinary  assemblage 
of  the  grajihic  works  of  the  Great  Satirist,  presenting  him  in  his  dif- 
ferent Artistic  Phases,  and  comprising  625  plates,  including  variations; 
that  is  to  say,  ist,  2d,  3d,  and  4th  states,  the  very  earliest  impressions, 
a  large  portion  being  in  proof  condition.  All  neatly  arranged  and 
mounted,  witli  text. 

A  unique  collection.  Among  the  more  prominent  productions 
of  this  inimitable  artist,  a  few  are  noted  below  ;  but  there  are 
numerous  other  plates,  in  various  states  and  by  different  en- 
gravers, which  cannot  be  enumerated  witiiin  the  present  limits  : 

Vol.  1.  contains  a  [jortrait  of  Hogarth  with  a  Pug  Dog,  profile  to 
left  ;  the  same,  by  A.  Smith,  profile  to  right,  in  2  states  ; 
Hogarth  painting  Comedy,  1st  and  5th  states  ;  the  same,  fine 
mezzotint  by  Townley,  folio  size  ;  a  large  collection  of  curious 
portraits  of  Hogarth,  his  wife,  etc.  ;  Invitation  Cards  ;  the 
Bench  and  5  Orders  of  Periwigs,  2  states  ;  a  series.  19 
pieces,  drawn  and  engraved  by  Hogarth,  after  the  manner 
of  Callot  ;  Illustrations  to  Hudibras,  in  2  states  throughout  ; 
Illustrations  to  Don  Quixote  ;  Analysis  of  Beauty,  3  states  ; 
Political  Clyster,  2  states  ;  Mystery  of  Masonry,  2  states  ; 
Harlot's  Progress,  2  states  ;  the  same,  rare  series  engraved  by 
Cooper  ;  The  Rake's  Progress,  2  states,  Plate  I.  in  3  states  ; 
another  set,  same  subject,  design  reversed,  published  by 
Bakewell. 

Vol.  II.  Marriage  a  la  Mode,  Plate  I.,  2  states  ;  Plate  IT.,  i  state  ; 
Plate  III.,  2  states ;  Plates  IV.,  V.,  and  VI.,  each  in  2  states  ;  the 
same,  a  series  of  very  large  etched  plates  ;  Industry  and  Idle- 
ness. 12  plates  in  2  states  ;  the  same,  by  another  engraver, 
printed  by  Bowles  &  Carver  ;  Four  Stages  of  Ouelty,  another 
set  engraved  on  wood  ;  Beer  Street,  4  states  ;  Cin  Lane,  2 
states  ;  Before  and  After,  2  plates,  2  states  ;  Woman  Swearing 
her  Child  on  a  Grave  Citizen,  mezzotint,  in  2  states  ;  Taste  in 
High  Life,  3  states  ;  Midnight  Modern  Conversation,  in  3 
states  ;  Strolling  Players,  2  states  ;  Southwark  Fair.  2  states  ; 
Distressed  Poet,  2  states  ;  Enraged  Musician,  2  states  ;  Four 
Times  of  the  Day,  2  states  ;  Election  iMitertainment,  Plate  I., 
3  states  ;  Plate  IL,  2  states  ;  Plate  III.,  2  states  ;  Plate  IV., 
2  states  ;  Gate  of  Calais,  3  states  ;  March  to  Finchley,  3  states, 
etc. 

Vol.  III.  Paul  before  Felix,  5  states  ;  Moses  before  Pharaoh's 
Daughter,  4  states  ;  Good  Samaritan,  2  states  ;  Pool  of  Beth- 
esda,  2  states  ;  Henry  VIII.,  2  states  ;  Royal  Masquerade,  2 
states ;  Garrick  in  the  Green  Room,  mezzotint,  very  rare ; 
Sigismunda,  etching,  and  4  different  plates  ;  also  a  large  number 
of  fine  portraits  by  Hogarth,  by  different  engravers,  many  in 
several  states  ;  caricatures,  views,  sketches,  etc.,  many  of  which 
are  of  exceptional  rarity. 

3  vols.,  elephant  folio,  dark  green  levant  morocco  extra,  gilt 
edges. 

154 


1639  Hogarth    (William).     Works.     A  collection   of    2   portraits   and   So 

plates.     Fine   oni^inal    impressions,   including   "  Before    and    After." 
Mounted  on  heavy  paper. 

Contains  all  the  more  important  prints. 

Atlas  folio,  sprinkled  calf,  gilt  edges. 

1640     Works.     90  copper-plate  engravings.    ■  London,  1837. 

3  vols,  in  2,  8vo,  tree  calf  extra,  gilt  top,  uncut  edges. 

1641     Hogarth  Moralized  by  John  Trusler.     Portrait  and  plates.    Lon- 
don, 1768. 

First  issue,  with  fine  impressions  of  the  copper-plate  vignettes. 
8vo,  calf. 

1642     Hogarth    Moralized   by  John   Trusler,  and  Anecdotes  of.    With 

the  numerous  plates  ;  proofs  on  India  paper.     Major,  etc.,  London, 
1831-3- 

2  vols  ,  8vo,  maroon  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Riviere. 

1643     The   Rake's   Progress.      With  the  familiar  plates  by  Hogarth. 

London,  1735. 

Svo,  cloth. 

1644     Biographical  Anecdotes.     With  occasional   remarks  [by  J.  Ire- 
land].    London,  1782. 

Svo,  calf. 

1645  Holbein  (Hans).     Icones  Veteris  Testament!.     Illustrations  of  the  Old 

Testament  engraved  on  wood.     Pickering,  London,  1830. 
Crown  Svo,  blue  levant  morocco  extra,  gilt  edges. 

1646  Holbein.      Dance  of  Death.     Plates  by  Holbein.     London,  1811. 

i2mo,  calf. 

1647  Holcroft  (Thomas).      Theatrical  Recorder.    With  the  rare  and  curious 

portraits,  mostly  colored.     London,  1805-6. 

2  vols.,  Svo,  half  blue  levant,  gilt  top. 

1648     Memoirs.     Portraits  and   autograph   letter  insertei.!.       I.oiuion, 

1816. 

3  vols.,  i2mo,  half  calf  extra,  gilt  toj),  uncut  edges. 

1649     A    Tale  of  Mystery.     A  Melo-drame.     Frontispiece.     London. 

1813. 

Svo,  half  calf. 

155 


1650  HOLLAND  (George).     MEMOIR  OF.     New  York,  1871. 

Unique  copy  ;  extra-illustrated  with  252  portraits,  views,  auto- 
graphs, play-bills,  etc. 

Thomas  Cribb  (i.p.),  autograph  letters,  3  pages  ;  James  H. 
Caldwell  and  portrait,  by  lllman  ;  autograph  letters  of  Sol. 
Smith  (2),  autograph  letters  of  George  Holland,  autograph 
letters  of  Thomas  Placide,  autograph  letters  of  J.  W.  Wallack, 
autograph  letters  of  John  Brougham,  Sefton  as  Jemmy 
Twitcher,  autograph  letters  of  Dan  Bryant,  autograph  letters 
of  Pauline  Markham,  autograph  letters  of  Lawrence  Barrett, 
George  L.  Fox  (lithograph),  autograph  letters  of  John  E. 
Owens,  autograph  letters  of  Isabella  1).  Glyn,  Fanny  Kemble, 
William  Winter. 

2  vols.,  4to,  half  brown  levant  morocco,  gilt  backs  and  top, 
uncut  edges. 

1651     Sketch  of  the  Life  of.     Portrait.     New  York,  187 1. 

250  printed. 

Imp.  Svo,  half  calf,  gilt  top,  uncut  edges. 

1652  Holland  Fund.     Report  of  the  Benefit.     New  York,  1871, 

i2mo,  half  calf,  gilt  top,  uncut  edges. 

1653  Holland  (John).     Cruciana.     Illustrated.     Liverpool,  1835. 

Henry  Ward  Beecher's  copy,  with  his  autograph. 
Post  Svo,  brown  silk. 

1654  Holland  and  Rockstro.     Memoir   of  Jenny  Lind,  1820-1S51.     Por- 

traits, etc.     London,  1891. 

2  vols.,  Svo,  half  calf,  gilt  top,  uncut  edges. 

1655  Hollingshead   (John).     ]\Iy  Lifetime.     Portrait.     London,  1895. 

2  vols.,  post  Svo,  cloth,  uncut. 

1656      Gaiety  Chronicles.     Portraits.     W'cstminster,  1898. 

Svo,  half  red  levant,  gilt  top,  uncut  edges. 

1657     Footlights.     London,  1883. 

Post  Svo,  half  red  levant,  gilt  top,  uncut  edges. 

1658  Holloway  (Laura    C).      Adelaide    Neilson.      Photographic    portraits. 

New  York,  1S85. 

Small  4to,  half  blue  levant,  gilt  top,  uncut  edges. 

1659  Holmes  (Oliver  Wendell).     Writings  of.     Portraits,  etc.,  and  Life  and 

Letters,  by  J.  T.  Morse,  Jr.     Cambridge,  1891-2-6. 
Large  paper  copy. 
16  vols.,  Svo,  boards,  uncut  ;   No.  40  of  275  printed. 

1660     The  Harbinger.     Boston,  1833. 

First  edition  ;  very  rare. 

Svo,  original  cloth. 

156 


1661  Holmes  (Oliver  Wendell).     Dorothy    Q.,    etc.     Illustrations  bv  Pyle. 

Cambridge,  1893. 

250  printed  ;   No.  32. 
8vo,  vellum,  uncut  edges. 

1662  Holmes  (Richard  R.).    Queen  Victoria.  Colored  and  other  illu;;'r:uions. 

lioussod,  Valadon  &  Co.,  London,  1897. 

4to,  half  brown  levant,  gilt  top,  uncut  edges. 

1663  Homer.      The    Iliad   and   Odyssey.      Translated   by  A.  Pope.     With  a 

series  of  brilliant  copper-plate  engravings.     Du    Roveray,    London, 
1S05-6; 

Large  paper  copy,  with  proof  impressions  of  the  plates. 

12  vols.,  8vo,  green  morocco,  gilt  edges. 

1664  Homes  of  American  Authors  and  Statesmen.     Profusely  illus- 

trated ;  some  cuts  in  tints.     New  York,  1853-4. 

2  vols.,  8vo,  brown  morocco  antique,  gilt  edges. 

1665  Homes  of  American  Authors.     Steel  plates,  facsimiles,  and  wood- 

cuts.    New  York,  1853. 

8vo,  half  blue  morocco. 

1666  Hook  (Theodore).     The  French  Stage.     London,  1841. 

2  vols.,  crown  8vo,  calf  extra,  citron  edges. 

1667  Hope  ('I'hos.).     Costume  of  the  Ancients.     321  plates.     London,  1841. 

2  vols.,  royal  8vo,  cloth,  uncut. 

1668  Hopkins    (A.    A.).       Magic.     Stage    illusions,    etc.      400  illustrations. 

New  York,  1897. 

Royal  8vo,  cloth. 

1669  Hoppin  (Aug.).     Crossing  the  Atlantic.      Humorous  illustrations,  sick- 

transit.     Boston,  1872. 
Oblong  4to,  boards. 

1670     Ups  and  Downs  on  Land  and  Water.     48  plates.     P>oston,  1S71. 

Oblong  4to,  cloth. 

1671     Hay  Fever.     24  comic  illustrations.     Boston,  1873. 

Oblong  4to,  boards. 

1672  Horne  (C.    F.).     (jreat    Men    and    Famous   Women.     Numerous    fine 

portraits  and  characteristic  scenes.     New  York,  1894. 

8  vols.,  4to,  cloth. 

1673  Horne  (R.  H.).      History  of  Na])()leon.      Illustrated  by  Raffel  and  \'er- 

net.     London,  1841. 

2  vols.,  royal  8vo,  half  red  nK)r<)cco,  gilt  tops. 
157 


1674  Hotten    (J.    C.).      Original    Lists  of    Persons   ot    Quality,    etc.,   who 

emigrated  to  America,  1600--1700.     New  York  [London],  1880. 
4to,  cloth. 

1675  Hottenroth  (Fred.).    Trachten  der  Volker.     Trofusely  illustrated,  and 

with  120  colored  plates.     Stuttgart,  1884. 

2  vols.,  half  brown,  morocco. 

j5y5     Handbuch  der  Deutschen  Tracht.  Stuttgart,  18 — . 

30  colored  plates  of  costume  and  several  hundred  text  illustra- 
tions. 
4to,  buckram. 

1677  Houbraken     (Arnold).        Groote     Schouburgh     der     Nederlantsche 

Konstschilders  en  Schildcressen  :  with  brilliant  impressions  of    the 
portraits  of  Painters  and  Engravers.     Gravenhage,  1753. 

3  vols.,  8vo,  half  red  morocco  extra, .citron  edges. 

1678  Houbraken.     Portraits.      With  over  100  fine  plates,  brilliant  impres- 

sions.    London,  1743. 
Large  paper  copy. 
Royal  folio,  half  morocco. 

j5yQ     and    Vertue.     Portraits    (Selection  of),  with    the    addition    of 

Vertue's  fine  portraits  of  Literary  Englishmen,  112   in  all.     London, 
1743,  etc. 

Large  paper  proofs,  without  text. 
Folio,  red  morocco  extra,  gilt  edges. 

1680  Houdin  (Robert).  Memoirs  of.    Translated  by  Wraxall.    London,  1859. 

2  vols.,  crown  8vo,  half  green  morocco,  gilt  top,  uncut  edges. 

1681  Houssaye    (Arsene).     Behind  the  Scenes  of  the  Comedie  Frangaise. 

Numerous  portraits  inserted.     London,  1889. 
8vo,  half  red  levant,  gilt  top,  uncut  edges. 

J682     Behind  the  Scenes  of  the  Comedie  Fran^aise.     Portraits.     Lon- 
don, 1889. 

Svo,  cloth,  uncut. 

1683     Princesses  de  Comedie,  etc.     Portrait.     Paris,  i860. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

1684     Moliere    sa    Femme   et   sa   Fille.     Numerous    plates    from    the 

earliest  portraits,  etc.     Paris,  1880. 

Royal  folio,  half  red  levant  morocco,  gilt  top,  uncut  edges. 
158 


i685     Houssaye    (Arsene).      Moliere   sa  Femme   et  sa  Fille.      Numerous 
etched  portraits.     Paris,  1880. 
Royal  folio,  parchment. 

1686 La  Comedie  Frangaise,  1680-1880.     Fine  plates  on  India  paper, 

and  numerous  text  illustrations.      Paris,  1880. 

Royal  folio,  half  blue  morocco,  gilt  top. 

1687     La  Comedie  Fran9aise. 

Holland  paper  copy  ;    100  printed,  with  tlie  fine  portraits  (proofs 

before  letters)  on  Japan  paper. 
Imp.  folio,  original  boards. 

1688     Cleopatra.     A  study.     New  York,  1890.. 

Japan  paper  ;  6  printed. 

i2mo,  half  blue  levant,  gilt  top,  uncut  edges. 

1689  Houssaye  (H.).     Le  Salon  de  r888.     Brilliant  plates.     Paris,  1888. 

Japan  paper  copy  ;  6  printed,  with  parchment  proofs. 
4to,  half  red  levant. 

1690  Howe  (J.  B.).     A  Cosmopolitan  Actor.     London,  1887. 

Post  8vo,  half  calf,  gilt  top. 

1691  Howe  (M.  A.  De  Wolfe).     American  Bookmen.     Portraits,  etc.     New 

York,  1898. 

8vo,  cloth,  uncut. 

1692  Howells  (W.   I).).     Venetian  Life.     Colored  plates.     Boston,  1892. 

Large  paper  copy  on  Japan  paper  ;  250  printed. 
2  vols.,  i2mo,  parchment,  uncut. 

1693  Howitt  (William). 

Visits  to  Remarkable  Places.     Wood-cuts.     2  vols.     1840-42. 

Homes  and  Haunts  of  the  British  Poets.     2  vols.      1849. 

Rural  and  Domestic  Life  in  Germany.     1842. 

Rural  Life  of  England.     1844. 

Student  Life  of  Germany.     1841. 

Numerous  illustrations  by  Bewick,  etc.     London,  1840-49. 

7  vols.,  8vo,  half  red  morocco  extra,  gilt  top,  uncut  edges. 

1694     Visits  to  Remarkable   Places.     Illustrated.     London,  1840-42. 

2  vols.,  8vo,  cloth,  uncut. 

1695     Student  Life  of  Germany.     Steel  plates  and  wood-cuts.     London, 

1841. 

8vo,  cloth,  uncut. 

159 


1696  Hubbard   (N.    T.).      Autobiography,  with  Personal   Reminiscences  of 

New  York  City  from  1798  to  1875.     Portrait.     New  York,  1875. 
isnio,  cloth. 

1697  Hughes  (John).     History  of  the  Siege  of  Damascus,  etc.     Useful  for 

readers  of  the  tragedy.     London,  1720. 
8vo,  half  calf. 

1698  Hughes  (Thomas).      Tom   IJrown's  School-Days.      Illustrated.      New 

York,  1890. 

Edition  de  luxe  ;  250  printed. 
8vo,  half  calf,  uncut. 

1699  Hughson  (David).     Walks  through  London.     Maps,  plates,  and  wood- 

cuts.     London,  181 7. 

2  vols.,  8vo,  boards,  uncut. 

1700  Hugo  (Victor).     Works  :    Novels,    Dramas,  and  Poems.      Translated. 

With  superb  illustrations  by  Demarest.     New  York,  1894,  etc. 

Vellum  paper  copy,  with  the  plates  in  triple  state.     No.  9  of  50 

so  issued. 
21  vols.,  4to,  half  citron  levant,  gilt  top,  uncut  edges. 

1701     Works. 

Las  Mise rabies.     5  vols.     1887. 
The  Man  who  Laughs.     2  vols.     1889. 
Notre  Dame.     2  vols.     1888. 
Toilers  of  the  Sea.     2  vols.      i888. 

Ninety-Three.     2  vols.     1889.  London,  1887-8-9. 

In  addition  to  the  usual  profuse  illustration  of  these  books,  some 

portraits  and  plates  have  been  added  from  French  originals. 
13  vols.,   imp.   8vo,  half    blue  levant    morocco    extra,  gilt    top, 
uncut  edges. 

1702     Les  Miserables.     Profusely  illustrated.     Paris,  1862. 

5  vols.,  royal  8vo,  half  green  levant,  mosaic  back,  gilt  top,  uncut 
edges. 

1703     ^h^  l-sst  Days  of  a  Condemned.      London,  1840. 

Crown  8vo,  cloth. 

1704     Hans  of  Iceland.     Translated  by  Alger.    Llustrated  by  A.  Dem- 
arest.    Boston,   1 89 1. 

f^dition  de  luxe  ;  500  printed,  with  the  full-page  illustrations  on 
Japan  paper. 

Svo,  iialf  morocco,  gilt  top,  uncut  edges. 

1705     William  Shakespeare,     'I'ranslated.     London,  1864. 

Svo,  cloth,  uncut  edges. 

160 


1706  Hugo  (Victor).      Le  Livre  d'Or.     Numerous  beautiful  portraits,  plates, 

etc.     Paris,  1883. 

Imp.  8vo,  lialf  brown  levant,  <r\h  top,  uncut  edges. 

1707     Les  Travailleurs  de  la  Mer,  et  Quatrevingt  Treize.     Profusely 

illustrated.     Paris,  1866. 

2  vols.,  imp.  8vo,  original  covers,  uncut. 

1708     Toilers  of  the  Sea.     Illustrated  by  Chifflart.      London,  1S69. 

8vo,  cloth,  gilt  edges. 

1709     Notre-Dame  de  Paris.     Illustrated  by  Beaumont,  Meissonier,  etc. 

Paris,  1844. 

Royal  8vo,  half  morocco. 

1709*     Notre  Dame  de   Paris.     Translated  by   .Vlger,  and  beautifully 

illustrated.     Boston,  1888. 

Japanese  paper  copy  ;   too  printed. 

2  vols.,  half  olive  levant  morocco  extra,  gilt  top,  uncut  edges. 

1710     Letters    to    his    Family,    Sainte-Beuve,    etc.       Edited    bv    Paul 

Meurice.     Portrait.     Boston,  1896. 

8vo,  cloth,  uncut. 

1710* Quatrevingt-Treize.     Beautifully  illustrated.     Paris,  n.  d. 

One  of  tlie  few  copies  printed  on  Chinese  paper. 
Imp.  8vo,  original  covers,  uncut  edges. 

171 1     Costumes   Dessines   par  Louis    Boulanger  pour  La  Esmeralda. 

Printed  in  color.     Paris,  1888. 

One  of  50  copies  on  Holland  pajier  for  the  National  Edition. 
4to,  cloth  portfolio. 

171 1*     Things  Seen.     Portrait.     London,  1887. 

2  vols.,  8vo,  cloth,  uncut. 

1712  Huish  (Robt.).     Memoirs  of  George  the  Fourth.    Plates.    London,  1830. 

2  vols.,  8vo,  half  morocco. 

1713  Hulme  (F.  E.).     Flags  of  the  World.     26  colored  i^<lates.     London,  u.cl. 

Imp.  8vo,  cloth. 

1714  Humorists.      The  Humor  of  Ireland,  America,  France,  Holland,  Spain, 

Italy,  Russia,  and  Germany.     Illustrated.      I-ondon,  1893-5. 
8  vols.,  post  8vo,  cloth. 

1715  Humphreys  (A.  L  ).     The  I'rivatc  Lil)rary.    Ncw^drk  |[,<>ndnnl,  1897 

4t(),  cloth,  uncut. 

1716  Humphreys  (R.).     Memoirs  of  J.  Decastro  and  Philip  Asilcy.     Portrait. 

London,  1824. 

Post  8vo,  half  calf,  gilt  top,  uncut  edges, 
n  161 


1717  Hunt  (Leigh).     Works.     A  collection  of  First  Editions,  as  follows  : 

1.  Juvenilia  ;  or,  a  Collection  of  Poems.     1802. 

2.  Critical  Essays  on  the  Performers  of  the  London  Theatres. 

1807. 

3.  Feast  of  the  Poets.     1S14. 

4.  Amyntas,  a  tale  from  Tasso.      1820. 

5.  The  Months.      1821. 

6.  I'oetical  Works.      18^:5.?. 

7.  Indicator  and  Companion.     2  vols.     1834. 

8.  The  Palfrey.     1842. 

9.  Essays  ;  Indicator  and  Seer.     1842. 

10.  Tales  from  Boccaccio.     1846. 

11.  Stories  from  the  Italian  Poets.     2  vols.     1846. 

12.  Men,  Women,  and  Books.     2  vols.      1847. 

13.  A  Jar  of  Honey  from  Mount  Hybla.      1848. 

14.  The  Town.     2  vols.     1848. 

15.  Religion  of  the  Heart.     1853. 

16.  Old  Court  Suburb.     2  vols.     1855. 

London,  1802-55. 
Together,  21  vols.,  post  8vo  and  8vo,  half  green  levant  morocco 
extra,  gilt  top,  uncut  edges. 

1718     Poetical  Works.     Illustrated.     London,  i860. 

Post  8vo,  cloth. 

1719     Table-Talk.     London,  1851. 

Post  8vo,  brown  levant,  gilt  top,  by  Zaehnsdorf. 

1720     Correspondence  of.     Portrait.     London,  1862. 

2  vols.,  crown  8vo,  half  blue  morocco,  gilt  tops. 

1721     A  Day  by  the  Fire,  etc.     Boston,  1870. 

i2mo,  cloth. 

1722     A  Saunter  through  the  West  End.     London,  1S61. 

Unique  copy,  with  85  portraits  and  views  inserted  ;  many  being 

proofs  on  India  paper. 
2    vols.,   crown    8vo,  brown    levant    morocco    antique,  gilt    top, 

uncut  edges,  by  Riviere. 

1723  Hutton  (Laurence).      Literary  Landmarks  of  London.     Boston,  1SS5. 

Unique  copy,  with  500  portraits,  views,  etc.  inserted,  all  inlaid  to 

size  of  the  volumes,  and  evenly  distributed  throughout  the  text. 

5  vols.,  i2mo,  brown  levant  morocco  extra,  gilt  top,  uncut  edges. 

1723*  Literary  Landmarks  of  London.     London,  1S85. 

Unique  copy,  with  78  portraits  inserted,  including  many  that  are 

scarce,  and  a  number  of  fine  proofs. 
Thick  crown  Svo,  calf  extra,  gilt  top,  uncut  edges. 
162 


1724  Hutton  (Laurence).     Literary  Landmarks  of  London.     London,  1885. 

Unique  copy,  witli  84  portraits  and  views  inserted. 
Crown  8vf),  half  red  levant,  gilt  top,  uncut  edges. 

1725     Literary  Landmarks  of  London.     London,  1885. 

Crown  8vo,  cloth,  uncut. 

1726     Another  edition.      Boston,  1SS5. 

i2mo,  cloth. 

1727     Literary   Landmarks  of   Rome.      Illustrated.      New  York,  1897. 

i2mo,  half  red  levant,  gilt  top,  uncut  edges. 

1728     Plays  and  Players.     New  York,  1875. 

8vo,  half  brown  morocco,  gilt  top,  uncut  edges. 

1729     Portraits  in  Plaster.     Illustrated.     New  York,  1894. 

Large  paper. 

Royal  8vo,  cloth,  uncut. 

1730     Curiosities  of  the  American  Stage.     Illustrated.     New  York,  1S91. 

Special  unstitched  copy  from  the  author,  with  his  autograph. 
8vo,  cloth,  gilt  top,  uncut  edges. 

1731  Ibsen   (Henrik).     A  Doll's  House.     London,  1889. 

Large  paper  copy  ;   115  printed.     Presented,  with  a  characteristic 
inscription,  b_y  Brander  Matthews. 

4to,  parchment. 

1732  Iffiand  (Aug.  \Vm.).    A  Collection  of  Portraits,  etc.  (120);  some  in  char- 

acter. 

4to,  half  calf,  gilt  to]"),  uncut  edges. 

1733  Illustrated  American.     Profusely  illustrated.     New  York,  1890-92. 

I  vol.,  folio,  and  9  vols.,  4to,  cloth. 

1734  Illustrated  London  News.      Complete  set    of  this  valuable   illus- 

trated work  from  its  commencement  in  1842  to   December,  1891,  in- 
clusive.    Thousands   of  engravings  of  the  prominent  events  of  the 
world  for  the  last  fifty  years.      London,    1842-91. 
99  vols.,  folio,  cloth,  and  half  morocco. 

1735  Illustrated   Magazines.      French  and  German.      La   Vie    Parisieiuie, 

etc. 

5  vols.,  folio,  half  morocco. 

1736  Illustration.      With  a   large  number  of  wood-cuts  aiul  other  pictures. 

Paris,  1876-90. 

14  vols.,  folio,  half  morocco. 

1737  Ingleby   (C.  M.).     Shakespeare's  Bones.    Frontispiece.     London,  1883. 

4to,  boards,  uncut. 


1738     Ingleby  (C.  M.).     Shakespeare's  Centurie  of  Prayse.     London,  1874. 
8vo.  original  covers,  uncut. 

jy29     Shakespeare  :  the  Man  and   the  Book.     Part  I.     London,  1877. 

4to,  boards,  uncut. 

1740  Inglis  (Ralston).      Dramatic  Writers  of  Scotland.     (Glasgow,  1868. 

Post  8vo,  half  citron  levant,  gilt  top. 

1741  IRELAND  (Alex.).     BOOK-LOVER'S  ENCHIRIDION.     Boston 

[London],   1883. 

Extended  to  3  vols,  by  the  insertion  of  250  portraits,  including 
many  India  proofs,  as  well  as  the  rare  prints  of  Bartholin,  South, 
etc.,  and  an  original  signature  attached  to  the  portrait  of  the 
author. 
3  vols.,  crown  8vo,  green  levant  morocco  extra,  gilt  back  and 
sides,  silk  linings,   gilt  top,  uncut  edges. 

1742     Book  Lover's  Enchiridion.     Frontispiece,  etc.       Boston    [Man- 
chester], 1883. 

8vo,  half  morocco,  gilt  top,  uncut  edges. 

1743  IRELAND  (Joseph  N.)  and   HAGAN  (J.   S.  G.).     RECORDS 

OF  THE  NEW  YORK  STAGE  from  1750  to  i860  [and  18C0-1870]. 

New  York,  1866-70. 

Unique  copy,  illustrated  and  extended  by  Augustus  Tocdteberg 
for  Augustin  Daly,  with  over  8,000  original  drawings,  auto- 
graph letters,  etc.,  rare  play-bills,  views,  etc.,  producing  a 
record  of  the  New  York  Stage  without  a  parallel.  Apart  from 
its  wide  interest,  its  many  unique  features,  and  the  attrac- 
tiveness of  the  subject,  it  is  a  gigantic  monument  of  patient  and 
well-directed  industry.  The  untiring  energy  of  the  collector 
and  the  well-known  skill  and  knowledge  of  the  inlayer,  have  left 
no  room  for  doubt  that  no  time  or  expense  could,  in  the  future, 
produce  the  result  here  shown.  The  original  text  by  Ireland 
has  been  supplemented  by  yearly  records  written  by  Mr.  Hagan 
that  practically  comj)lete  the  subject  to  date.  The  details 
below  are  meagre  enough,  but  they  w-ill  be  sufficient  to  show 
how  thoroughly  the  ground  has  been  covered  : 

Ireland— Vol.  I.,  Part  I. 

Ireland,  Jos.  N.  (signed  p.b.l.)  ;  Infant  Shakespeare,  Romne}-- 
Smith  ;  Shakespeare  (folio  mezzo.),  Sam.  Cousins;  New  York, 
1 76 1,  from  London  Alagazine  ;  Ratzer's  Plan  of  New  York  ; 
John  W.  Francis  (folio),  Cibber  (folio  mezzo.),  Simon  ;  Ra- 
cine, by  Edelinck  ;  scene  from  Othello  (folio  mezzo.),  auto- 
graph letters  of  D.  Garrick  ;  Garrick  as  Chalkstone  (folio)  ; 
Robt.  Dodsley  ;  scene  from  Richard  III.,  by  William  Sharp  ; 
Bernard,  by  S.  Harris  ;  Moody  (folio  mezzo.).  Hardy,  Moody 
as  Flip  (folio  p.b.l.  in  colors),  Garrick  between  Tragedy  and 
Comedy  (folio  mezzo.);  Haid,  inscribed  "  L'Homme  entre  le  vice 
at  la  vertu  "  ;  Garrick  as  Richard  (original  drawing  in  colors, 

164 


folio),  1  homas  Hallam,  Mrs.  Plallam  (original  drawing),  Eliza- 
beth Woodville,  by  Facius  ;  Addison  (mezzo.),  Bullock,  1781  ; 
Hippisley,  by  Green;  John  Cruger  (i.p.b.l. )  ;  Jane  Shore 
(scarce  4to  etching)  ;  Golden  (i.p.b.l.)  ;  Hippisley  (original 
drawing)  ;  Bowling  (zreen  (folio  aquatint,  proof  before  all 
letters)  ;  Trinity  Ghurch  (folio),  by  Rolph. 

Ireland— Vol.  I.,  Part  II. 

Garrick  (folio  mezzo.).  Di.xon  (proof),  Hallam  (from  original 
drawing),  William  Dunlap  (i.p.b.l.),  scene  from  Macbeth  (folio 
mezzo.),  Lupton  ;  Moliere,  by  Edelink  ;  Towneley  (p.b.l.); 
Shakespeare  (mezzo.),  G.  Turner  ;  Aaron  Hill  (folio);  Huls- 
bergh  ;  autograph  letter  of  Thomas  Dibdin  ;  The  Late  Mrs. 
Morris  ;  Kane  O'Hara  ;  autograph  letters  of  Wm.  Gongreve  ; 
Mrs.  Siddons,  after  Gainsborough  (folio,  i.p.b.l.);  Myles  Gooper, 
by  Leney  ;  King's  (Golumbia)  Gollege  (original  drawing), 
Major  Andre  (original  drawing),  Hewlett  as  Richard,  George 
III.  (folio),  Skelton  ;  George  III.  (folio  mezzo.),  Reynolds, 
Miss  Brunton,  1785  ;  Mrs.  Brooke  (folio),  Bovi  ;  Edwin  as  Lingo 
(folio  mezzo.),  Hodges  ;  Mrs.  (iiffard  (original  drawing)  ; 
Admiral  Sir  George  Gollier  ;  (ieorge  Steevens,  by  f^vans  ;  New 
York  in  1792  ;  Ifland  (folio  mezzo.,  p.b.l.)  ;  Washington,  after 
Stuart  (in  colors),  Betty  as  Douglas  (folio).  Rev.  James  Town- 
ley  (folio),  John  Street  Theatre  bill,  1791  ;  John  Fletcher,  by 
Marshall  ;  Kemble  (folio  mezzo.).  Say,  Ale.x.  Placide  (original 
drawing),  Richmond,  Va.  (folio,  in  colors)  ;  aquatint,  Bennett, 
1834;  John  Street  Theatre  bill.s,  1792  (3),  Fred.  Reynolds 
(folio  mezzo.),  Doo ;  and  autograph  letters  ;  Hodgkinson, 
by  Leney,  also  by  Tiebout ;  Bp.  Moore  (folio)  ;  Edwin  (un- 
known to  Hildeburn)  ;  Chiick,  by  Gonde  ;  Theatre,  Hartford, 
Mrs.  Hodgkinson's  benefit  bill  ;  Kemble  as  Hamlet  (folio 
mezzo.),  Holcroft  (mezzo,  p.b.l.),  Delpini,  by  Hincks. 

Ireland— Vol.  I.,  Part  III. 

Thos.  A.  Gooper  (folio),  Henry  Meyer,  Mrs.  Poe  (original 
drawing),  Mrs.  Siddons  (p.b.l.),  Bromley,  John  St.  Theatre 
bill,  1795,  Hannah  More  (folio),  Worthington,  John  St.  Thea- 
tre bill,  1794  (3)  ;  Wycherley,  by  Robinson  ;  John  St.  Theatre 
bill,  1795  (5)  ;  Mrs.  Jordan  as  Gountry  (jirl  (folio,  by  Barto- 
lozzi),  Allan  Ramsay  (folio  niezzo.),  Ricketts  and  his  horse 
Gornplanter,  S.  K.,  (ieorge  Washington  (liaker.  No.  18),  auto- 
graph letters  of  J.  Jefferson,  1831,  Washington  Theatre  bill 
(1818  ;  Jefferson's  benefit),  Alexandria  Theatre  bill  (1816; 
Jefferson's  benefit),  Miss  Broadhurst  (original  drawing),  John 
St.  Theatre  bill,  1796,  Geo.  Goiman  (folio  mezzo.,  by  Lupton). 
autograph  letters  of  S.  L.  Mitchell,  Rev.  Samuc!  Miller  (original 
drawing),  Mrs.  Litchfield  (folio  mezzo.).  Say,  J.  B.  Linn,  by 
Tanner  ;  Baltimore  Theat-e  bill,  1815,  Miss  Fontenelle  as 
Moggy  (original  drawing).  Roger  Kemble  (folio  in  colors), 
Mrs.  Siddons  (folio),  by  Caldwell  ;  Munden  (folio),  by  Lup- 
ton ;  Earl  Percy  (folio),  Reynolds,  Mrs.  Merry  as  Galista,  by 
Comer;   Miss    Brunton  as  Horatia,   1785;    Mrs.    Wigncll,    by 

165 


Edwin;  T.  A.Cooper  (p.b.l.),  also  autograph  letters;  Wm. 
Godwin  (folio  mezzo.),  Dawe,  Baltimore  Theatre  bill,  1814, 
Cooper  as  Piere,  VV.  T.  Lewis  (folio),  William  Warren,  auto- 
graph power  of  attorney  appointing  Francis  C.  Wemyss,  also 
autograph  letters  (2),  Baltimore  Theatre  bill  (1818  ;  Warren's 
benefit),  Warren  (folio,  by  Mcl.ellan),  Jefferson  and  Blissett, 
by  Edwin  ;  Harwood,  by  Edwin  ;  Franklin  (folio  mezzo.). 

Ireland— Vol.  I.,  Part  IV. 

Richard  Cumberland  (folio  mezzo.)  ;  Val.  Green  ;  Jas.  Fennell, 
by  Boyd  ;  Washington  Theatre  bill,  1816,  Mr.  Darley  as  per- 
forming ...  at  \'auxhall,  Mrs,  Oldmixon  (original  draw- 
ing), Haydn  (folio,  by  Hardy)  ;  Mrs.  Darley,  by  Leney  ;  Wash- 
ington Theatre  (1818  ;  Mrs.  Darley's  benefit),  Mrs.  Darley,  by 
Edwin  ;  Thos.  Morton  (4to,  printed  in  colors),  by  Heath  ; 
Honora  Sneyd,  by  Bartolozzi  (p.b.l.)  ;  Kotzebue  (p.b.l.,  folio). 
Cooper  as  Leon,  Earl  Percy  (8vo),  Washington,  by  H.  S.  Sadd 
(Baker,  320)  ;  Pisarro  (folio),  Rosamund  Clifforde,  by  Noble  ; 
Mrs.  Jordan  (3),  Joanna  Baillie  (folio),  Mrs.  Merry  as  Juliet 
(original  drawing),  Fawcett  (folio),  by  Say  ;  and  autograph 
letters.  Bannister  (4to),  Conde,  and  autograph  letters,  Mrs. 
Bland  (i.p.),  Bland  [Wilson]  (original  drawing),  Louis  XVI. 
(folio),  Contollier,  1789,  Marie  Antoinette  (folio),  Schinker, 
Mrs.  Hodgkinson's  Grave  (original  drawing),  Bonaparte,  Pre- 
mier Consul,  by  Charon  ;  John  MinshuU,  Scoles  sc. 

Ireland— Vol.  I.,  Part  V. 

Stephen  Price  (mezzo.),  S.  W.  Reynolds,  Cooke  as  Sir  Archy 
(folio),  J.  H.  Payne  as  Norval  (original  drawing  in  colors, 
folio),  Andrew  Jackson  Allen  (original  drawing  in  colors), 
James  Kenney,  and  autograph  letters,  Michael  Kelly  (folio 
mezzo.),  C.  Turner,  Park  Theatre  bills  (4),  Mrs.  Wheatley 
(original  drawing),  Edward  Young  (i.p.),  Twaits  (original  draw- 
ing), Alexandria  Theatre  biU,  Park  Theatre  benefit  bill,  A.  J. 
Allen,  Mrs.  Blake  (original  drawing),  Frederick  Town  Theatre 
bill,  1 8 18,  Kemble  as  RoUa  (folio  mezzo.),  autograph  letters 
of  Stephen  Price,  April,  1839,  Stephen  Price  (lith.),  Chas. 
Kemble  (original  drawing  in  colors),  J.  H.  Payne  (original 
drawing,  and  autograph  letters,  1820),  Payne's  Grave  (original 

'  drawing),  Duke  of  Buckingham  (folio  etching),  by  Captain 
Baillie  ;  Stephen  Price  (original  drawing),  Simpson  as  Hassa- 
rac  (original  drawing  in  colors,  and  autograph  letters,  1839, 
2),  Baltimore  Theatre  bill  (1819  ;  Mrs.  Entwisle's  benefit),  F^llis- 
ton  (folio  mezzo.),  by  C.Turner  (in  colors)  ;  National  Theatre 
bill  (Dwyer's  benefit),  autograph  letters  of  Wm.  B.  Wood,  1823 
(2),  Wm.  B.  Wood,  5  benefit  bills,  Ccoke  as  Richard  (original 
drawing  in  colors),  Cooke,  by  Whessell  ;  Cooke  as  Richard 
Dighton,  Cooke  as  Falstaffe'  (original  drawing  in  colors), 
Thomas  Hilson,  autograph  letters,  3  pp.,  1835  (2),  Baltimore 
Theatre  bill  (Hilson 's  benefit).  Hilson  as  Figaro  (original  draw- 
ing in  colors),  the  late  Mr.  Burke,  Hilson  as  Pangloss  (original 
drawing  in  colors),  Cooke,  by  Edwin  (3),  and  others. 

166 


Ireland— Vol.  I.,  Part  VI. 

Byron  (folio  mezzo),  Lupton,  Scott  (folio  mezzo  in  colors  and 
autograph  letter,  3  pp.,  1830),  Wallack  (folio),  Woolnoth, 
Holman  as  Chamont,  by  Godfrey,  and  autograph  letters,  1808  ; 
Holman  as  Romeo  and  2  p.b.l.  in  character  ;  Capt.  Jas. 
Lawrence,  by  Leney  ;  autograph  letters  of  Chas.  Gilfert, 
Theatre  bill  announcing  death  of  Mrs.  Twaits,  Suett  (folio 
mezzo.,  unfinished  proof),  Philadelphia  bill,  March  27,  1818, 
announcing  Forrest's  first  appearance  on  the  stage,  Eliza 
Placide  Mann  (original  drawing),  Jane  Placide,  autograph 
letters,  of  Henry  Placide  (4to),  by  S.  H.  Gimber  ;  as  Fred'k 
II.  (original  drawing  in  colors),  as  King  of  Clubs  (original  draw- 
ing in  colors),  American  Museum  (lith.),  Henry  R.  Bishop 
(folio  mezzo.),  Reynolds,  autograph  letters  and  3  sheets  of  MSS. 
music.  Miss  Stephens  (folio  mezzo.),  Reynolds,  autograph  let- 
ters of  John  Poole,  autograph  letters,  3  pp.,  of  A.  S.  Philipps, 
Mr.  and  Mrs.  Barnes  (original  drawings  in  color),  autograph  let- 
ters of  John  Barnes,  1835,  Betterton  (folio  mezzo.),  Williams, 
Andrew  Jackson  (4to),  Gimbrede,  and  autograph  letters  ;  MS., 
1  p.;  Sir  Walter  Scott,  Congreve  (i. p.), West  as  Sir  Kenneth  (orig- 
inal drawing  in  colors),  Alexander  Wilson  (original  drawing), 
James  Monroe  (4to),  Gimbrede,  J.  Rodman  Drake  (i.p.),  Rauz- 
zini  (4to),  Hancock,  T.  Philipps  (4to),  Busby,  Holliday  St. 
Theatre  bill,  Finn's  benefit,  and  autograph  letters,  1835,  Finn 
as  Logic  (original  drawing  in  colors,  and  autograph  letters,  3 
pp.,  1828),  Byron  (folio,  by  Wedgwood,  unfinished  proof  and  the 
finished  plate),  Byron  (autograph  letters,  3  pp.,  18 15),  Christo- 
phoros  Lee  Sugg  (4to,  by  W.  Mathews),  Miss  Lee  Sugg,  the 
Infant  Roscius,  J.  W.  Wallack,  Sr.  (folio  mezzo.),  "  Irish " 
Johnstone  (original  drawing  in  colors). 

Ireland— Vol.  I.,  Part  VII. 

Kean  as  Othello  (original  drawing  in  colors),  Kilner  as  Cop 
(ditto),  J.  S.  Knowles  (folio  mezzo.),  Sadd,  Tom  Moore  (folio), 
Watt,  Mrs.  Jordan  as  Rosalind  (4to),  Henry  Cook,  Geo. 
Bartley,  autograph  letters,  Maywood  as  Rob  Roy  (original 
drawing  in  colors).  Park  Theatre  bill,  Jan.  4,  1819,  Maywood's 
first  appearance,  and  autograph  letters,  3  pp.  (2),  Maywood 
as  Tarn  o'  Shanter  (folio  lith.).  A.  Newsam,  Frances  Wright 
(folio  lith.),  Scott  (folio,  by  Horsburgh),  Wallack  as  Hamlet 
and  as  Rolla  (original  drawings  in  color),  blowing  up  of  the 
Intrepid  by  Captain  Somers,  autograph  letters  of  J.  S.  Knowles 
(2),  Mrs.  Al.sop,  by  Alais  and  Hopwood,  also  original  draw- 
ing in  colors  as  Rosalind  ;  Kean  as  Richard  (original  drawing 
in  colors,  1852,  by  Toedteberg),  Kean  as  Othello,  Kean  as 
Sir  Giles  (original  drawing),  as  Lear  (original  drawing),  G.  S. 
Carey,  1776,  Kean  as  Timon  (original  drawing  in  colors),  as 
Othello  (ditto),  Kean  as  Macbeth,  by  Meyer;  Henry  Wallack 
(folio  origmal  drawing  in  colors),  Mary,  Queen  of  Scots  (folio 
mezzo.),  1.  Rogers,  James  R.  Anderson  (original  drawing), 
Park  Theatre  (original  drawing),  also  interior  ;  Wm.  Coleman 
(i. p.b.l.),  Sam'l  Swartwout    (original    drawing    in    colors  and 

167 


document  signed),  Edward  Laight,  David  Hosack  (original 
drawing  and  autograph  letters),  John  Banim,  autograph 
letters. 

Ireland— Vol.  I.,  Part  VIII. 

Conway  (folio  mezzo.),  W.  Say,  Mathews  (folio  mezzo.),  C.  Tur- 
ner, Wallack  and  Mrs.  Duff  (original  drawing  in  colors),  Rich- 
ings  (original  drawing  in  colors),  and  autograph  letters,  John 
Wilkes  (folio  mezzo.),  Kitcheman,  Walnut  Street  Theatre  bill 
(1829  ;  benefit  of  Booth),  Young  (folio  mezzo.),  C.  Turner,  Miss 
S.  Booth  (folio  mezzo.),  Meyer,  Cooper  as  Edgar,  J.  Q.  Adams 
(folio),  by  J.  Andrews  and  autograph  letters,  1795  !  Booth  as 
Brutus,  and  autograph  letters,  1836,  Edwin  Booth  (folio  lith.), 
John  Wilkes  Booth  (original  drawing),  J.  B.  Booth  (original 
drawing  in  colors  and  autograph  note  signed),  Cowell  (original 
drawing  in  colors  and  autograph  letters),  J.  W.  Wallack  (original 
drawing,  autogra])h  letter),  W.  Cilmore  Simms,  Pelby  as  Lara 
(4to  lith.),  J.  Fenimore  Cooper,  autograph  letter,  1837,  John 
Parry,  M.  M.  Noah  (original  drawing),  Louis  P.  Clover  (original 
drawing  in  colors),  Mrs.  Wm.  Dinneford  (original  drawing  in 
colors),  Foote  as  Hamlet  (original  drawing),  James  Watkinson 
(original  drawing),  Mathews  as  (joldfinch  (folio  proof), 
Mathews  as  Old  Scotch  Woman,  as  Somno,  by  T.  Priscott  ; 
autograph  letters,  with  Liston  and  Blanchard  in  Love,  Law,  and 
Physic  (folio  mezzo.),  Lupton  (original  drawing  in  colors),  at 
Home  in  the  Diligence,  by  D.  C.  Johnson  (4to)  ;  as  Index,  and 
in  many  other  characters,  Wallack  as  Charalois  (original  draw- 
ing in  colors),  \V.  T.  Moncriel'f  and  autograph  letter,  3  pp., 
1827,  Rebecca  Isaacs,  Hyatt  (original  drawing  in  colors),  auto- 
graph letter  of  Mary  A.  Duff,  1835,  Mrs.  Duff  (original  draw- 
ing in  colors).  Miss  O'Neill  as  Belvidera  (folio  mezzo.),  Meyer, 
(ditto),  W.  Say,  Lafayette  (folio  mezzo.),  Duplessi-Bertaux. 

Ireland— Vol.  I.,  Part  IX. 

Mme.  Malibran  (folio  mezzo.),  Chas.  Turner,  Hackett  as  Fal- 
staffe  (original  drawing  in  colors),  Chatham  Theatre  interior 
(ditto),  Lydia  Kelly,  autograph  letters  (2),  Major  I.  L.  Stevens 
(original  drawing),  Watkins  Burroughs  (publisher.  Roach), 
Mrs.  Rosalie  Pelby  as  Cherry  (original  drawing  in  colors), 
Mrs.  Pelby  as  Valsha,  Chas.  Durang  (autograph  letters,  3  pp., 
1852,  and  original  drawing  in  colors),  Mrs.  G.  H.  Barrett 
(ditto),  many  bills  of  Chatham  Theatre,  Wm.  R.  Blake 
(original  drawing  in  colors  and  autograph),  autograph  letters, 
F.  A.  Drake,  Chatham  Theatre  bill  (1824;  Finn's  benefit), 
Chatham  Theatre  bill  (1824;  Miss  Fisher's  first  appearance), 
Mrs.  Agnes  Thayer  (original  drawing  in  colors),  F.  C.Wemyss, 
autograph  letters,  \Vheeling  Theatre  bill  (1834),  F.  C.Wemyss 
(folio  lith.),  A.  Newsam,  Thomas  Hamblin  as  Coriolanus  (folio 
original  drawing  in  colors  by  'J'oedteberg,  1855),  Hamblin  as 
Darvil  (folio  lith.  and  autograph  letters,  3),  Baltimore  Theatre 
bill  (1829;  Jas.  Wallack's  benefit),  autograph  letters,  .'\.  W. 
Jackson,  autograph  letters,  Eliz.  Hamblin,  Kean  as  Richard 

168 


(original  drawing  in  colors),  Kirby  as  Clown,  Mme.  Mali- 
bran  (5,  i.p.),  G.  B.  Velluti  (410,  by  Fiigel),  autograph  letter, 
de  Beriot,  Hackett  as  Mallet,  Holliday  St.  Theatre  bill 
(1833;  Hackett's  benefit),  Bowery  Theatre  (Hamblin's  benefit). 
Hackett  as  Nimrod  and  as  Solomon  Swap  (original  drawings), 
also  autograph  letters  {2  pp.,  1834). 

Ireland— Vol.  I.,  Fart  X. 

Forrest,  by  Meyer  (i.p.),  Sergeant  Talfourd  (folio  mezzo.,  by 
Burge.ss),  Macready  as  Werner  (folio,  by  SharjDc),  Mrs.  Chas. 
Thorne  (original  drawing  in  colors),  Forrest  (original  draw- 
ing after  Sully),  and  as  Metamora,  Forrest,  autogra|)h  letter, 
T.  N.  Talfourd,  autograph  letter,  Talma  (folio,  by  Lignow), 
Rossini,  by  Raff  Morghen  ;  Thos.  Hamblin,  by  Ormsby  (p.b.l.); 
Kean  in  Indian  dress  (folio).  Storm,  Herbert  as  Osmond 
(original  drawing),  Baltimore  Theatre  (1819;  Herbert's  bene- 
fit, with  wood-cut  as  Richard  III.),  Conway,  Mrs.  Conway, 
and  Miss  Deblin  of  the  Park.  Theatre  etched  by  Wright,  New 
York,  1827,  General  Sandford  (original  drawing),  Lafayette 
Theatre  (4to,  by  Jos.  Eddy),  Mrs  Anderson  (original  draw- 
ing in  colors),  autograph  letters,  N.  M.  Ludlow  and  original 
drawing,  Victor  (4to,  by  Benoist),  J.  M.  Scott  (original  draw- 
ing), Philadelphia  Theatre  bill  (1827;  Mrs.  Wallack's  benefit). 
John  Paul  Jones  (folio  mezzo.,  by  Guttenberg  and  by  Macklin), 
3  rare  prints,  Macready  as  Macbeth  (original  drawing  in 
colors,  folio),  Philadelphia  Theatre  (1827  ;  Macready's  first 
appearance),  Macready,  autograph  letters,  Macready  as  Rob 
Roy  (from  British  stage),  Macready  as  Werner  (i.p),  Macready 
and  Miss  Huddart  (4to  lith.),  Philadelphia  Theatre  (1827; 
Macready's  benefit,  2),  Macready  as  Romeo  (folio).  Woodman, 
Macready  as  lou  (i.p.),  and  many  others,  Wm.  Wheatley 
(lith.).  Miss  Povey  (i. p.b.l.),  T.  Cooke  (folio  mezzo.),  Lupton. 
Edward  Knight  (folio  mezzo,  proof,  by  Dawe),  Thomas  Barry 
(original  drawing  and  autograph  letters),  Benj.  Thompson  (folio 
mezzo.).  Smith  (proof),  John  Povey  (original  drawing  in  colors). 

Ireland— Vol.  I.,  Part  XI. 

John  R.  Scott  (original  drawing  in  colors),  Clara  Fisher  as  Lord 
Flimnap  (original  drawing  in  colors).  Bowery  Theatre  (original 
drawing),  Cornelius  A.  Logan,  autograph  letter,  Mme.  Achille 
(original  drawing  in  colors).  National  Theatre  bill  (Celeste's 
benefit,  2),  Clara  Fisher  (folio),  lnman-(iiniber  (lith.).  Childs 
and  others,  Jas.  G.  Maeder  (original  drawing  in  colors),  Chas. 
E.  Horn  (4to  lith.  and  autograph  letter),  as  Casper  (4to  lith.), 
Mrs.  Sarali  Austin  (folio  lith.,  i.p.,  and  autograph  letter.  1827^, 
Dr.  Arne  (folio  mezzo.),  Humphrey,  Mrs.  Sloman  (4to), 
Humphreys,  autograph  letter.  John  Sloman.  1839,  Sloman 
and  Beverly  as  Jemmy  and  Jerry,  autograj)!!  letter,  R.  B. 
Peake,  Wm.  T.  Moncrieff,  John  R.' Scott  (original  drawing  in 
colors  and  autograph  letter).  City  Museum,  Philadelphia  (rare 
colored  lith.).  Thos.  Comer  (original  drawing  and  autograj)!! 
letters),  Mrs.  Jane  M.  F.  Fisher,  autograph  letter,  George 
Christy  (folio  lith.,  2),  Mary   Rock  Murray,  autograph  letters, 

169 


Miss  Lane  in  5  characters  (original  drawing),  Louisa  Lane 
Drew,  autograph  letter,  Herr  Cline  (original  drawings,  3,  and 
several  bills  with  wood-cut  portraits),  Geo.  Holland  (original 
drawing  and  autograph  letters),  John  WoodhuU,  autograph  let- 
ter, Chas.  W.  Taylor  (origmal  drawing  and  autograph  letter), 
G.  H.  Andrews  as  Captain  Co]-)p  (original  drawing  in  colors), 
Blaikie  as  Billy  Barlow  (original  drawing),  P.  ^L  Wetmore 
(i.p.  and  autograph  letters),  John  Sefton,  autograph  letters,  A. 
W.  Jackson,  autograph  letters,  2  pp.,  1838  (2),  G.  W.  Dixon 
as  Zip  Coon,  and  original  drawing. 

Ireland— Vol.  I.,  Part  XIL 

Kean  as  Richard  (original  drawing  in  colors),  Mile.  Clara  (ditto), 
Chas.  R.  Thorne  (ditto),  Jas.  H.  Caldwell  (ditto),  American 
Theatre,  New  Orleans  (folio  lith.,  presentation  proof  from  lith- 
ographer to  Caldwell),  Bannister,  Jr.,  as  Walter  (folio),  Jas. 
Heath,  autograph  letter  De  Witt  Clinton,  Byron  (folio),  West- 
Wedgewood,  autograph  letter  Charles  XII.,  17 12,  John  T. 
Norton  (original  drawing),  Sam  Cowell  (lith.)  and  as  Lord 
Lovell,  Miss  Cramer  as  Don  Giovanni  (lith.),  Mme.  Ronzi 
Vestris  (original  drawing  in  colors).  Miss  S.  Phillips  (lith.), 
Geo.  H.  Andrews  (original  drawing  in  colors  and  autograph 
receipt),  N.  M.  Ludlow  (autograph  letters,  2),  Parsons  as  Silius 
(original  drawing  in  colors),  J.  W.  Wallack  (signed  proof,  auto- 
graph letters,  Ann  Sefton  (2),  Boildieu  (autograph  letter),  Wash- 
ington Irving  (folio  mezzo.),  G.  S.  Newton,  C.  Turner  (open 
letter  proof),  Chas.  Kean  as  Macbeth  (folio  lith.  in  colors),  as 
Richard  (i.p.),  as  Shylock  (i.p.),  as  Hamlet  (i.p.),  as  Over- 
reach (folio  lith.),  as  Hamlet  (folio  lith.),  as  Claude  Melnotte 
(folio  lith.).  Bowery  Theatre  bill  (1839;  Chas.  Kean 's  first 
appearance)  ;  Chas.  Kean  as  Richard  (original  drawing  in 
colors),  Chas.  T.  Parsloe  (lith.  4to),  James  Thorne  as  Figaro 
(folio  lith.),  A.  Newsam,  de  Beriot  (folio  lith.).  Master  Burke 
as  Dr.  O'Toole  (folio  lith.).  National  Theatre  bill  (Burke's 
benefit),  and  others. 

Ireland— Vol.  I.,  Part  XIII. 

A.  A.  Addams  (original  drawing),  D.  Marble  (original  drawing 
in  colors),  Rophino  Lacy  (original  drawing  in  colors),  Pierre 
Rode  (4to),  autograph  letters,  Jas.  K.  Paulding,  Lydia  Kelly 
(i.p.),  Hilson  as  Figaro,  Edward  Cuddy  (4to,  by  Gimber  ; 
original  impression).  Theatre,  Wheeling  (Wemyss's  benefit  and 
others),  A.  A.  Addams,  autograph  letter,  Geo.  P.  Farren 
(original  drawing),  VV.  Farren,  autograph  letters,  Gallotas  Jack 
(original  drawing  in  colors),  Geo.  Jones  (lith.),  as  Hamlet  (in- 
laid i.p.,  lith.  after  d'Orsay,  by  Durand),  autograph  letters,4  pp., 
1835,  Cagliostro  (folio,  by  Marcuard),  Caivin  Kdson  (original 
drawing),  Dan  Marble  as  Hardhead  (original  drawing  in  col- 
ors), Garrick  as  Richard  (folio),  Mrs.  Pritchard  as  Hermione 
(folio),  Pine-Ravenet.  (Jottschalk,  Jas.  H.  Hackett.  autograph 
letter,  1831,  Ole  Bull  (folio  lith.),  original  drawings  of  the 
graves  of  Mrs.  Duff,  Wm.  R.  Blake,  Henry  Placide,  Eliza 
Logan,  C.W.  Clark,  Hamblin,  J.W.  Wallack,  Conway,  and  others. 

170 


Ireland— Vol.  II.,  Part  I. 

Josephine  Clifton  (folio  lith.),  Endicott,  Fanny  Kemble  after 
Lawrence  (folio  lith.,  i.p.),  J  no.  R.  Scott  (folio  lith.,  i.p.),  A. 
Newsam,  The  Ravels  (4  original  drawings),  J.  N.  Ireland 
(i.p.b.l.,  with  autograph  and  autograph  letters,  7  pp.),  Chas. 
Kemble  as  Pierre  (i.p.),  Mrs.  A\'.  Barrymore  (original  drawing), 
Wieland  as  Oberkin  (folio  lith.  in  colors),  Miss  Hughes  (folio 
mezzo.,  by  Jones),  Sinclair  (folio  mezzo.),  Meyer,  Thomas 
Welsh  (by  B.  Moll  after  Wivell),  W.  Barrymore,  autograph  let- 
ter, J.  R.  Anderson  as  Bertram  (folio  aquatint  proof),  Napoleon 
(folio)  in  robes,  Gerard-Bromley,  and  autograph  document 
signed,  Leon  Javelli  (original  drawing  in  colors).  Bowery  The- 
atre (i.p.,  from  Pjowmen),  Josephine  Clifton  (original  drawing  in 
colors),  T.  H.  Hadaway  as  Caleb  and  autograph  letters  (2),  Miss 
Josephine  Bartolozzi  (original  drawing  in  colors),  Blanchard  as 
Ralph  (4to,  Leney,  1792),  Blanchard,  Mrs.  Davenport  and  Miss 
M.  Tree  in  Beggar's  Opera  (folio),  Clint-Cooke  (i.p.),  Louisa 
Johnson  (folio  lith.),  E.  J.  Parsloe  and  Vale  as  Robinson  and 
Monkey  (original  drawing  in  colors),  Parsloe  as  Simpkins 
(ditto),  F.  G.  Ilalleck,  autograph  letter,  Marquis  Montcalm 
(folio  lith.),  Yankee  Hill  as  Major  Wheeler  (folio  lith  in  colors  ; 
also  original  drawing  in  colors),  Wilkinson  as  Logic  (original 
drawing),  as  La  Fleur,  Chas.  Kcm.ble  (drawing  from  life,  1840, 
by  Wm.  Hy.  Nightingale,  with  Kemble"s  autograph),  Chas. 
Kemble  as  Charles  Surface,  Dighton,  Park  Theatre  bills  (bene- 
fit of  Fanny  Kemble  and  others),  Kemble  as  Richard  (folio), 
Hamilton-Bartolozzi,  Chas.  Kem.ble  as  Othello,  lago,  Cassius. 
the  Stranger,  Benedick,  Faulconbridge,  Macduff,  Don  Felix, 
Leon,  Mercutio,  Macbeth,  Shylock  (12  India  proofs),  J.  P. 
Kemble  (folio),  Shee-W.  Sharp  (open  letter  proof),  Fanny 
Kemble  as  Juliet  (i.p.),  as  Portia  (8vo  mezzo.),  Sartain. 

Ireland— Vol.  II.,  Part  II. 

Tyrone  Power  (folio  mezzo.),  C.  Turner,  G.  B.  Montresor  and  Sra 
Varese  Pedrotti  in  II  Pirata  (folio  lith.,  New  York,  1S32),  Ferna- 
sari  as  the  Vam])ire  (original  drawing  in  colors),  Fawcett  and 
Kemble  as  Captain  Co])])  and  Chas.  II.  (folio  mezzo.),  Lupton, 
Mozart  (folio,  i  p.),  Madam  Otto  (4to  lith.),  Nell  Gwynn  (origi-- 
nal  drawing  in  colors),  T.  D.  Rice  (original  drawing),  as  Jim 
Crow  (ditto),  as  Johnny  Atkins  (original  drawing  in  colors), 
and  Chestnut  St.  Theatre  bill  (1S44  ;  benefit  of  T.  D.  Rice), 
Rice  as  Jim  Crow  (litli.  folio),  autograph  letters,  4  pp.  (folio), 
1838  (4to  lith,),  autograph  letters,  2  pp.,  1838,  Bowery  Theatre 
1840  bill  (Rice  benefit  and  others),  Edmon  S.  Conner  (folio 
lith.),  A.  Newsam  as  Wallace,  autograph  letter,  1837,  Arch 
St.  Theatre  (benefit  of  Conner  and  others),  Bowery  Theatre 
(1833  ;  Mrs.  Conway's  benefit),  Gio.  Batta  Montresor  (folio 
lith.),  L.  Fornasari  (folio  lith.),  as  Giovanni  (original  drawing 
in  colors),  Mercadante  (4to  lith.),  Mme.  Pedrotti  (folio  lith.). 
Placci  as  Prosdocino  (original  drawing  in  colors),  Richmoiul 
Hill  Theatre  (1833  ;  C.  Thome's  benefit),  'i'yrone  Power,  auto- 
graph letter,  1837,' Tyrone  Power  as  Connor  O'Gormon  (folio), 

'71 


Crowley-Lewis,  Loss  of  the  President  (folio  lith.),  Miss  Paton 
as  Susanna  (folio),  Stewart,  Miss  Stephens  (folio  mezzo.),  Har- 
low-Say,  Miss  Love  as  Vespina  (folio),  Wageman-Woolnoth, 
A.  M.  Tree  (folio  mezzo.),  C.  Turner,  Miss  f"oote  as  Maria 
Darlington  (folio),  Clint-Picart  (in  colors),  Miss  Paton  as 
Rosina  (i.p.),  Jos.  Wood  (original  drawing,  and  autograph 
letter),  Power  as  O'Dogherty  (4tolith,  in  colors),  J.  R.  Planche, 
autograph  letter.  National  Theatre  (benefit  of  Mr.  and  Miss 
Charlotte  Barnes),  Mrs.  E.  S.  Conner  (original  drawing  in 
colors),  C.  Kemble  as  Falstaffe,  as  Marc  Anthony  (both  i.p  ), 
Fanny  Kemble  (folio  lith.,  after  Sully,  p.b.l.),  autograph  letter, 
II  Diavolo  Antonio,  1834,  Louisa  H.  Medina  (Hamblin)  auto- 
graph letter,  E.  L.  Bulwer,  autograph  letter,  A.  L.  Pickering 
(lith.),  A.  Newsam,  Siamese  Youths  (i.p.). 

Ireland— Vol.  IP,  Part  111. 

John  Reeve  (folio  mezzo.),  Wagstaff,  J.  W.  Wallack  (original 
drawing),  Haml)lin  as  Arbaces  (original  drawing  in  colors, 
folio),  Mrs.  S.  Chapman  (4to),  S.  H.  Gimber,  Mrs.  Richardson- 
Chapman  as  Ernestine  (original  drawing  in  colors,  folio),  Miss 
Phillips  as  Claudio  (i.p.,  folio  lith.),  Miss  Watson  as  Aurelio 
(folio  lith.),  Endicott  and  another,  Paganini,  autograph  letter, 
Chas.  K.  Mason  (original  drawing  in  colors,  2),  Henry  Lewis 
(original  drawing  in  colors),  Sarah  H.  Timm  (original  drawing 
in  colors),  Jno.  R.  Scott  (autogra!)h  letter  and  original  drawing 
in  colors).  Mile.  Celeste  as  Miami  (origmal  drawing  in  colors), 
Bonaparte  (folio  mezzo.,  p.b.l),  E.  L.  Bulwer,  autograph 
letter,  Barkham  Cony  (original  drawing  in  colors),  Mary  A. 
Gannon,  aet.  12,  W.  F.  Johnson  (4to  lith.),  Wm.  Francis  Brough 
(original  drawing),  Robt.  B.  Brough,  autograph  letter,  4  pp., 
1855,  Sol.  Smith,  autograph  letter,  2  pp.,  1835,  Abbott  (folio 
i.p.),  Thurston-Picart,  Mrs.  Wood  as  Amii>a  (folio  lith.  in 
colors),  A.  Newsam,  Mrs.  Wood  (i.p.),  Mr.  Brough  (lith.), 
Endicott,  John  Reeve  (original  drawing  in  colors),  as  Jack  Ray 
(folio  lith.  in  colors),  and  another,  as  Abrahamides  (4to), 
James  S.  Hillyard  (original  drawing  in  colors),  Mrs.  Watson 
(lith.  4to),  Wroughton  (8vo  mezzo.),  Laurie,  Harley  as  Bob 
Acres  (original  drawing  in  colors),  as  the  Strange  (Gentleman 
(folio),  Easton,  Dowton  as  Sturgeon  (folio),  Wageman. 

Ireland— Vol.  II.,  Part  IV. 

Charlotte  Cushman  as  Mrs.  Haller  (folio  lith.  in  colors),  Charlotte 
and  Susan  Cushman  as  Romeo  and  Juliet  (folio,  original  draw- 
ing in  colors),  Mile.  Augusta  (folio  lith.),  Hoffy,  Miss  Nelson 
(Mrs.  John  Brougham), as Cherubino  (original  drawing  in  colors), 
Mrs.  Shaw  as  Nerval  (original  drawing  in  colors),  John  Oxley 
(original  drawing).  Burning  of  the  American  Theatre,  1836 
(folio  lith.),  Finn  and  Kilner  as  Paul  Pry  and  Hardy  (lith.), 
D.  C.  Johnston,  Henry  James  Finn,  autograph  letter,  '820, 
Washington  (Baker,  No.  40),  Col.  Tarleton  (i.p.,  mezzo.),  Rey- 
nolds, .\.  S.  Pickering  (original  drawing  in  colors),  Charlotte 
Cushman,  autograph  letter,  Engand  Chang  (lith.),  A.  Newsam, 
Mr.  Henry  (1827)  in  5  characters  (folio  lith.),  James  E.  Mur- 

172 


doch  (original  drawing),  as  Hamlet  (i.p.,  lith),  as  Chas.  Moor 
(original  drawing  in  colors),  Wni.  H.  Chippendale  (original 
drawing  in  colors  and  autograph  letters),  Mile.  Augusta  (origi- 
nal drawing  in  colors),  as  Zoloe  (4to  lilh.),  Mrs.  Keeley  as 
Topsy  (folio  lith.  in  colors),  Nell  Gwynn  (folio  mezzo.),  Lely- 
McArdell,  Mrs.  Keeley  as  Jack  Sheppard  (original  drawing  in 
colors),  Keeley  as  Billy  Black  (folio  lith.  in  colors),  W.  S. 
Fredericks  (original  drawing  in  colors),  Denvil  as  Manfred 
(folio  original  drawing  in  colors),  Scene  from  Manfred  (folio 
colored),  Krafft-Rahl,  Denvil  as  Manfred  (folio  lith.),  Edwin 
singing  in  The  Bay  of  Biscay  O  !  (folio),  Barnett,  Keeley  as 
Gregory,  Mary  Anne  Keeley  (folio  lith.  in  colors),  Mile. 
Augusta  in  La  Sylphide  (folio  line),  Ellen  Tree  as  Rosalind 
(i.p.,  folio  lith.,  and  autograph  letters),  as  Clemanthe  (i.p.,  4to 
lith.),  as  Ion  (i.p.,  4to  lith.),  as  Rebecca  (origmal  drawing  in 
colors),  as  Violante  (i.p.,  4to),  Wivell-Phillips,  Chas.  Kean  as 
Richard  (original  drawing  in  colors),  Ellen  Tree  as  Ion  (origi- 
nal drawing  in  colors),  "  Yankee  "  Hill  as  Hiram  Dodge  (folio 
lith.  in  colors). 

Ireland— Vol.  II.,  Part  V. 

Jos.  Jefferson  as  Rip  (folio  original  drawing  in  colors),  J.  W. 
Wallack  (ditto),  C.  Burke  as  Captain  Jenkins  (ditto),  Mr.  and 
Miss  Nickinson  (410  lith.),  autograph  letter  Mitchell,  Mr.s. 
Blake,  Dr.  Blake,  Mrs.  and  J.  W.  Wallack  (original  drawing  in 
colors),  J.  W.  Wallack  as  Gloster  (ditto),  J.  W.  Wallack,  Jr. 
(ditto),  Mary  Burke  (ditto),  Chas.  Burke  (autograph  letter 
and  original  drawing),  Effie  Germond  (original  drawing  in 
colors),  Joe  Jefferson  as  Bob  Acres  (folio  lith.  in  colors),  Mrs. 
George  Jones  (i.p.,  4to  lith.,  and  original  drawing  in  colors). 
Trial  of  Queen  Catherine  (Mrs.  Siddons,  etc.;  folio  mezzo.), 
Harlow-Jazet,  autograph  letter,  N.  P.  Willis,  Mme.  Caradori 
(folio  lith.),  Mme.  Caradori  Allan  and  2  autograph  letters, 
Mme.  Le  Compte  (4to  lith.,  1839),  J.  K.  Mason  (original  draw- 
ing), Mons.  Lecomte  (4to  lith.,  183CS),  La  Petite  Augusta  (origi- 
nal drawing  in  colors),  Edward  Vitzball  (8vo  lith.),  Neafie  as 
Fabien,  J.  A.  J.  Neafie  (i.p.,  lith.  4to),  Jean  M.  Lander  (2), 
autograph  letters.  Miss  Davenport  as  Norval  (4to  lith.  in 
colors.  New  York,  1838,  and  2  original  drawings  in  colors), 
as  Lysisca  (i.p.),  National  Theatre  (folio  lith.),  James  S.  Browne 
(lith.).  National  Theatre  (W.  H.  William's  benefit  and  others), 
Grimaldi  as  Clown,  J.  Vandenhoff  autograph  letters  (3),  as 
Shylock,  as  Macbeth,  as  Richelieu,  Ben  de  Bar  as  Falstaff 
(folio  lith.),  autograph  letters  (2),  as  Sykey  (original  drawing 
in  colors),  W.  E.  Burton,  autograph  letters  (3),  Eiston  (folio 
mezzo.),  Jackson-Ward,  Liston  as  Maw  Worm  (lith.  4to,  New 
York,  1824),  and  as  Pedrigo  Potts. 

Ireland— Vol.  II,,  Part  VI. 

Mile.  Celeste  as  Madeleine  (lith.  folio),  Mme.  Ronzi  dc  Bcgnis 
as  Fatime  (folio  original  drawing  in  colors),  IL  Johnson  as 
Douglas  (folio),  Singleton-Mitchell,  Jonathan  Swift  (folio 
mezzo.),  Burford,    1744,   Captain    Lemuel    Gulliver,    National 

173 


Theatre  (benefit  of  A.  J.  Allen),  Mary  Taylor  (original  draw- 
ing in  colors),  Mary  Taylor  and  F.  S.  Chanfrau  (ditto),  J. 
Vandenhoff  as  Cato  (i.p.),  Miss  Missouri  (original  drawing  in 
colors),  D.  C.  Anderson  (original  drawing),  IJ.  C.  Anderson, 
autograph  letters,  'I'he  C'elebrated  Pasdc  Quatre,  Carlotta  Grisi, 
Marie  'I'aglioni,  Lucile  Orahn,  and  Fanny  C'erito  (i.p.,  folio 
lith.),  Chalon-Maguire,  Mile.  Taglioni  as  Bayadere  (folio  lith. 
in  colors),  Fornasari  as  Zampa  (original  drawing  in  colors), 
John  James  Love  (folio  lith.,  i.p.),  W.  ]■'..  Love  (original  draw- 
ing), Mme.  Vestris  as  Mrs.  Page  (folio  mezzo.),  S.  W.  Reynolds, 
also  autograph  letters,  1831,  F.  Bartolozzi,  by  Eettoni  ;  Mme. 
Vestris  as  Orpheus  (original  drawing  in  colors),  Mme.  Vestris, 
Miss  P.  Glover  Williams  and  Liston  in  Paul  Pry  (folio  mezzo.), 
Clint-Lupton,  Chas.  J.  Mathews  (folio  lith.,  i.p.),  as  Kattleton 
(i.p  ),  Miss  Shaw,  Yates  and  MissCctteril  in  Nicholas  Nickleby 
(folio  lith.),  S.  D.  Johnson  (original  drawing),  Paul  and  Mme. 
Taglioni  in  La  Sylphide  (folio  lith.,  New  York,  1839),  Marie 
Taglioni  (folio  lith.  in  colors),  Mile.  Taglioni  in  La  Sylphide 
(folio  mezzo.,  ditto,  in  a  series  of  6  i.p.  folio  lithos.),  Paul  Tag- 
lioni (folio  various  and  autograph  letters),  Sr.  de  Begnis  (i.p., 
folio  lith.),  Miss  Shirreff  (original  drawing  in  colors),  also  (i.p., 
folio  lith.  and  autograph  letters),  Wilson  in  Amalie  (folio  lith.), 
Apotheosis  of  Handel  (folio),  Heath,  John  Wilson,  (4to  lith., 
i.p.,  and  original  drawing  in  colors,  by  Toedteberg,  1848), 
Jane  Sheriff  as  Zerlina  (original  drawing  in  colors),  Jane  Shir- 
reff,  Priscilla  Horton,  and  Harriet  Taylor  as  the  Three 
Witches  (i.p.,  lith.). 

Ireland— Vol.  IL,  Part  VH. 

Cartlitch  as  Percy  (original  drawing  in  colors).  Miss  Tnverarity  as 
Cinderella  (ditto),  Fanny  l^lssler  (i.p.,  and  6  others,  folio),  Mas- 
ter Diamond  (410  lith.), National  Theatre  (benelitof  Miss  Shirreff. 
Wallack,  Mathews,  and  others),  Capt.  Marryat,  autograph  letter. 
The  Misses  Shaw  (4to  lith.),  Mary  Shaw  (original  drawing  in 
colors,  2),  Master  John  Diamond  (ditto),  Winficld  Scott,  auto- 
graph letter,  Mary  Ann  Lee  (original  drawing  in  colors),  Miss 
Inverarity  (ditto),  John  Gilbert  (ditto),  M.  Van  Buren, autograph 
letter,  G.  P.  R.  James  (i.p.b.l.  and  autograph  letter,  2  pp.), 
Wm.  Creswick  (4to,  p.b.l.),  Miss  Poole  as  Marceline  (lith.  in 
colors  and  original  drawing  in  colors),  Giubelei  (original  draw- 
ing), Manvers  as  Pierre  (lith.,  i.p.),  Benj.  Webster  (folio  lith., 
i.p.),  Mrs.  Fitzwilliam  (original  drawing  in  colors),  Terry  (folio 
mezzo.),  Yates  (folio  mezzo.),  Say,  Mrs.  Fitzwilliam  as  Nelly 
(folio  aquatint),  Starling,  Chestnut  Street  Theatre  (Mrs.  Fitz- 
william's  benefit,  2),  Mons.  Alexandre's  characters  (folio  lith.), 
also  as  Rogueries  of  Nicholas  (2),  and  portrait  (folio  mezzo.), 
brilliant  proof  before  all  letters,  Park  Theatre  benefit,  Mr.  and 
Miss  Vandenhoff,  1840,  Mary  Stuart  and  Rizzio  (folio  mezzo.), 
proof  before  all  letters,  Fradelle-Say,  Mary  and  Darnley  (folio 
mezzo.),  Dunkarton,  Fanny  Klssler,  autograph  letter,  Richelieu 
(fine  old  proof),  burning  of  National  Theatre,  1839  i^oWo  lith.). 
Miss  Vandenhoff  as  Juliet  (i.p.,  lith.),  Bowery  Theatre  (Mrs. 

174 


Shaw's  benefit  and  otiiers),  Petipa  and  Carlotta  (irisi  (folio  lilh  ), 
Mile.    Desjardins    and     Mens.    Gabriel    de    Corponay    (folio 

lilh.). 

Ireland— Vol.  II.,  Part  VIII. 

Mrs.  Hoey  (original  drawing  in  colors),  F.  Elssler  as  La  Voliere 
(folio  lith.  in  colors),  W.  Love  (i.p.,  folio  lith.),  Harvey  Leach 
(Hervio  Nano,  the  Gnome  Fly),  original  drawing,  another  in 
colors,  Bihin  (folio  lith.),  "  Ardaric  "  in  Attila  (folio  lilh.  in 
colors),  Mons.  Bihin  (folio  lith.),  Joseph  Brant  (2),  Bowery 
Theatre,  Hamblin's  benefit,  Mrs.  Sloman's  benefit  and  others, 
Henry  Ed.  Stevens,  autograph  letter,  Mitchell  (original  draw- 
ing in  colors),  W.  G.  Jones,  ditto  (2),  Mitchell  as  Man-Fred 
(4to  lith.),  Louis  Mestayer  (original  drawing  in  colors  and 
autograph  letters),  A.  W.  Fenno  (autograph  poem,  ICS25),  Bar- 
ney Williams  (5  lithos.,  original  drawing  in  colors),  Buckstone 
as  ^Vheedle  (4to  lith.)  and  many  others  in  character,  Ann 
Russell  Hill  (original  drawing  in  colors  and  autograph  letters, 
3),  Adam  Leffler  (lith..  i.p.),  Rubini  (folio  lith.,  i.p.),  and  as 
Othello  (folio  lith.),  Master  Hughes  and  his  Brothers  (folio 
lith.),  Braham  as  Orlando  (folio),  Dighton,  Braham  (folio,  in 
colors).  Wood,  Cardon,  Mrs.  Sutton  (2  original  drawings  in 
color).  Dr.  Arne  (4to),  Cherubini,  autograph  letter,  Tyrone 
Power  (autograph  letter  and  original  drawing  in  colors),  Julius 
Benedict  (i.p.,  lith.  4to),  R.  T.  Conrad,  autograph  letter,  Fanny 
Cerrito  (folio  mezzo.),  Simonean,  Every,  Kate  Horn,  Buckland 
(original  drawing  in  colors).  Bowery  'J'heatre  (C.  Mason's  bene- 
fit, Letort's  benefit,  Levi  J.  North's  benefit,  and  others),  W.  H. 
Sedley  [Smith]  (original  drawing),  Franz  Liszt  (folio  lilh.,  i.p.). 

Ireland— Vol.  II.,  Part  IX. 

Mrs.  D.  P.  liowers  (original  dr^iwing  in  colors),  Macready  as 
Werner  (folio  lith.,  i.p.),  Mrs.  Seymour  (original  drawing  in 
colors),  Cromwell  (folio  mezzo.,  by  Charles  Turner),  Charles 
I.  (folio  mezzo.),  Faber,  Jr.,  17 17,  Charles  I.  in  the  Guard 
Room  (folio  mezzo.),  Sanders,  Charles  Dickens  (folio),  Hall, 
1868  (proof),  Fanny  lilssler  (folio  lith.,  i.p.),  Maria  Pklge- 
worth  (i.p.),  Napoleon  at  St.  Helena  (folio  mezzo.),  Haydon- 
Coombs,  his  residence  there  (folio  mezzo.);  James  J.  Prior 
(original  drawing  in  colors),  Chestnut  Street  'I'heatre  (.May- 
wood's  benefit  and  last  appearance),  Bowery  Theatre  (C. 
Ma.son's  benefit),  J.  G.  Vandenhoff  (2  i.j).  lithos.),  Handel 
(folio  mezzo.),  Faber,  1749,  John  E.  Owens  as  Solon  Shingle 
(folio  lith.  and  autograph  letters),  Harry  P.  Grattan  (original 
drawmg  in  colors,  autograi:)h  letters,  2  pp.,  410),  Goethe,  J.  B. 
Booth,  Jr.  (original  drawing),  Adelaide  Phillips  (folio  lith.), 
Wyzeman  Marshall  (original  drawing),  J.  S.  Silsbee  as  Sam 
Slick  (lith.  folio),  A.  Newsam,  Charles  M.  Walcot  (original 
drawing  in  colors),  Stephen  Massett  (i.p.,  lith.  4to,  and  auto- 
graph letters),  E.  L.  Davenport  (folio  lith.).  2  autosimph 
letters,  folio  lith.  as  Sir  (iiles,  William  Tache  (original  draw- 
ing), General  'i'om  Thumb  (folio  lith),  autograph  letters, 
Thomas   Barry,   Macready   (original  drawing  in  colors,  folio), 

175 


Eliza  Phillips  (i.p.,  lith.),  Joseph  Artot  (folio  lith.,  i.p.),  Ole 
Bull  and  \'ieuxtemps  (410  lith.),  Ole  PjuII  (i.p.),  Halpin;  also 
lith.  .|to,  folio,  etc.,  auto,Q:raph  letters,  Vieuxtemps  (folio  lith., 
i.p.,  2),  de  Beriot  (410  lith.,  i.p.),  Sallie  St.  Clair,  autograph 
letter,  Max  Bohrer  (folio  lith.). 

Ireland— Vol.  11.,  Part  X. 

J.  R.  Anderson  as  Ulric  (folio  lith.,  i.p.),  Chanfrau  and  Winans 
(original  drawing  in  colors,  folio),  Mrs.  Mowatt  as  Lucia 
(original  drawing  in  colors),  Mrs.  Hunt  [Drew]  (original 
drawing  in  colors,  folio),  General  Green  (i.p.b.l),  T.  G.  Booth 
(original  drawing  in  colors),  J,  Winans  as  joe  (folio  lith..  New 
York,  1S48),  Chanfrau  as  Mose,  and  Mary  Taylor  as  Lize  (4to, 
lith.),  Chanfrau  as  Mose  (original  drawing,  folio,  in  colors), 
Mrs.  F.  S.  Chanfrau  (folio  lith.),  Chanfrau  as  Sam  (folio  lith.), 
Rose  Cline  (original  drawing  in  colors),  James  Rees  (autograph 
letter,  2  pp.,  4to,  1841),  F.  Palmo  (private  plate,  2,  and  original 
drawing  in  colors),  Mme.  Borghese  (ditto),  Emma  Albertazzi 
(folio  lith.,  i.p.  2,  and  autograph  letter),  de  Begnis  (4to),  C. 
Knight,  Chestnut  St.  Theatre  (Anderson's  benefit  and  others  ; 
also  autograph  letters,  2),  as  Huon  (i.p.b.l.),  Clara  Ellis  as 
Evadne  (original  drawing  in  colors).  Chestnut  St.  Theatre, 
Chippendale's  benefit  (Dyatt's  benefit),  Mrs.  Skerrett  (original 
drawing  in  colors),  Geo.  Skerrett  (ditto),  Macready  (ditto),  W. 
H.  Crisp  (original  drawing),  M.  W.  Balfe  and  autograph 
letter,  I.  J.  Frazer  (folio  lith.,  i.p.),  T.  B.  de  Walden,  autograph 
letters,  G.  S.  Buckley  (4to  lith.  and  autograph  letter),  Mme. 
Celeste  as  Miami  (folio  lith.),  Anna  Cora  Mowatt  (folio  lith.), 
James  Mowatt  (autogra[)h  letter,  4  pp.,  folio),  E,  L.  Daven- 
port (autograph  letters),  Burning  of  the  Bowery  Theatre 
(folio  lith.  in  colors),  John  E.  Dunn  (original  drawing  in 
colors  and  autograph  letters),  also  Burton's  Theatre  benefit, 
Eliza  Crisp  (original  drawing),  Rosina  Pico  (folio  lith.,  2), 
Chas.  Bass  (autograph  letters,  3  pp.,  4to),  autograph  letters  of 
Mr.  and  Mrs.  Humphrey  Bland,  Park  Theatre  (Murdock's 
benefit),  Mrs.  D.  P.  Bowers  (folio  lith.,  2),  Ellen  Tree  as  Ion 
(folio  lith.),  Albert  Smith  (folio  lith.,  i.p.),  Adolph  Adam 
(folio  lith.).  Park  Theatre  (Simpson's  benefit),  Mrs.  John  Drew 
(original  drawing).  Julia  Dean  as  Julia  (original  drawing  in 
colors,  folio,  also  lith.  folio),  L.  de  Garmo  Brooks  (folio  lith.), 
George  Lord  Jeffryes  (folio  mezzo.),  C.  Cooper,  Anna  Cruise- 
Cowell  as  Miami  (original  drawing  in  colors),  Ed.  Eddy  (auto- 
graph letters,  2,  and  folio  lith.).  Walnut  St.  Theatre  (first 
appearance  on  any  stage  of  Miss  Caroline  Chapman),  Der 
Americanische  General  Arnold. 

Ireland— Vol.  H.,  Part  XL 

Anna  Bishop  (original  drawing  in  colors),  Jas.  Stark  as  Hamlet 
(ditto),  M.  and  Mme.  Monplaisir  (folio  lith.  in  colors).  Caroline 
Chapman  (original  drawing),  Hermine  Blangy  (folio  lith.,  i.p., 
and  autograph  letter,  3  pp.,  1846),  as  Sylphide  (folio  lith.), 
in    Giselle   (folio  lith.    in  colors),   Benjamin  A.  Baker^   (lith. 

176 


and  autograph  letters,  2),  Charlotte  Nickinson  (Morrison)  auto- 
graph letters  (2),  Mrs.  W.  J.  Florence  (folio  lith.),  Collins  as 
McShane  (folio  lith.)  A.  Newsam  as  Paul  Clifford  (folio  lith., 
i.p.),  and  the  Widow  Machree  (folio  lith.),  Jas.  Stark,  autograph 
letter,  1848,  Viennoise  Children  (folio  lith.  in  colors,  2),  Eiiz. 
F.  EUet,  autograph  letter,  Watale  Perelli  (folio  lith.,  i.p.), 
Fortunata  Tedesco  (4to  lith.),  Park  Theatre  benefit  of  Ba.ss, 
C.  Burke  as  Dickor}'  (original  drawing  in  colors),  Catherine 
Wemyss  [Duffield]  (portrait,  and  2  autograph  letters),  Monte- 
zuma (fine  olti  line  engraving),  Ethan  Allan,  by  Buttre  ;  Char- 
lotte Crampton  (original  drawing  and  autograph  letters)  ;  also 
Albany  Theatre  benefit,  R.  Sands  and  his  2  Sons  (4to  lith.  in 
colors),  and  his  horse  May-Fly  (folio  lith.),  J.  B.  Roberts  (origi- 
nal drawing  in  colors,  and  autograph  letters),  Kate  Denin,  Ryan 
(original  drawing  in  colors),  Jenny  Lind  (folio)  W.  S.  Ormsby, 
(folio  lith.),  Sesto  Benedetti  (folio  lith.),  Castle  Garden  interior 
(folio  lith.)  and  several  bills,  Anna  Bishop  (several),  Robt.  N.  C. 
Bochsa  (4to  lith.,  and  autograph  letters),  Mme.  Persiani  (folio 
lith.  in  colors),  Chas.  Pitt  as  (xloster  (folio  original  drawing  in 
colors),  Mme.  Macfarren  (folio  lith.),  Chas.  Pitt  (folio  lith., 
i.p.),  Geo.  Cruikshank,  autograph  letters,  the  Misses  Heron 
(folio  lith.),  A.  Newsam,  E.  Simpson  autograph  letters  (2), 
the  original  elevation  for  the  Broadway  Theatre,  signed  J.  W. 
Trimble,  Architect  and  Builder  (folio  water  colors),  Rosalind 
Telbin  (p.b.l.),  Risley  and  his  2  sons  (folio  lith.,  2),  Mrs.  G.  P. 
Larren  (original  drawing  in  colors),  Henry  Clay  (4to  mezzo.), 
Ritchie,  and  autograph  letter,  1828,  Cornwallis  (p.b.l.,  in  red), 
Bartolozzi,  Julia  TurnbuU  as  Naiad  Queen  (folio  lith.). 

Ireland— Vol.  H.,  Part  XH. 

George  Jordan  (original  drawing  in  colors),  W.  E.  Burton  as 
Captain  Cuttle  (ditto),  Fanny  Cerito  as  Esmeralda  (folio  lith., 
colored),  Chatham  Theatre  (original  drawing  in  colors),  Gen. 
Scott  (folio,  i.p.),  Rogers,  Fanny  Herring  (original  drawing  in 
colors),  Mrs.  Barney  AVilliams  (4to  lith.,  colored),  F.  S.  Chan- 
frau  (4to  lith.),  as  Mose  (4to  lith.,  2),  Winansas  Joe  (4to  lith.), 
Chanfrau  as  Mose  (original  drawing  in  colors,  folio),  Emily 
Mestayer  (original  drawing  in  colors),  Benj.  A.  Baker  (auto- 
graph letter),  Lavater  (folio,  by  Wm.  Blake),  Emperor  Nicho- 
las I.  (folio),  Dawes-Robinson,  Lola  Montes  (folio  lith.), 
Farinelli  (original  drawing  in  colors),  Burton's  'I'heatre  (original 
drawing),  W.  E.  Burton  as  Captain  Cuttle  (folio  lith.),  Teresa 
Truffi  (4to  lith.),  T.  B.  Johnson  (original  drawing  in  C(^Iors), 
W.  J.  Hammond  (folio  lith.,  i.p.)  as  Sam  Wellcr  (4to  lith.  in 
colors,  and  anotlier),  Mme.  Laborde  (original  drawing  in 
colors),  Hammond  as  Filch,  Tamburini  and  Mme.  Persiani 
(folio  lith.,  colored).  Marriage  of  Gen.  Tom  Thumb  and 
Lavinia  Warren  (4to  lith.),  Aaron  P.urr  (i.p.),  O'Neill,  N.  B. 
Clarke  (original  drawing  in  colors,  and  autograph  letters), 
Ijoadicea  (folio).  Stothard-Wm.  Sharpe,  another  (folio),  ( )i)ie 
-Wm.  Sharpe,  A.  H.  Purdy  (4to  lith.,  i.p.)  and  benefit,  National 
Theatre,  Gertrude  Dawes  (original  drawing  in  colors),  Mary 

12  177 


Gannon  (ori.Q;inal  drawing),  John  Dolman  as  Leon  (410  lith., 
i.p.),  jas.  Delmon  Grace  (original  drawing  in  colors),  W.  E. 
Burton  as  'i'oodle  (410  lith.,  2),  '*  Cuttle  Fish,"  W.  Wright  as 
Tilly  Slowboy  (410  lith.  in  colors),  Ma.K  Maretzek  (4to  lith., 
and  original  drawing  in  colors). 

Ireland— Vol.  II.,  Part  XIII. 

Jenny  Lind  (folio  lith.  in  colors),  Couldock  as  Hamlet  (original 
drawing  in  colors,  folio),  Lizzie  Weston  as  Oberon  (original 
drawing  in  colors),  Caroline  Hiffert  (folio  lith.),  Macready 
(folio),  Thorburn-Posselwhite,  as  Macbeth  (original  drawing  in 
colors),  Astor  Place  Opera  Llouse  bill  — Night  of  the  Riot,  May 
10, 1849,  Paul  Brilliant  (original  drawing  in  colors),  M.and  Mme. 
Marzetti  (ditto),  Burton's  Theatre  (benefit  of  Mrs.  J.  Sloan), 
Ignazio  Marini  (folio  lith.,  i.p.),  Angelina  Bosio,  as  Martha 
(original  drawing  in  colors),  and  Sr.  Salvi  in  Lucia  (folio  lith.), 
Lorenzo  Salvi  (folio  lith.),  D.  B.  Lorini  (folio  lith.,  i.p.),  Filippo 
Coletli  (folio  lith.),  Hudson  as  Knight  of  Arva  (folio  lith.,  i.p.), 
Couldock  as  Richard  (original  drawing  in  colors,  folio,  and 
autograph  letters,  3),  Ellen  Bateman  as  Richard  (original 
drawing  in  colors,  folio),  Kate  Bateman  as  Richmond,  ditto, 
Kate  and  Ellen  Bateman,  4  and  0  years  of  age  (4to  lith.), 
Kate  Bateman  (folio  lith.),  P.  T.  Barnum  (4to  lith.,  and  auto- 
graph letter),  Escape  of  the  Three  Musketeers  (original 
drawing  in  colors,  folio,  by  Toedteberg,  1854),  Gertrude  Dawes 
(original  drawing  in  colors),  Mrs.  C.  Mestayer  as  Hasserac 
(4to  lith.  in  colors),  Chanfrau's  Theatre,  benefit  of  B.  Williams, 
Mrs.  F.  B.  Conway  (original  drawing  in  colors),  Harry  Watkins 
as  Davy  ditto,  Jenny  Lind  (folio),  D'Orsay-Lemon  and  also 
unfinished  proof,  Ben  Yates  (original  drawing  in  colors),  W.  E. 
Burton  as  Aminadab  (4to  lith.),  Benj.  Webster,  autograph 
letter,  Tom  Taylcr  (2),  Fenimore  Cooper,  autograph  letter, 
1840,  Burton's  Theatre,  benefit  of  H.  Placide,  Marie  Duret  as 
Jack  Sheppard  (original  drawing  in  colors),  Alex.  Dumas 
(p.b.l.  and  autograph  letters),  Emma  E.  Taylor  (4to  lith., 
colored),  Wm.  Goodall  (original  drawing  in  colors),  Cesare 
Badiali  (410  lith.,  i.p.),  first  appearance  of  Jenny  Lind  in 
America,  Castle  Garden  Interior,  Sept.  11-14,  1850  (folio  lith. 
in  colors),  Jenny  Lind  (original  drawing  in  colors,  folio),  Wolf- 
Metzeroth  (i.p.,  lith.  folio),  as  Amina  (folio  lith.  in  colors), 
autograph  letters,  admission  ticket,  etc. 

Ireland— Vol.  II.,  Part  XIV. 

Mile.  Parodi  as  Norma  (folio),  Newenham-Harris,  G.  V. 
Brooke  as  Othello  (original  drawing  in  colors,  folio),  Caroline 
Roussett  (folio  lith.  in  colors),  Wm.  Davidge  (4to  lith.), 
Adelaide  and  Josephine  Gougenheim  (2  folio  lithos.),  F.  B. 
Conway  (410  lith.),  W.  H.  Don  (folio  lith.,  i.p.),  Mme.  Ponisi 
(original  drawing  in  colors),  Miss  E.  Kimberly  as  Rosalind 
(folio  lith.),  and  2  others,  Julia  Bennett  Barrow  (original  draw- 
ing in  colors),  Eliza  Logan,  autograph  letters,  R.  Elliot  Gra- 
ham (folio  lith.,  i.p.),  Mark  Smith  (original  drawing  in  colors), 
Mary  Devlin  (2  drawings),  James   Pilgrim  (original  drawing), 

178 


J.  G.  Hanley  (orij^inal  drawing),  G.  E.  Locke  (original  draw- 
ing in  colors),  "  Ned  Buntline  "  Judson  (2  autograph  letters), 
George  Sand  (4to),  Calamatta,  Julia  Goulet  (original  drawing 
in  colors),  John  K.  Owens  as  Paul  Pry  (410  lith.  in  colors), 
Mile.  d'Armonte  (original  drawing).  Brougham's  Lyceum  (A. 
J.  Allen's  benefit),  Mme.  Rose  de  Vries  (folio  lith.),  Mme. 
Teresa  Parodi  (folio  lith.),  Geremia  Bettini  (folio  lith.,  i.p.), 
Mile.  Nathalie  P'itzjames  (3^  Caroline  Roussett  (4to  lith.). 
The  Four  Roussetts  (410  lith.),  Sam  Lathrop  (original  draw- 
ing in  colors,  folio),  E.  A.  Marshall,  autograph  letters,  Rous- 
sett Family  (4to  lith.),  Lola  Montes  (original  drawing  in 
colors,  and  folio  lith.,  i.p.),  Miron  W.  Leffingwell,  autograph 
letters,  Mendelssohn  (folio  i.p.b.l.),  Hensel-Caspar. 

Ireland— Vol.  IL,  Part  XV. 

Water-color  drawings,  etc.,  of  Lester  Wallack,  W.  H.  Norton, 
G.  V.  Brooke  (2),  Mad.  Drouett,  Ellen  Bateman  (2),  Alboni 
(2),  A.  H.  Davenport,  Robt.  Johnston,  Goodall,  Mrs.  \V.  G. 
Jones,  Mrs.  Florence,  Uncle  'Pom,  Mrs.  Howard  as  Topsy. 
etc.  Autograph  letters,  etc.,  of  Sontag  (2),  Bochsa,  Adelina 
Patti,  A.  H.  Davenport,  Laura  Keene,  etc.  Mezzotint  por- 
traits of  Anna  Thillon,  Matilda  Heron,  Sontag  (proof),  etc. 

Ireland— Vol.  II.,  Part  XVI. 

Water-color  drawings,  etc.,  of  Borani,  J.  R.  Anderson,  "Jim  Crow  " 
Rice,  Alice  Grey,  Fanny  Dean,  Yrca  xMathias  (2),  Miss  Daven- 
port, Harry  Seymour,  etc.  Autograph  letters,  etc.,  of  Louisa 
Pyne,  E.  L.  Davenport  (2),  Kate  Reignolds,  Eliza  Hamblin. 
Dion  Boucicault,  Verdi,  "Jim  Crow"  Rice,  J.  W.  Lannergan. 
Mezzotints  of  Mi.ss  Rafter  (Kitty  Clive)  as  Phillida,  and  Wof- 
fington,  by  Faber,  etc.,  and  a  series  of  fine  India  proof  illustra- 
tions to  Faust,  by  Mayer. 

Ireland— Vol.  II.,  Part  X\TI. 

Water-color  drawings  of  Brignoli  and  Mile.  Piccolomini,  Anne  de 
Stankowitch,  Miss  Albertine,  Morris  Barnelt,  Brignoli,  Amodis, 
Mary  Marsh,  Master  Marsh,  Adah  Clifton,  Emily  Thorne, 
Georgiana  Hodson,  Lina  Windel,  Rachel  (3),  Mary  Wells,  J. 
E.  McDonougii,  etc.  Autograph  letters,  etc.,  of  Morris  liarnett, 
H.  Hall,  Brignoli,  J.  S.  Clarke,  W.  H.  Ainsworth,  Brougham. 
Rachel,  S.  K.  Chester,  etc.  Portrait  of  Mazarin,  by  Nanteuil  ; 
colored  view  of  Castle  Garden,  etc. 

Ireland— Vol.  II.,  Part  XVIII. 

Water-color  drawings  of  Mile.  Rolla,  Mad.  d'Angri,  Gassier, 
Mrs.  J.  H.  Allen  (3),  Mrs.  Dennis  McMahon  (2),  Mr.  and 
Mrs.  J.  H.  Allen,  Miss  Elsworth,  Edwin  Forrest,  John  Wood, 
Dan  Setchell,  Emma  Stanley,  Mrs.  John  Wood,  the  Gale  Sisters 
(2),  Louise  Lamoreux,  the  Pratesi  Sisters,  Helen  Western, 
Louise  Western,  C.  J.  Arnold,  A.  H.  Davenport,  Carl  Anschatz, 
etc.  Autograph  letters,  etc.,  of  Longfellow,  A.  Oakcy  Hall, 
Chas.  Wheatleigh,  C.  J.  Mathews  (2).  Emma  Wallvr,  Tlialbcrg. 
Delphine  Gay  (Girardin),  B.  Fairclough,  etc.;  al.so  a  f\uv  proof 
portrait,  with  familiar  inscription,  by  Mrs.  John  Wood. 

179 


Ireland— Vol.  II.,  Part  XIX. 

Water-color  drawings,  etc.,  of  Lester  Wallack  (2).  F.  C.  Banc:^;, 
Brougham,  John  Dyatt,  Mrs.  Lander,  Harry  Pearson,  J.  11. 
Howe  (2),  Charlotte  Crampton,  Adah  Isaacs  Menken,  IBarton 
Hill,  Morton  Price,  Lucette,  Ida  Vernon,  Mad.  Gassier,  Mile. 
Piccolomini,  Steffani,  Agnes  Robertson,  Laura  Keene,  Anne 
Deland,  Mrs.  Vining,  Charles  Thorne,  Jr.,  Mrs.  Frank  Drew, 
Geo.  Holland,  etc.  Autograph  letters,  etc.,  of  Barry  Sullivan, 
Efifie  Germon  (2),  Barton  Hill,  Edwin  Booth,  Laura  Keene 
(2),  Halevy,  Jefferson,  Milnes  Levick,  etc.,  and  the  Bartolozzi 
prints  of  Catherine  of  Russia,  and  Xcll  Gwyn. 

Ireland— Vol.  IL,  Part  XX. 

Water-color  drawings  of  Pauline  Colson,  Ada  and  Emma  Webb, 
Mile.  Hennecart,  Adelaide  Nixon,  Carrie  Nelson,  Sara  Nelson, 
Ella  Zoyara.  Aclelina  Patti  (2),  Adeline  Speranza,  Theodor 
Doring,  W.  B.  Harrison,  etc.  Autograph  letters  of  Mortimer 
Thomson  "  Doesticks,"  Russell  Smith  (2),  etc.,  and  several 
rare  views  of  New  York  City. 

Ireland — Hagan,  I. 

Mrs.  Barney  Williams  (lith.),  Charlotte  Cushman  as  Meg  Mer- 
rilies,  Mrs.  D.  P.  Bowers,  Booth  as  Hamlet  (folio),  Jefferson 
as  Rip  (folio),  J.  S.  Clark  (lith.,  colored),  Barrett  as  Cassius 
(folio),  W.  J.  Morence  (4to  lith.),  Mrs.  Florence  (lith.),  Chan- 
frau  (lith.  in  colors),  Mme.  Ponisi,  Anna  Bishop  (lith.),  A. 
Newsam,  John  Ogden  (lith.,  2),  Isabella  Hinckley  (lith.), 
Adelaide  Phillips  (lith.),  Brignoli  (lith.),  Dan  Bryant  (lith.),  2 
autograph  letters,  26  bills. 

Ireland — Hagan,  II. 

Lester  Wallack  (folio  lith.),  Mrs.  Florence  (folio),  Florence  (folio 
lith.),  John  S.  Clarke  in  10  characters  (folio  lith.),  Maggie 
Mitchell  (folio,  2),  Jane  Coombs  (folio),  John  'F.  Raymond 
(folio),  Emma  (irattan  (lith.),  Geo.  L.  Fox  (folio  lith.),  Mrs.  J.  P. 
Addams  (folio  lith.),  Gottschalk,  13  autograph  letters,  49  bills. 

Ireland — Hagan,  III. 

Satin  bill,  Brooklyn  Academy,  being  the  last  appearance  of  Booth 
on  any  stage.  Booth  (folio  p.b.l.),  Wm.  R.  Blake  (original 
drawing),  N.  B.  Clarke  (original  drawing),  S.  A.  Emery  (folio 
lith.),  Edwin  Booth  (original  drawing,  folio),  G.  L,  Fox  (lith.), 
Dan  Bryant  (folio  lith.),  Joseph  Marzetti  (original  drawing), 
Augustin  Daly  (folio  lith.),  Kate  Bateman  (i.p.,  folio  lith.), 
Honore  de  Balzac  (p.b.l.).  Mile.  Medori  (lith.,  i.p.).  5  autograph 
letters,  52  bills. 

Ireland — Hagan,  IV. 

J.  W.  Wallack  as  Dick  Dashall  (original  drawing),  Mr.  and  Mrs. 
J.  C.  Williamson,  (2),  J.  S.  Clarke  as  'Poodles  (folio  lith.  in 
colors),  Mr.  and  Mrs.  Florence  (lith.),  Lotta  (4  lithos.),  Robert 
Heller  (folio  lith.),  H.  J.  Byron  (i.p.,  lith.),  Chas.  Wyndham 
(lith.),  Mr.s.  John  Wood  (2),  Mile.  Vestvaii,  Bernard  Macauley 
(folio  lith.),  Mrs.  Farren  (original  drawing),  Brian  Porhoime 
(p.b.l),  Offenbach  (lith.),  Neafie  as  Don  Co^sar  (lith.),  19  auto- 
graph letters,  45  bills. 

180 


Ireland — Hagan.  V. 

Chas.  Kean  as  Louis  XI.  (original  drawing),  J.  W.  Wallack,  Sr. 
(original  drawing),  Boucicault  (lith.),  Johnstone  as  Dennis,  J. 
W.  Booth  (lith.),  J.  S.  Clarke  (lith.),  Chanfrau  (lith.),  Henry 
Irving  as  Hamlet  (folio  lith.),  Sheridan  (mezzo.,  by  Turner), 
John  E.  Owens  (folio  lith.),  Chas.  Kean  (i.p.),  John  Scudder 
(original  drawing),  Chas.  Pope  (original  drawing),  George 
Sand  (i.p.,  lith.),  Thomas  H.  Glenney  (lith.),  Carl  Formes  (i.p., 
lith.),  Carl  Bergmann  (original  drawing),  John  McCullogh 
(lith.),  James  M.  Wehli  (lith.),  Carl  Rosa  (lith.),  Camilla  Urso 
(lith.),  Charley  White  (4  lithos.),  16  autograph  letters,  14  bills. 

Ireland — Hagan,  \'I. 

E.  L.  Davenport  (folio  lith.),  Ada  Isaacs  Menken  (original  draw- 
ings, 2),  Benjamin  Webster  (folio  lith.),  Rose  Eytinge  (original 
drawing,  Jennie  Morton  (lith.),  Franyois  Ravel  (original 
drawing),  Jerome  Ravel  (original  drawing),  John  E.  Owens 
(lith.),  Parepa  Rosa  (lith.),  Sr.  Roverre  (lith.).  Miss  M.  Tree 
by  Dighton,  Giuseppe  Mario,  Samuel  S.  Sanford  (lith.), 
Matilda  Heron  as  Medea  (lith.),  Mrs.  (r.  C.  Howard  (lith.), 
Grimaldi,  Geo.  L.  Fox,  9  autograph  letters,  18  bills. 

Ireland — Hagan,  VH. 

Shakespeare  (mezzo.),  Turner,  Bogumil  Dawison  as  Richard 
(folio  drawing  in  colors,  by  Toedteberg,  1853),  Carl  Rosa, 
Arditi,  Christy,  Birch,  Wambold,  and  Backus,  Theodore  Moss 
(original  drawing),  Mme.  Alboni  (i.p.),  Mile.  Sontag  (i.p.), 
Wm.  Formes  (i.p.),  Clara  Morris  (lith),  13  autograph  letters, 
18  bills. 

Ireland — Hagan,  VIII. 

Jenny  Lind  (folio),  Holl,  Thomas  Baker  (lith.),  Lady  Don  (origi- 
nal drawing),  I).  H.  Harkins  in  9  characters,  Mme.  Ristori 
(3),  Adolph  Adam,  (liorgio  Ronconi,  Mr.  and  Mrs.  Howard 
Paul,  The  Georgia  Minstrels,  Bunyan,  by  Wm.  Sharp  ;  18 
autograph  letters,  8  bills. 

Ireland — Hagan,  IX. 

Miss  Davenport-Lander  (2  drawings),  Jefferson  as  Rip,  Wor- 
rell Sisters,  Charley  White,  Charles  Gounod  (i.p.),  Janauschck 
as  Medea,  Emil  Devrient,  Goethe  (i.p.),  5  autograph  letters,  7 
bills. 

Ireland — Hagan,  X. 

Ristori  (3),  Harriet  Bcecher  Stowe  (folio),  Ellis,  Fanny  Kemble, 
Mrs.   Barney   Williams,    Mrs.   Scott  Siddons,  F.  C.   Bangs,  12 

autograph  letters,  37  bills. 

Ireland — Hagan,  XI. 

Lydia  Thompson  (i.p.),  Pound,  Frank  Mayo,  Catherine  Lucette 
(drawing  in  colors),  Cieorge  Riddle,  Mary  Gary,  Lingard,  Mrs. 
Lingard,  Charles  Lecocq,  Byron  (folio),  Harlow  Meyer.  Miss 
Marriott,  Robert  Butler,  Hermann  Hendrichs  (i.p.).  .i-  ^■ 
Emmet,  Gus.  Williams,  11  autograph  letters,  35  bills. 

181 


Ireland — Hagan,  XII. 

E.  L.  Davenport  as  Benedick,  Montague,  Chas.  Wyndham,  Fech- 
ter  as  Hamlet,  The  Kiralfys,  Mrs.  James  A.  Gates,  Willie 
Edouin,  Mrs.  Howard  Paul,  Fanny  Davenport,  Mitchell  as 
Crummies  (drawing  in  colors),  5  autograph  letters,  30  bills. 

Ireland— Hagan,  XIII. 

Bella  Pateman  (i.p.),  Jenny  Lee  (i.p.),  Yankee  Robinson,  Edward 
Righton  (i.p.),  Albert  W.  Aiken,  Helen  Dauvray  when  "  Little 
Nell,"  9  autograph  letters,  42  bills. 

Ireland— Hagan,  XIV. 

Gertrude  Dawes  (original  drawing),  Anna  Mehlig,  G.  E.  Locke 
in  7  characters,  Frank  Mayo,  John  Gilbert  (proof),  Coquelin, 
Mme.  Jane  Hading,  James  R.  Anderson,  Robson  and  Crane, 
6  autograph  letters,  68  bills  (many  on  satin). 

Ireland — Hagan,  XV. 

Clara  Fisher  as  Richard  III.  (original  drawing),  Fanny  Daven- 
port (original  drawing),  Mrs.  John  Drew  (original  drawing), 
Geo.  Belmore,  the  Buckleys,  John  Davis,  Helen  Faucit,  Geo. 
S.  Knight,  Mary  Anne  Keeley  (original  drawing),  Fred'k  Leslie, 
Mme.  Fursch-Madi,  3  autograph  letters,  17  bills. 

Ireland — Hagan,  XVI. 

Edwin  Forrest  (original  drawing),  Walter  Montgomery  (original 
drawing),  Mrs.  Edwin  Forrest  (original  drawing),  Annie  Pi.xley. 
Ernesto  Rossi,  Alexander  Salvini,  Tamberlik,  Zelia  Trebelli 
(i.p.),  the  Vokes,  i  autograph  letter,  30  bills. 
51  vols.,  imp.  folio,  half  red  levant  morocco  extra,  gilt  top,  by 
Stikeman. 

1744  Ireland.     Records  of  the  New  York  Stage.     New  York,  1866. 

2  vols.,  8vo,  half  russia. 

1745  Ireland  (Joseph  N.).     Mrs.  Duff.     Portraits.     Boston,  1882. 

Large  paper  ;   100  printed. 
4to,  original  covers. 

1746  Ireland   (Saml.).     The    Inns  of  Court.     21   colored  plates.     London, 

1800. 

Large  paper  copy. 

Folio,  half  green  morocco, 

ly^y     Picturesque  Views  on  the  Avon.     32  plates  of  Stratford,  etc.,  in 

aquatint.     London,  1795. 
8vo,  calf. 

1748  Ireland  (W.  H.).  Miscellaneous  Papers  and  Legal  Instruments  under 
the  hand  and  seal  of  William  Shakespeare,  including  King  Lear  and 
a  small  fragment  of  Hamlet,  from  the  original  MSS.  in  the  possession 
of  Samuel  Ireland.     Facsimiles.     London,  1796. 

Imix  4to,  half  morocco,  uncut.     [See  Shakespeare.] 
182 


1749  Ireland   Forgeries. 

Letter  to  Geo.  Steevens,  by  James  Boaden.     1796. 

Familiar  Verses  to  Sammy  Ireland.      1796. 

Ireland  Vindication.     1796. 

Ireland's  Catalogue.     1801. 

Henry  II.      1799. 

Precious  Relics.     1796. 

Comparative  Review  of  Boaden,  by  Wyatt.     1796. 

Vortigern.      1832. 

Confessions.      1874. 

Free  Reflections,  by  Waldron.     1796. 

Review  of  "  An  Inquiry."     i860. 

Literary  Forgeries,  3  tracts,     v.  d. 

Shakespeare's  MSS.     1796. 

An  Investigation  of  Malone's  Claim.      1796. 

Double  Intrigue.      MS. 

15  vols.,  8vo,  etc.,  half  red  levant. 

[See  Shakespeare  for  the  original  forgeries,  etc.] 

1750  Ireland  (W.   H.).     Chalcographimania  ;  or,  the   Portrait-Collector  and 

Printseller's  Chronicle.     Portrait.     London,  1814. 

Unique  copy,  with  over  50  portraits,  etc.,  inserted,  including  rare 

efifigies   of    Milton,    Napoleon   (colored),   Sheridan,   Caulfield, 

Despard,  Granger,  etc. 
8vo,  blue  morocco  extra,  gilt  edges. 

1751     Scribbleomania  ;    or,    the   Printer's    Devil's   Polichronicon.       A 

sublime  poem,  edited  by  Anser  Pen-Drag-On.     London,  1S15. 

17  portraits  inserted,  including  one  of  Tom  Paine  by  ^L'lckenzie, 

after  Richards. 
8vo,  half  red  morocco  extra,  gilt  top,  uncut  edges. 

1752     Memoirs  of   Jeanne  d'Arc.     Portraits  on  India  paper.      London, 

1824. 

Large    paper  copy  ;    25    printed.     With  39  portraits  and  views 

inserted. 
2  vols.,  royal  8vo,  calf  extra,  gilt  top,  uncut  edges,  by  Riviere. 

1753  Irish  Songs  and  Ballads.     Mounted  on  (juarto  sheets,     v.  d. 

4to,  cloth. 

1754  Irving  (Henry).     A  Criticism  of  a  Critic's  Criticism  by  an   Irvingitc. 

London,   1883. 

i2mo,  half  green  levant,  gilt  top. 

1755     English  Actors.     Oxford,  1S86. 

Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 
1S3 


1756  Irving-Terry  Supper. 

Extra-illustrated  with  135  portraits,  autograph  letters  of  the 
various  guests,  the  menu-card,  and  practically  every  detail 
connected  with  this  entertainment.  The  following  portraits 
are  printed  on  satin  :  Aug.  Daly  the  host,  Ada  Kehan,  Charles 
Fisher,  Mrs.  Gilbert,  James  Lewis,  and  John  Drew. 

Folio,  half  brown  levant  morocco  extra,  gilt  top,  uncut  edges. 

1757  Irving  (Pierre  M.).     Life  and  Letters  of  Washington  Irving.     Plates. 

New  York,  1883. 

Edition  de  luxe  ;  300  printed. 
3  vols.,  4to,  cloth,  uncut. 

1758  Irving   (W'asiiington).     Works.     Numerous   steel  portraits    and    other 

illustrations.     New  York,  186 1-7. 

28  vols.,  square  8vo,  half  blue  morocco,  gilt  top,  uncut  edges. 

lyc^g     Works,  viz. ;  New  York  ;  Conquest  of  Cranada  ;  The  Alhambra  ; 

Tales  of  a  Traveller  ;  Astoria  ;  liracebridge  Hall,  and  Sketch  Book. 
Printed  within   colored  borders,  with  numerous  illustrations  by 

Kemble,  etc.     New  York,  1893-7. 
Editions  de  luxe. 
14  vols.,  8vo,  cloth  extra,  gilt  top,  uncut  edges.  * 

1760     Life   and  Voyages  of  Christopher  Columbus.     Numerous  illus- 
trations on  steel  and  wood.     New  York,  1892. 

Limited  to  402  copies. 
3  vols.,  4to,  cloth,  uncut. 

1761     Life  of  George  Washington.     Steel  plates  and  wood-cuts.     New 

York,  1889. 

5  vols.,  4to,  sheets  folded,  in  boxes. 

1762     History  of  New  York.     Illustrated  by  Darley.     New  York,  1850. 

8vo,  brown  morocco. 

1763     'I'he  Alhambra.      Illustrated  by  Darley.     New  York,  185 1. 

8vo,  half  calf  gilt. 

1764     Tales  of  a  Traveller.     Darley's  illustrations.     New  York,  i860. 

8vo,  green  morocco. 

1765     Sketch    Book.      Darley's    illustrations    on    India    paper.      New 

York,  1848. 

Svo,  green  morocco. 

1766     The  Land  of  Sleepy  Hollow,  by  J.  L.  Williams.     Fine  photo- 
gravures, etc.     New  York,  1887. 

600  copies  printed.     No.  i. 
4to,  cloth,  uncut. 

184 


1767  Irving  (Washington).     Rip    Van    Winkle.     6    illustrations    by  Darley. 

Cundall,  L.ondon,  i<S5o. 

From  the  John  Allan  collection,  with  27  illustrations  inserted,  and 

the  text  inlaid. 
4to,  green  morocco  gilt,  gilt  edges. 

1768     Rip  ^'an  Winkle.      illustrated  bv  Gordon    Browne       London 

1S87. 

4to,  half  blue  levant  morocco  extra,  gilt  toj),  uncut  edges. 

1769     Irvingiana  :    A  Memorial   cf   ^^■ashington    Irving.     New   York, 

i860. 

Unique  copy,  illustrated  by  the  insertion  of  120  plates,  chiefly 

portraits  ;  some  on  India  paper. 
4to,  half  brown  levant  morocco,  gilt  top,  uncut  edges. 

1770     Irvingiana:  A  Memorial.     Portraits  on  India  paper,  and  3  added 

plates.     New  York,  i860. 

no  copies  printed,  and  some  destroyed  by  fire,  September   19 

1864. 
4to,  boards,  uncut. 

1771  Italian  Bindings.     Ofifizio  della  Beata  Vergine,  etc.     171 1-62. 

2  vols.,  folio  and  4to,  red  morocco,  covered  with   gold  tooling  ; 
the  folio  volume  with  a  cardinal's  arms  on  the  sides. 

1772  Jaccaci  (A.  F.).     On  the  Trail  of  Don  Quixote.     Illustrated  by  Vierge. 

New  York,  1896. 

8vo,  cloth,  uncut. 

1773  Jackson  (John  P.).     Album  of  the  Passion  Play  at  Ober-Ammergau. 

60    photographs    of   the   scenes    and    tableaux,    etchings   by    Eliza 
Greatorex,  and  wood-cuts.     New  York,  1874. 

4to,  blue  levant  morocco  extra,  gilt  edges. 

1774  Jackson  (J.).     Strictures   u])on    the    Merits  of   Young  Roscius.     Por- 

trait of  Betty.     London,  1804. 

8vo,  half  green  levant,  gilt  top. 

1775     Strictures  upon  the  Merits  of  Young  Roscius  [Betty].     Portrait. 

Glasgow,  1804. 

8vo,  half  calf,  gilt  t(;p. 

1776  Jackson    (John).     History   of    the    Scottish    Stage.      Plate    inserted. 

Edinburgh,  1793. 

8vo,  half  red  levant,  gilt  top,  uncut  edges. 

1777  Jacobs  (J. )»  Editor.    English  Fairy  Tales.     Illustrated.     London,  1S90. 

8vo,  cloth. 

1778  Jacquemart.      History  of   Furniture.     Numerous   illustrations.     Lon- 

don, 1878. 

Royal  Svo,  cloth. 

185 


1779  Jacquemin  (R.).     Iconographie  generale  et  niethodique  du  Costume. 

joo  colored  plates.     Paris,  n.  d. 
Royal  folio,  original  covers. 

1780  James  (Ed.).     Biography  of  Adah  Isaacs  Menken.     Wood-cuts.     New- 

York,  18 — . 

i6mo,  half  calf,  gilt  top. 

1781  James  (Henry).     Two    Comedies.     Tenants,  and    Disengaged.     Lon- 

don, 1894. 

Crown  8vo,  cloth. 

1782  James  (Cr.  P.  R.).     Book  of  the  Passions.     16  steel  plates.     New  York 

[London],  n.  d. 

8vo,  green  morocco,  gilt  edges. 

1783     'i'he  Commissioner.     28  plates,  by  Phiz.     Dublin,  1846. 

8vo,  half  green  morocco,  gilt  top,  uncut  edges. 

1784  Jameson  (Anna).     Art  Works.     London,  1848-64. 

History  of  our  Lord.     2  vols.     1864. 
Legends  of  the  Monastic  Orders.     1850. 
Legends  of  the  Madonna.     1852. 
Sacred  and  Legendary  Art.     2  vols.      1848. 
First  editions.     All  profusely  illustrated. 

6  vols.,  8vo,  blue  levant  morocco  extra,  gilt  top,  uncut  edges,  by 
Pratt. 

1785     Works.     Romance    of    Biography  ;  Characteristics  of   Women  ; 

Diary  of  an  Ennuyee  ;  Social  Life  in  Germany  ;  Early  Italian  Paint- 
ers ;  Celebrated  Female  Sovereigns  ;  Commonplace  Book  ;  Mem- 
oirs and  PLssays  ;  and  Handbook  to  the  Private  Cialleries  in  London. 
Illustrated.     London,  1831-55. 

14  vols,  in  9,  crown  8vo.  half  calf  gilt. 

1786  Jameson  (Anne).     Beauties  of  the  Court  of  Charles  II.     A  complete 

set  of  the  famous  portraits,  beautifully  colored  like  miniature  paint- 
ings and  mounted  on  cardboard. 

Royal  folio,  half  green  morocco  portfolio. 

1787     Beauties  of  the  Court  of  Charles   II.     21    fine  steel  portraits. 

London,  1838. 

2  vols.,  imp.  8vo,  calf  gilt. 

1788  Janin    (Jules).     Chefs-d'CEuvre  Dramatiques  du  XVIIL"  Siecle.     Col- 

ored plates.      Paris,  1S72. 

Royal  8vo,  half  morocco. 

1789     The  American  in  Paris,  Summer  and  Winter.     Steel  engravings, 

by  Lami.     London,  1843-4. 

2  vols.,  royal  8vo,  half  blue  morocco. 

186 


1790  Janin  (Jules).    Rachel  et  la  Tragedie.     lo  photographic  portraits  and  an 

inserted  steel  plate.      Paris,  1859. 

Royal  Svo,  half  calf,  gilt  top. 

1791  Janvier  (Thomas  A.).    In  Old  New  York.    Illustrated.    New  York,  1894. 

1 2 mo,  cloth. 

1792  Japanese  [or  Chinese]   Drawings.     48    exquisite  drawings   on    rice 

paper,  exhibiting  the  native  from  the  cradle  to  the  death  ;  12,  represen- 
tations of  boats;  12,  details  of  a  marriage  festival,  and  12,  man- 
ners and  customs. 

Oblong  4to,  boards. 

1793  Japanese  Photographs.     150   colored    photographs   of   Yokohama, 

Tokio,  Kioto,  Osaka,  etc.,  and  some  native  portraits. 
2  vols.,  oblong  4to,  silk  covers. 

1794  Japanese  Poets.     36  figures  of  the  most  famous  Poets  of  Japan,  the 

faces  painted,  but  the  figures  dressed  in  appropriate  fabrics,  and  out- 
lined with  gold  thread.     A  quotation  accompanies  each  portrait,  and 
an  English  translation  has  been  added. 
Folio,  old  silk,  metal  corners. 

1796  Japanese    Fairy    Tales.      Told    in    English.     (Colored    illustrations. 

London,  18 — . 

16  parts  as  published. 

4  groups  in  cloth  cases,  i2mo. 

1797  Japanese  Prints.      32  colored  figures  and  heads  pertaining  to  a  Drama. 

Royal  8vo,  original  stamped  covers. 

1798  Jarvis  (J.  W.).     The  Glyptic  or   Musee   Phusee  Glyptic.     Wood-cuts. 

London,  1875. 

Large  paper  copy  ;  25  privately  printed. 
Royal  Svo,  cloth. 

1799  Jeaffreson  (J.  C.).     Novels  and  Novelists,  from   Elizabeth  to  Victoria. 

Portraits.     London,  1858. 

2  vols.,  crown  8vo,  cloth,  uncut  (loose  in  covers). 

1800     Lady  Hamilton  and  Lord  Nelson.      London,  1S88. 

2  vols.,  post  Svo,  cloth,  uncut. 

1801  Jefferies  (Richard).     The  Story   of   My    Heart.      My   Autobiography. 

Portland,  1898. 

Japan  paper  ;    100  printed. 
12 mo,  boards. 

187 


1802  Jefferson  (Joseph).     Autobiography  of.     Portraits,  etc.     Century  Co. 

New  York,  1890. 

Presentation  copy  from  the  author. 
8vo,  cloth,  uncut  edges. 

1803  Jenkins  (Richard).     Memcjirs  of  the  Bristol  Stage.     Bristol,  1826. 

Post  8vo,  half  blue  levant,  gilt  top,  uncut  edges. 

1804  Jennings  (John  J.).     Theatrical  and  Circus  Life.     Numerous  colored 

and  other  illustrations.     St.  Louis,  1882. 

8vo,  half  red  levant,  gilt  top,  uncut  edges. 

1805  Jenny  Fox.     The  High-Way  Woman  ;  or,  a  true   and  perfect  Narra- 

tive  of  the  wicked  life  and  deplorable  death  of  Marcy  Clay,  other- 
wise called  Jenny  Fox.     Portrait.     London,  16C5. 

Large  paper  ;  6  printed. 

4to,  half  calf. 

1806  Jephson    (J.    M.).     Shakespeare.      Mis   birthplace,  etc.     Photographs. 

London,   1864. 
4to,  cloth. 

1807  Jeremiah  (John).    Notes  on  Shakespeare,  and  Memorials  of  the  Urban 

Club.     Portrait.     London,  1876. 
8vo,  cloth,  uncut. 

1808  Jerome  (J.  K.),  Editor.      My  First  Book.     E.xperienccs  of  Besant,  Kip- 

ling, Caine,  Bret  Harte,  etc.     185  illustrations.     London,  1894. 
8vo,  cloth,  uncut. 

1809  ■ On  the  Stage  and  Off.     London,  18—. 

Post  8vo,  half  calf,  gilt  top,  uncut  edges. 

1810  Jerrold  (Blanchard).     Life  of  George  Cruikshank.     Numerous  illustra- 

tions.    London,  1882. 

Unique  copy,  with  38  plates  by  Cruikshank  added. 
2  vols.,  crown  8vo,  calf  extra,  gilt  edges. 

181 1     Life  of  George  Cruikshank.     84  illustrations.     New  York  [Lon- 
don], 1882. 

2  vols.,  crown  8vo,  cloth,  uncut  edges. 

1812  Jerrold  (Douglas).   Men  of  Character.   Plates.   Colburn,  London,  1838. 

First  edition. 

3  vols.,  crown  8vo,  boards,  uncut. 

1813     Comedies  and  Dramas.     London,  1854. 

Post  8vo,  cloth. 

1S8 


i8i4     Jerrold  (Douglas).  The  Story  of  a  Feather.    Illustrated  by  Du  Maurier. 
London,  1867. 
4to,  cloth, 

1815     Nell  Gwynne  ;  or,  the  Prologue.     London,  1833. 

I*rompter's  copy,  with  notes  and  sketches. 

Post  Svo,  half  calf. 

1816  Jervis   (S.).     Dictionary   of  the   Language  of  Shakespeare.     London, 

1868. 

4to,  cloth. 

1817  Jesse  (Capt.).     Life  of  George  ["  Beau  "]  Brummell.     Portraits.     Lon- 

don, 1844. 

First  edition. 

2  vols.,  8vo,  half  calf  gilt. 

1818 T,ife  of  George  ["  Beau  "]  Brunimell.    Colored  plates.     London, 

1886. 

Large  paper  copy. 

2  vols.,  royal  Svo,  original  binding. 

1819  Jesuit  Relations  and  Allied  Documents.     Travels  and  Explora- 

tions of  the  Jesuit  Missionaries  in  New  France,  1610-1791.  The 
original  French,  Latin,  and  Italian  texts,  with  English  translation 
and  notes.  Edited  by  R.  G.  Thwaites.  Portraits,  maps,  and  fac- 
similes.    Cleveland,  1896. 

Only  750  sets  printed  ;   No.  445. 

42  vols.,  8vo,  buckram,  uncut  edges. 

1820  Jewitt  and   Hall.       Stately    Homes    of    England.       380    illustrations. 

New  York  [London],  n.  d. 
8vo,  cloth. 

1821  John-a-Dreams.     New  York,  1896-97. 

2  vols.,  8vo,  cloth,  uncut. 

1822  Johnson   (II.  K.),  Editor.    Sliort  Sayings  of  Famous  Men.    New  York, 

1884. 

2  vols.,  i6mo,  cloth. 

1823  Johnson   (J.).      Typographia  ;  or,   the    Printer's    Instructor.      London, 

1824. 

2  vols,  i2mo,  cloth. 

1824  Johnson    (R.    U.).     Songs  of  Liberty,  and  other  Poems.      .New  York, 

1897. 

Presentation  copy  from  the  author. 
i6mo,  cloth. 

189 


i825  JOHNSON  (Samuel).  BOSWELL'S  LIFE  OF  SAMUEL 
lOHNSON.  Including  their  Tour  to  the  Hebrides.  Edited  by  J. 
\V.  Croker.     London,  1848. 

JOHNSONIAN  A  ;  or,  Supplement  to  Boswell.     London,  1836. 

Unique  copy,  extended  to  13  vols,  (by  Joseph  Mayer),  with  over 
2,000  portraits,  views,  autograph  letters,  documents,  etc., 
inserted. 

The  autographs  include  Ant.  a  Wood,  Edw.  Cave,  Robt.  and  James 
Dodsley,  Lord  Onslow,  Samuel  Richardson,  VVm.  and  A.  Strahan, 
a  long  letter  and  poem  from  Abm.  Cowley  to  John  Evelyn, 
Jacob  Tonson,  Joseph  Warton,  Millar,  the  Longmans,  a  long 
bill  of  books  sold  to  the  Duke  of  Newcastle  by  Johnson's  father, 
Stockdale,  Henry  Mackenzie,  John  Whiston,  Dr.  Blair,  J. 
Buckland,  Dr.  Burney,  Isaac  Bickerstaff,  Cadell,  Lord  Mon- 
boddo.  Lord  Buchan,  Pitt,  the  Elder,  the  original  statement 
of  account  relative  to  the  publication  of  Goldsmith's  Animated 
Nature,  Lydia  Sterne  (3)  ;  several  bills  of  Arch.  Hamilton  for 
books  printed  for  Mr.  Nourse  ;  the  original  subscription  list  to 
Johnson's  Tour  ;  Lord  Camden  to  Garrick,  Sir  John  Fielding, 
Henry  Thrale,  Chas.  Mathews,  Mrs.  Piozzi,  Thos.  Warton, 
Geo.  Psalmanazar,  Hannah  More,  Mrs.  Siddons,  Hugh  Kelly 
to  Garrick,  Henry  Home,  I'p.  Warburton,  Catherine  Macaulay, 
Sir  Robt.  Walpole,  Dr."  Cruikshank,  Christopher  Smart,  John- 
son's pension  receipt,  Geo.  Steevens,  Lord  Bolingbroke,  E. 
Capell,  Chas.  Burney,  Mad.  Boufflers  to  Garrick,  Bennet  Lang- 
ton,  Richard  Cumberland,  Garrick,  Laurence  Sterne,  Wm. 
Hayley,  Ozias  Humphrey  (with  book-plates)  ;  Fanny  Burney, 
Mrs.  Montagu  to  Garrick,  Mrs.  Brooke,  Anna  Seward,  Dr.  Parr, 
Bp.  Percy,  Joseph  Reed  to  Garrick,  and  Garrick's  answer  ; 
Arthur  Murphy,  Thos.  Davies,  Nathan  Drake,  John  Hawkes- 
worth,  Garrick  (2),  Elizabeth  Carter,  Isaac  Reed,  Dugald 
Stewart,  Sir  James  Mackintosh,  Richard  Owen  Cambridge, 
Alex.  Chalmers,  James  Boswell  to  Malone  (6  long  and  interest- 
ing letters),  Paoli,  and  hundreds  of  others. 

The  plates  include  fine  mezzotints  of  Sacheverell ;  Mrs.  Siddons 
(proof) ;  Harley,  Earl  of  Oxford  ;  Jacob  Tonson,  Geo.  Steevens, 
Hugh  Kelly,  Bp.  Shipley,  Sir  John  Hill,  Allan  Ramsay,  the 
painter  ;  Dr.  Armstrong,  John  Henderson,  Mrs.  Carter,  etc., 
and  among  the  rarer  engravings  are  original  caricatures  of 
Johnson's  Tour  ;  Johnson's  Ghost  appearing  to  Mrs.  Piozzi  ; 
Gray,  by  Pollard  (2)  ;  Tunbridge  Wells  (original)  ;  Woffington, 
from  the  Cabinet  series  ;  the  Reviewers  Cave  ;  Dr.  Burney,  by 
Bartolozzi  ;  Cowley,  by  Faithorne,  etc. 

A  few  original  drawings  are  interspersed,  chiefly  by  Gosdcn  ;  and 
an  original  broadside,  1745,  from  Prince  Charlie  to  his  army  ; 
the  catalogue  of  Johnson's  library,  and  a  list  of  books  offered 
for  sale  by  his  father,  1717-18,  are  but  a  few  of  the  many  inter- 
esting and  valuable  items  in  these  volumes. 

13  vols.,  4to,  half  brown  levant  morocco  extra,  gilt  top. 

190 


i826  JOHNSONIANA;  or,  a  Supplement  to  Boswell's  Life  of  Dr. 
Johnson,  being  anecdotes  and  sayings  of  Dr.  Johnson, 
illustrated  with  portraits,  views,  drawings,  and  autograph 
letters  of  Dr.  Johnson  of  great  literary  interest,  notably  his 
famous  letter  to  Macpherson  ;  also  the  original  manuscript 
of  the  plan  of  his  Dictionary,  and  the  MS.  plan  as  addressed 
to  Lord  Chesterfield;  unpublished  verses;  and  considera- 
tion on  corn,  an  essay  in  his  autograph  ;  the  rare  printed 
letter  to  Lord  Chesterfield,  and  numerous  other  important 
and  interesting  illustrations  of  the  life  and  times  of  the 
great  author  and  moralist. 

The  (]uarto  volume  inlaid  and  enlarged  by  the  addition  of  original 
manuscripts  of  Dr.  Johnson,  water-color  drawings,  portraits, 
and  autographs. 

6  vols.,  folio,  green  levant  morocco  extra,  gilt  edges,  by  Riviere. 
The  Autographs  are  letters  of  Sir  Joseph  Banks,  xMrs.  Barbauld, 

Joseph  Baretti,  James  Beattie,   Dr.   Bentley,  J.   Bickerstaff,  2 

letters   of  James   Boswell,   James  Bruce,   General   Burgoyne, 

Edmund  Burke,  Dr.  Burney,  Thomas  Campbell,  lulward  Cave, 

a  letter  addressed  to  Johnson,  Lord  Chesterfield,  Mrs.  Clive, 

Charles  James  Fox,  David  Carrick,  James  Harris,  James  1. 
JDr.    Johnson'' s   Manuscripts.      Considerations    on    corn,    16    pp. 

(;^22  was  given  for  this  MS-,  in  Mr.  Pocock's  sale  in  1875.)   MS. 

Verses,  original  and  unpublished,  addressed  to  Miss  Hickman 

playing  on  the  spinet. 
A  scheme  for  compiling  a   new  dictionary  of  the   English    lan- 
guage.    The  original   MS.   entirely  in   the  autograph   of  Dr. 

Johnson,   from  the   Pocock  collection.      (^57    was   given    for 

this  MS.  in  Mr.  Pocock's  sale  in  1875.) 
The  life  of  Nicholas  Rowe,  entirely  in  Dr.  Johnscjn's  autograph., 

10  pages. 
His  autograph  letter  of  thanks  in   Latin,  to  the  Vice-Chancellor 

of  Oxford,  in    acknowledgment    of   the    degree  of  Master  of 

Arts  conferred  upon  him. 
An  interesting  autograph  letter  addressed  to  Carrick  about  Mrs. 

William's  benefit. 
The  famous  autograph  letter  dated  20  Jany.,  1775,  addressed  to 

Macpherson.     (^50  was  given  for  this  letter  at  Mr.  Pocock's 

sale  in  1875.) 
Autograph  letter  to  Mrs.  'J'hrale,  dated  May  24,  1775,  "  Dearest 

of  all  Dear  Ladies.  " 
A  very  curious  and  interesting  document  relating  to  the  Clui)  in 

Gerard  Street,  with  an  indorsement  by  Johnson. 
Autograj^h   letter  dated    March   5,  1781,  referring  to  the  lives  of 

the  ])0cts. 
Autograph   letter  to   Malone,  dated    2   March,  17S2,  referring  ic 

Ossian  and  Chatterton. 
A  MS.  paper  containing  memoranda  of  his  feelings. 
Original  draft  of  his  letter  to  the  Eord  Chancellor  respecting  his 

annuity. 
Copy   of    his  application,    iith    .■.])ril,     1776,    for    apartments   at 

191 


Hampton  Court,  addressed  to  tlie  Lord  Chamberlain  ;  and 
Lord  Hertford's  answer. 

Manuscript  iist  of  his  London  residences  from  1737  to  1785. 

Original  list  of  subscribers  to  his  monument,  in  the  handwriting 
of  M alone. 

Autographs,  continued.  Letter  of  the  Duchess  of  Kingston,  letter 
of  Louis  XV.,  countersigned  by  Le  Tellier  ;  letter  of  David 
Mallet,  letters  of  Edward  .Malone.  John,  Duke  of  Marlborough, 
Philip  Melancthon,  Metastasio,  Mrs.  Montagu,  Arthur  Murphy, 
Lord  North,  Bishop  Percy,  Mrs.  Piozzi,  Prior,  Earl  of  Bath, 
Richardson,  Sir  W.  Scott,  Shenstone,  Spencer,  Sir  R,  Steele, 
Lord  Stowell,  Mrs.  Thrale,  H.  VValpole,  Sir  R.  Walpole,  Bishop 
Warburton,  Rev.  John  Wesley,.  Windham,  etc. 

The  number  of  articles  comprising  the  v/ater-color  drawings 
(among  which  is  W.  B.  Pyne's  water-color  drawing  of  interior 
of  the  breakfast-room  at  Streatham,  with  portraits  of  Dr.  John- 
son, Mr.  and  Mrs.  Thrale,  and  for  which  ^16  ws.  was  given  at 
Pocock's  sale  in  1875),  views,  autographs,  and  portraits  of 
principal  persons  named,  are  440,  the  list  of  which  is  specially 
printed  on  15  pages,  folio,  by  Whittingham. 

1827  Johnson  (Samuel).     Dictionary  (^f  the    English   Language.     London, 

1755- 

First  edition  ;   "  Lewis  Carroll's  "  copy. 
2  vols.,  royal  folio,  calf. 

1828  Johnsonian    Miscellanies.       Arranged    and    edited    by  G.   B.   Hill. 

New  York  [London],  1897. 

2  vols.,  Svo,  cloth,  uncut. 

1829  Johnsoniana.     Anecdotes  and  Sayings  of  Dr.  Johnson,  not  included 

in   Boswell.     45    portraits,    engravings,   and  autographs    by    Finden. 
London,    1836. 

Best  edition,  containing  many  hundred  anecdotes  collected  from 

a  great  variety  of  sources,  edited  by  J.  W.  Croker. 
Largest  paper  copy,  with  brilliant  impressions  of  the   plates  on 

India  paper. 
4to,  cloth. 

1829*  JOHNSON  (R.  U.)  and  BUEL  (C.  C).  RATTLES  AND 
LJ:ADKRS  of  the  civil  ^\AR.  Being  contributions  by 
Union  and  Confederate  officers,  based  upon  the  "  Century  War 
Series."     New  York,  1887.  • 

Unique  copy,  illustrated  by  the  insertion  of  2,500  portraits  and 
autograph  letters.  Aut()grai)h  letters  :  Winfield  Scott,  Abra- 
ham Lincoln,  James  Buchanan,  Caleb  Cushing.  Ceneral  Twiggs 
(several),  Samuel  Houston,  Lewis  Cass,  Robert  Anderson, 
Stephen  .\.  Douglas,  (irant,  McClellan,  Alexander  H.  Stephens, 
R.  Iv  Lee  (5),  Reverdy  Johnson,  Colonel  Ellsworth,  B.  F. 
Butler,  Jefferson  Davis,  Longstreet,  Beauregard,  J.  E.  Johnston, 
J.  K.  Polk,  Albert  Pike,  Fremont,  Judah  P.  Benjamin,  and,  in 
fact,  nearly  every  civil,  military,  or  naval  leader  who  became 

192 


prominent  during  the  Civil  War.  The  portraits  are  generally 
fine  proofs  on  India  paper,  and,  in  many  instances,  where  no 
other  substitute  seemed  possible,  an  original  drawing  has  been 
inserted.  Views  of  historic  places,  scenes  of  naval  and  mili- 
tary actions  are  likewise  prolific,  in  addition  to  the  profuse  illus- 
trations in  the  original  book  as  it  was  issued. 
25  vols,  (including  Index)  extended  from  4,  royal  8vo,  half  blue 
levant  morocco  extra,  gilt  top,  uncut  edges. 

1830  Johnson  and  Chesterfield.     Eighteenth  Century  Letters.     Portraits. 

New  York,  1 898. 

i2mo,  cloth,  uncut. 

1831  Johnson  and  Dean.     The  World's  Best  Music.     Famous  songs,  and 

those  who  made  them.     Words  and  musical  .score,  with  450  illustra- 
tions.    New  York,  1898. 

6  vols.,  4to,  half  morocco. 

1832  Johnstone  (Mrs.).     The  Edinburgh  Tales.     Edinburgh,  1845. 

3  vols.,  royal  8vo,  original  cloth,  uncut. 

'^^33     Jones  (A.   D.).     American  Portrait  (iallerv.     Wood-cuts.     New  York, 
1855- 

8vo,  half  roan. 

1834  Jones  (C.  I.).     Memoirs  of  Miss  O'Neill.     London,  i8r6. 

Unique  copy,  with  20  portraits,  play-bills,  etc.,  inserted,  as  well  as 
autograph  letters  of  Miss  O'Neill  and  Hannah  More.  The 
portraits  include  the  colored  print  of  Miss  O'Neill,  by  Kinnerley. 

Royal  8vo,  calf  extra,  gilt  top,  uncut  edges,  by  Riviere. 

1835     Memoirs  of  Miss  O'Neill.     With  portraits  inserted,  including  the 

brilliant  colored  plate  after  Kinnerley.     London,  18 r 6. 

Royal  8vo,  half  brown  levant,  gilt  top,  uncut  edges. 

1836  Jones    (Francis).     Sedan    Chairs.     Original    designs    in    water   color. 

London,  17 — . 

Oblong  4to,  half  calf. 

1837  Jones  (Henry  A.).     Plays:  Case  of  Rebellious  Susan,  etc.     London, 

1899. 

7  vols.,  i2mo,  cloth. 

1838  Jones  (J.   W.).      Personal   Reminiscences,  Anecdotes,  etc.,  of   General 

Robert  E.  Lee.     Portraits.     New  York.  1875. 
8vo,  cloth. 

1839  Jonson  (Ben).     The   \Vorkcs  of.     Portrait   l)y  \'aughan  :  frontispiece- 

title  by  Hole.     London,  1C40-31. 
2  vols.,  folio,  old  calf. 

1840     Volpone.     Illustrated  by  .\ubrev  Beardsley.     N'u  York  [Lon- 
don], 1898. 

4to,  half  gray  levant,  gilt  top,  uncut  edges. 

13  193 


1841  JORDAN    (Mrs.).     I^IFE    OF,  by  James  Boaden.     London,  183 1. 

Unique  copy,  illustrated  by  275  portraits,  of  exceptional  quality 
and  rarity,  and  autograph  letters  of  Harley,  W.  Parsons,  banuiel 
Rogers,  EUiston,  etc.  The  portraits  include  all  the  rare  plates 
of  Mrs.  Jordan  (some  colored),  and  Kean  as  Richard  III.  (col- 
ored) ;  Mr.  Lewis, by  Hinton;  Collins  (colored  drawing);  Master 
Betty,  by  T.  Hollyer  (colored)  ;  Mrs.  Siddons,  by  IJartolozzi  ; 
Congreve  (mezzotint)  ;  Wilks  (mezzotint)  ;  Mrs.  Behn  (India 
proof)  ;  Wofifington  (the  Cabinet  print)  ;  Mrs.  Siddons,  by 
Trotter  ;  Garrick,  by  Hogarth  ;  Miss  DeCamp  and  Mrs.  Coutts 
(beautifully  colored)  ;  drawings  in  color  of  Geo.  Farquhar, 
Macklin  as  Shylock,  Roger  Kemble,  and  a  quantity  of  fine 
proofs. 

With  the  possible  exception  of  Spence's  Anecdotes,  no  book  in 
this  collection  has  been  more  lavishly  treated  than  these  vol- 
umes. 

2  vols.j'Svo,  red  levant  morocco  extra,  gilt  edges,  by  Pratt. 

1842  PUBLIC  AND  PRIVATE  LIFE  OF  MISS  BLAND,  other- 
wise Mrs.  Ford,  and  Mrs.  Jordan,  late  mistress  of  William  IV.  Dun- 
combe,  London,  n.  d. 

Unique  copy  of  the  original  edition,  illustrated  by  the  insertion 
of  150  portraits,  rare  play-bills,  autographs,  the  text  of  Oxberry's 
Life  of  Mrs.  Jordan,  etc.  The  autographs  include  a  receipt 
signed  Dora  Jordan  and  a  letter  from  Mrs.  Alsop.  The  draw- 
ings comprise  Mrs.  Jordan  as  the  Romp,  as  Peggy,  as  a  Hoyden, 
Richard  Daly,  Mrs.  Siddons  as  Melpomene,  Mrs.  Jordan  as 
Lucy,  as  Lydia  Languish,  Lady  Sophia  Sidney,  Lady  Augusta 
Gordon,  Mrs.  Alsop  as  Rosalind,  etc.  Probably  every  known 
portrait  of  Mrs.  Jordan  has  been  added  ;  also  fine  mezzotints  of 
Mrs.  Mountain,  William  IV.,  Oliver  Wolcott,  etc.,  and  several 
curious  caricatures. 

Folio  (inlaid  from  8vo),  half  olive  levant  morocco  extra,  gilt  top, 
by  Stikeman. 

1843     Public  and  Private  Life  of.     Portraits  inserted.     London,  n.  d. 

Post  8vo,  calf. 

1844     Public  and  Private  Life  of.     London,  18 — . 

I^arge  paper  copy,  with  13  portraits  of  Mrs.  Jordan  inserted  and 

numerous  play-bills. 
4to,  half  calf,  gilt  top,  uncut  edges. 

1845     Essay  on  the  Pre-eminence  of  Comic  Genius,  with  Observations 

on  Mrs.  Jordan.      London,  1786. 

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1846     Memoirs  and  Amorous  Adventures  of  William  IV.,  by  Captain 

M .     London,  n.  d. 

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194 


iS47     Jordan  (Mrs.).     Elixir  of  Life,  and  Cure  for  the  Spleen.     With  the  rare 
portrait.     London,  17  89. 

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1848  Josephus  (Flavius).     Works  of.      Translated  by  Whiston.      Steel  plates 

and  wood-cuts.     London,  n.  d. 

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1849  Journal  Illustre.      Numerous  illustrations.     Paris,  1881-85. 

2  vols.,  folio,  half  morocco. 

1850  Jullien  (Adolphe).     Richard  Wagner  sa  Vie  et  Ics  CEuvres.     Portraits, 

etchings,  etc.     Paris,  1886. 

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Jjoston,  1892. 

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illustrations.     Stuttgart,  18S8. 

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1853  Jusserand  (J.  J.).     Shakespeare  in  France  under  the  Ancien  Regime. 

Illustrated.     London,  1899. 
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F.  B.     Portland,  1896. 

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1855  Kay  (John).    Original  Portraits.     300  curious  plates.    Edinburgh,  1877. 

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1856  KEAN  (Edmund).     THE    LIFE    OF    EDMUND  KEAN,   by   F. 

W.  Mawkins.     London,  1869. 

Unique  copy  of  the  greatest  i-mportance,  containing  over  1,000 

portraits,  views,   water-color  and   pencil  drawings,   autograpii 

letters   and   documents,  play-bills,  caricatures,  reports  of  the 

Box  vs.  Kean  Trial,  etc. 
The  original    drawings   comprise   beautiful   portraits  of   Hartley, 

Mrs.  (Mover,  11.  Johnson,  Kemble  as  Cato,  Daniel  Terry,  Mrs. 

West  as   Cordelia  (all  by  Wagcman);   Dowton,  F^liiston,  (}.  S. 

Carey,  etc.,  by   Harding  ;  J.   Bannister,  by  De  Wilde  ;  Thos. 

Morton,  by  Smith  ;  G.  F.  Cooke,  by  Lambert ;  IJefterton,  after 

Knellcr  ;  Scenes  from  Coriolanus,  Henry  VL,  and  King  Lear. 

by  Wright,  etc. 
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195 


markably  fine.  They  include  H.  W.  Betty,  by  Ward  ;  Henry 
Carey,  by  Faber  ;  Garrick,  by  Watson  (a  superb  print)  ;  Kem- 
ble,  by  Dawe  ;  Li?ton,  d'Ejifville,  Addison,  by  Smith  ;  Angelo, 
by  Scott  ;  Geo.  Clint,  by  Lupton  ;  Congreve,  by  Faber  ;  Roe 
as  Hamlet  ;  Southerne,  by  Simon  ;  Daniel  Terry,  by  Reynolds  ; 
Cooke  as  lago,  by  Ward  ;  Dr.  Drury  ;  Elliston,  by  Turner  (col- 
ored) ;  Fawcett;  Garrick,  by  Corbutt  and  Spooner  ;  John  Hen- 
derson (proof)  ;  Thomas  Holcroft  (proof);  Kean  as  Shylock; 
Michael  Kelly,  by  Turner  ;  Munden,  by  Reynolds  (proof)  ; 
Purcell,  by  Zobel  ;  Quin,  by  McArdell  ;  Rae  as  Hamlet,  Stan- 
field,  Sir  Henry  Halford,  etc. 

The  autograph  letters,  etc.,  include  part  of  Kean's  Diary  in  Amer- 
ica, a  letter  of  Spranger  Barry  to  Garrick  ;  Master  Betty,  J.  B. 
Booth,  Braham,  Thos.  Campbell,  Mrs.  Carey  to  Kean,  Queen 
Caroline.  Geo.  Colman,  Conway,  R.  Cumberland  to  Garrick, 
Thos.  Dibdin,  Dowton,  Ducrow,  Elliston,  Garrick,  George  HI., 
Thos.  Gray,  J.  Home,  Theo.  Hook,  Samuel  Johnson,  Mrs. 
Kean  (3),  Michael  Kelly,  Chas.  Kemble,  J.  P.  Kemble,  J.  S. 
Knowles,  Charles  Lamb  (very  interesting),  Miss  Macauley 
(several),  Macready,  Thos.  Moore,  Munden,  Oxberry  to  E. 
Kean,  Sir  Walter  Scott,  Mrs.  Siddons,  Talma,  Ellen  Tree, 
Vanbrugh,  C.  M.  Young,  etc. 

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imitation  of  Henderson's  Hamlet,  a  number  of  colored  carica- 
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ored) ;  Mossop  as  Zanga ;  Macready  as  Romeo  ;  Thoma^ 
Gray,  by  Muller  (proof)  ;  and  fine  plates  by  Bartolozzi,Vertue, 
Cruikshank,  Scriven,  and  others. 

The  play-bills  cover  all  the  more  important  performances  of 
Kean,  and  the  general  text  has  substantial  additions  in  the 
shape  of  rare  pamphlets,  etc.,  relating  to  the  subject  of  this 
Memoir.  A  printed  index  of  all  inserted  matter  makes  the 
same  unusually  accessible. 

14  vols.,  folio,  blue  levant  morocco  extra,  gilt  edges,  by  Riviere. 

1857  Kean  (Edmund).     Tracts  on.     8  inserted  plates.     London,  v.  d. 

Svo,  half  calf,  gilt  top. 

1857*     Kean  Banquet  at  St.  James's  Hall,  July  20,  1859.     London,  n.  d. 

Unique  copy,  with  100  portraits,  views,  play-bills,  etc.,  inserted. 
The  portraits  include  water-color  drawings  of  Charles  Kean  as 
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Folio,  half  red  levant  morocco  extra,  gilt  top,  by  Stikeman. 

1858  Kean-Macready.      Critical   examination  of  the    Respective    Perform- 

ances of  Mr.  Kean  and  Mr.  Macready,  in  Gibber's  Alteration  of  Shakes- 
peare's Richard  the  'I'hird.       London,  1819. 

Svo,  half  green  levant,  gilt  top. 

196 


l859  Keats  (John).  Poetry  and  Prose.  A  book  of  fresh  verses,  etc., 
formerly  suppressed.  Edited  by  H.  Buxton  Forman.  Portrait. 
London,  1890. 

8vo,  cloth,  uncut. 

Letters  of  John  Keats  to   Fanny   Brawne.     Portrait.     London, 


1878 

Post,  cloth,  uncut. 

1861  Keene  (Theophilus).     Memoirs  of  the  Life  of,  with  Elegies,  etc.     Lon- 

don, 1718. 

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who  bought  it  in  the  Field  sale  for  ^17.  Only  one  other  copy 
is  supposed  to  be  known. 

8vo,  half  calf. 

1862  Keepsake  (I'he).     Complete  from  its  commencement  to  1848  and  the 

years  1852-3  and  1856.  Numerous  fine  steel  engravings.  London, 
1828-56. 

24  vols.,  crown  8vo  and  8vo,  original  cloth  and  silk  binding. 

1863  Keepsake  (i'he).     9  plates.     New  York,  185 1. 

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1864  KEESE  (William  L.).     WILLIAM    E.    BURTON,  actor,  author, 

and  manager  ;  a  sketch  of  his  career.     New  York,  1885. 

Unique  copy.  Extra-illustrated  with  439  portraits,  including  23 
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(i.p.b.l.)  ;  Abbot  (original  drawing)  ;  Miss  Watson  as  Celia  ; 
Mrs.  Hunt  (original  drawing)  ;  National  Theatre  ;  Edmund 
Simpson  ;  Joseph  N.  Ireland  (i.p.);  Burton  as  Coachman  ;  Chas. 
Mathews  (original  drawing)  ;  W.  R.  Blake  (i.p.)  ;  Caroline 
Chapman  (original  drawing),  etc. 

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1865  Kelly  (Michael).     Reminiscences  of.     Portrait.     London,  1826. 

2  vols.,  8vo,  half  green  morocco,  gilt  top,  uncut  edges. 

1866  Kelly  (Wm.).     Notices  Illustrative  of  the   Drama,  etc.,  from  Leicester 

MSS.     London,  1865. 
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1867  Kelmscott   Press.      I  he  works  of  Geoffrey  Chaucer  now  newly  im- 

printed, ornamented  with  pictures  designed  by  Sir  Isdward  iUirnc- 
Jones,  and  engraved  on  wood  by  W.  H.  Hooper.  Hammcrsmilii. 
1896. 

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1868  Kelmscott  Press.   The  Story  of  the  Ghttering  Plain,  by  William  Morris. 

Kelmscott  Press,  1891. 

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1893- 

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Kelmscott  Press,  1894. 

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1898. 

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1874 Journal  of  Frances  Anne  Butler.    -Portraits  and  autograph  letter 

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1877     Notes  upon  some  of  Shakespeare's  Plays.      London,  1882. 

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1878     A  Year  of  Consolation,  by  Mrs.  Butler.     Moxon,  London,  1847. 

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1879     Francis  the  First  ;  an  historical  drama.    London,  1832. 

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i88o  KEMBLE  (John  Philip).  MEMOIRS  OF  HIS  LIFE,  including  a 
History  of  the  Statue,  from  the  time  of  Garrick  to  the  present  period, 
by  James  Boaden.  Illustrated  with  autograph  letters,  portraits,  views, 
etc.     Longman,  1825. 

Inlaid  and  illustrated  by  500  portraits  and  views,  mostly  proofs 
on  India  paper,  some  before  letters,  and  some  beautifully 
tinted  ;  also  beautiful  mezzotint  portraits  after  Gainsborough, 
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ous colored  caricatures  ;  62  autograph  letters,  among  which 
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Noverre,  Charles  Macklin,  Michael  Kelly,  Munden,  Edwin, 
Mrs.  Bland,  Harley,  Dowton,  Elliston,  G.  Colman,  Mrs.  Dick- 
ons, Miss  DeCamp,  J.  P.  Kemble,  W.  Parsons,  Mrs.  Inchbald, 
Murphy,  Miles  Peter  Andrews,  W.  Shield,  O'Keefe,  Emery, 
Johnstone  (Wilks,  Booth  and  Gibber,  Signatures  to  an  Ac- 
count), Holcroft,  Madame  Mara,  T.  Dibdin,  Palmer,  Mrs. 
Glover,  J.  Astley,  P.  Astley,  C.  Mathews,  Dimond,  Mrs. 
Charles  Kemble,  Miss  DeCamp,  Betterton,  Mr.  DeCamp, 
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1881      Life  of.      Eroutispiecie,  by  Cruikshank.      London,  iS — . 

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1882  Observations  on,  etc.,  with  an  account  of  his  Retirement.  Lon- 
don, 18 1 7. 

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1883  ■ Authentic  Narrative  of  his  Retirement  from  the  Stage.     Portrait 

and  facsimile.      London,  1817. 

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1884  Kemble's  Company.     MS.  Record  at  Coventry,  etc.,  1766,  including 

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etc. 

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dosius  ;   Pilon's  Fair  American  ;   Lee's  Rival  Queens,  etc.,  with   MS. 
Notes,  by  J.  P.  Kemble.      London,  v.  d. 
8vo,  green  morocco. 

1886  Kemble.      Letters  from  an    IvUglish    'j'raveller   in    Spain,  1778,  on  the 

Origin    and    Progress  of    Poetry  in   that  Kingdom.      Portraits.      Lon- 
don, 1 78 1. 

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book-plate. 
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1887  Kemble  and  Cooke  ;  or,  A  Critical  Review  of  a  pamphlet   published 

under  the  title  of  Remarks  on  the  character  of  Richard  the  Third,  as 
played  by  Cooke  and  Kemble.     London,  n.  d. 
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1888  Kembliana.     Jeu    d'Esprits,  etc.,  respecting   King    John,  etc.     Lon- 

don, 1804. 

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1889  Kendal  (Mrs.).     The  Drama.     Portrait.     London,  1884. 

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1892  Kent  (C.  L.).     Sophia-Adelaide.     A  chapter  in  Contemporaneous  His- 

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characters,  and  autograph  letter.  Mrs.  Kent  claimed  to  be  the 
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1893  Kerr  (John)  and  Woodworth  (Saml.). 

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1898  Kipling-  (Rudycird).      Writings   in   Prose   and    Verse.     Portrait.     New 

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1906  Kirkman  (J.  T.).     Life  of  Charles  Mackhn.      Portraits  :  a  few  added. 

London,  1799. 

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1909  Kitton  (F.  C.).    '•  Phiz"  (Hablot  Knight  I'rowne),  a  Memoir.    Portrait 

and  plates.      London,  1882. 

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1910  Knackfiiss   (IL).        Monographs    on    Raphael     and    Holbein.      Illus- 

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1914     London.     Many  hundred  wood-cuts.     London,  1841. 

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1915     Half  Hours  with  the  Best  Authors.      London,  1850. 

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1916     The  Land  we  Live  In.     Wood-cuts.     London,  n.  d. 

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1917     and    Martineau.       History    of    England    and    Continuation. 

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1918  Knight  (Joseph).     David  Garrick.     Portrait.     London,  1894. 

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1919     Theatrical  Notes.     7  fine  portraits.     London,  1893. 

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1920  Knight  (R.  P.).     Symbolical  Language  of  Ancient  Art  and  Mythology. 

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1921  KNOWLES    (James   Sheridan).      WORKS,  with   his   Life,  col- 

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by  Francis  Harvey.      Portraits  and  facsimiles.     London,  1873-5. 

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Lectures  on  Oratory,  Gesture,  etc.;  Dramatic  Works  ;  Tales 
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of  the  Sheridan,  Lefanu,  and  Knowles  families. 

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202 


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Ricliard   Brinsley   Knowics.     London,  1873. 

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tint) ;  Fanny  Kemble,  by  Picart  (India  proof)  ;  C'has.  Young 
as  Hamlet  (mezzotint)  ;  Mrs.  Siddons  ;  Dora  Jordan,  bv  Gg- 
borne  ;  Kean  as  Richard  IIL;  ("has.  Dibdin  (mezzotint);  Kean 
as  iMacbeth,  by  Meyer  ;  Macready  as  Virginiu.s,  a  quantity  of 
colored  portraits,  etc. 

The  autograph  letters  include  interesting  specimens  from  Charles 
Lamb,  S.  T.  Coleridge,  R.  B.  Sheridan,  Edmund  Kean,  Mac- 
ready,  Harley,  Lord  Anglesey  ;  a  dedication  to  Hazlitt,  by 
Knowles,  mentioning  Charles  Lamb,  ].  P.  Kemble,  Mrs.  Sid- 
dons, C.  M.  Young,  Fanny  Kemble,  Garrick,  Macklin,  Sir 
Walter  Scott,  Charles  Kean,  Charles  Mathews,  Tyrone  Power, 
Dora  Jordan,  Mrs.  Nisbett,  Lord  John  Russell  (3),  Leigh 
Hunt,  Buckstone,  etc.  ;  many  MSS.  in  the  handwriting  of 
Knowles,  a  copy  of  his  marriage  certificate,  his  will,  etc. 

2  vols.,  4to,  half  brown  morocco,  uncut  edges. 

1922*     A     COLLECTION     OF     ANA     ILLUSTRATIXCr    THE 

LIFE  OF  JAMES  SHERIDAN  KNOWLES,  to  which  are  added 
his  autograph  letters  and  those  of  his  friends ;  portraits,  views,  etc., 
collected  for  James  McHenry  by  Francis  Harvey.     London,  1874. 

Comprises  water-color  portraits  of  Knowles,  by  Wageman,  with 
autograph  inscription  ;  Mrs.  Knowles,  Mossop,  David  Ross, 
Reddish,  Fanny  Kemble,  Knowles  as  Master  Walter  ;  J.  P. 
Kemble  ;  Shakespeare  crowned,  by  Cipriani  ;  and  some  pencil 
drawings. 

Autograph  letters  of  the  Marquis  of  Bute,  luirl  of  Carlisle,  Char- 
lotte Cushman,  Charles  Dickens,  John  F"oster,  Countess 
Guiccioli,  Douglas  Jerrold,  Fanny  Knowles  (3),  J.  S.  Knowles 
(65),  Charles  Lamb,  W.  S.  Landor,  Louise,  Queen  of  the  Bel- 
gians ;  Hon.  Mrs.  Norton  to  Rogers  (8)  ;  Samuel  Rogers 
(poem)  ;  Laman  Blanchard,  J.  B.  Booth.  B.  R.  Haydon.  Le- 
fanu  (2),  Macready,  Thos.  Sheridan,  Wm.  Godwin,  Bulwer 
Lytton,  Louisa  Marshall,  E.  R.  Moran,  Frances  Sheridan,  R.  B. 
Sheridan,  Duchess  of  Somerset,  etc. 

The  portraits  include  Miss  Foote,  by  Picart  ;  Wycherley  (mezzo- 
tint) ;  Garrick,  by  Cochin  ;  Admiral  Knowles  (mezzotint)  ; 
Mathews  (mezzotint),  by  Turner;  Tyrone  Power  (proof 
mezzotint)  ;  Macready  as  Virginius  ;  Alfieri,  by  Toschi  ;  Mrs. 
Yates  (mezzotint)  ;  several  portraits  of  Kean,  etc. 

3  vols.,  4to,  half  brown  morocco,  uniform  with  above. 

1923     The  Hunchback,  etc.      London,  1834. 

3  vols,  in  I,  8vo,  blue  morocco. 

203 


1924  Knowles  (James  Sheridan.)      The  Hunchback.     Arranged    b\'    Aug. 

Daly.     New  York,  1893. 

Unique  copy  on  large  paper,  with  20  original  water-color  draw- 
ings by  Eugene  Grivaz. 

Royal  8vo,  half  red  levant  morocco,  gilt  top,  uncut  edges,  by 
Stikeman. 

1925     The  Hunchback.     Portrait  of  Fanny  Kemble  and  Kernble  play- 
bill inserted.     London,  1832. 

8vo,  half  green  morocco,  gilt  top,  uncut  edges.  Notes  by  G- 
Furman  on  Miss  Kemble  and  the  above  play. 

1926  Kock  (C.    Paul   de).     Works  :    Tran.slated.     Comprising  The  Modern 

Cymon  [Jean]  Girl  with  the  Three  Petticoats  ;  Love  Under  the  Tiles, 
Man  with  Three  Pair  of  Breeches  ;  The  Bride  ;   Madame  Pantaloons  ; 
My  Neighbor  Raymond  ;  the  Barber  of  Paris.    London,  1833-40,  etc. 
II  vols.,  8vo  and  post  8vo,  half  maroon  levant,  gilt  tops. 

1927     Sister   Anne    [also    Cooper's    Crater   and    Disraeli's  Tancred]. 

London,  etc.,  1840. 

3  vols,  in  1,  8vo,  half  calf. 

1928  Kotzebue  (A.  von).     Life  of.     Portraits  and  autograph  letter  inserted. 

London,  1827. 

2  vols.,  i2mo,  half  calf,  gilt  top,  uncut  edges. 

1929  Kugler  (F.).      Life  of   Frederick  the  Great.     500  illustrations.     Lon- 

don, 1877. 

Royal  8vo,  cloth. 

1930  Labiche  (E.).     Theatre  choisi.     Illustrations  by  S.  Arcos.     Paris,  1895. 

Royal  8vo,  cloth. 

1931  La  Bruyere.     The   Characters  of.     Translated   by  Henri  Van   Laun. 

7  portraits  and  17  vignettes  ;  etchings  on  China  paper.   London,  18S5. 
Only  300  copies  printed. 
8vo,  half  parchment,  gilt  top,  uncut  edges. 

1932     Les  Caracteres.     Portrait  and  18  etchings  by  Foulquier.     Tours, 

1S67. 

Royal  8vo,  half  morocco. 

1933     Les  C'aracteres  de  Theophraste,  etc.     Paris,  1769. 

2  vols.,  i2mo,  old  green  morocco. 

1934     Characters  ;  or,  the  Manners  of  the   Age.     Translated,  with  a 

Key.     London,  1699. 

Includes  the  Characters  of  Theophrastus. 

i2mo,  calf  gilt,  gilt  edges. 

1935  Laborde   (Cte.  A.  de).     Versailles   ancien   et   moderne.     Illustrated. 

Paris,  1 84 1. 

Royal  8vo,  morocco. 

204 


1936  Lace  Album.     25  plates  in  facsimile  of  rare  selected  specimens.   Lon- 

don, 18 — . 

Royal  folio,  half  maroon  levant  morocco  extra,  gilt  top. 

1937  Lachner  (F.).     Costume  und  Decorationen  der  Oper.     Catharina  Cor- 

naro.     Colored  and  tinted  lithographs.     Berlin,  1846. 
Oblong  4to,  cloth. 

1938  Lacroix  (Paul).     (Kuvres. 

Moyen  Age. 

Arts,  Sciences,  et  Litterature.     Moeurs,  etc.,  et  Vie  Militaire. 

Louis  Xn.  et  Anne  d'Autriche. 

XVIL  Siecle.     Lettres,  Sciences  et  Arts,  Institutions,  etc. 

XV in.  Siecle.     Lettres,  Sciences  et  Arts,  Institutions,  etc. 

Le  Directoire. 

Many  hundred  illustrations,  some  in  gold  and  colors.     Paris,  v.  d. 

10  vols.,  royal  8vo,  half  red  morocco  extra. 

1939     Arts  of  the  Middle  Ages.     400  illustrations.     London,  n.  d. 

Royal  8vo,  cloth. 

1940     Military  and  Religious  Life  in  the  Middle  Ages.     Over  400  illus- 
trations.    London,  n.  d. 

Royal  Svo,  cloth. 

1941  Lacroux  (J.).      La  Brique  Ordinaire.      Colored  plates.     Paris,  1878. 

Folio,  cloth. 

1942  Lacy's  Acting  Plays.    A  collection  of  over  500  plays  as  issued.    Lon- 

don, V.  d. 

It  would  be  practically  impossible  to  dui)licate  this  collection. 
130  vols.,  i2mo,  half  morocco. 

1943  La  Farge  (John).     An  Artist's  Letters  from  Japan.     Illustrated.     New 

York,  1897. 

Svo,  half  gray  levant,  gilt  top,  uncut  edges. 

1944  Laffan  (Mrs.).     A  Song  of  Jubilee  and  other  poems.     London,  18S7. 

Presentation  copy  from  the  author. 
Post  8vo,  cloth,  uncut. 

1945  La  Fontaine  (Jean  de).     Fables.     Translated.     With  25  etchings  by 

Delierre.     Boston  [London],  1884. 
No.  122  of  250  copies. 
Royal  8vo,  half  vellum,  gilt  top. 

1946  Lallemand    (Ch.).        Alger;     Constantinople;    Jc^rusalem  ;      Damas. 

Ulu.strated.     Paris,  n.  d. 
4to,  cloth. 

205 


1947  LAMB   (Charles).     THE  LETTERS  OF.     Newly  arranged,  with 

acUiitioiis.      lulited,  witli   introduction  and   notes,  by  Alfred   Ainger. 
London,  iS88. 

Unique  copy,  inlaid  from    i2mo  to  folio,  and   illustrated  by  the 
insertion  of  nearly  400  portraits,  views,  autograph  letters,  and 
manuscripts.     A  collection  of  extraordinary  value. 
The   autograph    letters    include  58  from  Charles  Lamb,  40  ad- 
dressed to  Thomas  Manning,  and  18  to  S.  T.  Coleridge.     I'he 
majority  of  these  letters  are  of  3  and  4  folio  ]">ages  each,  and  they 
are.  for  the  greater   part,  the  originals  of  those  printed   in  the 
book.     Other  interesting  letters  of   Mary   Lamb,  etc.,  add  to 
the  value  of  this  very  important  group. 
The  portraits  include  fine  mezzotints  of  Robert  Burns,  Chaucer, 
etc.,  and  India  proofs  of  Priestley,  Ben  Jonson,  Gibbon,  Amos 
Cottle,  Johnson  the  publisher,  John  Howard  Payne,  Dr.  Donne, 
Bunyan  by  Sharp,  Isaac  Walton,  Sir  Philip  Sidney,  and  many 
others  of  equal  value  and  importance. 
2  vols.,  folio,  half  brown  levant  morocco  extra,  by  Stikeman. 

1948     Works.    Portrait  and  vignette.    INIoxon,  London,  1852. 

Royal  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1949     Works.     London,  1818. 

First  collected  edition. 

2  vols.,  post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1950     etc.     Poems  on  various  subjects,  by  S.  T.  Coleridge  [and  others]. 

London,  1796. 

First  edition. 

Foolscap  8vo,  half  green  levant,  gilt  top. 

1951     etc.     Poems  by  S.  T.  Coleridge,  to  which  are  now  added  Poems 

by  Charles  Lamb  and  Charles  Lloyd.     Bristol,  1797. 

Foolscap  8vo,  half  green  levant,  gilt  edges. 

1952     etc.     Blank  Verse,  by  Charles  Lloyd  and  Charles  Lamb.     Lon- 
don, 1798. 

First  edition. 

Post  8vo,  blue  levant  morocco  extra,  gilt  edges,  by  Riviere. 

1953     etc.     The  Annual  Anthology  [including  "  Living  without  God," 

etc.,  by  Lamb].     Bri-stol,  1799-1800. 

First  edition. 

2  vols.,  post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1954     J'>hn  Woodvil,  etc.     London,  1802. 

First  edition.     Presentation  copy  from  author  to  Ed.  White,  with 

autograph  inscription. 
Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 
206 


1955  [Lamb.]     Tales   from  Shakespear.     Plates  by  Blake  after  Mulready. 

London,  1807. 

First  edition. 

2  vols.,  i2mo,  half  green  levant,  gilt  top. 

1956     The  Adventures  of  Ulysses.     Frontispiece    and  engraved  title. 

London,  1808. 

First  edition. 

Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1957     (Charles  and  Mary).    Poetry  for  Children.    Frontispieces.     Lon- 
don, 1809. 

The   excessive   rarity   of  these  volumes  needs  little  exploitation. 
They  may  be  unique  in  this  state. 

2  vols.,  lomo,  original  boards  in  blue  levant  case,  extra  tooling 
on  back  and  sides. 

1958     (Charles).      Mrs.    Leicester's  School.      Frontispiece.      London, 

1809. 

i2mo,  half  green  levant,  gilt  top  ;  ink-stains  on  p.  32,  etc. 

1959     ^^^^-  Leicester's  School,  etc.     Notes  by  Ainger.     London,  1885. 

Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

i960     Prince  Dorus.     9  plates.     London,  181  t. 

First  edition,  of  great  rarity,  and  in  a  condition  beyond  criticism. 
i6mo,  original  boards,  in  red  levant  case. 

1961     Beauty  and  the  Beast.     Plates  and  music  score.     London,  n.  d. 

Original  edition,  second  only  in  point  of  rarity  to  Prince  Dorus. 
i6mo,  original  boards,  in  half  green  levant  case. 

1962     Some    Enquiries    into    the    Effects    of  Fermented    Liquors,    by 

a  Water-drinker   [Basil    Montague].     Portrait   and   plates.     London, 
1814. 

First  edition.     Lamb  wrote   the  "Confessions  of  a   Drunkard," 
pp.  201-216. 

Svo,  half  green  levant,  gilt  edges. 

1963     Elia.      London,  1823. 

First  edition. 

Crown  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1964     The  Last  Essays  of  Elia.     Moxon,  London,  1833. 

First  edition. 

Crown  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1965     ]'>ssays  of  Elia.     9  plates.     New  York,  1833. 

Large  paper  copy  ;  250  printed. 

4to,  half  green  levant,  gilt  top,  uncut  edges. 
207 


1966  [Lamb.]     Some  Essays  of  Elia.     Illustrated.     London,  n.  d. 

Post  Svo,  cloth. 

1967     Essays  of  Elia.     Notes,  etc.,  by  Ainger.     London,  1S87. 

I'ost  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1968     Eliana.      The   hitherto  uncollected  writings   of  Charles   Lamb 

Portrait.     London,  1867. 

Post  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1969     Rejected  Articles.     London,  1826. 

Second  edition.    Commences  with  "  An  Unsentimental  Journey,' 

by  C.  L. 
Crown  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1970     Album  Verses,  etc.     London,  1830. 

First  edition. 

Post  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1971     Prose  Works.     London,  1836. 

First  collected  edition. 

3  vols.,  crown  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1972     Letters  ;  with  Life,  by  T.  N.  Talfourd.     Portrait.     London,  1837. 

2  vols.,  crown  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1973     Letters  of  ;    with    Life,  bv   T.   N.    Talfourd.     Moxon,  London. 

1837- 

Unique  copy.     Over  50  portraits  inserted. 

2  vols.,  crown  Svo,  half  brown  levant,  gilt  top,  uncut  edges. 

1974     Final  Memorials  of  Charles  Lamb,  by  T.  N.  Talfourd.     London, 

1S48. 

2  vols.,  crown  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1975     Charles    Lamb  :    A     Memoir,    by    Barry    Cornwall.     Portraits. 

London,  1866. 

Svo,  half  green  levant,  gilt  top,  uncut  edges. 

1976     A  Memoir,  by  Barry  Cornwall  [Procter].   Portrait.   T-ondon,  1S66 

Letters  and  portrait  of  author  inserted. 

Svo,  half  calf,  gilt  top,  uncut  edges. 

1976*     A  Memoir  of,  by  Barry  Cornwall.     Portraits.      London.    1S66, 

The  original  proof  sheets,  with  the  author's  MS.  corrections  and 

the  pertinent  note,  "  Printer  waits  for  copy,"  on  p.  191. 
8vo,  limp  morocco. 

1977     (Mary  and  Charles  Lamb).     Poems,  Letters  and  Remains.     Por- 
traits, etc.,  with  notes,  etc.,  by  W.  C.  Hazlitt.     London,  1874. 

Large  paper  copy. 

4to,  half  green  levant,  gilt  top,  uncut  edges. 

208 


1978  [Lamb.]      Poems,   Letters,  and   Remains,  collected    by  \V.  C.  Hazlitt. 

Numerous  illustrations.     New  York  [London],  1874. 
Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1979     Poems,    Plays,   and    Miscellaneous   Essays.      Notes    by  Ainger. 

London,  1884. 

Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1980     Tales  from  Shakespeare.     Edited  by  Ainger.     London,  1887. 

Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

1981     In  the  Footprints  of    Charles  Lamb,  by  B.   E.   Martin.     Illus- 
trated.    New  York,  1890. 

8vo,  cloth,  gilt  top,  uncut  edges. 

1982     (Charles  and  Mary).     Poems,  Letters,  and    Remains.     By  W. 

Carew  Hazlitt.     Illustrated.     London,  1874. 

Post  8vo,  cloth,  uncut. 

[See  also  White  (J.).] 

1983  Lamb   and  Jerrold.      Bon-Mots.      Edited    by  B.   Jerrold,   with  gro- 

tesques by  Aubrey  Beardsley.     London,  1893. 

i2mo,  half  gray  levant  morocco,  gilt  top.  uncut  edges. 

108-^     LAMB    (Martha    J.).     IirSTORY    OF    THE   CITY    OF    NEW 
YORK. 

Unique  copy.  Illustrated  with  9S0  portraits,  views,  and  auto- 
graphs. New  Amsterdam  (1671),  from  Ogilvy  ;  Cordon 
Saltonstall  ;  Jonathan  Edwards,  by  Trotter  ;  Sir  Wm.  John- 
son ;  Robert  Monckton  ;  Rev.  Aaron  Burr ;  Samuel  John- 
son, D.I).,  by  Lene\'  ;  load  Loudoun  ;  Benj.  Franklin  ; 
Ceneral  Wolfe ;  autograph  letter  of  Wm.  Bayard  ;  auto- 
graph letter  of  Thos.  Cage  ;  dated  signature  of  Wm.  Tryon  ; 
Hamilton,  by  Hoogland  ;  Lord  Howe,  from  Impartial  History  ; 
Lord  Dartmouth,  from  Westminster  Magazine  ;  Cage,  by  Pol- 
lard ;  Egbert  Benson  (i.p.),  by  Burt  ;  Mathew  Clarkson,  after 
Stuart  ;  Burgoyne,  by  Brocas  :  Ceneral  Warren,  from  Polyan- 
thos;  Chas.  Lee,  from  Impartial  History;  David  Wooster  (a 
scarce  German  print)  ;  Tom  Paine,  by  Loosjes  ;  Washington, 
from  Impartial  History  ;  also  Putnam  ;  Hell  Cate,  1778  ;  Jos. 
Brant  ;  Reed,  by  Prcvost  ;  also  autograph  letter  ;  Hancock, 
from  Impartial  History  ;  Ale.x.  McDougall  (i.d.)  ;  Ceneral 
Howe,  from  Impartial  History  ;  autograph  letter  of  Aaron 
Ogden  ;  dated  signature  of  John  Bayard  ;  autograph  letter  of 
Alexander  Hamilton  as  Aide-de-Camp,  April  12,1777  ;  Colum- 
bia College,  from  Mirr-or  ;  dated  signature  of  Cuy  Carleton  ; 
Cornwallis,  by  Bartolozzi  ;  Hon  Wm.  Heath  ;  Couverneur 
Morris,  scratched  letters  by  B.  B.  Iv;  autograph  letter  of  Ceo. 
Clinton,  April,  1783  ;  autograph  letter  of  Peter  A.  Jay  ;  dated 
signatures  of  Arthur  Lee  and  Samuel  Osgood  ;  Steuben  ;  scratch 
letters,  B.  B.  E.  ;  Andre,  by  Cook  ;  D'Estaing.  fine  French  por- 
trait ;  Admiral  Byron  ;  dated  signature  of  Rochanibeau  ;  Jos. 
Thacher  (lith.),  by  Pendleton  ;  autograph  letter  of  Thos.  Jeffcr- 

14  209 


son  (2)  ;  Dr.  Chas.  McKnight  ;  letter  of  Edw.  Livingston  ; 
autograph  letter  of  Robt.  IMorris  ;  Dickenson,  by  Reading  ; 
^^■asilington,  by  Pekenino  (dark  background)  ;  autograph  letter 
of  Jed.  Morse  ;  autograph  letter  of  John  Jay  ;  autograph  let- 
ter of  Albert  Gallatin  ;  Dr.  Samuel  Bard,  by  Main  ;  Dr.  John 
Bard,  by  Leney  ;  autograph  letter  of  Dr.  Bethune  ;  auto- 
graph letters  of  Jcsiah  Quincy,  1829  ;  Rev.  Nulledoler,  by 
Durand  ;  Rev.  Wm.  W,  Phillips  (4t())  ;  autograph  letter  of 
Nicholas  Fish,  1777;  General  Wadsworth  ;  "Captain"  David 
Porter,  by  Gimbrede  ;  Jacob  Jones  and  Isaac  Hull,  by  Edwin  ; 
Commodore  Rodgers,  from  Polyanthos  ;  autograph  letter  of 
Cadwallader  ;  D.  Colden  ;  autograph  letter  of  Alex.  Macomb  ; 
dated  signature  of  Andrew  Jackson,  1813  ;  Stephen  Price  ; 
autograph  letter  of  DeWitt  Clinton  ;  Hon.  Wm.  Paulding,  by 
Durand  ;  autograph  letter  (2  pp.),  1818,  of  Lafayette  ;  Philip 
Hone,  by  Durand  ;  autograph  letter  of  Andrew  Jackson,  1829  ; 
autograph  letter  of  Bishop  Onderdonk  ;  autograph  letter  of 
Van  Pjuren  ;  autograph  letter  of  Thurlow  Weed  ;  autograph 
letter  of  Samuel  V.  R.  Morse  ;  autogra]ih  letter  of  John  A.  Dix  ; 
Samuel  B.  Ruggles  (4to)  ;  Webster,  unfinished  proof  ;  Lincoln 
(i.p.b.l.)  ;  the  Peabody  views,  many  on  India  paper  ;  the 
Bourne  views  (India  proofs),  and  a  large  number  of  private 
plates  by  Hall,  Rosenthal,  etc. 
7  vols.,  8vo,  1887,  half  blue  levant  morocco  extra,  gilt  backs 
and  top,  edges  uncut. 

1985  La  Menagerie  Imperiale.     31  colored  caricatures  of  Napoleon  and 

his  followers.      Paris,  n.  d. 
Royal  8vo,  boards. 

1986  Lampadius  (W.  A).     Life  of  Felix  Mendelssohn  Bartholdy.     30  por- 

traits, etc.,  inserted.     London,  1876. 

8vo,  half  maroon  morocco,  gilt  top,  uncut  edges. 

1987  Lancaster  (A.  E.).     "All's  Dross  but  Love."     New  York,  1889. 

Presentation  copy  from  the  author. 
i6mo,  cloth. 

1988  Landon  (M.  1).).     "Eli  Perkins."     Kings  of  the  Platform  and  Pulpit. 

Illustrated.      Chicago,  1890. 

Presentation  copy  from  the  compiler. 
8vo,  half  morocco. 

1989  Landriani  (P.).     Osservazioni  sui  difetti  prodotti  nei  Theatre.     Nu- 

merous folded  plates.     Milano,  1813. 
4to,  half  red  levant,  gilt  top. 

1990  Landseer.      Monkeyana  ;    or.    Men    in  Miniature.     26    fine    etchings. 

Proofs  on  India  paper.     London,  1827. 

Royal  folio,  half  gray  levant,  gilt  top,  uncut  edges. 
210 


IQpI     Lane  (R.  J.).     Theatrical  Sketches.     50  fine  portraits,  proofs  on  India 
paper,  colored.     London,  1838. 
4to,  cloth. 

1992  Lang  (Andrew).     The  Library.     Illustrated.     London,  iSSi. 

Post  8vo,  half  gray  levant,  gilt  top. 

1993     Much  Darker  Days.     By  A.  Hugh  Longway.     London,  1884. 

Post  8yo,  half  gray  levant,  gilt  top,  uncut  edges. 

1994     Ballads  and  Verses  Vain.     New  York,  1884. 

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1995     Books  and  Bookmen.     Illustrated.     New  York,  1886. 

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1996     Books  and  Bookmen.     Illustrated.     New  York,  1886. 

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1997     Johnny    Nut   and   the   Golden  Goose.     From  the  French  of   C. 

DeuUn.     Illustrated.     London,  1887. 

Imp.  8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

1998     Aucassin  and  Nicolete.     London,  18S7. 

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1999     Rhymes  a  la  Mode.     London,  1887. 

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2000     Ballads  of  Rooks.     London,  1888. 

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2001     Grass  of  Parnassus.     Rhymes  Old  and  New.'     London,  1888. 

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2002 Ed.     Euter[)e.     Being  the  Second  Book  of  the  Famous  History 

of  Herodotus.     Frontispiece.     London,  1888. 

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2003     Euterpe.     Being  the  Second  Book   of  the  Famous  Historv  <,r 

Herodotus. 

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2004     Ed.     Perrault's  Popular  Tales.     Portrait.     Oxford,  1S88. 

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2005 The  Blue  Fairy  Book.     Illustrated.     London,  1889. 

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211 


2006  Lang  and  Sylvester.     The  Dead  Leman,  and  other  Tales,  etc.    New 

York  [London],  1889. 

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2007  Lang  (Andrew).     Letters  on  Literature.     London,  1889. 

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8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

2008     Ed.     The  Red  Fairy  Book.     Illustrated.     London,  1890. 

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2009     Old  Friends.     Frontispiece.     London,  1890. 

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2010     How  to  Fail  in  Literature.     London,  1890. 

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2011     The  lilue  Poetry  Book.     Illustrated.     London,  1891. 

Large  paper  copy  ;  150  printed. 

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2012     Angling  Sketches.     Etchings,  etc.     London,  1891. 

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2013     The  Library.     Illustrated.     London,  1892. 

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2014 The  Green  Fairy  Book.     Illustrated.     London,  1892, 

Post  8va,  half  gray  levant,  gilt  edges. 

2015     Helen  of  Troy.     Her  life,  and  translation  done  into  Rhyme  from 

the  Greek  Books.     Portland,  1892. 

i2mo,  boards. 

2016     St.  Andrews.     Illustrated  by  T.  Hodge.     London,  1893. 

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2017  Lang  and    Kirk.     The    Secret   Commonwealth  of  Elves,  Fauns,  and 

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2018  Lang  (Andrew).  Homer  and  the  Epic.     London,  1S93. 

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2019     The  True  Story  Book.     Illustrated.     London,  1893. 

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i 


2020  Lang  (Andrew).    The  True  Story  Book.     London,  1893. 

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2021     Ban  and  Arriere  Ban.     Frontispiece.     London,  1894. 

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2022     Ballads  and   Lyrics  of  Old  France.     With  other  poems.     Port- 
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2023     Pickle  the  Spy.     Portraits.     London,  1897. 

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2024     The  Miracles  of  Madame  Saint  Katherine  of  Fierbois.    Chicago, 

1897. 

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2025     The  Pink  Fairy  Book.     Illustrated.     New  York,  1897. 

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2026     Modern  Mythology.     London,  1897. 

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2027     A  Collection  of  Ballads.     Illustrated.     London,  1897. 

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2028     The  Book  of  Dreams  and  Ghosts.     London,  1897. 

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2029 Helen  of  Troy.     Mosher,  Portland,  1897. 

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2030     The  Nursery  Rhyme  Book.     Illustrated  by  Brooke.     London, 

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2031     The  Pleasures  of  Literature  and  the  Solace  of  Books.   Compiled 

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2033  Langbain,  etc.     Lives  and  Characters  of  the  English  Dramatick  Pocls. 

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213 


2034  Langton  (Robt.).     Childhood  and  Youth  of  Charles  Dickens.      Nu- 

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2035  Lansdowne  (Lord  Geo.).    Life  of  A\illiam  Wycherley.    London,  17 18. 

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2036  Lante.     Galerie  Fran^aise  de  Femmes  Celebres.     54  full-length   por- 

traits, colored.     Paris,  1827. 
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2037  Larchey  (L.).     Dictionnaire  de  I'Argot  Parisien.     Wood-cut  illustra- 

tions.    Paris,  1872. 

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2038  Lark  (The).     Illustrated.     San  Francisco,  1896-7. 

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2039  Larwood  (Jacob).     Theatrical  Anecdotes.     London,  1882. 

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2040 Story  of  the  London  Parks.      Colored  and  other  illustrations. 

London,  n.  d. 

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2041  LARWOOD  and  HOTTEN.  HISTORY  OF  SIGNBOARDS. 
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Unique.  Under  the  special  printed  title  of  Old  London  Illus- 
trated, but  with  the  above  text  as  a  basis,  an  astonishing  book  has 
been  here  built  on  the  Hostelries  of  the  metropolis  and  vicinity. 
The  illustrations  exceed  500,  and  comprise  no  less  than  115 
original  water-color  drawings  of  rare  excellence,  executed  by 
Wilson,  the  assistant  of  Birket  Foster,  for  Mr.  Dodshon  Foster. 

The  following  details  indicate  in  part  the  great  value  of  these 
volumes  : 

Original  water-color  drawings  of  the  King's  Arms  (both  at  South- 
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ern, Grapes  Tavern,  Rose  and  Crown,  Spread  Eagie,  Three 
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and  French  Horn,  Jews  Harp,  Load  of  Hay,  Fox  and  Crown, 
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and  P.lack  Bull,  Bell  Inn,  Bell  Tavern,  The  Bell,  I'.elle  Sauvage, 
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214 


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numbers  of  the  Tatler,  etc. 

Portraits  of  Dr.  Arne,  by  Bartolozzi  ;  Dighton's  colored  carica- 
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ting ;  Lord  George  Gordon,  by  Bran  ;  Shuter,  drawing  by 
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Voss,  and  other  valuable  plate;-. 

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2042  Lasserre.     Notre   Dame  de   Lourdes,     Printed  within  engraved  bor- 

ders, and  further  illustrated  with  colored  plates,  etc.     Paris,  189 1. 
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2043  Lathrop  (Geo.  P.).     Spanish   Vistas.     Illustrated   by    Chas.    S.    Rein- 

hart.     New  York,  1883. 
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2044     Dreams  and  Days.     New  York,  1892. 

8vo,  cloth. 

2045 Dreams  and  Days.     Poems.     New  York,  1892. 

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2046  Lathrop  (Geo.  P.  and  Rose  H.).     A  Story  of  Courage.     Annals  of  the 

Georgetown  Convent.     Illustrated.     Cambridge,  1895. 
Edition  de  luxe. 
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2047  Lauw  (Louisa).     Fourteen  Years  with  Adelina  Patti.     London,  1884. 

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2048  Lavalette  (Count).     Memoirs  of.     Portrait.     Philadelphia,  1894. 

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2049  Lavater  (Gaspard).     L'Art  de  Connaitrc  Ics   I  lomnics  par  la  I'hysiog- 

nomie.      Several  hundred  engravings.     Paris,  1806. 
Large  paper  copy. 
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2050  Lawrence  (R.  M.).  The  Magic  of  the  Horse-Shoe,  etc.     Boston,  189b. 

8vo,  cloth. 

21S 


2051  Lawrence    (W.  J.).     Life    of    Gnstavus  Vaughan    Brooke.     Portrait. 

Belfast,  1892. 

Only  500  copies  printed. 

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2052  Lawson   (John).     History  of  Carolina.     Large  map,  mounted.     Lon- 

don, I  7 14. 

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2053  Layard  (George  Somes).  Tennyson  and  his  Pre-Raphaelite  Illustrators. 

Illustrated.     London,  1894. 

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2054  Lea's  British  Drama  and  Theatrical  Portrait  Gallery.     Wood- 

cuts.    London,  n.  d. 

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2055  Leathes  (Edmund).     An  Actor  Abroad.     London,  1880. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

2056  Lechevallier-Chevignard.     Costumes  Historiques  de  Femmes.     122 

colored  plates,  including  the  Supplement.     Paris,  1889. 
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2057  Ledwich  (Edward).     Antiquities  of  Ireland.     Plates  on  copper.     Dub- 

lin, 1790. 

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2058  Lee  (Henry).     Memoirs  of  a  Manager.     Taunton,  1830. 

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2059  Lee   (Sidney).     Life   of   William    Shakespeare.     Portraits,   etc.     New 

York,  1898. 

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2060  Lee  (S,  L.).     Stratford-onAvon,  from  the  earliest  times   to  the   death 

of  William  Shakespeare.     45  illustrations  by  E.  Hull.     London,  1885. 
Proof  copy. 
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2061  Leech  (John).     Mr.  Briggs  and  his  Doings.     12  colored  plates  from  the 

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2062  Lefanu  (Alicia).     Memoirs  of  Mrs.  Frances  Sheridan.     Portraits;  some 

inserted.     London,  1824. 

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2063  Le  Gallienne  (Richard).     English  Poems.     London,  1892. 

Large  paper.     No.  120  of  150  copies.     Autograph  signature. 
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216 


2064  •  Le  Gallienne  (Richard).  The  Quest  of  tb.e  Golden  (jiil.    London.  i8g6. 

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2065  Legouve  (E.).     Sixty  Years  of   Recollections.     Translated   by  Albert 

D.  Vandam.     London,  1S93. 

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2066  Leland  (C.  G.).     Gypsy  Sorcery    and     Fortune    Telling.     Illustrated. 

New  York,  1891. 

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2067     Etruscan   Roman   Remains   in   Popular  Tradition.     Illustrated. 

London,  1892. 

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2068  Leman  (Walter    M.).     Memories    of   an    Old    Actor.       Portrait.     San 

Francisco,  1886. 

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2069  Lemazurier  (P.   D.).     Galerie    Historique   des   Acteurs   du  Theatre 

Frangaise.     Paris,  1810. 

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2070  Lempriere,     Classical  Dictionary.     New  York,  1875. 

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2071  Lennox  (Lord  W.  P.).     Plays,  Players  and  Playhouses.    London,  18S1. 

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2072     Plays,    Players   and  Playhouses.       Numerous    inserted    plates. 

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2073     Fashion  then  and  now.     London,  ^878. 

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2074  Lennox  (Lord  and  Lady).     Mysterious  Proceedings  at  Covent  (iarden 

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2075  Lenox  (Mrs.).     Shakespear  Illustrated.     London.  1753. 

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2076  Leonard  (John  F.).     A  Peep  behind  the  Curtain.     Boston,  1850. 

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2077  Leonard.     Hairdresser  to  Marie-Antoinette.     Souvenirs.      Translated. 

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217 


2078  Leroux    (Hugh).     Les   Jeux  du   Cirque  et  la  Vie   foraine.     Colored 

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2079  Le  Sage.     Gil  Bias.     Plates  bj'  Smirkc.     London,  1859. 

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2080     Asmodeus  ;    or,   the   Devil   on  Two   Sticks,  with    Life   by   Jules 

janin,  translated    by   Thomas.     Illustrated    edition,  with    numerous 
spirited  engravings  by  Tony  Johannot.     London,  1841. 

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2081     Another  copy. 

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2082  Les   Cinq   Cens.      15    fine    proof  plates,  from   original   paintings    by 

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2083  Les  Evangiles  des  Dimanches  et  Fetes  de  TAnnee,  suivis  de 

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Delaunay. 

2  vols. 

Appendice.  Comprising  a  History  of  the  Ornamentation  of  MSS.  by 
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hundred  vignettes,  initial  letters,  etc.,  of  the  most  beautiful  de- 
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3  vols.,  imp.  Bvo,  red  levant   morocco  extra,  gilt  back  and  sides, 
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2084  Lester  (J.  E.).      The  Napoleon  Dynasty.      20  portraits.      New  York, 

1 85  2. 

Bvo,  cloth. 

2084*     Lettres  et  les  Arts.      Revue   Illustree.      With  many  hundred  fine 
illustrations,  both  in  black  and  colors.     Paris,  1886-9. 
16  vols.,  4to,  half  red  morocco. 
21S 


THE    FOLLOWING    FIRST    EDITIONS   OF    LEVER    ARE    GILT    TOP,    UNCUT    EDGES. 

2085  Lever  (Charles).     Harry  Lorrequer.     Plates  by  Phiz.     Dublin,  1839. 

First  edition. 

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2086     Charles  O'Malley.     Plates  by  Phiz.      Dublin,  1841. 

First  edition. 

2  vols.,  Svo,  half  maroon  levant. 

2087     Jack  Hinton.     Plates  by  Phiz.     Dublin,  1843. 

First  edition. 

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2088     Arthur  O'Leary.     Plates  by  Phiz.     London,  1844. 

First  edition. 

3  vols.,  crown  Svo,  half  maroon  levant. 

2089     Tom  Burke  of  "  Ours."     Plates  by  Phiz.     Dublin,  1844. 

First  edition. 

2  vols.,  Svo,  half  maroon  levant. 

2090     The  O'Donoghue.     Plates  by  Phiz.     Dublin,  1845. 

First  edition. 

Svo,  half  maroon  levant. 

2091     St.  Patrick's  Eve.      Plates  by  Phiz.     London,  1845. 

First  edition. 

Post  Svo,  half  maroon  levant. 

2092     Nuts  and  Nutcrackers.     Plates  by  Phiz.     London,  1845. 

First  edition. 

Post  Svo,  half  maroon  levant. 

2093     Tales  of  the  Trains.     Cuts  by  Phiz.     London,  1845. 

First  edition. 

12  mo,  half  maroon  levant. 

2094     The  Knight  of  Gwynne.     Plates  by  Phiz.     London,  1847. 

First  edition. 

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2095     Horace  Templeton.     London,  1848. 

First  edition. 

2  vols.,  crown  Svo,  half  maroon  levant. 

2096     Roland  Cashel.     Plates  by  Phiz.     London,  1850. 

First  edition. 

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219 


2097  Lever    (Charles).      Confessions   of    Con    Cregan.       Plates    by    Phiz. 

I  ondon,  n.  d. 
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2098     The  Daltons.     Plates  by  Phiz.     London,  1852. 

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2099     The  Dodd  Family  Abroad.     Plates  by  Phiz.     London,  1854. 

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210C     Christmas  Day.     London,  1854. 

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2102     Maurice  Tiernay.     London  [1855]. 

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2lOp     Lever  (Charles).     Cornelius  O'Dowd.     Edinburgh,  1864. 
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2110     Luttrell  of  Arran.      Plates  by  Phiz.      London,  1865. 

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2111     Tony  Butler.      Edinburgh,  1865. 

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2112     Sir  Brooke  Fossbrooke.     Edinburgh,  1866. 

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21 13     The  Bramleighs  of  Bishop's  Folly,     London,  1S68. 

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2114     That  Boy  of  Norcott's.     Illustrated.     London,  1869. 

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2115     Lord  Kilgobbin.     London,  1872. 

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21 16     Gerald  Fitzgerald.     Harper,- New  York,  n.  d. 

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21 17     Life  of,  by  W.  J.  Fitzpatrick.      London,  1879. 

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21 18  Levy   (Arthur).     The  Private  Life  of  Napoleon.      Portrait.      London, 

1894. 

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2119  Lewes  (Charles  Lee).      Memoirs  of,  by  himself.     London,  1805. 

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2120     Comic  Sketches.     Portrait  by  1  lopwood.     London,  1S04. 

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2121  Lewes  (Geo.  Henry).     Actors  and  the  .'\rt  of  Acting.     London,  1875. 

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2122 I-ife  of  Robesinerre      London,  1849. 

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221 


2123  Lewes  (Geo.  Henry.) 

Rose,  Blanche,  and  Violet.     3  vols.     1848. 
Ranthorpe.     i  vol.  1847. 
First  editions.     London,  1847-8. 

Together,  4  vols.,  crown  8vo,  calf  extra,  gilt  top,  uncut  edges,  by 
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2124     Aristotle.   A  chapter  from  the  History  of  Science.     London,  1864. 

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2125     Life  of  Goethe.     Portrait.     London,  1864. 

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2126  Liber  Scriptorum,     The  First  Book  of  the  Author's  Club,  with  original 

articles  signed  by  the  writers.     Author's  Club,  New  York,  1893. 
251  copies  printed  ;  over  100  autographs. 
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2127  Life.     From  the   commencement.     Profusely   illustrated.     New  York, 

1883-98. 

32  vols.,  4to,  half  bound. 

2128  Life's  Calendar.     Profusely  illustrated.     New  Y'ork,  1891-2-6. 

Numbers  i  to  13,  and  the  Christmas  number  for  1896. 
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2129  Life's  Comedy.     The  American  Girl  ;  Sweethearts  and   Lovers  ;  I'he 

American  Family  ;  Our  Bachelors,  and  Out-of-Doors.  Illustrated 
by  Gibson,  etc.     New  York,  1896-7. 

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2130  Lilly  (Wm.).     Life  and  Times  of.     Portraits.     London,  1822. 

Unique    copy,   with   117  plates    inserted,   many  of   considerable 
rarity. 

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2131  Listen.     Liston's  Drolleries.     6  colored  portraits.     London,  n.  d. 

Post  8vo,  half  citron  levant*,  gilt  top. 

2132  Litchfield  (F.).     Illustrated  History  of  Furniture.     Numerous  illustra- 

tions.    London,  1892. 
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2133  LITTA.     FAMIGLIE    CELEBRI    ITALIANE.       Illustrated  with 

many  thousand  finely  colored  and  other  portraits,  coats-of-arms, 
medals,  monuments,  etc.,  some  heightened  with  gold  and  silver. 
Milano,  1819-55. 

9  vols.,  royal  folio. 

2134  Liverseege  (Henry).     Engravings  from  the  Works  of.     37  fine  mez- 

zotint plates.      London,  1836. 

Royal  folio,  blue  morocco  gilt. 


Locker-Lampson  (Frederick).      My  Confidences.       Numerous  por- 
traits inserted.     London,  1S96. 

Contains  an  account  of  the  famous  (iibbs  extra-illustrated  Bible, 

now  in  Oswego,  and  improved  beyond  recognition. 
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Lyra  Elegantiarum.     Portrait.     London,  1891. 

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Selection  from  the  Works  of.      Illustrated  by  Doyle.     London, 


1868. 

Post  8vo,  half  morocco. 

Lockhart  (J.   C.).     Memoirs  of  the  Life  of  Sir  Walter  Scott.     Edin- 
burgh, 1847. 

Unique  copy,  with  no  portraits  and  views  inserted. 
2  vols.,  royal  8vo,  purple  morocco.     [See  Scott.] 

Ledge  (Ed.).     Portraits  of  Illustrious  Personages  of    Great    P.ritain. 
240  line  plates.     London,  1821-34. 

4  vols.,  royal  folio,  half  maroon  morocco. 
Portraits  of  Illustrious  Personages  of   Great  Britain.     240  fine 


plates.     London,  1835. 

Large  paper  copy  ;  proofs  on  India  paper. 
12  vols.,  4to,  half  maroon  morocco. 

Loftie  (W.  J.).     London  City.     Profusely  illustrated  by  Luker.     Lon- 
don, 1891. 

Large  paper  copy. 
Royal  4to,  cloth,  uncut. 

London  City  ;  its  history,  streets,  traffic,  buildings,  and  people. 


Profusely  illustrated  by  Luker.     London,  1S91. 
Large  paper  copy. 
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Kensington,  Picturesque  and  Historical.     300  illustrations,  some 


colored,  by  W.  Luker,  Jr.  London,  il 
Proof  copy  ;  No.  29  of  50  printed. 
Imp.  8vo,  brown  morocco. 

Kensington,  Picturesque   and  Historical.     With  300  illu.strations 


by  Luker,  some  colored.     London,  1888. 
Imp.  8vo,  cloth,  gilt  top. 

2146  Logan  (Olive).     Before  the  Footlights.     Portraits,  etc.     Philadelphi;i 

1870. 

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2147  Lomenie  (L.  de).     Beaumarchais  and  his  times.     London,  1S56. 

4  vols.,  crown  8vo,  half  vellum  extra,  gilt  top,  uncut  edges. 
223 


2148  LONDON     ILLUSTRATED,       An    extraordinary    collection    of 

Views,  Portraits,  Maps,  Plans,  etc.,  connected  with  the  History  and 
Antiquities  of  London,  divided  into  sections,  each  volume  devoted  to 
a  specific  feature  of  the  great  metropolis. 

The  views  and  maps  date  back  to  the  sixteenth  century,  and  some 
of  the  engravings  are  by  Hollar.     Many  of  the  portraits  are  in 
mezzotint,  and   a  large   number  of  the  views  are  colored,  in- 
cluding caricatures  of  great  rarity. 
37  vols.,  imp.  folio,  half  maroon  morocco. 

2149  London   and   its    Environs    Described.     Map,  and   copper-plate 

illustrations  by  Wale.      Dodsley,  London,  1761. 
6  vols.,  8vo,  boards,  uncut. 

2150  London   Journal   ('rhc).     Complete  from  its  commenceinent.     Lon- 

don, 1845-74. 

59  vols.,  4to,  cloth. 

2151  London    Stage.     Our    Portrait   (iallery,  etc.     Wood-cut  caricatures. 

London,  18 — . 

8vo,  half  red  levant,  gilt  top. 

2152  Lonergan   (W.  F.).     Historic  Churches  of  Paris.     Illustrated.     New 

York  [London],  1896. 
4to,  cloth. 

2153  Long  ((jeo.).     France  and  its  Revolutions  ;   1 789-1848.     Illustrations 

on  steel  and  wood.     Knight,  London,  1850. 
Imp.  8vo,  half  russia,  gilt  top. 

2154  Longfellow    (H.  W.).    Writings  of.    Portraits,  etc.    Cambridge,  1886. 

II  vols.,  8vo,  boards,  uncut  ;  500  copies  printed.  No.  173. 

2155     ^"'^6  '^f'  '^"'^  Final  Memorials,  by  Samuel  Longfellow.     Portraits. 

Boston,  1886-7. 

Large  paper  copy  ;  300  printed. 

3  vols.,  royal  8vo,  boards,  uncut.  ' 

2156     Miscellaneous   Poems  selected  from  the  United   States  Gazette. 

Boston,  1826. 

Contains  14  of  Longfellow's  early  poems. 

i6mo,  half  gray  levant,  gilt  top,  uncut  edges. 

2157     Syllabus  de  la  (irammaire  Italienne.     Boston,  1832. 

First  edition. 

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2158     Outrc-Mer.     New  York,  1835. 

First  edition. 

2  vols.,  i2mo,  half  gray  levant  morocco,  gilt  top,  uncut  edges. 

224 


2159  Longfellow  (H.  W.).     Voices  of  the  Night.     Cambridge.  1839. 

First  edition. 

i6ino,  half  gray  levant,  gilt  top,  uncut  edges. 

2160     ■  The   Bowdoin   Poets.     Edited  by  Edward  P.  Weston.     Frontis- 
pieces.    Brunswick,  1840-9. 

Contains  original  contributions  by  Longfellow. 

2  vols.,  i2mo,  half  gray  levant  morocco,  gilt  top. 

2161     liallads  and  other  Poems.     Cambridge,  1842. 

First  edition. 

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2162     The  Spanish  Student.     A  Play.     Cambridge,  1843. 

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2163     The  Waif.     Cambridge,  1845. 

First  edition. 

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2164     The  Belfry  of  Bruges,  etc.     Cambridge,  1846. 

First  edition. 

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2165     Editor.     The  Estray.     Boston,  1847. 

First  edition. 

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2166     Kavanagh.     Boston,  1849. 

First  edition. 

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2167     •  The  Seaside  and  the  Fireside.     Boston,  1850. 

First  edition. 

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2168 The  (lolden  Legend.     Boston,  1851. 

First  edition. 

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2169     The  Golden  Legend.     Boston,  1857. 

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2170     The  Song  of  Hiawatha.     Boston,  r855. 

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2171     Poems  and  Prose  Works.     Portrait.     Boston,  1857. 

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15  225 


2172  Longfellow  (H.  W.).  The  Courtship  of  Miles  Standish.     Boston.  1858. 

First  edition. 

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2173     Tales  of  a  Wayside  Inn.     Boston,  1S63. 

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2174     The    Divine   Comedy  of  Dante.      Translated  by  H.   W.  Long- 
fellow.    Boston,  1867. 

First  edition. 

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2175     Flower-de-Luce.     Boston,  1867. 

First  edition. 

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2176     The  Divine  Tragedy.     Boston,  1871. 

First  edition. 

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2177     Three  Books  of  Song.     Boston,  1872. 

First  edition. 

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2178     Aftermath.     Boston,  1873. 

First  edition. 

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2179     ^^^  Masque  of  Pandora,  etc,     Boston,  1875. 

First  edition. 

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2180     The  Skeleton  in  Armor.     Illustrated  by  Anthony.     Boston,  1S7  7, 

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2181     Keramos,  etc.     Boston,  1878. 

First  edition. 

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2182     Early   Poems,   collected,   etc.,  by   R.  H.   Shepherd.     Pickering, 

London,  1878. 

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2183     Ultima  Thule  ;  In  the  Harbor.     Portrait.     Boston,  1880-2. 

First  edition. 

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226 


2184  Longfellow     H.  W.).      The    Longfellow   Collector's    Hand-book    [by 

Beverley  Chewj.     New  York,  1885. 
Only  250  copies  i)rinted. 
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2185     "The   City  and  the   Sea,"  with  other  contributions    [by    Long- 
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2186     Seventy-fifth   Birthday  ;    Proceedings  of  the    Maine    Historical 

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2187     Evangeline.     With   23   original   illustrations,  by  Frank   Dicksee. 

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2188  Longus,     Daphnis  and  Chloe  ;  with  an  Introduction  by  Jules  Claretie. 

illustrated  by  Raphael  Collin.     Boston,  18 — . 

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states. 
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2189     Daphnis  and  Chloe.     Plates  after  Prudhon,  Gerard,  etc.     Lon- 
don, n.  d. 

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2190  Loomis  (Chester).     New  Mother  Goose  Pictures.     New  York,  1898. 

4to,  boards. 

2191  Lossing  (B.  J.).    Cyclopaedia  of  United  States  History.    1,000  engrav- 

ings.    New  York,  1893. 

2  vols.,  royal  Svo,  half  morocco. 

2192     Mary   and    Martha,   Mother   and  Wife  of    George  Washington. 

Illustrated.     New  York,  1886. 

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2IQ3     The  Home  of  Washington.     Mount  Vernon.     Illustrated.      New 

York,  n.  d. 

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2194  Lotus  (The).     Vol.  r.  No.  i  ;  Vol.  3,  No.  11.     Nov.,  1895  ;  Nov..  1897 

Illustrated.     Kansas  City,  1895-97. 

3  vols.,  Svo,  cloth,  uncut. 

2195  Louvre  (Musee  du).    Modeles  d'Art  Decoratif.     Over  50  plates.    Paris 

1S82. 

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2196  Love   (James).     Poems  on  Several  Occasions.     Edinburgh,  1754. 

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227 


2197  Love  Affairs  of  Some  Famous  Men.     New  York,  1897. 

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2198  Love  Songs  of  France.     From  the  orio^inals  of  De  Musset,  Gautier. 

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8vo,  cloth,  uncut. 

2199  Lovelace  (Richard).      Poems  [Lucastq].      Notes  by   W.    C.    Hazlitt. 

London,  1864. 

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2200  Loveman(R.).     Poems.     Philadcliihia,  1897. 

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2201  Lover  (Samuel).     Handy  Andy.     24   plates  bv  the  author.      London, 

1842. 

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2202     Rory  O'More.      15  illustrations  by  the  author.     London,  1837. 

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2203     He  would  be  a  Gentleman  ;  or,  Treasure  Trove.     Plates.     Lon- 
don, 1873. 

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2204  Lowe  (Charles).     Prince  Bismarck.     Portrait.     London,  1892. 

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2205  Lowe  (Robt.  W.).     English  Theatrical  Literature.     London,  1888. 

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2206     P)ibliographical  Account  of  English  Theatrical  Literature.     Lon- 
don, 1888.  ' 

250  copies  printed. 

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2207     Thomas  Betterton.     N.  Y.  [London],  1891. 

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2208  Lowndes  (Wm.  Thos.).      Pjibliographer's  Manual  of  English   Litera- 

ture.     London,  1869. 
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2209  Lubbock  (Sir  John).     Pleasures  of  Life.     London,  1892. 

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22S 


2210  Lucian.      The   True   Plistory.      Illustrated  by  William  Strang,   J.   B. 

Clark,  and  Aubrey  Beardsley.     London,  1894. 

Square  8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

Privately  printed.  No.  14  of  54  copies  printed  on  Japanese 
vellum. 

2211  "Lucius."     American  and  Italian  C'antatrici.     London,  1867. 

Crown  Svo,  half  calf,  gilt  top,  uncut  edges. 

2212  Ludlow  (N.  M.).     Dramatic  Life  as  I  Found  It.     St.  Louis,  1880. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

2213  Lumley  (Benjamin).     Reminiscences  of  the  Opera.     London,  1864. 

Unique  copy,  with  37  appropriate  portraits  inserted. 

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2214  Lun,  Jr.     The  Beggar's  Pantomime.     London,  1736. 

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2215  Lutzow  (Carl  von).     Art  Treasures  of  Italy.     Translated  and  edited 

by    Hooper  and   Clement.       100   etchings,   photo-etchings,   steel  en- 
gravings, 47  wood-cuts,  and  about  300  text  illustrations.     Boston,  1888. 
2   vols.,   royal   folio,  half  olive   levant  morocco,  gilt  top,  uncut 
edges. 

2216  Lynn's  Acting.     Illustrated.     London,  1893. 

Presentation  copy. 
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2217  Lyon.     Colonial   Furniture  of   New   England.       Profusely  illustrated. 

Boston,  1891. 

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2218  "  Lyrienne  (Richard  de)."     I'he  Quest  of  the  Gilt-edged  Ciirl.     Lon- 

don, 1897. 

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2219  Lysons   (Daniel).     Environs  of  London.     Numerous  views   and  por- 

traits.     London,  i  796-1800. 

Over  150  rare  and  interesting  plates  added  to  this  copy. 
5  vols.,  4to,  russia. 

2220     ■  Collectanea  ;  or,  a  Collection  of  Advertisements  and  Paragraphs 

from  the  Newspapers  (chiefly  Theatrical)  relating  to  various  subjects. 

Printed  at  Strawberry  Hill  by  Thomas  Kirgate  for  the  collector, 
Daniel  Lysons. 

A  few  portraits  are  inserted,  including  fine  mezzotints  of  Ricliard 
Leveridge,  by  Vander  Myn  ;  Jolin  Harper  as  Johson,  by  Mil- 
ler ;  Robert  VVilks,  by  Faber  ;  Bannister  as  Polly  Peacham, 
and  other  rarities. 

2  vols.,  folio,  half  calf. 

2221  Lytton.     Lucile,  by  Owen  Meredith.     Illustrated.     Boston,  1882. 

4to,  cloth. 

229 


2222  Macauley  (Miss).     Theatric  Revolution  ;  or,  Plain  Truth    Addressed 

to  Common  Sense.     London,  1819. 
8vo,  half  morocco,  uncut  edges. 

2223     Facts   against    Falsehood  !     Being  a  Brief   Statement   of    Miss 

Macauley's  Engagements.     London,  1824. 

8vo,  half  green  levant. 

2224  Macbeth  Ballet.     The  History,  Murders,  Life,  and  Death  of  Macbeth; 

and  a  full  description  of  the  scenery,  action,  etc.,  of  the  ballet  of  that 
name  as  performed  at  the  Royal  Circus.     Colored  print  of  Elliston  as 
Macbeth.     London,  n.  d. 
8vo,  half  citron  levant. 

2225  McCarthy  (Justin).     Charing    Cross  to    St.  Paul's.     Illustrated  by  j. 

Pennell.     New  York,  1893. 
i2mo,  cloth. 

2226  McCarthy  (Justin  H.).     The  French  Revolution.      London,  1890-7. 

Presentation  copy  from  the  author. 
4  vols.,  8vo,  cloth,  uncut. 

2227     Doom  !     London,  1886. 

Presentation  copy  from  the  author,  with  a  singular  topographical 

error  on  page  5,  corrected. 
Post  8vo,  cloth. 

22.'':8     Dolly  ;  a  sketch.     London,  1889. 

Presentation  copy,  with  author's  inscription. 
Post  Svo,  cloth. 

2229     Lily  Lass.     London,  1889. 

Presentation  copy,  with  author's  inscription. 
Post  Svo,  cloth. 

2230     Harlequinade.     A  book  of  verses.     London,  n.  d. 

Presentation  copy  (on  large  paper)  from  the  author. 
4to,  cloth,  uncut. 

2231  Macgeorge  (Andrew).     Old  Glasgow,  the  Place  and  the  People.    Illus- 

trated.    Glasgow,  1888. 

Royal  Svo,  cloth. 

2232  Mclan  (R.  R.).     Clans  of  the  Scottish  Highlands.     72  colored   plates, 

described  by  James  Logan.     London,  1S45. 
2  vols.,  folio,  half  red  morocco  extra. 

2233  Mackail  (J.  W.),   Editor.     Select  Epigrams  from  the  Greek  anthology 

London,  1890. 

Svo,  cloth,  uncut  edges. 

2234  McCaskey  (J.  P.).    Christmas  in  Song,  Sketch,  and  Story.    Illustrated. 

New  York,  1891. 

Imp.  Svo,  cloth. 

230 


2235  McCuUough   (John).     In  Memory  of.      By  Wm.    Winter  and  others. 

Portrait  and  monument.     New    York,  1889. 

Presentation  copy  from  Wm.  Winter  ;  500  printed. 
8vo,  cloth,  uncut  edges. 

2236  Mackay    (Chas.).     Glossary   of    Obscure  Words  and    Plirases   in   the 

Writings  of  Shakespeare,  etc.     London,  1887. 
8vo,  cloth,  uncut  edges. 

2237  McKay  and  Wingate.     Famous  American   Actors    of  to-day.     Por- 

traits.    New  York,  1896. 

i2mo,  half  calf  gilt. 

2238  MACKLIN  (Charles).     LIFE  OF,  by  J.  T.  Kirkman.    2  vols,  inlaid 

to  royal  4to,  with  specially  printed  titles,  dated  1883,  and  very  tastefully 
illustrated  with  numerous  choice  engravings  (many  proofs)  of  portraits, 
character-prints,  and  views  ;  interesting  autograph  letters  of  Kirkman, 
H.  Usher,  M.  Morgan,  B.Victor,  C.  Macklin,  vS.  Birch,  Miss  Mackiin,  G. 
Colman  the  Elder,  J.  Lee,  J.  McLoughlin,  W.  Deane,  T.  Heaphy,  Daw- 
son, Miss  Leeson,  L.  McNally,  and  others  ;  scarce  play-bills  ;  ofiticial  re- 
port of  the  trial  for  the  murder  of  T.  Hallam,  containing  the  only  record 
of  the  sentence  (39  pages  inlaid  to  size) ;  MS.songsent  to  Garrick  ;  MS. 
Prologue  to  "  Love  a  la  Mode,"  with  autograph  footnote  by  C.  I^Iack- 
lin  ;  box  account  on  Author's  night  of ''  Love  a  la  Mode ; "  MS. Catalogue 
of  Macklin's  Library  lost  in  the  shipwreck  (Macklin's  only  copy,  T50 
pages  inlaid  to  size)  ;  bill  for  Wardrobe  Stuffs  ;  autograph  draft,  by 
C.  Macklin,  of  the  letter  sent  to  him  by  Whitley,  the  actual  letter 
being  printed  in  the  book  ;  Whitley's  letter  in  reply  to  Macklin's,  also 
appearing  in  the  book  ;  Whitley's  original  answer  to  the  suit  of 
Macklin  vs.  Whitley  ;  the  original  autograph  letter  of  G.  Colman  the 
Elder,  calling  Macklin  to  his  engagement  in  London,  dated  January 
24,  1773,  quoted  and  described  in  pages  55-6  of  the  book;  auto- 
graph letter  from  G.  Colman,  dated  March  9,  1773,  congratulating 
Macklin  on  the  final  settlement  of  his  London  engagement  ;  draft 
memorandum  of  Macklin's  in  reference  to  the  matter  of  Smith  acting 
Macbeth  ;  autograph  note  by  G.  Colman  to  Macklin,  in  reference  to 
his  acting  Richard  ;  original  MS.  of  Woodfall's  account  of  the  dis- 
pute between  Macklin  and  Reddish  ;  stage  directions  in  reference  to 
"  Macbeth  "  in  the  handwriting  of  C.  Mack'in  ;  original  document, 
signed  by  Macklin,  giving  his  wife  power  of  attorney  over  all  his  prop- 
erty ;  original  proofs  corrected  by  Macklin  himself  in  the  case  of 
Macklin  vs.  Colman  ;  and  documents  respecting  the  suit ;  drawing  of 
tablet  to  his  memory  ;  and  other  very  interesting  illustrations.  Lon- 
don, 1799. 

These  very  interesting  and  unique  volumes  contain  tlie  original 

papers  and  letters  which  were  given   to   Kirkman,  the  author, 

by  Mrs.   Macklin  for  the  compilation  of  the  book.     Some  of 

them  were  not  published. 
4  vols.,  royal  4to,  blue  morocco  super-extra,  broad  dentelle  borders 

of  gold,  tooled  leather  joints,  watered  silk  linings,  and  gilt  edges, 

by  Rivjere. 

231 


2239  Macklin    (Charles).      Memoirs   of.     Several    portraits   of    the    actor 

inserted.     London,  1804. 
8vo,  half  calf,  gilt  tc^p. 

2240     Apology    for  the  Conduct   of.     Scarce    frontispiece.     London, 

1773- 

8vo,  half  calf,  gilt  top. 

2241     Apology  for  the  Conduct  of.     ("urious  frontispiece.     London, 

1773- 

8vo,  half  morocco. 

2242  Macklin's  Reply  to  Garrick's  Answer.     London,  1743. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

2243     Reply  to  Garrick's  Answer.     London,  1743. 

8vo,  half  red  morocco. 

2244  Mackliniana,     Six  Tracts.     Epistle  from  Tully  ;  Macklin's  Answer  ; 

Case   of  Macklin   against  C'larke,  etc.;   Love  a  la  Mode,  etc.     Lon- 
don, V.  d. 

Portraits  and  a  play-bill  of  1783  added. 

8vo,  calf. 

2245  Maclise  Portrait  Gallery  of  Illustrious  Characters.     London, 

n.  d. 

Unique  copy.  Inlaid  to  folio,  and  extra- illustrated  with  nearly 
100  autograph  letters,  representing  all  the  characters.  Among 
the  more  important  may  be  mentioned  :  Southey,  ¥.  Mahony, 
James  Fraser,  B.  W.  Procter,  W.  Jordan,  Campbell,  J.  G.  Lock- 
hart,  Rogers,  Moore,  Scott,  John  Gait,  Wm.  Maginn,  T.  C. 
Croker,  Caroline  Norton,  John  Wilson,  Miss  Mitford,  Earl 
of  Munster,  Lord  John  Russell,  J.  W.  Croker,  W.  Irving,  John 
Bowring,  Hy.  Brougham,  A.  Montgomery,  Hogg,  Goethe,  I. 
D'Israeli,  R.  Harris  Nicolas,  Aberdeen,  Dion.  Lardner,  Bulwer, 
Allan  Cunningham,  Wordsworth,  W.  Roscoe,  I'alleyrand,  Lady 
Blessington,  Benj.  D'Israeli,  Thos.  Carlyle,  Geo.  Cruikshank, 
L.  E.  Landon,  Harriet  Martineau,  Grant  I'horburn,  R.  L.  Sheil, 
Dan'l  O'Connell,  Theodore  Hook,  Leigh  Hunt,  Ainsworth, 
Thos.  Hill  (2),  Wm.  Godwin,  Jas.  Smith,  d'Orsay,  Lamb  (unusu- 
ally interesting),  Jane  Porter,  Lady  Morgan,  Wm.  Cobbett, 
Faraday,  W.  L.  Bowles,  Anna  Maria  Hall,  J.  C.  Hobhouse,  T, 
N.  Talfourd,  Lord  Lyndhurst,  J.  S.  Knowles,  J.  B.  Buckstone, 
Sydney  Smith,  Hy.  Hallam,  Wm.  M.  Thackeray,  etc. 

2  vols.,  folio,  crimson  levant  morocco  extra,  by  Tout. 

2246  McManus  (Blanche).     The  True  Mother  Goose.     Illustrated.    Boston, 

1 896. 

4to,  cloth. 

2247  Macmichael.     The  Gold  Headed  Cane.     62   portraits  inserted.     Lon- 

don, 1818. 

Crown  8vo,  morocco  extra,  gilt  top,  uncqt  edges. 
232 


2248  Macready.       Brief    Memoir   of.  and    Biography,  by  R.    H.    Littleton. 

Lond(jn,  1845,  etc. 

i2mo,  half  calf,  gilt  top. 

2249  McVicker  (  I.  H.).     The    Press,  the   Pulpit,  and   the  Stage      Chicago, 

1883. 

8vo,  half  red  levant,  gilt  top. 

2250  Maeterlinck   (ALaurice).      Pelleas  and   Melisanda,  and  the    Sightless. 

Two  plays.     London,  n.  d. 

Post  8vo,  cloth  (7  copies). 

2251  Magazine    of    American    History.       AVith    Notes    and    (Queries. 

Numerous  illustrations.     New  York,  1877-92. 

32  vols.,  4to,  half  green  morocco,  gilt  top,  uncut  edges. 

2252  Magazine  Articles.     Mrs.  Centlivre's  Plays  ;  Old  .Actors,  etc.     Lon- 

don, 1877. 

8vo,  half  red  levant,  gilt  top. 

2253  Magazine  of  Art.      Photogravures  and  wood-cuts.     London,  1S93. 

4to,  cloth. 

2254     Illustrated.     Plates  and  wood-cuts.     Cassell,  London,  1879-9S. 

20  vols.,  4to,  original  cloth. 

2255  Magazines.      O.xford    Magazine  for    June,   1769  ;    Oct.,    1771  ;    July, 

.\ug.,  1772  ;  London  Museum,  April,  1770  ;  Matrimonal  Magazine, 
Feb.,  1775  ;  Convivial  Magazine,  1775  ;  The  C.entleman  and  Lady's 
Museum,  Jan.,  1777  ;  The  Humorist's  Magazine,  Jan.,  1787. 

Plates. 

8vo,  half  calf. 

2256  Maguire  (T.  H.).      Art  of  Figure  Drawing.      Plates.     London,  n.  d. 

4to,  cloth,  leaves  loose. 

2257  Mahony.      Reliques  of  Father  Prout.     Illustrated  by  .\lfred  Croquis. 

London,  1836. 
First  edition. 
2  vols.,  post  8vo,  half  green  levant,  gilt  top. 

2258  Maillard  (L.).     Les  M^nus  and  Programmes  lUustrcs  du  X\TI'  Sieclc 

jusqu'a  nos  jours.     400  illustrations.     Paris,  1898. 
4to,  paper. 

2259  Maindron.     Les  Affiches  Illustrees.     Colored  and  other  illustrations. 

Paris,  1896. 

Imp.  8vo,  original  covers. 

2260  Malibran  (Mad.).     Memoirs  of,  by  the  Countess  de  Merlin.     Portraits 

inserted.     London,  1844. 

2  vols.,  crown  Svo,  half  calf,  gilt  top,  uncut  edges. 

233 


2261  Malibran  (Mad.),  etc.     Memoirs  of.     Portrait.     London,  n.  d. 

Post  8vo.  half  brown  levant,  gilt  top. 

2262     Recollections  of,  by  an  Amateur.     London,  1737. 

Post  8vo,  half  morocco. 

2263  Malone  (Edmund).     Rise  and  Progress  of  the  English  Stage.     Basil, 

1800. 

8vo,  half  red  levant,  gilt  top,  uncut  edges. 

2264  Malton  (James).     Picturesque  and   Descriptive  View   of   the  City   of 

Dublin.     Fine  colored  plates.     London,  1794. 
Oblong  folio,  half  morocco. 

2265  Managerial  Disputes.     A  Collection  as  follows  : 

1.  A  Defence  of  F.  Giardini,  by  R.  P.     1765. 

2.  Three  Original  Letters  on  the  Riot  at  Drury  Lane.     1763. 

3.  A  Dialogue  in  the  Green  Room.     1763. 

4.  An  Appeal  to  the  Public.      1763. 

5.  Theatrical  Taxation. 

6.  State  and  Influence  of  the  Acting  Drama.      1823. 

7.  Elbow  Room,  by  T.  Gilliland.      1804. 

8.  Major  and  Minor  Theatres.     1832. 

9.  Late  Riots  at  Drury  Lane.      1848. 

10.  Letter  from  Lee  to  Sheridan.     1757. 

11.  Brief  Remarks  on  the  Drama.      1758. 

12.  Narrative  of  the  Covent  Garden  Disputes.     1768, 

13.  Colman's  True  State  of  the  Differences.     1768. 

14.  Letter  from  Harris  to  Colman.     1768. 

15.  Harris  Dissected  by  Colman.     1768. 

16.  Conduct  of  the  Four  Managers  Examined.     176S. 

17.  Elliston's  Memorial.      1818. 

18.  Letter  to  Glover  on  Hero  and  Leander.     1787. 

19.  Carlisle's  Thoughts  upon  the  Stage.     1808. 

20.  Statement  of  a  few  Facts,  etc.     18 — . 

21.  Opera  House  Disputes  Fairly  Stated.     1784. 

22.  Testament,  or  Will,  of  William  Taylor.     1785, 

23.  Taylor's  Concise  Statement.     1791. 

24.  Report  of  the  Drury  Lane  Subscribers.      181 1. 

25.  Steele's  State  of  the  Case.     1720. 

26.  Thirvvall's  Solemn  Protest.     1805. 

27.  Argument  of  Randle  Jackson.      18 10. 

28.  Alfred  the  Little,  a  play.     1833. 

29.  Smith's  "  Press  Orders."     Presentation  copy. 

30.  Opera  House  ;  a  Review.     18 — . 

31.  Statement  of  the  Differences.     1800. 

32.  Lawrence's  Dramatic  Emancipation.     1813. 
3S.  The  Alien,  by  G.  Naldi.      1811. 

Together,  ;^^   pamphlets  bound   in   17  vols.,    8vo    and    4to,  half 
citron  levant  morocco. 

234 


2266  Mangin  (A.).     Les  Jardins.     llluslrated  by  Daubigny,  Giacomelli,  etc. 

Tours,  1867. 

Printed  throughout  on  India  paper. 

Folio,  red  levant  morocco  extra,  gilt  edges,  by  Cape,  etc. 

2267  "Manhattan."    Marion.    By  Manhattan  [Walter  Barrett '1      London 

1864. 

3  vols,  in  I,  crown  8vo,  cloth. 

2268  Mansfield    (Richard).     Don   Juan,   a   play  in    four  acts.     New  York, 

1 09 1. 

8vo,  paper  covers,  uncut. 

2269  Mapleson  Memoirs  (The).    184S-1888.     Portrait  of  Colonel  Maple- 

son.     London,  1888. 

2  vols.,  8vo,  half  calf. 

2270  Marches!  (Mathilde).     Marchesi  and  Music.     Illustrated.   New  York, 

1898. 

1 2 mo,  cloth. 

2271  Marcus  Aurelius  Antoninus.     London,  1896. 

4to,  boards,  uncut. 

2272  Maretzek  (Max).     Crotchets  and  Quavers.     New  York,  1S55. 

i2mo,  half  calf,  gilt  top. 

2273  Marg-aret   of  Navarre.      The    Heptameron.     Newly   translated   by 

Sainlsbury.     London,  1S94. 

Large  paper  copy,  with  the  plates  on  Japan  paper. 
5  vols.,  8vo,  cloth,  uncut. 

2274     The  Heptameron.     Newly  translated  by  Saintsbury.     2^;^   illus- 
trations.    London,  1894. 

5  vols.,  crown  8vo,  cloth,  uncut. 

2275 The  Heptameron.     Portrait.     Bohn    LondcMi,  1855. 

Post  8vo,  green  calf  extra. 

2276  "  Margaret."     Theatrical  Sketches.     Portraits.     New  York,  1894. 

i6mo,  half  calf,  gilt  top,  uncut  edges. 

2277  Marie    (A.).      Une  Journee  d'Enfant.     20  plates,  some  in  color.      Now 

York,  1884. 

Folio,  cloth. 

2278  Markham  (Pauline).     Life  of.     Portrait.     New  \()rk,  1S7 1. 

i6mo,  half  calf,  gilt  top. 

2279  MarmonteL      Belisarius,  etc.     Plates  by  Stotluud.     London,  1794. 

i2mo,  red  morocco,  gilt  edges. 

235 


2280  Marryat  (Captain).     Novels.     Illustrated.     London,  1895-7. 

13  vols.,  crown  8vo,  cloth,  uncut. 

2281     Poor  Jack  ;  also  the  Pirate  and  Three  Cutters.     Fine  steel  por- 
trait and  plates.     New  York  [London],  n.  d. 

2  vols.,  Svo,  cloth,  gilt. 

2283  '"Mars."     Our  Darlings.     Colored  illustrations.     London,  n.  d. 

Oblong  4to,  original  boards. 

2284  —    — ■  La  Vie  d'Ostende.     Illustrated  in  black  and  colors.     Paris,  n.  d. 

Oblong  4to,  cloth. 

2285  Marshall  (Thomas).     Lives  of  Actors  and  Actresses.     London,  n.  d. 

Crown  Svo,  half  morocco. 

2286  Marston    (J.    Westland).      The    Patrician's    Daughter.     A  Tragedy. 

London,  1841. 

First  edition,  with  MS.  Prologue  inserted. 
Svo,  original  covers,  uncut. 

2287  Martin  (Henri).     History  of  France.     Numerous  illustrations.  Boston, 

1880. 

Extended,  with  special  title-pages  and  with  over  150  portraits  and 

views  inserted. 
6  vols.,  royal  Svo,  calf  extra,  gilt  top,  uncut  edges. 

2288  Martin  (Lady).     Shakespeare's  Female  Characters.    3  portraits.    Edin- 

burgh, 1885. 

4to,  half  orange  levant,  gilt  top,  uncut  edges. 

2289  MARTIN    (John).       BIBLIOGRAPHICAL    CATALOGUE    OF 

PRIVATELY  PRINTED  BOOKS.     London,  1834. 

Large  paper  copy,  made  unique  and  extended  to  3  volumes 
by  the  insertion  of  a  large  number  of  interesting  and  valuable 
portraits,  etc.,  mostly  selected  impression^.  They  include 
Dawson  Turner,  by  Sharp  ;  Thomas  Hollis,  by  Warren  (with 
autograph)  ;  George  III.  (2),  one  in  colors  ;  Mrs.  Damer  ; 
Duchess  of  Devonshire  ;  Thos.  F.  Dibdin,  by  Thomson  ; 
Inigo  Jones,  by  Earlom  ;  Bp.  Percy  ;  Thomas  Bewick  ;  Kirk- 
gate  and  the  Strawberry-Kill  Press  ;  Cipriani,  by  Earlom  ; 
Planta,  by  Sharp  ;  Queen  Charlotte,  and  many  others  of  equal 
interest. 

3  vols.,  royal  Svo,  calf  gilt. 

2290  Martin  (Theodore).     Essays  on  the  Drama.     London,  1S74. 

Privately  printed. 

Svo,  half  red  levant,  gilt  top,  uncut  edges. 

2291  Marvel  (S.).     The  Opera  ;  Views  before  and  Peeps  behind  the  Curtain. 

London,  1847. 

Svo,  half  green  levant. 

236 


2292  MARY,  QUEEN  OF  SCOTS.      AN  INTERESTING    AUTO- 

GRAPH LETTER  (2  pp.,  folio)  written  to  Catherine  de  Medici 
and  strenuously  advisinjr  that  the  assassins  of  the  Due  de  (iuise  be 
punished.  Signed,  "  Votre  humble  et  tresbeissant  lille,  Marie,"  accom- 
panied with  a  folio  order  to  pay  Thos.  Egerton  for  certain  services, 
signed  by  Lord  Burleigh  and  Sir  Walter  Mildmay.  Illustrated  by 
several  portraits  of  Mary,  Burleigh,  etc.,  a  colored  print  of  Mary  going 
to  her  execution,  etc. 

Folio,  red  morocco  extra. 

2293  Marx  (R.).     Les  Maitres  de  I'Affiche.     Colored  Plates.     Paris,  1896. 

Folio,  half  citron  levant.     Vol.  i. 

2294  Mason  (Amelia  G.).     The  Women  of  the  French  Salons.     Illustrated. 

New  York,  1891. 

Royal  8vo,  cloth. 

2295  Mason  (E.  T.).     Personal  Traits  of  British  Authors.     Portraits.     New 

York,  1885. 

4  vols.,  i2mo,  cloth. 

2296     Editor.     Humorous    Masterpieces   from   American    Literature. 

New  York,  1886. 

3  vols.,  i6mo,  cloth. 

2297  Massinger  (Philip).     A  New  Way  to  Pay  Old  Debts.     London.  1O33. 

First  edition. 
4to,  sprinkled  calf. 

2298  Masson  (Fred'k).  Napoleon  and  the  Fair  Sex.  Portraits.  London,  1894. 

8vo,  cloth. 

2299     Napoleon  at  Home.     12  illustrations.     London,  1894. 

2  vols.,  8vo,  cloth. 

2300  MATHEWS    (Charles).      MATHEWIANA.      The    Various    En- 

tertainments of  Charles  Mathews,  including  his  Trip  to  America, 
At  Home,  Comic  Annual,  Trip  to  Paris,  Theatrical  Olio,  etc. 

This  extraordinary  collection  is  illustrated  with  113  portraits, 
caricatures,  original  drawings,  play-bills,  pamphlets,  etc.,  in- 
cluding no  less  than  70  diflerent  portraits  of  Mathews,  many 
of  exceeding  rarity.  Other  valuable  additions  are  portraits  of 
Christopher  Lee  Sugg,  professor  of  "  Internal  Elocution," 
with  his  autograph  and  presentation  in.scription  ;  Cooke  as 
Richard  III.,  by  Dighton  (colored)  ;  Garrick  as  Richard  III.  ; 
the  colored  Dighton  portraits  of  Kean  as  Lucius  Brutus  ;  Chas. 
Kemble  as  Charles  Surface  ;  Mad.Catalini  as  Semiramide  ;  Mrs. 
Siddons  and  Kemble  in  Pizarro  ;  Harley,  by  Easton  (colored)  ; 
J.  Howard  Payne  as  Young  Norval  ;  Mrs.  Sukions  as  Mel- 
pomene ;  Shuter  on  an  ass;  Joe  Miller,  by  Burgh.  1745  ;  a 
caricature  of  Miss  Farren,  by  (iilray  (contemplating  the 
Derby  coronet),  Liston's  Dream,  and  many  other  rarities,  includ- 
ing a  folio  letter  from  Mathews,  with  a  corrected  |)lay-bill. 
Folio,  red  levant  morocco  extra,  gilt  edges,  by  Zaehnsdorf. 
237 


2302  Mathews   (Charles).     A  collection  of   31   folio   illustrations,   etc.,   to 

accompany  his  Memoirs,  including  a  mezzotint  portrait  of  Mathews 
by  Turner,  autograph  letter,  speaking  of  a  painful  surgical  operation, 
2  original  portraits  in  water  colors,  the  rare  print  of  Christ.  Lee  Sugg, 
signed  mezzotint  of  Mrs.  Litchfield  by  Say,  autograph  letters  for  the 
same,  Little  Knight,  private  plate,  mezzotint  by  Smith  before  the 
letters,  portrait  and  autograph  letter  of  (ieo.  Robbins,  colored  carica- 
ture of  Romeo  Coates,  mezzotint  of  Michael  Kelly  by  Turner,  Miss 
Foote  as  Maria  Darlington,  proof  by  Picart,  several  colored  prints, 
and  original  drawings. 

From  the  collection  of  John  Dillon,  with  his  autograph  and  list 
of  contents. 

Imp.  4to,  half  morocco. 

2303  Mathews  (Chas.).     Review  of  the  Memoirs  of.     London,  1838. 

8vo,  half  blue  levant. 

2304  Mathews  (Mrs.).     Anecdotes  of  Actors.     London,  1844. 

Unique  copy,  with  70  portraits,  views,  and  autographs  inserted. 
8vo,  half  calf,  gilt  top,  uncut  edges. 

2305     Life,  etc.,  of  Charles  Mathews.     Steel  portraits.     London,  i860. 

Post  8vo,  half  calf,  gilt  top,  uncut  edges. 

2306     Memoirs  of  Charles  Mathews.     Portraits.     London,  1838. 

Unique    copy,    with    autograph    of    Mathews    and    25    portraits 

added. 
4  vols.,  8vo,  half  calf,  gilt  top,  uncut  edges. 

2307     Tea-Table  Talk.     London,  1857. 

2  vols.,  crown  8vo,  half  calf,  gilt  top,  uncut  edges. 

2308  MATTHEWS  (Brander)  and  HUTTON  (Laurence).     AC- 

TORS AND  ACTRESSES  OF  GREAT  BRLFALN  AND  THE 
UNLPED  STATES,  from  the  days  of  David  Garrick  to  the  present 
time.     New  York,  1886. 

Unique  copy,  on  large  paper,  100  printed,  illustrated  by  the 
insertion  of  over  1,500  portraits,  scenes  from  plays,  interiors 
and  exteriors  of  theatres,  play-bills,  autograph  letters,  and 
several  original  drawings.  A  large  number  of  the  portraits 
are  proofs,  both  before  letters  and  on  India  paper,  including 
the  Society  portrait  of  ^\'illiam  Dunlap  and  a  superb  print  of 
Madame  Vestris.  'Phe  mezzotints  are  numerous  and  some 
are  very  fine.  Each  subject  of  a  memoir  is  represented  by  an 
unusual  group  of  engravings,  Edmund  Kean  being  given  23  ; 
in  spite  of  the  rarity  of  such  prints,  Liston  is  favored  with  a 
large  number  of  colored  portraits,  all  sufficiently  scarce  and 
curious  to  command  attention,  and  Henry  West  Betty  (10), 
Garrick.  Mrs.  Siddons,  Fanny  Kemble,  Macready,  Forrest, 
Mr.  and  Mrs.  Charles  Kean,  Placide,  Mathews,  Fechter, 
Charlotte  Cushman.  Macklin,  Kitty  Clive,  Quin,  Peg  Woffing- 
ton,  Mrs.  Oldfield,  Edwin  Booth,  Henry  Irving,  Mary  Ander- 

238 


son,  Joseph  Jefferson,  Lester  Wallack,  Ellen  Terry,  and  other 
stars  of  the  stage  have  been  liberally  provided  for,  with  illus- 
trations directly  applying^  to  the  text.  Autoijraph  letters  of 
Mrs.  Siddons,  J.  P.  Kemble,  Mrs.  Jordan,  John  Howard  Payne. 
Mrs.  Mathews,  Elliston,  and  others  are  of  wide  interest,  and 
rare  portraits  from  the  Hibernian  Magazine,  etc.,  are  frequent. 
ID  vols.,  4to,  half  olive  levant  morocco  exti*a,  gilt  top,  by  Stike- 
man. 

2309  Matthews  (J.  Brander).     Pen  and  Ink.     Ktchcu  [(oiuail.     New  York, 

1 888. 

Large  paper  copy  ;   no  printed  by  De  Vinne. 
Presentation  copy  from  the  author. 
8vo,  original  boards,  uncut  edges. 

2310     French  Dramatists  of  the  Nineteenth  Century.     New  York,  1881. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

231 1     French  Dramatists.     New  York,  tSSi. 

Presentation  copy,  with  author's  inscription. 
1 2 mo,  cloth. 

2312     The  Theatres  of  Paris.     Illustrated.     New  York,  1S80. 

i2mo,  half  red  levant,  gilt  top. 

2313     The  Theatres  of  Paris.     Illustrated.     London,  18S0. 

Post  8vo,  half  red  levant,  gilt  top,  uncut  edges. 

2314  Maupas  (M.  de).     Story  of  the  Coup  d'Etat.     Translateti,  with  notes. 

by  Albert  D.  Vandam.     London,  1884. 

2  vols.,  8vo,  cloth. 

2315  Maupassant  (Guy  de).     Pierre  et  Jean.     'I'ranslated  by  .Albert  Smith. 

Illustrated  by  Duez  and  Lynch.     Philadelphia  [Paris],  1889. 
4to,  original  covers,  uncut. 

2316  Maupassant,    Goncourt,  and  Coppee.     Afloat  ;    Sister  Philomene, 

and  Disillusion.      Illustrated.     London,  1889. 

3  vols.,  post  8vo,  half  morocco,  uncut. 

2317  Maverick  (Aug.).     Henry  J.  Raymond  and  the  New  York  Press,     Por- 

trait, etc.      Hartford,  1870. 
8vo,  sheep. 

2318  Maxwell  (Sir  IL).    Sixty  years  a   Queen   [\'ictoria].     Profusely   illus- 

trated.    London,  1897. 
4to,  cloth. 

2319  May  (Phil.).     A.  V,.  C.    With  52  original  drawings.      London.  1S97. 

4to,  cloth. 

2320     "  Graphic  "  Pictures.     Colored  plates.      LoikI.mi,  u  d. 

2  vols.,  oblong  4to,  boards. 

239 


2321  May  (Phil.).     Gutter  Snipes.     50  illustrations.     London,  1896. 

4to,  boards. 

2322  May  (Thomas).     History  of  the  Parliaments  of  England.     150  inserted 

plates,  mostly  portraits.     London,  1812. 
4to,  russia  gilt. 

2323  Maynard  (Abbe  U.).     La  Sainte  Vierge.      14  colored  plates,  3  photo- 

gravures, 200  engravings  by  Huyot,  etc.     Paris,  1877. 
Royal  8vo,  half  red  morocco  extra. 

2324  Mediterranean  Picturesque.     Its  Cities,  Shores,  and  Islands.     Pro- 

fusely illustrated.     New  York  [London],  18 — . 

2  vols.,  royal  4to,  cloth. 

2325  [Mellon].     Secret  Memoirs  of  Harriott  Pumpkin.      London,  n.  d. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

2326     Mr.  Percy  Wyndham's  Strictures  on  an  Importer  and  Old  Actress 

alias  the  Banker's  Sham  Widow.     London,  n.  d. 

A  vulgar  and  illiterate  attack  on  Harriot  Mellon,  deservedly  rare. 
8vo,  mottled  calf  extra,  by  Bedford. 

2327  Mendez  (Miss).    Mrs.  Campbell.     Short  Account  of  the  principal  Seats 

and  Gardens  at  Twickenham.     London,  1760. 

The  "Seats"  include  Kitty  Clive's,  Garrick's,  Walpole's,  etc. 
i2mo,  half  maroon  levant,  gilt  top. 

2328  Menken  (Adah  Isaacs).     Infelicia.     London,  1868. 

Unique  copy,  inlaid  from  i2mo  to  4to,  with  95  portraits  inserted, 
including  3  in  water  color,  2  engravings,  and  the  rest  photo- 
graphs by  Sarony  of  the  actress ;  also  a  long  letter  from  Miss 
Menken  to  Augustin  Daly. 

4to,  half  blue  levant  morocco  extra,  gilt  top. 

2329     Infelicia.     Illustrated.     Philadelphia,  1888. 

8vo,  morocco,  gilt  edges. 

2330  Menorval  (E.  de.).     Promenades  a  Travers,  Paris.     150  illustrations. 

Paris,  18—. 
4to,  cloth. 

2331  "Mercedes."     Wild  Flowers  from  "  The  Mountain  Side."     Philadel- 

phia, 1888. 

8vo,  cloth. 

2332  Mercuri    (Paul).     Costumes   Historiques   des   XIP,   XIIP,    XIV%   et 

XV"  Siecles.     200  colored  plates.     Paris,  1860-1. 

3  vols.,  4to,  half  red  levant,  gilt  tops. 

2333  Meredith  (Geo.).     Modern  Love  and  other  Poems.     Portland,  1898. 

Japan  paper  ;  100  printed. 
i2mo,  boards. 

240 


2334  Meredith  (Geo.).     Modern  Love.     Mosher,  Portland,  1891, 

Large  paper  copy  ;  50  printed  on  Japan  paper.     No.  10. 
4to,  half  gray  levant,  gilt  top,  uncut  edges. 

2335  Merimee  (P.).     Carmen.     Etched  illu.strations.     London,  1887. 

Only  500  printed. 

Post  8vo,  half  morocco,  uncut. 

2336     Chronicle  of  the  Reign  of  Charles  IX.     Translated  by  Saints- 
bury,     no  illustrations  by  Toudouze.     London,  1890. 

Large  paper  copy  ;  52  printed  on  Japan  paper. 
Royal  8vo,  cloth,  uncut. 

2337     Chronicle  of  the  Reign  of  Charles  IX.     New  York  [London], 

1890. 

A  plain  copy  of  the  preceding  item. 

Royal  8vo,  cloth. 

2338  Merydew  (J.  T.),  Editor.     Love  Letters  of  Famous  Men  and  Women. 

Portraits.     London,  1888. 

2  vols.,  8vo,  half  calf. 

2339     Love  Letters  of  Famous  Men  and  Women.     Portraits.     London, 

1888. 

2  vols.,  8vo,  cloth,  uncut. 

2339*     Michael  Angelo  and  Campanella.     Sonnets.     Translated  by  J.  .\. 
Symonds.     London,  1S78. 

Crown  8vo,  cloth,  uncut. 

2340  Michelet  (J.).     Historical  View  of  the  French  Revolution.     Frontis- 

piece.    London,  i860. 

Post  8vo,  half  calf  extra. 

2341  Midon,  Jr.  (F.).     History  of  the  Rise  and   F'all  of  Masaniello.     Fron- 

tispiece.    London,  1729. 

Crown  8vo,  red  morocco,  gilt  edges,  Roger  Payne  style. 

2342  Miles  (IL  D.).     Life  of    Joseph   Grimaldi.     Portrait  and   cuts.     Lon- 

don, 1838. 

Post  8vo,  half  calf. 

2343  [Military].     Types  et  L^niformes.     L'.Armec  Fran^aise  par  E.  Detaille. 

Tc.xte  par  J.  Richard.     Paris,  1885-9. 

Numerous  large  plates  colored  in  imitation  of  the  original  paint- 
ings and  a  quantity  of  te.xt  illustrations. 

2  vols.,  royal  folio,  half  red  levant  morocco  extra,  gilt  t()p,  uncut 
edges. 

2344.     Millingen  (J.  G.).     Curiosities  of  Medical  Experience.     LondiMi.  18;;. 
2  vols.,  8vo,  half  calf  gilt. 
16  241. 


2345  MILTON  (John).     PARADISE  LOST.     A  Poem,  written    in  ten 

books,  by  John  Milton.      Licensed  and  Entred  according  to  Order. 

London  Printed,  and  are  to  be  sold  by  Peter  Parker,  etc.,  1667. 

A  remarkable  copy  of  the  first  edition,  variously  called  the  first 
and  second  issue,  with  many  rough  leaves,  the  first  title  fol- 
lowed by  seven  leaves  of  "  Argument  "  and  errata. 

4to,  original  calf,  in  case  of  brown  levant  morocco. 

2346     PARADISE    LOST  ;    a    Poem    in    Ten   Books.     The    Author, 

John   Milton.     Printed  by  S.   Simmons,  and  are  to  be  sold  by   T. 
Helder  at  the  Angel  in  Little  Brittain,  1669. 

This  was  Milton's  own  copy,  and  has  his  Autograph  Signature. 

And  the  following,  also  in  his  handwriting  : 
"  Paradise  Lost,"  1668. 

"  Quantos  turn  genitus  ipsi  sibi  quantaque  Nobis  Volnera  ; 
quas  lacrymas  peperere  minoribus  nostris." 

All  the  above  in  Milton's  ow^n  handwriting.  The  lines  are  from 
Lucretius,  lib.  v.  1192,  of  which  the  following  is  a  translation, 
"  What  groans  did  they  beget  for  themselves,  what  wounds 
for  us,  what  tears  for  our  children." 

This  copy  was  purchased  at  Capel  Lofft's  sale,  without  a  title- 
page,  which  has  since  been  added  by  Mr.  Heugh.  The  book 
is  the  sixth  issue,  1668,  but  title  inserted  is  dated  1669. 

Capel  Lofft,  who  formerly  possessed  this  copy,  edited  Paradise 
Lost,  Books  I  and  2,  4to,  1792.  Afterwards  the  copy  passed 
into  the  collection  of  the  celebrated  collector.  James  Bindley, 
afterwards  Mr.  Pickering's,  then  Mr.  Heugh's. 

The  signature  of  Milton  agrees  with  that  in  the  Ashburnham  col- 
lection, to  a  Warrant  under  the  Sign  Manual  of  the  Protector, 
Oliver  Cromwell,  dated  Jan.  i,  1654,  directing  the  payment  of 
salaries  due  to  certain  officers  of  the  Parliament  and  others, 
with  the  original  autographs  of  the  Receivers. 

The  volume  has  inserted  facsimiles  of  the  handwriting  of  Milton 
in  Trinity  College,  Cambridge,  also  of  the  agreement  v\-iih 
Simmons  the  publisher. 

4to,  olive  morocco,  gilt  edges. 

2347     Paradise    Regain'd.     A    Poem.     In    IV.    Books.     To  which    is 

added  Samson  Agonistes.     Printed  by  J.  M.  for  John  Starkey.     Lon- 
don, 1671. 

First  edition. 

8vo,  olive  morocco,  gilt  edges. 

2348     POEMS  of  Mr.  John  Milton.     Both  English  and  Latin.     Com- 

pos'd  at  several  times.     London,  printed  by  Ruth  Raworth  for  Hum- 
phrey Moseley,  1645. 

Clean  crisp  copy  of  the  first  edition,  with  the  rare  portrait  by 
Marshall. 

Small  Svo,  original  calf  binding,  in  green  levant  morocco  case. 

242 


2349  Milton  (John).    Paradise  Lost  and  Regained  and  Minor  Poems.    Plates 

by  Westall.     London,  1827. 

4  vols.,  1 2 mo,  half  red  morocco. 

2350     Common-Place    Book.     A  reproduction  of  the  original  manu- 
script.    Chisvvick  Press,  1876. 

TOO  copies  privately  printed. 

4to,  cloth. 

2351  Mines  (J.  F.).     A  Tour  around  New  York.     Illustrated.     New  York, 

1893- 

Svo,  cloth,  uncut. 

2352  Minshull  (John).     The  Merry  Dames  ;  or,  the  Humourist's  Triumph 

over  the  Poet  in  Petticoats.     Rare.     New  York,  1804. 
Svo,  cloth. 

2353  Miracle    Play.      Const-Thoonende    Juweel.      Many   curious    plates. 

Heyns.      [Amsterdam  ?],  1607. 

4to,  sprinkled  calf. 

2354  Mirbeau  (O.).     Le  Salon  de  1885.     20  fine  plates  and  other  illustra- 

tions.    Paris,  1885. 

Royal  folio,  half  blue  levant  morocco  extra,  gilt  top. 

2355  Mirror  of  Taste  and  Dramatic  Censor.     Numerous  portraits  by 

Edwin,  etc.     Philadelphia,  1810-11. 

4  vols.,  Svo,  half  blue  levant,  gilt  top. 

2356  Mitchell  (D.   G.).     Reveries  of   a    Bachelor.     Illustrated   by  Darley. 

New  York,  1852. 

Square  Svo,  half  red  morocco,  gilt  edges. 

2357     American  Lands  and   Letters.     The  May  Flower  to   Rip- Van- 
Winkle.     Profusely  illustrated.     New  York,  1897. 

i2mo,  cloth,  uncut. 

2358  Mitchell  (Dr.  S.  Latham).     Picture  of  New  York.     Large  plan.     New 

York,  1807. 

i6mo,  calf. 

2359  Mitford  (A.  B.).     Tales  of  Old  Japan.     Illustrated.     London,  187 1. 

2  vols.,  crown  Svo,  cloth,  uncut. 

2360  Modern   Artists.     Illustrated  Biographies  of.     Published    under  the 

direction  of  F.  C.  Dumas.     Paris,  1882. 

Biographies   of    Leighton,    Millais,    Herkomer,    Alma-Tadema, 
Meissonier,  and  others,  with  fine  portraits  and  plates,   India 
proofs,  and  a  large  number  of  text  illustrations. 
Imp.  folio,  half  brown  levant  morocco  extra,  gilt  top. 
343 


2361  Moderne  Kunst  in  Meister-Holzschnitten.     Nach  geinaldm  und 

sculpturen,  vols,  i  to  12  (minus  IX.).  Profusely  illustrated.  Berlin,  n.  d. 
II  vols.,  folio,  cloth,  gilt. 

2362  Moliere  (J.  B.  1'.  do).     Works  of.      Illustrations  by  MM.  Louis  I.eloir, 

Maurice  Leloir,  Jacques  Leman,  and  Edmond  liedouin.     With  a  pref- 
ace by  H.  Van  Laun.     Paris,  n.  d. 

Japanese  vellum  copy  ;  only  50  copies  so  printed,  with  the  illus- 
trations printed  in  duplicate. 
II   vols.,  imp.  8vo,   half  orange  levant   morocco  extra,  gilt  top, 
uncut  edges. 

2363     Dramatic  Works.     Translated    by  Henri  Van    Laun.     Portrait 

and  plates  by  Lalauze,  India  proofs.     Edinburgh,  1878. 

Unique  copy,  with  225  extra  plates  inserted,  including  25  portraits 
of  Moliere  and  the  series  by  Boucher  (etchings),  Moreau  (India 
paper),  Vernet  (India  paper),  and  others  equally  fine. 

6  vols.,  8vo,  brown  levant  morocco,  gilt  top,  uncut  edges. 

2364     Dramatic  Works.     Translated  by  C.  H.  Wall.     Portrait.     Lon- 
don, 1876. 

2  vols.,  post  8vo,  cloth. 

2365     Q^uvres.     Plates.     Paris,  1682. 

First  issue  of  this  edition. 

8  vols.,  small  8vo,  red  levant. 

2366     Plays.    Translated  by  K.  P.  Wormeley.    Portrait.    Boston,  1894. 

6  vols.,  i2mo,  half  leather. 

2367     LES  CEUVRES.     Frontispieces.     Barbin,  Pari.s,  1666. 

First  collected   edition    and  a  very  fine  copy.     It  has  sold  for 

5,700  francs. 
2   vols.,   i2mo,  red   levant   morocco   extra,  doubled   with   green 

levant,  silk  linings,  gilc  edges,  by  Lortic. 

2368     Tartuffe.     Translated  by  M.  Medbourne.     London,  1670. 

First  English  edition. 

4to,  half  green  morocco. 

2369     L'Escole  des  Maris.     [Amst.],  1679. 

Presentation  copy  from  Coquelin. 
i2mo,  vellum,  in  brown  levant  case. 

2370     L'Escole  des  Femmes.     Quinet,  Paris,  1663. 

First  edition. 

Small  8vo,  half  blue  calf. 

2371     L'Estourdy.     Quinet,  Paris,  1663. 

First  edition. 

Small  8vo,  brown  levant. 
244 


2372  MoHere  (J.  B.  P.  de).     Les  Femmes  Syavantes.     Prome,  Paris.  1673. 

First  edition. 

Small  8vo,  red  levant. 

2373     Le  Manage  Force.     Ribov,  Paris,  1668. 

First  edition. 

Small  8vo,  red  levant. 

2374     L'Avare.     Ribov,  Paris,  1669. 

First  edition. 

Small  Svo,  red  levant. 

2375     Le  Misanthrope.     Ribov,  Paris,  1667. 

First  edition. 

Small  Svo,  red  levant. 

2376     Tales  from  Moliere's  Plays,  by  1).  B.  Lennard.     Portrait  inserted. 

London,  1859. 

Crown  Svo,  half  red  morocco. 

2377  Molloy  (J.  F.).     Peg  Woffington.     Portraits.     New  York,  1892. 

Large  paper  copy  ;   too  printed. 
2  vols.,  Svo,  cloth,  uncut. 

2378     Romance  of  the  Irish  Stage.     2  portraits.     London,  1897. 

2  vols.,  crown  Svo,  half  red  levant,  gilt  top,  uncut  edges. 

2379     Life  and  Adventures  of  Edmund  Kean.     London,  1888. 

16  portraits,  etc.,  and  many  play-bills  inserted. 

2  vols.,  Svo,  half  calf,  gilt  top,  uncut  edges. 

2380  Monde  Illustre   (Le).     Profusely  illustrated.    Paris,  1S75-90. 

21  vols.,  folio,  half  morocco. 

2381  Mons  (F.).     L'Apprenti  de  Cleomene,  etc.     Paris,  1873. 

Seven  plays,  with  notes  by  the  author  in  MS.,  and  his  presenta- 
tion inscription. 
i2mo,  half  blue  levant,  gilt  top,  uncut  edges. 

2382  Monselet  (Chas.).     Les   Premieres  Representations  C^l^bres.     Paris, 

1867. 

Unique  copy,  with  a  portrait  and  74  autograph  letters  inserted. 
The  letters  are  interesting  epistles  by  Bouff^.  M.  Brohan,  Han- 
ville,  Dumas,  Dejazet,  Duchenois,  Feuillet,  Mile.  Favart,  Goz- 
lan,  Houssaye,  Judith,  Janin,  Fredk.  Lemaitre,  Lamaitine, 
Legouve,  Michelet,  Mile.  Mars,  Nodier,  Louis  Philippe,  Robert 
Houdin.  Sardou,  Scribe,  Sandeau,  etc. 

i2mo,  half  brown  levant  morocco,  uncut  edges. 

2383  Montaig"ne  (Michel  de).     Essays.     Tran.slated  by  Florio  ;  edited  by 

J.  H.  McCarthy.     Portrait.     London,  1889. 

Large  paper  copy ;  too  printed.    Presentation  copy  frcmi  the  editor. 

3  vols.,  i2mo,  boards,  uncut. 

245 


2384  Montalembert  (Ct.  de).     Memoir  of  the  Abb^  Lacordaire.     London, 

1863. 

8vo,  half  cah',  jjilt. 

2385     Ste.  ICHzabeth  de  Hongrie.     Numerous  plates,  some  in  gold  and 

colors,  and  text  illustrations.     Tours,  1880. 

Royal  8vo,  half  red  morocco  extra. 

2386  Monteiro  (M.)-     Legends  and   Popular  Tales  of  the  Basque   People. 

Illustrations  by  Harold  Copping.     London,  1887. 
Large  paper  copy  ;   100  printed. 
4tc),  cloth,  uncut. 

2387  MONTEZ  (Lola).     A  Reply  to  the  Private  History  and  Memoirs  of 

that  Celebrated  Lady.     New  York,  185 1. 

Lilaid  from  i2mo  to  folio,  and  illustrated  by  the  insertion  of 
nearly  100  portraits,  etc.,  including  25  of  "  Lola,"  an  autograph 
letter  from  that  lady  to  accompany  a  cast  of  "  one  of  my 
unhandsome  feet,"  4  colored  drawings,  a  fine  proof  mezzotint 
of  Lord  Brougham,  etc. 

Folio,  half  red  levant  morocco  extra,  gilt  top,  by  Stikeman. 

2388     Lectures    of,    including    her    Autobiography.       Portrait.       New 

York,  1859. 

i2mo,  half  calf,  gilt. 

2389  Montgomery  (W.).     The  Columbian  Collection  of  Famous  European 

and  American  Paintings.     Over  100  plates.      Boston,  18 — . 
2  vols.,  4to,  half  red  morocco. 

2390  Monthly  Mirror.     Reflecting  Men  and  Manners.     With  iSo  fine  and 

rare   portraits  of    Dramatic   and   Literary  Celebrities.       Both    series 
complete.     London,  1795-18 10. 

30  vols.,  8vo,  half  blue  levant  morocco  extra,  gilt  tops,  uncut 
edges. 

2391  Montorgueil  (C.).     La  Vie  des  Boulevards.     200  colored  illustrations 

by  Vidal.     Paris,  1896. 

Royal  8vo,  original  covers. 

2392  Monvel    (Boutet    de).     Joan    of    Arc.       Colored    illustrations.       New 

York,  n.  d. 

Oblong  4to,  cloth. 

2393  Moods.     A  Journal  Intime.     Illustrated.     Philadelphia,  1895. 

Royal  8vo,  boards. 

2394  Moore    fj.    ^V^).     Picturesque    Washington.      Numerous    illustrations. 

I'rovidence,  1884. 

Royal  8vo,  cloth. 

2395  Moore    (i'homas).      Poetical   Works.     Portrait  and  plates.     London, 

1853. 

10  vols.,  foolscap  8vo,  half  vellum,  gilt  top. 

246 


2396  MOORE  (Thomas).     LIFE  OF  LORD  BYRON.     London,  1839. 

Unique  copy,  illustrated  by  the  insertion  of  539  portraits,  views, 
and  autograph  letters. 

The  portraits  include  almost  every  known  print  of  Byron,  embrac- 
ing Byron's  First  Love  (colored  mezzotint),  Byron  and  Mariana 
(mezzotint),  the  folios  by  Lupton,  Wedgwood,  and  Sherman, 
etc.  Other  rare  portraits  are  Pope,  Beaumont  and  Fletcher 
(the  Vertue  folios),  Cowley,  by  Faithorne  ;  Napoleon  (an  un- 
finished proof);  Master  Betty  (2);  Wm.  Penn  (1773);  Sir 
Thomas  Browne,  by  White  ;  mezzotints  of  Dr.  Baillie,  Sir 
Robt.  Walpole,  Dr.  Bowring,  Sir  Thos.  Lawrence,  Blucher, 
Lord  Clare,  Lockhart,  Lord  Spencer,  John  L'lckson,  J.  W. 
Croker,  Geo.  Canning,  Lady  Erskine,  Lord  Castlereagh 
(colored),  Ariosto,  Byron  as  Don  Juan,  Thorwaldsen,  Wm. 
Godwin,  etc.  Other  portraits  of  interest  are  Garrick,  Moore 
(3),  Beckford,  Wellington,  Mrs.  Centlivre,  Dr.  Burney,  etc. 

The  autograph  letters  are  by  Sof)hia  Maria  Byron,  Sophia  Byron 
(the  poet's  grandmother).  Admiral  Byron,  Horace  Smith, 
Lady  Byron  (2),  Leigh  Hunt,  Tom  Moore,  Lord  Jeffrey, 
Henry  Drury,  Mrs.  Mardyn,  Mary  Shelley,  Ada  Byron,  Sydney 
Smith,  Count  d'Or.say,  Edward  Trelawny,  etc. 

4  vols.,  folio,  cloth. 

2397     THE  LIFE  OF  LORD  BYRON. 

I  vol.,  8vo,  inlaid  and  extended  to  2  vols.,  thick  4to,  by  the 
insertion  and  careful  inlaying  of  over  300  autograph  letters 
and  manuscripts  of  the  distinguished  persons  (for  the  greater 
part  literary)  mentioned  in  the  volumes,  and  handsomely 
bound  in  red  morocco,  super  extra  gilt  leaves,  by  Riviere. 

The  following  is  a  very  brief  resume  of  the  contents  of  these 
most  important  volumes : 

Lord  Byron. — The  original  of  the  famous  "  letter  in  verse." 
Only  a  portion  of  this  letter  was  published  in  the  early  edi- 
tions of  "  Moore's  Life." 

Another  letter,  addressed  to  Wedderburn  Webster.  This  letter 
refers  to  his  financial  troubles,  and  is  entirely  unpublished. 

The  original  wages  account  book  of  Lord  Byron's  household,  with 
most  curious  entries. 

The  Byron  Family. — Captain  John  Byron  (the  poet's  father),  C. 
G.  Byron  (mother).  Lady  Noel  Byron  (wife),  Lady  Lovelace 
(daughter).  Sir  Ralph  Milbank  (father-in-law),  G.  A.  (7th 
Lord  Byron),  and  letters  of  15  other  members  of  the  family. 
All  are  important  letters  on  family  matters. 

Lord  Byron's  Various  Biographers.- — John  Gait,  Sir  Henry  lUil- 
wer,  Edward  Everett  (U.  S.  Mini.cter  to  England),  R.  C. 
Dalla.s,  Sir  Egerton  Brydges,  J.  C.  Hobhouse,  Sir  A.  .Allison, 
Leigh  Hunt.  Lady  Blessington,  George  Ticknor  (splendid  410 
letter  to  Southey),  A.  C.  Swinburne,  F.  Nathan,  C.  C.  Colton, 
Allan  Cunningham. 

247 


Tom  Moore. — A  fine  4to  letter  to  his  publisher  in  reference  to 
"  Lalla  Rookh,"  Samuel  Rogers,  Sir  Walter  Scott  (to  whom 
the  book  is  dedicated),  John  Murray,  the  Duke  of  Wellington, 
Hogg  (the  Poet),  Mrs.  Hemans,  autograph  letters,  and  a  poem 
in  her  autograph,  4  pages,  4to  ;  George  III.,  Count  d'Orsay, 
William  Robertson,  Lady  Caroline  Lamb,  autograph  letters, 
and  a  poem  in  her  autograph  ;  Canova,  Voltaire,  H.  R.  H. 
Duke  of  York  to  George  IV.,  H.  R.  H.  Duke  of  Gloucester, 
George  Canning,  S.  T.  C'oleridge,  fine  4to  letter  ;  William 
Wilberforce,  Horace  Walpole,  Robert  Southey,  W.  L.  Bowles, 
4  very  important  letters  relating  to  Lord  Byron  and  his  works. 

Isaac  Disraeli. — B.  W.  Proctor  ("  Barry  Cornwall  "),  autograph 
letters,  and  poem  in  his  autograph  ;  J.  Wilson  Croker,  along 
and  important  letter  to  Southey  in  reference  to  Byron  ; 
Horace  Smith,  autograph  letters,  and  poem  in  his  autograph  ; 
Joel  Barlow,  Benjamin  Franklin,  a  fine  letter  to  his  publisher, 
Strahan  ;  Alexander  Pope,  Wieland  (poet),  Rossini,  a  splendid 
letter,  4  pages,  4to. 

J.  P.  Curran. — A  splendid  letter,  4  pages,  4to,  closely  written. 

Robert  Southex. — The  original  drafts  in  Southey's  autograph  of 
the  famous  letters  written  by  him  to  the  editor  of  The  Courier, 
replying  to  Byron's  attacks  ;  these  most  valuable  letters,  which 
refer  to  one  of  the  most  important  periods  of  Byron's  life, 
occupy  24  4to  pages. 

Leigh  Hunt. — The  longest  of  his  letters,  4  pages,  4to. 

William  Cowper. — A  very  early  and  extraordinarily  worded  letter, 
dated  June  12,  1759;  Rousseau  (described  in  "  Childe  Har- 
olde  "),  J.  G.  Lockhart,  Napoleon  Bonaparte,  Prince  Murat, 
Lady  Morgan,  Washnigton  Irving,  dated  from  Alhambra,  July 
29,  1829  ;  Lord  Brougham,  Reginald  Heber,  Dr.  Chalmers, 
General  Napier,  Leigh  Hunt,  autograph  letters  and  manuscript 
in  his  autograph  ;  Benjamin  West,  Shelley,  a  fine  4to  letter, 
and  also  a  cheque  entirely  in  his  autograph  ;  Sir  Walter  Scott, 
William  Pitt,  James  Harris  ("Hermes"),  in  verse,  5  pages, 
folio  ;  Countess  of  Jersey,  Lord  Liverpool,  Miss  Fanshawe 
(authoress  of  the  lines  "  'Twas  whispered  in  Heaven  " — often 
attributed  to  Byron)  ;  Samuel  Rogers,  Lord  Chancellor  I^rs- 
kine,  Mrs.  Shelley,  Miss  Seward,  Major  Cartwright  (author 
of  "American  Independence  "),  Congreve  (the  dramatist),  an 
exceedingly  rare  autograph  ;  Queen  Caroline,  Lord  Carlisle 
(Byron's  guardian),  R.  B.  Sheridan,  Bruce  (the  African  trav- 
eller), "  Monk  "  Lewis,  autograph  letters,  and  poem,  in  his 
autograph  ;  Goethe,  letter  in  reference  to  "  Wilhelm  Meister," 
with  translation  ;  R.  W.  Elliston  (actor  and  manager),  Charles 
Mathews  (the  actor),  Fawcett  (the  actor),  Julia  Glover 
(singer),  Sir  Robert  Peel,  Maria  Edgeworth,  Sir  Humphrey 
Davy,  "  Tom  "  Campbell,  Frederick  the  Great,  a  letter  signed 
with  long  autograph  postscript  ;  Wordsworth,  Lord  Chancellor 
Eldon,  James  Beattie,  Madame  d'Arblay,  Sir  Thomas  Law- 
rence, George  IV.,  Hoppner,  Ugo  Foscolo,  "Tom"  Dibdin,  a 
poem  in  his  autograph,  3  pages,  4to  ;  Dr.  Parr,  William  Gifford 

248 


to  Robert  Southey,  Princess  Charlotte,  "  Tom  "  Paine,  auto- 
graph letters,  and  poem  in  his  autograph  ;  George  Steevens 
(eminent  Shakespearean  critic),  H.  Fuseli,  R.  A.  (illustrated 
Byron's  poems). 

Madame  de  Stael  to  Robert  Southey. — Raymond  (actor),  Sir  James 
Bland  Surges,  T.  Warton,  Sir  Francis  Chantrey  to  Southey, 
George  Colman,  Marquis  of  Hastings,  6  pages,  4to,  to  Sir 
Joseph  Banks  ;  William  Cobbett,  Jeremy  Bentham,  Mrs.  Spen- 
ser Smith  (Byron's  "Florence"),  The  Earl  of  Rochester. 

Tom  Moore. — The  original  manuscript  of  his  poem,  "  Account  of 
an  Extraordinary  Dream."  This  fine  manuscript  consists  of 
2^2  pages,  and  contains  many  corrections. 

Jafnes  Perry. — (Byron's  great  champion  in  the  English  press)  ; 
Dr.  Butler  (Headmaster  of  Harrow). 

George  Washington. — This  is  a  very  fine  letter,  and  is  on  the  sub- 
ject of  Mrs.  Washington's  health  ;  Lord  Melbourne  to  Will- 
iam Cobbett,  Lord  Palmerston,  Mrs.  Piozzi,  Robert  Orme, 
The  Countess  Guiccioli,  Galignani,  etc. 

The  only  printed  insertion  is  the  original  prospectus  of  "  The 
Greek  Telegraph,"  first  published  at  Missolonghi,  March, 
1824.  A  long  account  of  this  paper  and  Lord  Byron's  connec- 
tion with  it  is  given  by  Moore.  This  most  interesting  docu- 
ment is  probably  unique. 

With  the  sole  exceptions  of  the  Frederick  the  Great  and  Napo- 
leon letters,  the  whole  of  the  letters  and  MS.  are  holograph. 
Nor  are  the  letters  mere  specimens,  for  the  greatest  care  has 
been  taken  to  choose  fine  literary  letters. 

2398  Moore  (Thomas).     Memoirs  of    Richard   Brinsley  Sheridan.     7   por- 

traits inserted.     London,  1825. 

2  vols.,  8vo,  half  morocco.     [See  Byron  and  Sheridan.] 

2399     Ihe  Epicurean.     London,  1839. 

Autograph  letter  of  Moore  inserted. 
Post  8vo,  red  levant. 

2400  Moreati  le  jetine.     Monument  du  Costume  physique  et  moral  de  la 

fin  du  dix-luiiticme  siecle.     With  all  but  three  of  the  famous  plates 
engraved  by  Simonet,  etc.     Neuwied,  1789. 
4to,  half  calf. 

2401  Morgan  (Appleton).     Shakespeare  in  fact  and  criticism.     New  York, 

1888. 

Presentation  copy  from  the  author. 
8vo,  cloth,  uncut. 

2402  Morgan  (Lady).     Memoirs.     Portrait.     London,  1863. 

2  vols.,  Svo,  half  calf. 

249 


2403  Morgan  (Mary  J.).     Catalogue  of  the  Art  Collection  of.     Paintings, 

books,  etc.     Illustrated.     New  York,  18S6. 
Edition  de  luxe. 
4to,  original  covers. 

2404  Morley  (Henry).     Memoirs  of  Bartholomew  Fair.     Wood-cuts.     Lon- 

don, 1859. 

Svo,  cloth,  uncut. 

2405     Journal   of  a  London  Playgoer  from    1851   to    1866.     London, 

1866. 

Post  8vo,  half  red  levant,  gilt  top. 

2406  Morris    (Charles).      Half-Hours    with    the    best    American    Authors. 

Philadelphia,  1887. 

Illustrated  by  the  insertion  of  405  portraits  and  views,  many 
India  proofs,  and  including  25  portraits  of  Washington,  Whit- 
tier  (11),  Seward  (10),  Irving  (16),  Longfellow  (20),  Hawthorne 
(10),  Emerson  (12),  Bryant  (11),  etc.,  with  a  neatly  written 
index  of  all  the  plates  inserted. 

Large  paper  copy  ;  100  printed. 

9  vols.,  Svo,  half  brown  levant  morocco,  gilt  top,  uncut  edges. 

2407  Morris  (Edward).     The  Adventurers,  a  farce  ;    London,  1790.     False 

Colors,  a  comedy  ;    London,  1793.     The  Secret,  a  comedy  ;    London, 
1799. 

Svo,  half  calf. 

2408  Morris  (William).     The   Defence  of  Guenevere.     A   Book  of  Lyrics 

chosen  from  the  Works  of  William  Morris.     Portland,  1896. 
Japan  paper  copy  ;  loo  printed. 
Svo,  boards. 

2409 The  Well  at  the  World's  End.     London,  1896. 

2  vols.,  Svo,  half  gray  levant,  gilt  top,  uncut  edges. 

2410     Tale  of  the  House  of  Wolfmgs.     London,  1S89. 

Svo,  half  gray  levant,  gilt  top,  uncut  edges. 

2411     Love  is    Enough.     2   illustrations  by  Burne-Jones.     Kelmscott 

Press,  1897. 

4to,  parchment,  uncut  edges. 

2412  Morse  (E.  S.).     Japanese  Homes  and  their  Surroundings.     Illustrated. 

New  York,  1895. 

Royal  Svo,  cloth. 

2413  Moschelles  (F.).     In  Bohemia  with   Du   Maurier.     With  63  illustra- 

tions by  the  artist.     London,  n.  d. 
Svo,  cloth. 

250 


2414  Motley  (J.  L.).     Historical  Works.     United  Netherlands  ;  Dutch  Re- 

public ;  and  John  of  Barnevald.     Portraits.     New  York,  1897. 
9  vols.,  8vo,  half  calf  extra,  gilt  top,  uncut  edges. 

2415     A  Memoir,  by  Oliver  Wendell  Holmes.     Boston,  1879. 

Unique  copy,  extra- illustrated  by  the  insertion  of  57  portraits,  etc., 

and  an  autograph  letter  of  Holmes,  including  Prescotti  (p.b.l.), 
Lincoln  (i. p.b.l),  John  Brown  (p.b.l.),  U.  S.Grant  (i.p.),  Lee 
(i. p.b.l),  Jackson  (i. p.b.l),  Emerson  (i.p.),  Thomas  Hughes 
(i.p.),  W.  W.  Story,  etc. 

Small  4to,  red  morocco  gilt,  gilt  top,  uncut  edges,  by  Bradstreets. 

2416  Mouhy  (Chevalier  de).     The  Fortunate  Country  Maid.     Frontispieces. 

London,  1758. 

2  vols.,  i2m.o,  half  calf  gilt. 

2417  Moulton  (Louise  C).     In  the  Garden  of  Dreams.     London,  1890. 

Presentation  copy  from  the  author. 
Post  8vo,  cloth. 

2418     In  Childhood's  Country.     Illustrated  by  Ethel  Reed.     Boston, 

1896. 

4to,  cloth,  uncut. 

2419  Mountfort  (Will).     Six  Plays,  with  Life,  etc.     Tonson,  London,  1720. 

2  vols.,  i8mo,  half  green  calf. 

2420     The  Life  and  Death  of  Doctor  Faustus.     London,  1697. 

4to,  half  citron  levant. 

2421  Mowatt  (Anna  Cora).     y\utobiography.     Portrait.     Boston,  1854. 

i2mo,  calf  extra,  gilt  top,  by  Riviere. 

2421*     Autobiography.     Portrait.     Boston,  1854. 

i2mo,  half  calf. 

2422'    Moynet  (G.).     Trues  et  Decors.     30  plates  and   100  vignettes.     Paris, 
n.  d. 

Royal  8vo,  cloth. 

2423  Mrs.  Grundy.     Twelve  numbers  complete  from  July  Stli  to  Sept.  2^i\, 

1865.     Wood-cuts.     New  York,  1865. 

4to,  half  orange  levant,  gilt  top,  uncut  edges. 

2424  Mudford   (Wm.).     Life  of  Richard  Cumberland.     Portrait.      L()ndt)n. 

1812. 

8vo,  half  green  morocco  extra,  gilt  top,  uncut  edges. 

251 


2425  Mulock  (Miss).     John  Halifax,  Gentleman.     Illustrated.     New  York, 

1890. 

8vo,  cloth. 

2426  Munden  (Joseph  Shepherd).     Memoirs  of,  by  his  son.     London,  1844. 

Unique  copy,  with  60  portraits,  etc.,  inserted. 

Crown  8vo,  calf  extra,  gilt  top,  uncut  edges,  by  Riviere. 

2427  Muiitz  (E.).     Short  History  of  Tapestry.     Illustrated.     London,  1885. 

Post  8vo,  cloth. 

2428     Leonard  de  Vinci,  I'artiste,  le  penseur,  le  savant.     48  plates,  and 

238  wood-cuts.     Paris,  1899. 

4to,  morocco. 

2429  Murger  (Henri).     The  Bohemians  of  the  Latin  Quarter.     10  etchings 

by  Montader.     London,  1888. 
8vo,  cloth,  uncut. 

2430  Murphy  (Arthur).     Life  of  David  Garrick.     London,  1801. 

Unique  copy,  with  2  autograph  letters  of  Murphy  inserted,  as 
well  as  numerous  fine  portraits  of  Garrick,  his  wife,  Peg  Woff- 
ington,  Betterton,  etc. 

2  vols.,  8vo,  half  calf,  gilt  top,  uncut  edges      [See  Garrick.] 

2431     All  in  the  Wrong.     London,  1775. 

Interleaved,  and  with  MS.  notes  by  Kemble. 
8vo,  half  calf. 

2432  Murphy  (J.  N.).     The  Chair  of  St.  Peter.     London,  1886. 

Crown  8vo,  cloth. 

2433  Murray  (\V.  H.  H.).     Daylight  Land.     140  tinted  illustrations.    Boston, 

1888. 

8vo,  cloth,  uncut. 

2434  Musa    Pedestris.      Three   Centuries   of   Canting  Songs   and  .Slang 

Rhvmes.     Collected  by  J.   S.  Farmer.     Privately  printed.      London, 
1896. 

Crown  8vo,  boards,  uncut. 

2435  Musa  Proterva.     Love-Poems  of  the  Restoration.      Edited  by  A.  H. 

Bullen.     Nimmo,   London,  1889. 

Scjuare  8vo,  half  calf,  uncut. 

2436  Musee  Universel.     Profusely  illustrated.     Paris,  n.  d. 

8  vols.,  imp.  8vo,  half  morocco. 
252 


2437  Muse's  Library.     The  Poems,  etc.,  of  John  Gay,  Andrew    Marvell, 

William  Blake,  Edmund  Waller,  William  Browne,  John  Vaii:;han, 
John  Keats,  John  Donne,  Thomas  Carew,  and  S.  T.  Coleridge.' 
Portraits.     London,   1892-8. 

Large  paper  ;  200  copies  printed. 

16  vols.,  post  8vo,  half  vellum,  gilt  top,  uncut  edges. 

2438  Muther    (R.).     History   of    Modern    I'ainting.     Profusely    illustrated. 

New  York,  1896. 

3  vols.,  royal  8vo,  cloth,  gilt  top. 

2439  McCuUough  (John).     In  Memory  of.     Portrait,  etc.    New  York,  1889. 

Presentation  copy  from  William  Winter. 
Svo,  cloth,  uncut. 

2440  Napier    (G.    G.).       Homes    and    Haunts    of    Alfred,   Lord   Tennyson. 

Portrait,  etc.     New  York  [Glasgow],  1892. 
300  copies  printed  on  Japan  paper. 
Svo,  cloth,  uncut. 

2441     Homes  and  Haunts  of  Sir  Walter  Scott.     Portrait,  etc.     Glasgow, 

1897. 

550  copies  printed  on  Japan  paper. 

Svo,  cloth,  uncut. 

2442  Napoleon.      Lettres  Inedites.     Paris,  1897. 

2  vols.,  Svo,  original  covers. 

2443     New  Letters  of.     Portrait.     London,  1898. 

Svo,  cloth,  uncut. 

2444  Nares  (Robt.).     Glossary.     Words  and  phrases  in  the  works  of  English 

authors,  requiring  elucidation.     London,  1888. 
2  vols.,  Svo,  cloth. 

2445  NASH  (Joseph).     MANSIONS  OF  ENGLAND  in  the  Olden  Time. 

104  plates  colored  in  imitation  of  the  original  drawings,  with  a  volume 
of  descriptive  text.      London,  1S69. 

5  vols.,  atlas  folio,  red  levant  morocco  e.xtra,  gilt  edges. 

2446  Nash  and  Anderson.     Mansions  of  England  in  the  Olden  Time.     104 

lithographic  plates.     London,  1869. 

4  vols,  in  2,  folio,  half  red  morocco,  gilt  edges. 

2447  Naylor  (1^>.  W.).     Shakespeare  and  Music.      London,  189O.  v. 

i2mo,  cloth. 

253 


2448  NELL    GWYN.       THE    ORKilNAL    TITLE    DEEDS    to    her 

house  in  Pall  Mall.  Five  parchment  documents,  with  an  engraved 
portrait  of  Charles  II.,  and  the  Privy  Seal  attached  to  the  first, 
bearing  the  signatures  of  the  Earl  of  St.  Albans,  Will  Chiffinch,  Bap- 
tist May,  Lord  Hervey,  Lawrence  Hyde,  W.  Fanshawe,  etc.,  and 
three  times  the  well-known  initials  E.  G, 

These  deeds  from  the  Cunningham  sale  need  no  further  identifi- 
cation.    Their  value  and  interest  is  now  a  matter  of  history.. 
5  documents  in  a  4to  case,  green  levant  morocco,  with   lock  and 
key. 

2449  Nelson  (John).     History,  etc.,  of  Islington.      1 7  engravings.     London, 

iSii. 

Unicjue,  having  294  illustrations  inserted,  from  the  Upcott  collec- 
tion, many  of  great  rarity;  including  the  valuable  Hollar  plates, 
26  drawings,  and  ^^  autographs. 
2  vols.,  4to,  half  brown  levant,  gilt  top,  uncut  edges. 

2450  Nerval  (Gerard  de).     Sylvie.     42  etchings.     New  York,  1887. 

Post  8vo,  half  olive  morocco. 

2451     Sylvie  ;  Souvenirs  du  Valois.     Translated  by  Lucie  Page.     Port- 
land, 1896. 

Japan  paper  ;   100  printed. 
i2mo,  boards. 

2452  Neue    Illustrirte    Zeitung    und    Illustrirte    Zeitung.     Leipzig, 

1888-90. 

9  vols.,  folio,  half  morocco. 

2453  Neuville    (A.   de).       Tableaux    et    Dessins.       Numerous    illustrations. 

Paris,  n.  d. 

Royal  folio,  half  brown  levant. 

2454  Newdigate-Newdegate  (Lady).     Gossip  from  a  Muniment  Room  ; 

being  passages   in  the  lives  of  Anne  and   Mary   Fytton.     Portraits. 
Nutt,  London,  1897. 
4to,  cloth,  uncut. 

2455  New   England   Primer.     History  of  its   Origin   and  Development ; 

edited  by  P.  L.  Ford.     Illustrated.     New  York,  1897. 
Japan  paper  copy  ;  57  printed. 
Square  8vo,  half  morocco,  uncut. 

2456  New  English  Theatre.     With  60  fine  character  portraits.     London, 

1776. 

The  only  series  of  its  kind   where  the  characters  are  accurate 

portraits. 
12  vols.,  post  8vo,  half  calf. 

2456*     New  York  Mirror.     Numerous  plates,  some  missing.     New  York. 
20  vols.,  4to,  half  bound. 

254 


2457  NEW    YORK    VIEWS.        A    superb    collection,    admirably    ar- 

ran<Ted   and    protected,   in    12   vols.,   folio   (7),   royal    folio   (3),  and 

atlas  folio  (2),  half  green  levant  morocco. 

St.  Paul's  Church  and  Broadway  Stages  (folio  lith.,  182S),  Pen- 
dleton ;  New  York  from  Weehawken,  J.  Hill  (in  colors);  ditto, 
from  Brooklyn;  Fire  of  1835  (folio  lith.  in  colors);  ditto,  aqua- 
tint, Bennett ;  ditto.  Ruins,  aquatint,  Bennett  ;  New  York  (folio 
aquatint),  Bennett  ;  Broadway  (folio  aquatint  in  color),  by  J. 
Hill  ;  original  impression,  New  York  from  Brooklyn  (folio),' 
T.  Homer;  ditto  (folio  aquatint  in  colors),  Bennett  ;  Havell's 
panoramic  view  (folio  aquatint,  2)  ;  Broadway  (1848),  with  the 
proposed  elevated  railway  ;  Broadway  (folio  lith.),  l^ien  ; 
original  drawing  (folio,  by  Reynolds)  of  Old  Slip  Market ; 
rare  maps.  Nova  Belgica,  etc.,  1638,  etc.,  rare  proofs  before 
letters  of  New  York,  The  Popple  map  and  view,  1840,  Canot's 
view  of  New  York,  1761  (2),  Methodist  Church,  John  St.  (in  col- 
ors), the  Faden  maps,  1776  (3),  Ues  Barres  Views  (5),  1777, 
Nuremberg  map  (folio)  of  1778,  Government  House  (folio  lith., 
original  impression),  Federal  Hall  (folio  lith.),  the  extremely 
rare  aquatint  of  New  York,  by  Francis  Jukes;  New  York 
(folio),  by  Seymour,  1803  ;  Cooke's  Tomb  (folio  in  colors),  by 
I.  R.  Smith  ;  New  York  from  Governor's  Island  (folio  in 
colors),  by  J.  Hill;  series  of  views  from  Mirror,  from  Hinton 
(India  proofs),  Miibert's  on  India  paper,  Hell  Gate  (folio  aqua- 
tint),  J.  Hill  ;  South  St.  (folio  aquatint),  Bennett ;  Castle 
Garden  interior,  with  first  appearance  of  Jenny  Lind  (folio 
lith.).  Novum  Amsterodamum  (167 1,  Ogilvy),  Nieu  Amsterdam 
(1680),  Allard  (folio) ;  the  same  (folio,  colored,  1680),  Schenk  ; 
New  York,  from  Russell's  History  ;  S.  E.  Prospect,  1761  (oblong 
folio),  Anlandung  der  Trouppen  (folio),  Das  Feuer  (folio). 
Federal  Edifice,  from  Massachusetts  Magazine ;  Belvidere 
(unfinished  etcher's  ]:)roof)  ;  certificate  of  New  York  Grenadiers 
(folio),  Maverick  ;  New  York  (folio),  1807  (aquatint),  Clark 
and  Hamble  ;  plan  of  New  York,  1807  (folio),  Peter  Maverick  ; 
New  York  Hospital  (folio),  Leney  ;  La  Fregate  Le  Fulton 
(4to  aquatint);  Fulton  Market  (folio  aquatint,  p.b.l.);  St.  Paul's 
Church,  from  New  York  Magazine  ;  Bourne  views  (India 
proofs)  ;  Belvidere  House,  from  New  York  Magazine  ;  (Gov- 
ernment House,  from  New  York  Magazine  ;  Peabody  Views 
on  India  paper,  series  of  lithos.  by  Deroy,  the  Farrar  series,. 
National  Theatre  (folio  lith.),  The  scarce  Cries  of  New  York 
(15),  etc. 

2458  New  York.      The  Hudson  River  from   New  York  to  Albany.    .\  pano- 

ramic view  about  15  feet  long,  folded  in  cloth  case. 
Folio,  cloth. 

2459  New  York  Etchin.s:  Club.     Catalogue  of  the  Exhibition,  with  etch- 

ings by  Church,  Moran,  Farren,  Dielman,  etc.     New  York,  1882. 
4to,  canvas. 

255 


2460  NEW    YORK    HERALD.     Complete  from  its  commencement  to 

the  present  date.     New  York,  1840-98. 

The  word  "complete  "is  used  conditionally.     During  the  last 
year,  Mr.  Daly  made  a  vigorous  effort  to  obtain  a  few  missing 
numbers.     Some  were  secured  ;  so  that  at  the  most,  less  than  a 
dozen  can  be  missing. 
137  vols.,  the  majority  uniformly  bound  in  canvas. 

2461  New  York,  New  Park  Theatre.     Rejected  Addresses.    Frontispiece 

repaired.     New  York,  182 1. 

i6mo,  half  red  levant,  gilt  top,  uncut  edges. 

2462  New  York.     The  Olden  Time  in  New  York.     Frontispiece,  etc.     New 

York,  1872. 

Royal  8vo,  cloth. 

2463  New  York  (Historic).     Edited  by  M.  W.  Goodwin,  A.  C.  Royce,  and 

R.  Putnam.     Illustrated.     New  York,  1S97-9. 
2  vols.,  8vo,  cloth,  uncut.     Both  series. 

2464  Nicholson  (Wm.).     London  Types.     12  tinted  plates.     Quatorzains  by 

\V.  E.  Henley.     New  York,  1898. 
4to,  boards. 

2465     London  Types.     With  the  illustrations  mounted  on  cardboard. 

New  York,  1898. 

Atlas  4to,  cloth. 

2466     An  Alphabet.     26  tinted  plates.     New  York,  1898. 

4to,  boards. 

2467 An  Alphabet.     Another  copy. 

2468     An  Almanac  of  Twelve  Sports.     Tinted  plates.     With  words  by 

Kipling.     New  York,  1898. 

,  4to,  boards. 

2469  Nicolay  and   Hay.     Abraham  Lincoln  :   a  History.     Portraits.     New 

York,  1890. 

10  vols.,  8vo,  cloth,  uncut. 

2470  NicoU  and  Wise.      Literary  Anecdotes    of  the    Nineteenth  Century. 

Illustrated.     London,  1895-6. 

2  vols.,  8vo,  cloth,  uncut  edges. 

2471  Niecks  (Fred).     Frederick  Chopin  as  a  man  and  musician.     Portrait. 

London,  1888. 

2  vols.,  8vo,  half  calf,  gilt  top,  uncut  edges. 

2472  Niel  (P.  C  J.).     Portraits  des  Personnages  Fran9ais  les  plus  illustr^s 

du  xvi.  siecle,  with  fine  colored  portraits  in  imitation   of  the  original 
drawings.     Paris,   1848. 

2  vols.,  imp.  folio,  half  red  morocco, 
256 


2473  Ninon  de  TEnclos.     Memoirs  and  Letters  of.     Dublin,  1778. 

2  vols,  in  I,  i2mo,  half  vellum  gilt. 

2474  Nisbet  (Charles).     Caroline  Bauer  and  the  Coburgs.     London,  1885. 

Post  8vo,  cloth,  uncut. 

2475  Nisbet  (Hume).     Where  Art  Begins.     Illustrated.     London,  1892. 

Crown  8vo,  cloth. 

2476  Nobility    of    Life,    its    Graces   and    Verses.     Portrayed  in  pro.se  and 

verse,  selected   by   L.  Valentine.     24  colored   plates,  etc.     London, 
1869. 

4to,  cloth. 

2477  Nodier    (Charles).     The  Bibliomaniac.     Translated  by  Mabel  Osgood 

Wright.     Illustrated  by  Leloir.     New   York,    1894. 
Japan  paper  copy  ;  150  printed. 
i2mo,  half  brown  levant  morocco,  gilt  top,  uncut  edges. 

2478  Nodier,  Regnier,  and  Champin.    Paris  Historique.     200  lithographs. 

Paris,  1838. 

3  vols.,  8vo,  half  morocco. 

2479  Nolhac  (Pierre  de).     Marie   Antoinette   the   Dauphine.     Colored   and 

other  illustrations.     Goupil,  Paris,  1897. 

4to,  half  brown  levant,  gilt  top,  uncut  edges. 

2480  Nordau  (Max.).     Degeneration.     New   York,  1895. 

8vo,  cloth. 

2481  Nordez.     Jeanne  d'Arc.     With  several  hundred   plates  and  text  illus- 

trations.    Paris,  1898. 

Imp.  8vo,  calf  extra,  gilt  edges. 

2482  Norman  (Henry).     The  Real  Japan.     Illustrated.     New  York,  1892. 

8vo,  cloth,  uncut  edges. 

2483  Norris  (J.    P.).     Portraits  of    Shakespeare.     32    plates.     Philadelphia, 

1885. 

500  copies  printed. 

4to,  half  morocco,  gilt  top,  uncut  edges. 

2484  Northall  (W.  K.).     Life  and  Recollections  of  Yankee  Hill.   New  York. 

1850. 

i2mo,  half  citron  levant. 

2485  Northcote  (James).     Fables.     Original  and  selected.      560  exquisite 

wood-cuts.     London,  1833. 

2  vols.,  crown  8vo,  cloth,  uncut. 

2486  Notable  New  Yorkers.     Over  250  portraits.     New  York,  1899. 

4to,  brown  morocco. 
17  257 


2487  Nuitter  (Chas.).     Le  Nouvel  Opera.     63  illustrations.     Paris,  1875. 

8vo,  half  red  levant,  gilt  top,  uncut  edges. 

2488  Nursery  Rhymes.    Cinderella,  Aladdin,  Sleeping  Beauty,  Blue  Beard, 

etc.     Illustrated.     London,  1894. 

12  vols.,  i6mo  in  cloth,  with  box. 

2489  Nursery    Rhymes,    A   Book    of.     Colored    illustrations  by  Bedford. 

New  \'()rk,  1897. 
8vo,  boards. 

2490  Nye  and  Riley.     Railway  Guide.     Wood-cuts.     Chicago,  1888. 

i2mo,  half  gray  levant,  gilt  top,  uncut  edges. 

2491  Oberammergau  Weekly  News.     Series  i.     Wood-cuts.     Oberam- 

mergau,  1890. 
4to,  boards. 

2492  O' Bryan    (Dan'l).      Authentic    Memoirs   of    Robert    Wilks.     London, 

8vo,  half  calf,  gilt  top. 

2493  O'Connor  (E.  M.).     Inde.x  to  the  Works  of  Shakespeare.     London, 

1887. 

Post  8vo,  cloth. 

2494  O'Connor  (T.  P.).     Some  Old  Love  Stories.      Portrait.     London,  1895. 

Crown  8vo,  cloth,  uncut. 

2495  O'Connor  (W.  D.).     Hamlet's  Note-Book.     Moughton,  1886. 

8vo,  cloth,  uncut. 

2496  Odgers  (W.  B.).     Digest  of  the  Law  of  Libel  and  Slander.     Boston, 

1881. 

8vo,  sheep. 

2497  O'Donnell    (Jessie    F.),    Editor.      Love    Poems   of    three    Centuries. 

New  York,  1890. 

2  vols.,  i6mo,  cloth. 

2498  Ohnet   (Geo.).     Novels :    Countess  Sara ;    Ironmaster ;    Prince   Serge 

Panine,  and  Will.     Translated.     Vizetelly,  London,  1888. 
4  vols.,  post  8vo,  cloth. 

2499  O'Keeffe  (John).      Recollections  of  the  Life  of.     Portrait.     London, 

1896. 

O'Keeffe's  daughter's  copy,  corrected  for  a  new  edition,  with  a 

benefit  bill  inserted. 
2  vols.,  8vo,  half  green  morocco,  gilt  top,  uncut  edges. 

2500  Old    Bookseller.      Fifty    Years'    Recollections   of.      Second    edition. 

Portraits,  etc.     London,  1837. 

Printed  for  the  author,  and  scarce. 
8vo,  half  brown  levant  morocco,  gilt  top,  uncut  edges. 
258 


2501  Oldcastle  (John).     Life  of  Leo  XIIL     Portraits.     New  York,  n.  d. 

8v(),  cloth. 

2502  Old  English  Ballads.     IllustratedbyG.W.  Edwards.    New  York,  n.d. 

i2mo,  cloth,  uncut. 

2503  Oldfield  (Ann).     Authentic  Memoirs  of.     London,  1730. 

4to,  brown  levant  morocco,  ijilt  top,  uncut  edges,  by  Riviere. 

2504     Authentic  Memoirs  of  the  Life  of.     London,  1730. 

8vo,  half  calf  gilt. 

2505  Oliphant  (Mrs.).     The  Makers  of  Florence   [and  Venice].     Profusely 

illustrated.     London,  1891-2. 

2  vols.,  8vo,  cloth,  gilt  top,  uncut  edges. 

2506 The   Makers  of  Venice.     Illustrations  by  R.  R.  Holmes.     Lon- 
don, 1887. 

This  edition  is  now  scarce. 
Svo,  cloth,  gilt  top,  uncut  edges. 

2507     Royal  Edinburgh.     Illustrated  by  Geo.  Reid.     London,  1890. 

8vo^  cloth. 

2508     William  Blackwood  and  his  Sons,  their  Magazine  and  Friends. 

Portrait.     Edinburgh,  1897. 

2  vols.,  Svo,  cloth,  uncut. 

2509  Omar  Khayyam.     Rubaiyat,  rendered  into  English  verse  by  Edward 

Fitzgerald,  with  drawings  by  Elihu  Vedder.     Houghton,  Boston,  1884. 

Autograph  letter  of  the  artist  inserted. 
Athifi  4to,  original  cloth. 

2510     The  Strophes  of   Omar  Khayyam.     Translated  by  J.  L.  (jarner. 

Milwaukee,  1888. 

i2mo,  half  gray  levant,  gilt  top. 

2511     Rubaiyat.     Translated  by    Justin   Huntly  McCarlhv.     London. 

1889. 

Japan  paper  copy  ;  50  printed. 

Presentation  copy  from  the  translator. 

Crown  Svo,  half  gray  levant,  gilt  top,  uncut  edges. 

2512     Rubaiyat.     The  Fitzgerald  version.     San  Francisco,  1891. 

1 2 mo,  half  gray  levant  morocco. 

2513     Rubaiyat.     Fitzgerald  translaticjn.      Drawings  by  Vedder.     Bos- 
ton, 1894. 

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259 


2514  Omar  Khayyam.    Rubaiyat.     Translated  into  English  prose  by  Justin 

H.  McCarthy.  Portland.  1896. 
Japan  paper;  100  printed. 
8vo,  vellum. 

2515     Rubaiyat.     Fitzgerald  translation.     Portland,  1896. 

Japan  paper  copy  ;  100  printed. 

Post  8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

2516     Rubaiyat.     Translated  by  Justin  Huntly  McCarthy.     Portland, 

1896. 

Japan  paper  copy  ;  100  printed. 

8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

2517     Rubaiyat.      English,  French,  and  German  translations,  Bibliog- 
raphy, etc.     Portraits.     Edited  by  N.  H.  Dole.     Boston,  1896. 

2  vols.,  i2mo,  half  gray  levant,  gilt  top,  uncut  edges. 

2518     Rubaiyat.   Paraphrase  by  Richard  Le  Gallienne.   New  York,  1897, 

8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

2519     Fourteen  drawings,  by  Gilbert  James.     Illustrating  Fitzgerald's 

translation  of  the  Rubaiyat  of  Omar  Khayyam.     London,  1898. 

4to,  cloth,  uncut  edges. 

2520     Quatrains.     Rendered    by    John  Payne.     Villon    Society,  Lon- 
don, 1898. 

No.  141  of  a  small  edition. 

8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

2521     Rubaiyat,  with  the  address  of  John  Hay.    Roycroft  Press,  1898. 

No.  763  of  920  copies. 

Oblong  i2mo,  stamped  ooze  calf. 

2522     Rubaiyat.     Roycroft  Press,  1898. 

Oblong  i2mo,  half  gray  levant. 

2523     Rubaiyat.     Fitzgerald's  text.     MacDougall's  illustrations.     Lon- 
don, 1878. 

4to,  cloth. 

2524     The   .Stanzas  of  Omar  Khay)''am.     Translated  by  John   Leslie 

Garner.     Frontispiece.     Philadelphia,  1898. 

Post  8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

2525     Rubaiyat.    Translated  by  Edward  Heron  Allen.    London,  1898. 

Royal  8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

2526     The  Rubaiyat  of  Omar  Khayyam.     A  facsimile  of  the  Bodleian 

manuscript.     Translated,  with    notes,  by    Heron-Allen.     Illustrated. 
Boston,  1898. 

Royal  8vo,  cloth,  uncut  edges. 

260 


2527  Omar     Khayyam.       Rubaiyat.      Fitzgerald    and    Latin    translation. 

Boston,  1889. 

24010,  half  gray  levant,  gilt  top,  uncut  edges. 
Privately  printed  (?)  for  Nathan  Haskell  Dole. 

2528     •  Rubaiyat.     London.  1899. 

Post  Svo,  cloth,  uncut  edges. 

2529  O'Neill    (Miss).     Descriptive    Portrait    of.     In    a    Critique  on   "  Mrs. 

Haller  "  and  "Jane  Shore."     2  portraits.     London,  1815. 

Svo,  half  calf,  gilt  top,  uncut  edges. 

2530  Opera.      L'Ojiera   par  un   Abonne.     Numerous  fine   etched   portraits. 

Paris,  1876. 

Holland  paper  copy  ;  500  printed. 

iSnio,  half  green  levant  morocco  extra,  gilt  top,  uncut  edges. 

2531  Opera.     Les  Beautes  de   I'Op^ra.     Steel   plate   portraits,  etc.     Paris, 

1845- 

Royal  Svo,  half  morocco. 

2532  Opera  and  Ballet.     Beauties  of.     10  steel  portraits  and  other  illustra- 

tions.    London,  18 — . 

Royal  Svo,  green  morocco  gilt. 

2533  Opera  Glass   (The).      Edited   by    John    Howard    Payne.      Portraits. 

London,  1826-7. 

4to,  half  blue  levant,  gilt  top. 

2534  Operatic  and  Dramatic  Album.     Fine  portraits  on  India  paper. 

2  vols.,  folio,  cloth. 

2535  Ordish  (T.  F.).     Shakespeare's  London.     Wood-cuts.     London,  1897. 

Post  Svo,  half  red  levant,  gilt  top,  uncut  edges. 

2536     Early    London    Theatres.      Numerous    illustrations.      London, 

1S94. 

Svo,  half  red  levant. 

2537  O'Reilly  (Bernard).     Life  of  Leo  XIII.     Portraits.     London,  1887. 

Svo,  cloth,  uncut. 

2538  O'Rell  (Max).     Paul  Blouet.     Jonathan   and  his  Continent  ;  Jacques 

Bonhomme,  and  a  Frenchman  in  America.     Illustrated.     New  York, 
etc.,  n.  d. 

3  vols.,  i2mo,  cloth. 

261 


2540  ORIGINAL  DRAWINGS,  etc. 

Falstaff,  by  Cruikshank  (and  engraving)  ;  Tremendous  Sacrifice, 
by  Cruikshank  (with  engraving)  ;  autograph  of  Cruikshank, 
asking  that  bearer  be  admitted  to  Mr.  Cough's  orations,  with  a 
sketch  suggesting  that  said  bearer  needs  a  temperance  talk  ; 
Gillray's  sketch  of  Bonaparte  (with  engraved  portrait  of  the 
artist);  study  for  "  Bonaparte  leaving  Egypt  "  (with  the  Hnished 
engraving  colored)  ;  a  sketcii  by  Dickens,  suggesting  ideas  to 
Mr.  Head  (and  autograph  letter  of  instruction)  ;  Doyle's  ''  Gog 
and  Magog,"  and  a  letter  from  the  same  artist  with  3 
sketches  ;  Thackeray's  Angels,  Devils,  and  Meadsman  ;  3 
miniature  portraits  of  .Seymour,  his  wife,  and  mother  (with 
autograph  letter)  ;  a  caricature  of  Bleak  House  (very  bleak), 
by  Phiz,  and  his  portrait  on  India  paper,  etc. 

Imp.  4to,  half  morocco. 

2541  Orrery   (Charles,  Earl   of).     As  You   Find   It.     A  comedy.     London, 

1603. 

4to,  half  citron  levant. 

2542  Osborne-Temple.     Letters  from   Dorothy  Osborne   to   Sir  William 

Temple,  1652-54.     Portraits.     London,  n.  d. 
Post  8vo,  cloth. 

2543  O'Sullivan    (V.).     A    Book    of    Bargains.      Frontispiece    by    Aubrey 

Beardsley.     London,  1896. 
Post  Svo,  cloth,  uncut. 

2544  Ottley    (W.    Y.).     Collection    of   Facsimiles   of   Scarce   and    Curious 

Prints.     129  plates  on  India  paper.     London,  1828. 
Folio,  half  red  morocco. 

2545  Ovid.     Metamorphoses.     Text  in  Latin   and  Dutch.     The   Banier  edi- 

tion, with  the  fine  copper  plates  by  Picart.     Amsterdam,  1732. 
Royal  folio,  parchment. 

2546  Owens   (John   E.).     Memories  of  his   Wife.     Illustrated.     Baltimore, 

1892. 

Svo,  cloth. 

2547  Oxberry.    Dramatic  Biography.    Numerous  portraits.    London,  1825-6. 

5  vols.,  1 2 mo,  cloth. 

2548     Dramatic    Mirror.     Numerous    interesting    portraits.     London, 

1827. 

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2549     Anecdotes  of  the  Stage,  etc.     Portrait.     London,  1827. 

Crown  Svo,  half  green  levant,  gilt  top,  uncut  edges. 

2550     The  Actor's  Budget.     London,  1820. 

Post  Svo,  half  calf. 

262 


2551  Pack  (R.).     Miscellanies  in  Verse  and  Prose.     London,  1719. 

8vo,  calf. 

2552  Pag-e  (Thomas  Nelson).     Social   Life  in  Old  Virginia  before  the  War. 

Illustrated.     New  York,  1897. 

Crown  Svo,  cloth,  uncut  edges. 

2553     In  Ole  Virginia.     New  York,  1891. 

Presentation  copy  from  the  author. 
1 2  mo,  cloth. 

2554     In  Ole  Virginia.     London,  n.  d. 

Presentation  copy  from  the  author. 
Post  Svo,  boards. 

2555     On  Newfound  River.     New  York,  1891. 

Presentation  copy  from  the  author. 
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2556     Two  Little  Confederates.     Illustrated.     New  York,  1891. 

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2557     Among  the  Camps.     Illustrated.     New  York,  1891. 

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2558  Pageant  (The).     Edited  by  Shannon  and   White.      Illustrations  by 

Burne-Jones,  etc.     London,  1896. 
4to,  cloth,  uncut. 

2559  Paine  (A.    B.).      The  Autobiography  of   a  Monkey.     Illustrations  by 

Mayer.     New  York,  1897. 
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2560     Autobiography  of  a  Monkey.    Plates  by  Mayer.    New  York,  1897. 

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2561  Paine  (Nathl.).      Early    American   Broadsides,    1680-1800,  belonging 

to  the   Library  of   the   American   Antiquarian   Society.     Worcester, 
1897. 

100  copies  printed. 

8vo,  original  covers. 

2562  Paine  (R.  T.).     Theatrical  Criticisms.     Contains  an  interesting  leaf  at 

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2563     Prize  Prologue  spoken  by  C.  Powell.     Boston,  1794. 

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2564     Dedicatory  Address.     Boston,  1798. 

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263 


2565  Painter  (Wm.).     Palace  of  Pleasure.     Edited  by  Joseph  Haslewood. 

London,  1813. 

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2566  Palleske  (Emil).    Schiller's  Life  and  Works.    Portrait.    London,  i860. 

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2567  Palleu  (Conde  Benoist).     New  Rubaiyat.     St.  Louis,  1898. 

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2569  Palmer  (John).     Sketch  of  the  Theatrical  Life  of.     London,  1798. 

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2570  Palustre  (Leon).     La  Renaissance  en  France.     With  a  large  number 

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2571  Pamela.     A  Comedy.     London,  1741. 

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2572  Pamphlets.     Ravillac   Redivivus.      Being   a   Narrative   of    the    Late 

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Also  in  this  volume,  The  Mushroom  ;  a  Satyr  in  answer  to  the 
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2573  Pangborn   (I.   G.).      The  World's    Railway.     Beautifully    illustrated. 

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2574  Pan-Pipes.     A  book  of  Old   Songs,  with  accompaniments  by  Theo. 

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2574*  Pan.     Complete  from  April,  1895,  to  Oct.,  1897.     Profusely  illustrated, 
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264 


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2578  Papworth  (J.  B.).     Hints  on  Ornamental  Gardening.     Colored  plates. 

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2584  Paris  Law  Courts.      Translated  from  tlie  French  by  G.  P.  Moriarty. 

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2585  Paris   (Comte    de).     History    of   the   Civil    War    in    America.     Maps. 

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2586  Parke  (W.  T.).     Musical  Memoirs.     London,  1830. 

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2590  Parodies  on  the  Works    of   English  and  American  Authors. 

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2591  Parry  (John).     Ridiculous  Things,  Scraps,  etc.     32  pages  of  illustra- 

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2592  Parton    (James).     Famous   Americans   of    Recent    Times.      Portraits 

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2594  Pascal.  Thoughts.  Translated  by  C.Kegan  Paul.  Portrait.  London,  1885. 

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2595  Pascoe(C.  E.).  The  Dramatic  List.  Photographic  portraits.  London, 1879. 

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2596     The  Dramatic  List.     London,  1879. 

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2597  "PASS  TWO!"    A  remarkable  collection  of  passes,  commencing  with 

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2600  Patmore  (P.  G.).     Marriage  in  May  Fair.     London,  1853 

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26oi      Patterson  (Robt.).     Natural    History   of   the    Insects   mentioned    in 
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2602  Patronio.     Count  Lucanor  ;  or,  The  Fifty  Pleasant  Stories  of  Patronio. 

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2603  Paul  (H.  Howard).     Dashes  of  American  Humour.     Plates  by  Leech. 

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2604  Paul  and  Gebbie.     The   Stage  and   its  Stars,  Past  and   Present.     128 

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2606  Pauquet  Bros.     English  and  Foreign  Costume.     96  colored  plates. 

London,  1875. 

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2607  Payne  (John    Howard).     Barbary,  and    other   portions   of   the    North 

Coast  of  Africa. 

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2608     Memoirs  of,  etc.     Portrait.     London,  1815. 

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2609  PEAKE  (R.  B.).     MEMOn^S  OF  THE  COLMAN  FAMH.Y.   Lon- 

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serted.    London,  1841. 

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261 1  Peck  (H.    T.).     Dictionary   of    Classical    Literature   and    Antiquities. 

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2612  Peep  at  the  Theatres  (A).     By  an  old  naval  ofificer.     London,  181 2. 

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2613  Pegge.     Anonymiana  ;  or.  Ten   Centuries  of  Observations  on  Various 

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2614  Pemberton  (T.  E.).     Life  and  Writings  of  T.  W.  Robertson.     Illus- 

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2615  Penfield  and  Pollard.     Posters  in  Miniature.     New  York,  1896. 

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2616  Pennant  (Thomas).     London.     Plates.     London,  1790. 

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2617  Pennell    (Joseph).     Modern    Illustration.     Wood-cuts,    etc.     London, 

1895. 

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2618 ■ — ■  Modern  Illustration.     Another  copy. 

2619  Pennell   (J.  and    E.    R.).     Lithography    and    Lithographers.     Many 

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Special  edition  ;  No.  31. 

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2620  "Pepper    (Capt.)."     France    Daguerreotyped.     Wood-cuts.     London, 

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2621  Percy.     Anecdotes  of  the  Stage.     Portrait.     London,  1822. 

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263 


2522  Perrault.  Les  Hommes  Illustres  qui  ont  paru  en  France  pendant  ce 
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Francpaise,  Paris,  1696-1700. 

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2623  Peters    (F.    H.).     Vassili    Verestchagin  ;    autobiographical    sketches. 

Illustrated.     London,  1887. 
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2624  Petit    (Jules   le).     Bibliographic  des   principales    Editions    Originales 

d'^crivains    Franc;ais    du    XV.    au    XVIII.    sifecle.     300    facsmiiles. 
Paris,  1888. 

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2625  Petrarch.  Sonnets  and  other  Poems.    Portrait  and  plates.  London,  1859. 

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2626  Peyster  (J.  Watts  de).     An  Inquiry  into  the  Career  and  Character  of 

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2627  Phelps  (H.  P.).     Players  of  a  Century;  a  record  of  the  Albany  Stage, 

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Albany,  1880, 

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2628     Players  of  a  Century.     Portraits.     Albany,  1880. 

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2629     Hamlet  from  the  Actor's  Standpoint.    Portraits.   New  York,  1S90. 

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2630  Phelps   and   Forbes-Robertson.     Life   and    Life-Work  of   Samuel 

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2631     Life,  etc.,  of  Samuel  Phelps.    Portraits,  etc.     London,  1886. 

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269 


2632  Philistine  (The).     Vols.  I  to  VII.     Roycroft  Press,  1895-99. 

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2633  Phillips  (C).     A  Garland  for  the  Grave  of  Richard  Brinsley  Sheridan. 

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2634  Phillips     (E.  Watts).     Watts   Phillips,  Artist   and    Playwright.      Por- 

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2636  Phillips  (Teresia   Constantia).     Apology  for  her  Conduct.     London, 

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2637  Philobiblon  Club.     The  R.xcellent  Privilege  of  Liberty  and  Property. 

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150  copies  printed. 

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2638  Phippen  (Francis).     Authentic  Memoirs  of  Edmund  Kean.     Portraits 

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2639  Photo-Programme   (lllustre  des  Theatres).     26  numbers   profusely 

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2640  Piedagnel  (Alex.).     Jules  Janin.     Portrait.     Paris,  1877. 

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2641  Pilkington    (Letitia).      Memoirs,    Poems,    and    Anecdotes.     London, 

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2642  Pine  (Cuyler).     Mary  Brandegee.     New  York,  1861. 

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2643  Pinero  (A.  W.).     Trelawny  of  the  "Wells."     Illustrated.     New  York, 

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2644  Planche  (J.  R.)-     I-'^y^  ami   Legends  of  the  Rhine.     With  music  by 

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2646     Extravaganzas.       Edited    by    Croker    and    Tucker.       Portraits. 

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2647     Recollections  and  Reflections.     Illustrated.     London,  1872. 

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2650  PLAY-BILLS  (American).    First  Nights,  Anniversaries,  and  special 

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(Satin  bill)  Miss  Brunton,  1805. 

These  volumes  are  further  enriched  by  the  addition  of  600  por- 
traits, some  of  great  rarity,  including  William  HI.  (mezzotint, 
by  Smith),  Penkcthman  (mezzotint,  by  Smith  ),  Mrs.  Porter  Wof- 
fmgton,  by  McArdell ;  Garrick  in  Four  Characters;  Kemble,  by 
Chas.  Turner  (mezzo.,  pb.l.)  ;  Henderson  as  Hamlet,  from 
Hibernian  Mag.  ;  Mrs.  Baddely  (mezzo.),  by  Lowrie  ;  John  Ban- 
nister (folio  mezzo.),  Mrs.  Siddons  (p.b.l.).  by  P>artolozzi  ;  Mrs. 
Siddons  by  Cardon  (i.p.),  Mrs.  Jordan  (2  p.b.l.),  Mrs.  Siddons  as 
Isabella  (p.b.l.),  Ryder,  Mrs.  Jordan  as  Peggy  (i.p),  Hoinian 
271 


as  Romeo,  from  Hibernian  Mag.  ;  Mrs.  Mountain,  b}'  Chees- 
man  ;  Mrs.  Jordan  singing  "  Nobody  Coming  to  Marry  Me  ;" 
Cooke,  by  Dighton  ;  Elliston  (folio  mezzo.),  C.  Turner;  Cooke 
as  lago  (folio  mezzo.,  by  Ward),  the  original  drawing  in  colors  of 
Favvcett  as  Roughhead,  by  S.  de  Wilde,  1805  ;  curious  folio  cari- 
cature of  Master  Betty  as  Colossus,  Miss  Duncan  (folio  mezzo.), 
C.  Turner;  original  drawing  in  colors  of  DeCamp  as  Coupee, 
by  de  Wilde,  1806  ;  Mrs.  Siddons  after  Reynolds,  by  Howard 
(folio)  ;  Elliston  as  the  Duke,  original  drawing  by  de  Wilde, 
1808,  MSS.,  9  pp.,  in  Mrs.  Inchbald's  hand,  Elliston  (folio  mezzo., 
p.b.l.),  Raymond  (folio  mezzo.),  C.  Turner  (proof)  ;  Mathews 
(folio  mezzo.),  C.  Turner  (2),  Mrs.  Mathews  in  the  Masquerade 
(original  drawing  in  colors  by  de  Wilde),  Miss  Kelly  as  Lady 
Savage  (folio),  Kembleas  Macbeth  (in  colors),  Mrs.  Orger,  Miss 
Cubitt,  Munden,  and  Knight  in  Lock  and  Key  (folio  mezzo.), 
Lu[)ton  ;  autograph  letter,  Mrs.  Siddons,  autograph  letter, 
Geo.  Colman,  Mrs.  Siddons,  by  Gimber  ;  original  drawing  of 
Dowton  as  Cantwell,  by  de  Wilde,  1812  ;  Kean  as  Shylock 
(superb  proof),  and  another,  the  same,  Cruikshank-Alais,  C.  M. 
Young  as  Hamlet  (mezzo.,  unfinished  proof),  Kean  as  Hamlet, 
Cruikshank-Alais,  original  drawing  of  Abbott,  Miss  O'Neill 
as  Isabella  (proof,  by  Cheesman,  also  autograph  letter),  Kean  as 
Richard  (folio),  Fawcett  (folio  i. p.b.l.)  autograph  letter  F.  M. 
Kelly  to  Elli.ston,  Mrs.  A'.s?p  (2),  Handel,  by  Wolffgang  ;  Miss 
Stephens  (folio,  by  S.  W.  Reynolds),  autograph  letter,  Maria 
Foote,  original  drawing  of  Mathews,  autograph  letter  C. 
Mathews,  1820,  Miss  Stephens  (folio  mezzo.),  H.  Meyer,  J.  B. 
Booth  (unusual),  Miss  O'Neill  as  Juliet  (p.b.l.),  Kemble  asCorio- 
lanus  (folio  mezzo.),  Burgess;  Kean  as  Brutus  (2),  autograph 
letters,  Macready  (2),  Kean  as  Lear;  autograph  letter,  Edm. 
Kean,  Chas.  Kemble  (folio  mezzo),  Lupton,  Miss  Baton,  by  R. 
Newton;  Miss  Chester  (folio  mezzo.),  S.  W.  Reynolds,  T.  P. 
Cook  (folio  lith.,  i.p.,)  original  drawing  Park  Theatre,  Stephen 
Price  (folio  mezzo.),  S.  W.  Reynolds  (open  letter  proof),  Ed- 
mund Simpson  (early  impression),  Mathews  as  Old  Scotch  Lady 
(mezzo.),  Clint.,  Miss  Paton  (folio  i.p.),  Mme.  Vestris,  Miss 
Glover,  Mr.  Williams  and  Liston  in  Paul  Pry  (folio  mezzo.), 
Lupton,  Miss  Paton  as  Susanna  (folio),  Stew-art ;  autograph 
letter,  Ellen  Tree,  Grimaldi  as  Clown  (rare  proof),  Mme.  Mali- 
bran  (folio  mezzo.,  p.b.l.),  Licledon  (original  drawing),  auto- 
graph letter, C.  Kemble,  Ducrow  on  Bucephalus  (folio),  Astley's 
Circus  interior,  1807,  L'Ecole  de  Mars  (original  drawing).  Miss 
Elizabeth  Hughes,  Tyrone  Power  (folio  mezzo.),  C.  Turner 
(superb  proof  before  all  letters,  also  autograph  letter,  1835), 
autograph  letter,  Rev.  James  Townley,  Master  Burke  as  Socrates 
Camelion,  J.  R,  Anderson  and  Miss  Bateman  (folio).  Master 
Burke  as  Bluster  liubble  and  another  (i.p.),  autograph  letter, 
L'anny  Kemble  ;  Pierce  Egan  (folio  mezzo.),  C.  Turner  ;  Wallack 
(folio),  T.  Woolnoth,  Paganini  (4),  Mile.  Mars  (folio  mezzo.), 
Maile  and  by  Lignon,  the  same  (p.b.l.),  autograph  letter,  Mars, 
autograph  letters,  Taglioni  (2),  Jane  Shirriffe  (lith.),  Endicott ; 
autograph  letter,  J.  S.  Knowles,  Mrs.  Honey  as  Lurline  (folio), 

272  , 


Byron  (folio),  Wedgwood  (open  letter  proof),  Macready,  Sr.,  as 
the  Irishman  in  London  (original  drawing  by  de  Wilde,  1805), 
Buckstone,  autograph  list  of  plays,  Cincinnati,  5th  Aug.,  1841, 
autograph  letter,  Helen  Faucit,  Edwin  Forrest  (folio  lith.), 
autograph  letter,  Eliza  Vestris,  Chas.  Kean  as  Richard  (folio 
i.p.  in  colors),  Taylor  (lith.),  Couldock  as  Hamlet  (folio),  Matilda 
Heron  as  Medea  (folio),  autograph  letter,  Charlotte  Cushman, 
Rose  Telbin,  Ormsby  sc,  Macrea'dy  as  Werner  (folio  lith.), 
Sam  Cowell  as  Lord  Lovell,  Hackett  as  Rip  (lith.  4to),  Leigh 
Murray  (folio  p.b.l.),  autograph  letters,  Grisi  (2),  autograph 
letter,  Mario,  Rachel  (folio  mezzo.), Jackson,  Charlotte  Cushman 
as  Mrs.  Haller  (folio  lith.  in  colors),  autograph  letter,  Ellen 
Kean,  original  sketch  by  Fechter  (folio). 

The  last  bill  of  old  Drury  Lane,  Feb.  23,  1809,  the  first  of  new 
theatre,  Sept.  18,  1809,  Tremont  Theatre,  1840,  Broadway 
Theatre,  1847,  Haymarket  Amateur  Performance,  May  15  and 
17,  1848  (2),  with  Dickens,  Mark  Lemon,  Leech,  Forster, 
Cruikshank,  etc.,  in  the  cast  ;  St.  James  Theatre,  Kate  and 
Ellen  Batemen,  only  8  and  6  years  of  age,  185 1,  etc. 

5  vols.,  royal  folio,  half  green  morocco  extra. 

2652     PLAY-BILLS,    ETC.      A    LIBRARY   OF    OLD    PLAY-BILLS, 
ETC.     (Collected  by  W.  Henderson.) 

In  70  folio  vols,  (unbound,  with  specially  printed  titles  to  each 
vol.  in  red  and  black),  as  follows: 

Shakespeare — Play-bills  of  32  of  Shakespeare's  plays,  and 

5  plays  relating  to  Shakespeare  (in  23  vols.) 2,588 

Music  on  the  British  Stage — Play-bills  illustrating  the 
progress  of  music  on  the  British  stage  (from  the  middle 
of  the  last  century  uj)  to  the  present  time)  in  musical 
farce,  lyric  drama,  comic  opera,  comedy  opera,  grand 
opera,  etc.  (in  23  vols.) 2,700 

"  Waverley  " — Play-bills  of  34  plays  founded  on  Sir  Walter 

Scott's  Waverley  novels,  poems,  etc.  (in  15  vols.) 1,200 

Scotch  Plays — Play-bills  qf  135  Scotch  plays,  or  plays 
containing  Scotch  characters  (outside  "Waverley";  in  9 
vols.) 700 

Total  number  of  play-bills 7, 188 

Autograph  Letters — Autographs  and  holograph   MSS.  of 

authors,  poets,  artists,  composers,  vocalists,  actors,  etc.         512 

Portraits  and  other  pictorical  illustrations 452 

This  library  of  old  play-bills,  etc.,  may  be  said  to  be  unique.  No 
other  collection  of  the  kind  is  known  to  exist,  and  it  may 
be  questioned  whether  such  another  could  again  be  made.  The 
Shakespeare  collection,  for  instance,  contains  play-bills  of  32 
plays,  and  lacks  only  the  second  and  third  parts  of  Henry  \'I., 
Troilus  and  Cressida,  Titus  .Andronicus,  and  Pericles.  The 
number  of  play-bills  in  each  case  may  be  taken  as  an  index  of 
the  popularity  of  the  various  plays.  Hamlet  comes  first,  with 
353  bills;  of  Macbeth  there  are  325;  Othello,  236;  Richard  the 
Third,  205;  the  Merchant  of  Venice,  200;  Romeo  and  Juliet, 

18  273 


194;  ^ii*-!  ^^  -'^^  "^  o"  Like  It,  158;  whereas  there  are  only  two 
each  of  Tiinon  of  Athens  and  Antony  and  Cleopatra,  and  only 
one  each  of  Love's  Labor's  Lost  and  of  the  first  part  of  Henry 
VL  It  becomes  interestini;,  again,  to  note  the  comparative 
popularity  of  the  various  parts.  We  have,  for  instance,  125 
different  actors  playing  the  part  of  Hamlet,  and  177  of  Ophelia; 
94  of  Romeo,  and  94  of  Juliet;  116  of  Macbeth,  and  135  of 
Lady  Macbeth,  and  so  on. 

The  "Waverley"  collection  would  be  made  complete  by  the  addi- 
tion of  bills  of  The  Betrothed,  Anne  of  Geierstein,  Count 
Robert  of  Paris,  Castle  Dangerous,  the  Surgeon's  Daughter, 
and  Rokeby  (if  ever  dramatized).  Rob  Roy  comes  first  in 
popularity,  with  299  bills,  followed  by  Guy  Mannering  with 
266.  In  the  former  there  are  116  different  actors  performing 
the  title  ro/e,  and  106  different  Baillie  Nicol  Jarvies.  Guy 
Mannering  shows  a  proportionate  number  in  the  leading  parts. 

That  the  Scotch  collection  (outside  "  Waverley  ")  can  be  slightly 
increased  is  certain.  135  plays  may  not  appear  to  be  a  large 
number,  and  yet  only  six  or  so  of  these  seem  to  have  been  in 
existence  in  the  last  century,  Douglas  being  the  most  popular. 
Some  of  the  last  century  Scotch  bills,  scattered  throughout  the 
collection,  are  exceptionally  interesting,  belonging,  as  they  do, 
to  the  first  patent  theatre  in  Scotland — the  Theatre  Royal, 
Canongate,  and  to  the  first  theatre  in  the  new  town,  Edinburgh. 
In  1827  James  Laing,  the  antiquarian  bookseller,  presented 
them  to  Mrs.  Nasmyth  (the  wife  of  the  painter),  with  the 
remark  that  they  were  probably  the  earliest  Scotch  bills  in 
existence.  Mr.  J.  C.  Dibdin,  author  of  the  "Annals  of  the 
Edinburgh  Stage,"  believes  they  are  still  the  earliest  known  to 
exist. 

The  bills  illustrating  the  progress  of  "  Music  on  the  British 
Stage  "  contain  the  names  of  all  the  great  singers  who  appeared 
during  nearly  a  century  and  a  half,  from  Handel's  tenor,  Beard, 
Dr.  Arne's  tenor.  Lowe,  Mrs.  Clive,  Mrs.  Gibber,  Anne  Catley, 
and  Charles  Dibdin-  (in  his  teens),  etc.,  to  Malibran,  Grisi, 
Jenny  Lind,  Alboni,  Titiens,  Patti,  Nilsson,  Trebelli,  Albani, 
etc.,  Lablache,  Rubini,  Mario,  Braham,  Reeves,  Santley, 
Tamagno,  etc.  Beginning,  appropriately,  with  the  Beggar's 
Opera,  it  ends  with  Wagner's  Parsifal  and  Verdi's  Otello. 
It  takes  in  the  revival,  the  climax,  and  the  decline  of  Italian 
opera  in  England.  It  shows  the  gradual  progress  of  national 
opera  in  the  triumphs  of  Dibdin,  Shield.  Storace,  Michael 
Kelly,  Sir  Henry  Bishop,  Rooke,  Barnett,  Walkice,  Balfe, 
Benedict,  Macfarren,  etc.;  the  praiseworthy  struggles  of 
Arnold,  Harrison,  Louisa  Pyne,  etc.;  the  modern  successes  of 
"  Gilbert  and  Sullivan,"  of  "  Stephenson  and  Cellier,"  in 
comic  opera  and  in  comedy  opera,  and  of  the  "Carl  Rosa 
Company,"  in  their  efforts  to  promote  "  Opera  in  English." 
"  First  night  "  and  "  Never  acted  "  bills  are  numerous  through- 
out. The  "  Waverley "  section  contains  many  interesting 
autograph  letters  of  Sir  Walter  Scott,  James  Ballantyne, 
Archibald  Constable,  Cadell,   Lockhart,  and  of  their  friends 

274 


2653 

2654 
2655 


2656 
2657 


and  contemporaries,  and  of  numerous  others.  As  Sir  Walter, 
in  the  "  VVaverley  "  novels,  did  not  confine  himself  to  Scotch 
subjects,  the  letters  are  representative,  in  like  manner,  of  all 
shades  of  noted  men,  including  leading  modern  authors.  The 
autograph  letters,  etc.,  in  the  musical  section  are  equally- 
interesting  and  numerous. 

Players  (The).     A  Dramatic  and  Literary  Journal  ;  from  January  2, 
i860,  to  July  20,  1861  (No.  I  to  No.  82).   Wood-cuts.    London,  18C0-1. 
Complete  ;  all  published. 
Folio,  cloth. 

A  Satyr.     London,  n.  d. 

8vo,  half  blue  levant. 

PLAYERS'  CLUB.  An  interesting  collection  of  autograph  letters 
and  memoranda  relative  to  the  conception  and  final  establishment  of 
the  Players'  Club,  with  its  first  Year  Book,  a  printed  account  of  the 
Booth  Dinner,  and  other  intimate  data.     New  York,  1887-9. 

This  valuable  volume  has  been  enriched  with  numerous  water- 
color  and  other  drawings  by  1).  E.  Cronin,  and  the  autograph 
letters  include  relevant  communications  from  Edwin  Booth, 
General  Sherman,  Mark  Twain,  Laurence  Barrett,  John  (iilbert. 
A.  M.  Palmer,  General  Horace  Porter,  etc. 
4to,  red  levant  morocco  extra,  gilt  top,  uncut  edges. 


Playgoers'  Year  Book  for  1888. 

8vo,  half  red  levant,  gilt  top. 


Wood -cuts.     Boston,  1S89. 


Plays.     Prompt  Books,  with  the  MS.  notations  of  many  famous  Actors 
and  Actresses  of  the  American  Stage. 


Colleen  Bawn, 

Serious  Family, 

Handy  .\ndy, 

Masks  and  Faces, 

Jane  Shore, 

The  Critic, 

Uncle  Tom's  Cabin, 

Speed  the  Plow, 

She  Wou'd    and    She 
Wou'd  Not. 

Sweethearts  and 

Wives, 

She    Stoops    to    Con- 
quer, 

Sheep  in  Wolf's  Cloth- 
ing, 

Our  American  Cousin, 

Good  Natured  Man, 

Inconstant, 

Ours, 

Beggar's  Opera, 


Suspicious  Husband, 

Nicholas  Nickleby, 

Playing  with  Fire. 

Venice  Preserved, 

School  of  Reform, 

Married  T>ife, 

Beaux  Stratagem, 

Jack  Sheppard, 

As  You  Like  It, 

Werner, 

Cinderella, 

Rivals, 

Paul  Pry, 

Ion, 

In  go  mar. 

The  Wife, 

Coriolanus, 

Cymbeline, 

King  John, 

Richard  II., 

Lon<r  Strike, 


Pearl  of  Savoy. 
Belle's  Stratagem. 
Old  Heads  and  Young 

Hearts, 
Bold  Stroke  for  a  H  us- 

band, 
Money, 
Camille, 
Mazeppa, 
Extremes, 
Road  to  Ruin, 
Hunchback, 
Honeymoon, 
Last  Man, 
Hamlet, 
King  Lear, 
Winter's  Tale, 
Lady  of  Lyons, 
Romeo  and  Juliet, 
Black  Domino, 
Jealous  Wife. 


2658 


Toor  (ientlenian, 
Rule  a  Wife, 
Barnaby  Rudge, 
West  Indian, 
Game  of  Life, 
Country  Squire, 
Pocahontas, 
Henry  VIII., 
Viryinius, 
Richelieu, 


Wild  Oats, 
Henry  IV., 
Love  Chase, 
Heir  at  Law, 
Provoked  Husband, 
Town  and  Country, 
Comedy  of  Errors, 
Wife's  Secret, 
Irish  Heiress, 
Marble  Heart, 

This  important  collection,  numbering  many  hundreds,  the  above 
list  being  a  part  only,  includes  Tragedies,  Comedies,  Farces, 
Operas,  Pantomimes,  etc.,  the  whole  enclosed  in  116  cloth 
cases,  1  2mo  and  8vo. 


Merry  Wives  of  Wind- 
sor, 
Recruiting  Officer, 
Cool  as  a  Cucumber, 
Othello, 
Richard  III., 
Hamlet, 
Led  Astray, 
Macbeth, 
Timon  of  Athens. 


Plays   in  the  Daly  Repertoire. 

Prompter. 

All's  Well  that  Ends  Well, 
Black  Ey'd  Susan, 
Court  and  City, 
Carpenter  of  Rouen, 
Single  Life, 

New  Way  to  pay  Old  Debts, 
Bold  Stroke  for  a  Husband, 
School  for  Scheming, 
Old  Heads  and  Young  Hearts, 
Angel  of  Midnight, 
Provoked  Husband, 
Soldier's  Daughter, 
King  of  the  Commons, 
Match  in  the  Dark, 
Ben  the  Boatswain, 
Comedy  and  Tragedy, 
Beauty  and  the  Beast, 
Bold  Stroke  for  a  Wife, 
Faint  Heart  Never  Won  Fair  Lady, 
Mysterious  Stranger, 
Romeo  and  Juliet, 
Rough  Diamond, 
Rule  a  Wife  and  Have  a  Wife, 
Cure  for  the  Heartache, 
She  Stoops  to  Conquer, 
London  Assurance, 
Damon  and  Pythias, 
Double  (lallant, 
(niy  Mannering, 
Taming  of  the  Shrew, 
,    ,  I  -60  vols.,  Svo,  half  red  morocco. 


Printed,  with  MS.  notations,  for 

Fazio, 

The  Critic, 

Married  Life, 

Richelieu, 

Clandestine  Marriage, 

Spanish  Curate, 

Oliver  Twist, 

Jealous  WUe, 

Love, 

Riches, 

William  Tell, 

Poor  Gentleman, 

The  King's  Rival, 

Winter's  Tale, 

The  Lancers, 

Good  for  Nothing, 

Serious  Family, 

Broken  Vow, 

Othello, 

Grimaldi, 

Hamlet, 

Road  to  Ruin, 

Quiet  Family, 

John  Bull, 

The  AVonder, 

Busy  Body, 

The  Apostate, 

Two  Cjcntlemen  of  Verona, 

Le  Jeu  d'Amour, 

Merry  Wives  of  Windsor. 


2659 


The  Lottery.     A  farce.     With  the  music.     London,  1732. 
Svo,  half  citron  levant. 

276 


2660  Plays.      The  Royall  Slave.     Tragi-comedy.     Oxford.  1640. 

4to,  half  citron,  levant. 

2661     The  Recruiting  Officer.     A  comedy.     London,  1771. 

W.  B.  Wood's  prompt-book,  with  MS.  notes. 

8vo,  half  citron  levant. 

2662     Miss    in    Her   Teens ;    or,    the    Medley   of  Lovers.      A    farce. 

London,  1747. 

8vo,  half  citron  levant. 

2663     The  Per-juror.     London,  1717. 

8vo,  half  citron  levant. 

2664  Plon  (E.).    Iknveniito  Cellini.    Recherches  sur  sa  Vie,  sur  son  CEuvre, 

et  sur  les  pieces  qui  lui  sont  attribuees  ;  par  Eugene  Plon.  Upwards 
of  140  different  subjects  executed  by  Cellini,  on  100  plates,  of  which 
82  are  full-page,  including  16  superb  etchings  by  Le  Rat  and  i  by 
Baudran,  India  impressions,  25  heliogravure  reproductions  by  Du- 
jardin,  and  4  by  Lemercier,  together  with  a  series  of  50  engravings 
by  Guillaume,  after  drawings  by  Kreutzberger.  Paris,  1883. 
Imp.  4to,  parchment. 

2665  Plutarch's  Lives.     The  translation  called  Dryden's.     Corrected  from 

the  Greek  and  revised  by  A.  H.  Clough.     Boston,  1871. 

5  vols.,  8vo,  cloth. 

2666     Translated  from  Amyot  by   North.     Frontispiece.     Cambridge, 

1676. 

Folio,  half  calf. 

2667  Pocci  (Count  F.).     Viola  Tricolor  in  picture  and  rhyme.     8  facetious 

]')lates  in  color.     New  York,  n.  d. 

Folio,  cloth. 

2668  Poe  (Edgar  Allan).     Works  of.     Collected  and  edited  by  E.  C.  Sted- 

man  and  G.  E.  Woodberry.     Illustrated  by  A.  E.  Sterner. 
Stone  &  Kimball,  Chicago,  1894. 
Large  paper  copy  ;   250  printed. 
10  vols.,  i2mo,  vellum,  uncut. 

2669     The  Raven.     London,  1885. 

Crown  8vo,  half  gray  levant,  gilt  top,  uncut  edges. 
[See  Gentleman's  Magazine.] 

2670  Poet  and  the  Painter  ;  or.  Gems  of  Art  and  Song.     Beautiful  steel 

plates.     New  York,  1869. 

Imp.  8vo,  brown  morocco. 
277 


2671  Pollock  (Sir  F.).      Macready's  Reminiscences.     London,  1875. 

Unique  copy,  with  autograph  letter  and  nearly  50  portraits  in- 
serted. 
2  vols.,  8vo,  half  calf,  gilt  top,  uncut  edges. 

2672  Pollock  (Lady).     Macready  as  I  Knew  Him.     London,  1884. 

Post  8vo,  half  calf,  gilt  top,  uncut  edges. 

2673  Pompadour  (Marchioness  de).     Letters  o/,  from  1753  to  1762.     Lon- 

don, 177 1. 

2  vols,  in  I,  i2mo,  calf  gilt. 

2674  Pool  and  Cash.     Views  of  Public  Buildings,  etc.,  in  the  City  of  Dub- 

lin.    Map  and  copper-plate  illustrations.     Dublin,  1780. 
James  Bindley 's  copy,  with  his  book-plate. 
4to,  calf. 

2675  Poole   (Edwin).     History  and    Biography  of    Brecknockshire.     Illus- 

trated.    Brecknock,  1886. 

4to,  half  maroon  morocco,  gilt  top. 

2676  Poole  (John).     Sketches   and   Recollections.     Portrait.     London,  1835. 

Autograph  letter  inserted. 

2  vols.,  crown  8vo,  half  calf,  gilt  top,  uncut  edges. 

;^677     Pope    (Ale.x.).     Works.     With  Variorum  Notes.     Edited   by    Bowles. 
Fine  portraits.     London,  1806. 

Includes  the  translation  of  Homer. 
19  vols.,  8vo,  russia. 

2678     Poetical  Works  and  translation   of  Homer.     Illustrated.     Bohn, 

London,  1858-63. 

4  vols.,  post  8vo,  cloth. 

2679     The  Odyssey  of  Homer.     Vignettes  on  copper.     Lintot,  Lon- 
don, 1725. 

The  book-plate  of  Charlotte  Pigott  is  affixed  to  the  title-page  of 
each  volume,  and  Pope's  autograph  tribute  to  the  memory  of 
Nathaniel  Pigott  is  prefixed  to  the  first  volume.  .Of  the  three 
attempts  the  second  is  signed. 

3  vols.,  4to,  calf. 

2680     Rape  of  the  Lock.     9  drawings  by  Beardsley.    London,  1896. 

Royal  8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

2681     The  Dunciad.     Frontispiece.     Gilliver,  London,  1729. 

8vo,  calf. 

2682  Pope's  Nephews  (The).     II  Nipotismo  di  Roma  ;  or.  The  History  of 

the  I'oi)e's  Nephews.     Portrait.     London,  1669. 
i2mo,  half  calf,  both  parts. 
278 


2683  Porel  et  Monval.       L'Odeon  ;  histoire  du  Second  Theatre  Fram/ais, 

1782-1853.     Paris,  1S82. 

2  vols.,  Svo,  original  covers. 

2684     L'Odeon.     Paris,  1876. 

Svo,  half  red  levant,  gilt  top,  uncut  edges. 

2685  Porter   (E.   G.).     Rambles    in    Old    Boston.     Illustrated    by    Tolman. 

Boston,  1887. 

Large  paper  copy  ;   22  printed. 

4to.  half  citron  levant,  gilt  top,  uncut  edges. 

2686  Porter  (Horace).     Campaigning  with  Grant.     Illustrated.     New  York, 

1897. 

Svo,  cloth,  uncut. 

2687  Portraits  of  French  Actors  and   Actresses,  etc.      Nearly   100 

fine  lithographic  plates  after  Vigneron,  etc.     Paris,  18 — . 

4to,  half  red  morocco. 

2688  Portraits.     Galerie   d'Artistes    Dramatiques  de   Paris.     With    80  line 

portraits  on  India  paper.     Paris,  1841. 

Includes  Rachel,  Fanny  Elssler,  Taglioni,  Rubini.  Mile.  Mars, 
Persiani,  Mario,  Tamburini,  Carlotta  and  Julia  Grisi,  Lablache, 
Lemaitre,  etc. 

2  vols,  in   I,  4to,  half  morocco. 

2689     Galerie   Fran(;aise   de   Femmes  Celebres.     With  the  full-length 

portraits  printed  in  color.     Paris,  1827. 

4to,  half  red  morocco. 

2690     Great  Men  and  Women  of  History.     A  brilliant  series  of  portraits 

copied  from  the  Munich  originals.     New  York,  1885. 

4to,  half  morocco. 

2691     Century  Gallery  of  One  Hundred  Portraits.     New  York,  i^Sq;. 

4to,  cloth. 

2692     Sixty  Portraits  of  the   most  important   persons  connected  witli 

the  French  Revolution.     Paris. 

The    portraits    in    mezzotint    are    each    accompanied   by  scenes 

etched  by  Duplessis-Bertaux. 
Royal  folio,  half  red  levant  morocco,  gilt  back. 

2693     Cartoon  Portraits  and  Biographical  Sketches  of  Men  of  the  Day. 

Drawings  by  Frederick  Waddy.     London,  1S74. 

4to,  cloth. 

2694     Etrennes  de  Thalie.     60  colored   pf)rtraits,  including  a  curiou^ 

head  of  "  Garrik."     Paris,  iSii. 

i2mo,  half  red  levant,  gilt  top,  uncut  edges. 
279 


2695  Portraits.       Notables  of  Britain.      An  album  of   portraits,  and  auto- 

graphs of  the   most  eminent  subjects  of  Her  Majesty  in  the  sixtieth 
year  of  her  reign.     London,  1897. 
Royal  8vo,  cloth. 

2696  Portraits  of  Painters.     A  collection  of  200  fine  portraits,  by  Italian 

engravers,  with  300  vignettes  and  initial  letters,  apparently  from  the 
large  edition  of  Vasari's  Lives. 

4  vols.,  folio,  half  brown  morocco. 

2697  Portsmouth   (Duchess  of).     Louise  de  Keroualle  ;  or,  how  the  Duke 

of  Kichniond  gained  his  pension.     Portraits.     London,  1888. 

8vo,  cloth,  uncut. 

2698  Possart  (Lrnst).     In  Zwulf  Pastellgemalden.      12  portraits  in  charac- 

ter.    Miinchen,  1887. 

Presentation  copy  from  Possart,  with  inscription  on  each  plate. 
Folio,  cloth. 

2699  Poster  (I  he).     Vol.  i..  No.  i.,  January,  1896.     New  York,  1896. 

8vo,  cloth,  uncut. 

2700  Pougin    (.Arthur).     Dictionnaire   du  Theatre.     8   plates   in   color,  and 

350  wood-cuts.     Paris,  1885. 

Royal  8vo,  half  red  levant,  gilt  top,  uncut  edges. 

2701  Pougin  (A.).      .-\cteurs   et    Actrices    d' Autrefois.       109    illustrations. 

Paris,  n.  d. 

i2mo,  half  calf,  gilt  top,  uncut  edges. 

2702  Powell  (Geo.).     A  Very  Good  Wife.     A  Comedy.     London,  1693. 

4to,  half  citron  levant. 

2703     i  he  Treacherous  Brothers.     London,  1696. 

4to,  half  citron  levant. 

2704  Powell  (L.  P.).     Historic  Towns  of  New  England.     Illustrated.     New 

York,  1898. 

8vo,  cloth. 

2705     Historic  Towns  of  New  England.    Illustrated.    New  York,    1898 

8vo,  cloth. 

2706  Power  (Tyrone).     Impressions  of  America.     Frontispieces.     London, 

1836. 

Portraits,  autograph,  and  play-bills  inserted. 
2  vols.,  8vo,  half  calf,  gilt  top,  uncut  edges. 

2707  Praed  (Wm.  M.).     Poems:  with  Memoir  by  Derwent  Coleridge.     Por- 

trait.     London,  1864. 

2  vols.,  post  8vo,  calf  gilt. 

280 


2708  Premieres  Illustrees.    Notes  and  Croquis,  1881-1 888.    Numerous  fine 

etched  portraits  and  other  illustrations,  some  colored.     Paris,  1S82-8. 
7  vols.,  royal  8vo,  half  green  levant  morocco  extra,  gilt  top,  uncut 
edges. 

2709  Prescott  (W.   H.).     Historical  Works.     Ferdinand  and   Isabella.  Con- 

quest of  Mexico  and  Peru,  Philip  II.,  Charles  V.,  and  Ticknor's  Life 
of  Prescott.  Edited  by  J.  F.  Kirk.  Portraits  on  Japan  paper.  Phila- 
delphia, 1895. 

16  vols.,  8v(),  cloth,  uncut. 

2710     Life  of,  by  George  Ticknor.     Boston,  1864. 

Unique  copy,  illustrated  by  the  insertion  of  160  portraits  and 
views,  autographs,  etc.  the  portraits,  include  1 1  of  Prescott ; 
Channing,  by  Cheney;  Lord  Houghton;  Washington,  by 
Andrews;  Bp.  Wainwright  (with  autograph  letter),  and  many 
fine  India  proofs. 

2  vols.,  4to,  half  blue  morocco  e.xtra,  gilt  top,  uncut  edges. 

2711  Preston  (S.  G.).     The  Secret  of  Hamlet.     Cincinnati,  1897. 

i2mo,  half  red  levant,  gilt  top,  uncut  edges. 

2712  Prevost    (Abbe).       Manon   Lescaut.      The  beautiful    illustrations   by 

Leloir  in  two  states.     Paris,  1885. 
Japan  paper ;  75  printed. 
4t(),  half  maroon  levant  morocco  extra,  gilt  top,  uncut  edges. 

2713     Manon   Lescaut.     Translated.     Illustrated   by  Tony  Johannot. 

London,   1841. 

Royal  8vo,  half  blue  morocco,  gilt  edges. 

2714  Price   (W.  T.).     Technique  of  the  Drama.     New  York,  1892. 

i2mo,  cloth. 

2715  Prince   of  Wales.      The  Christening  Procession   of  Prince  Taffy  ;  a 

pan(jramic   series  of  colored  illustrations  in  caricature,  representing 
the  christening  procession  of  Albert  Edward.     London,  1842. 
Oblong  4to,  calf  extra,  by  Riviere,  with  the  original  covers. 

2716  Princess   of  Wales  (Caroline).     Proceedings  and  Correspondence 

ui)(m  the  subject  of  the  Incjuiry  into  the  Conduct  of.     London,  1S07. 
Unique  copy,  with  a  large  number  of   portraits  inserted,  mostly 

beauties  of  the  aristocracy  in  the  early  part  of  this  century. 
8vo,  half  red  morocco  extra,  gilt  top.  uncut  etlgcs. 

2717  Princeton  Songs.     C'armina  Princetonia.    Music  antl  words.    Newark, 

1S76. 

Royal  8vo,  cloth. 


27i8     PRINTS  AND    DRAWINGS,  ETC. 

A  collection  made  by  A.  Geddes,  containing  a  most  unusual 
gathering  of  rarities  roughly  pasted  in  a  scrap-book,  but  gen- 
erally in  fine  original  condition,  as  follows  : 

Dunciad  frontispiece,  with  papal  monkey  and  ass  ;  Quin  as  Cori- 
olanus  ;  Edwd.  Bright  (mezzotint),  by  McArdell  ;  Aaron  Hill 
(an  original  drawing)  ;  mezzotints  of  Mrs.  Abington,  King, 
Smith,  and  Palmer  ;  |osci)h  Warton  ;  Warner  the  clown  (proof); 
O'Brien,  by  Watson  ;  Powell,  by  Dixon  (proof);  R.  Baxter,  by 
Spilsbury  ;  William  Powell,  by  Okey  ;  Mattocks  and  Quick  ; 
Charles  Dibdin  ;  Suett  (proof),  etc.  ;  numerous  original  draw- 
ings by  Rowlandson,  Dighton,  Cruikshank,  etc..  with  an  un- 
finished but  charming  portrait  of  Ellen  Tree  in  the  "  Robber's 
Wife,'.' by  Wageman  ;  colored  and  other  caricatures  of  Kean, 
etc.  ;  Frodsham  as  Hamlet  ;  engraved  title  to  the  "  Witt's 
Interpreter"  ;  Dr.  Saml.  Johnson,  by  Trotter  (original)  ;  Mr. 
Quick,  by  Gardiner  (colored)  ;  Mr.  Maddox  at  Sadler's  Wells  ; 
The  Repeal ;  or,  the  Funeral  Procession  of  Miss  America 
Stamp,  and  a  quantity  of  other  drawings  and  prints  of  great 
rarity. 

Folio,  green  morocco  extra. 

2719  Prior  (Sir  lames).     Life  of  Edmond  Malone.     Fine  portrait.     London, 

i860. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

2720  Pro  and  Con.     An   extensive    series    of  works    for  and    against  the 

Stage,  as  follows  : 

1.  Collier's  Short  View   of  the   Immorality  and  Profaneness  of 

the  English  Stage.     1698. 

2.  Congreve's  Defence,  a  Review  of  Collier.     1668. 

3.  Collier's  Defence  in  Answer.     1699. 

4.  Animadversions  on  Congreve's  Answer.     1698. 

5.  Denman's  Drama  Vindicated.     1835. 

6.  The  Truth  About  the  Stage,  by  "Corin."     1885. 

7.  Bellows'  Relation  of  Public  Amusements  to  Public  Morality. 

1857. 

8.  Styles'  Character  and  Influence  of  the  Stage.      1807. 

9.  Another  edition.     1815. 

10.  Witherspoon's  Nature  and  Effects  of  the  Stage.     Glasgow, 

1757- 

11.   Another  edition.      New  York,  181 2. 

12.  Pernicious  'i'endency  of  the  Theatre,  by  W.  Kcddie.      1853. 

13.  Free  'I'houghts  on   Methodists,  Actors,  etc.,  by  R.  Mansel. 

1814. 

14.  Dissertation  on  Comedy.      1750. 

15.  The  Stage  as  it  is,  by  Dramaticus.     1847. 

16.  The  Stage  Condemned.     1698. 

17.  Defence  of  the  Drama,  by  T.  E.  Wilks.      1838. 

18.  The  Theatre,  by  S.  G.  Winchester.     1840. 

19.  Defence  of  the  Profession  of  an  Actor.     1800. 

20.  Address  Relating  to  Balls,  Play-houses,  etc.     1761, 

282 


2  1.  Operation  of  the  Stage  on  the  Morals  of  Society.      1823. 
22.  Absolute  Unlawfuhiess  of  Stage  Entertainment,  by  W.  Law. 
1726. 
•    23.  Lodge's  Reply  to  Gosson's  School  of  Abuse.     18 — . 

24.  Dissuasion   from  Frequenting  the   Play-house,  by   ].  Orton. 

1776. 

25.  A  Vindication  of  the  Drama,  etc.,  from  J.  A.  James.      1824. 

26.  Tragi-Comical  Reflections,  by  G.  Rennel.     N.  d. 

27.  Impiety  and  Immorality  of  the  English  Stage.     1704. 

28.  Usefulness  of  the  Stage  to  Religion,  etc.     1738. 

29.  Lawfulness  of  the  Stage,  by  J.  Plumptree,  etc.     181 2. 

30.  Discourse  on  Stage  Entertainments,  by  D.  'Simpson.      1823. 

31.  Proposal  for  the  Better  Regulation  of  the  Stage.      1732. 

32.  The  Stage  and  Christianity  Reconciled.     1866. 

33.  Four  Discourses  by  J.  Plumptree.     1809. 

34.  Letter  to  Lord  Mayor  Brocas  on  Erecting  a  New  Play-house 

in  Goodman's  Fields.     1730. 

35.  Past  and  Present  State  of  Dramatic  Art.     1839. 

36.  Solemn   Protest   Against  the   Revival  of  Scenic  Exhibitions, 

etc.     1803. 

37.  Desultory  Thoughts  on  the  National  Drama.      1850. 

38.  Religion  and  the  Drama,  by  J.  H.  Browne.     1854. 

39.  Observations  on  "  The  Pulpit  Justified  and  the  Stage  Con- 

demned."    1844. 

40.  The  Stage  ;  Ancient  and  Modern,  by  F.  Close.     1850. 

41.  Essay  on  the  Stage,  by  Timothy  Dwight.     1824. 

42.  Foote's  Letter  Answering  Remarks  on  the  "  Minor."      1760. 

43.  Foote's  Apology  for  the  "Minor."     1771. 

44.  Gray's  Lecture  on  Theatrical  Monopolies.     1835. 

45.  Remarks  on  a  Pamphlet,  by  W.  Morris.     1832. 

46.  Vindication  of  the  Stage,  in  Answer  to  Collier.      1698. 

47.  Three     Dialogues    Between     Clement    and    Mortimer,  and 

Plumptree's  Answer.     1819. 

48.  Calcraft's  Defence  of  the  Stage.      1839. 

49.  Bedford's  Serious  Remonstrance.      17 19. 

50.  Bellows.     Claims  of  the  Drama.     1857. 

51.  A  Parody  and  Answer  to  W.  C.  C.'s  Reply  on  the  h'.vil  Ten- 

dency of  the  I'heatre.     Edinburgh,  1834. 
Together,  51    vols.,   8vo,   half   blue    levant    morocco.   ;jilt    tops. 
London,  etc.,  v.  d. 

2721  Procter  (B.  W.).     Life  of  Edmund  Kean.     London,  1S35. 

20  rare  portraits,  play-bills,  etc.,  inserted. 
2  vols.,  crown  8vo,  half  calf. 

2722     Mirandola.      A  Tragedy,  by  Barry  Cornwall.     London,  182T. 

8vo,  original  covers,  uncut. 

2723  Procter  (Bryan  Waller)  ("Barry  Cornwall  ").     .Autobiograjihit-al  l-rag- 

ment  and  Biographical  Notes,  etc.     London,  1877. 

Unique  copy,  with  31  portraits  and  an  autogr-aph  letter  inserted. 
8vo,  calf  extra,  gilt  edges. 
333 


2724  Prologues,  etc.     English  Prologues  and  Epilogues  from  Shakespeare 

to  Garrick.  Numerous  full  length  portraits,  including  Nell  Gwyn. 
London,  1779. 

4  vols.,  post  8vo,  calf  e.xtra. 

2725  Pronti    (I).).     Costumi    Religiosi  Civili  et   Militari,  degli  antichi  Egi- 

ziani.  Etruschi,  Greci,  e  Romani.     49  plates.     Roma,  17 — . 

Oblong  4to,  boards. 

2726  Propert  (J.  L.).      History  of  Miniature  Art.     Numerous  plates.     Lon- 

don, ic:^.S7. 

4to,  cloth,  uncut. 

2727  Prynne  (W.).     Histrio-Mastix,  the  Players'  Scourge,  or  Actors'  Tra- 

gedie,  evincing  that  Popular  Stage-Playes  (the  very  Pompes  of  the 
Divell),  are  Sinfull,  Heathenish,  Levvde,  Ungodly  Spectacles,  and 
most  Pernicious  Corruptions,  and  that  the  profession  of  the  Play-Poets, 
and  Stage  Players,  are  unlawfull,  and  infamous  ;  likewise  the  unlaw- 
fulness of  acting  and  beholding  Academical  Enterludes,  and  partic- 
ulars concerning  Dancing,  Dicing,  Health  Drinking,  etc.  London, 
1633- 

4to,  portrait  by  Hollar  inserted,  fine  copy  in  calf  extra,  gilt  edges, 
by  Riviere. 

One  marginal  note  by  the  author,  which  (we  believe)  has  never 
been  noticed,  states  that  "  Shakespeer's  Plaies  are  printed  on 
the  best  Crowne  paper,  far  better  than  most  Bibles." 

For  this  publication  the  author  was  sentenced  by  the  Star- 
chamber  to  pay  a  fine  of  ^5,000,  to  be  degraded  from  his  pro- 
fession of  the  law,  and  to  lose  his  ears  in  the  pillory. 

2728  Pugin.     Paris  and  its  Environs.     200  fine  engravings,  proofs  on  India 

paper  before  letters,  with  descriptive  text  by  Ventouillac.  London, 
1829. 

Large  paper  copy. 

2  vols,  in  I,  folio,  red  morocco  extra,  gilt  edges. 

2729  Punch  ;  or,  The  London  Charivari,  from  its  commencement  in  1814, 

to  December,  1882,  inclusive.  With  thousands  of  humorous  engrav- 
ings, by  John  Leech,  Doyle,  Tenniel,  Kecne,  Samborne,  Du  Maurier, 
etc.,  brilliant  impressions,  and  a  variety  of  contributions  by  Douglas 
Jerrold,  Mark  Lemon,  Tom  Taylor,  Burnand,  Albert  Smith,  Angus 
Reach,  Thackeray,  and  other  comic  writers,  not  published  in  any 
other  form.     London,  1841-96. 

54  vols.,  4to,  half  olive  morocco,  gilt  top. 

2730  Punch's  Animal  Land.     52  caricatures  by  E.  T.  Reed.     London, 

1898. 

4to,  cloth. 

284 


2731  "  PUNCH  "  DIARY.      A  Diary  (1864)  in  the  handwriting  of  Shirley 

Brooks,  containing  much  family  history,  but  largely  devoted  to 
Thackeray,  his  death  and  proposed  testimonial,  and  Uickens,  Leech, 
and  other  contributors  to  Punch.  The  Diary  is  written  with  the 
most  unstinted  freedom,  as  the  following  extracts  will  show  :  "  Tup- 
per  sends  me  his  lyric  on  the  Prince,  and  begs  me  to  saturate  the 
press  with  it."  "  I  have  caused  a  monument  to  W.  M.  T[hackeray] 
to  be  erected  in  Westminster  Abbey.  My  children  may  like  to  know 
that  I  originated  the  idea,  and  have  worked  it  out."  A  pencil  portrait 
of  Thackeray  faces  this  last  entry,  which  is  dated  Nov.  30,  1864. 
8vo,  cloth. 

2732  Q.      Dramatists  of  the  Present  Day.      London,  187  i. 

Crown  8vo,  half  calf,  gilt  top,  uncut  edges. 

2733  Quarles'  Emblems.      Illustrated  by  Bennett  and  Rogers.     London, 

1861. 

8vo,  cloth. 

2734  Quartier  Latin  (The).     From  July,  1896,  to  December,  1898.     Illus- 

trated.     Lcjndon,  1896-S. 
5  vols.,  8vo,  cloth. 

2735  Quevedo.      Pablo  de  Segovia,  the  Spanish  Sharper.     Translated,  with 

no  illustrations,  by  Vierge.     London,  1892. 
4to,  vellum,  binding  broken. 

2736  Quicherat  (J.).     Histoire   du    Costume    en    France.     481    wood-cuts. 

Paris,  1875. 

Royal  8vo,  half  green  morocco. 

2737  Quilter  (Harry).     Preferences  in   Art,  Life,  and   Literature,  w-ith   over 

100  fme  illustrations.     London,  1892. 
Limited  edition. 
Thick  4to,  cloth  gilt,  uncut  edges. 

2738  Quin  (James).     Life  of  (and  Jests).     Portrait.     London,  176C. 

i2mo,  brown  morocco  gilt,  citron  edges. 

2739     Life  of.     London,  1887. 

Large  paper  copy,  with  6  rare  portraits  inserted,  including  the 
famous  Coriolanus  print  and  the  mezzotint  of  Quin  by  Faber, 
after  Hudson. 

4to,  half  calf,  gilt  top,  uncut  edges. 

2740  Rabelais  (Francis).     Five  Books  of  the  Lives,  Heroic  Deeds,  and  Say- 

ings of  Ciargantua  and  his  son  Pantagruel.     Translated  by  llrciuhart 
and  Motteu.x.      Brilliant  plates  by  Louis  Chalon.     London,  1892. 

210  copies  printed  on  Japan  paper;  No.  125. 

2  vols.,  4to,  cloth,  uncut. 

2741  Rachel.      Memoirs  of,  by  Madame  de  B .      Portraits  .ind  autograph 

letter  inserted.     London,  1858. 
Extra-illustrated. 

2  vols.,  crown  8vo,  half  calf,  gilt  top,  uncut  edges. 
285 


2742  Racine   (Jean).     Dramatic    Works.     A    metrical    English   version,   by 

R.  B.  Boswell.     Portrait.     London.  1889. 
2  vols.,  post  8vo,  half  red  calf. 

2743  Racinet.      Le    Costume  Historique.     300   plates    in    gold,  silver,  and 

colors,  and  200  others.     Paris,  18 — . 
Large  paper  copy. 

6  vols.,  royal  folio,  half  red  levant  morocco  extra,  gilt  top,  uncut 
edges. 

2744  Raden  (W.).     Switzerland,  its  mountains  and  valleys.     418  engravings 

by  .\.  Closs.     London,  1878. 
Folio,  cloth  gilt. 

2745  Rae    (W.    F. ).      Sheridan,    a    biography.      Portraits.      New  York   [Lon- 

don j,  1896. 

2  vols.,  8vo,  cloth,  uncut. 

2746  Raimbach   (Abraham).     Memoirs  and  Recollections,  including  a  Me- 

moir of  Sir  David  Wilkie.     Edited  by  M.  T.  S.  Raimbach.     London, 

1843- 

Unique  copy,  with  autograph  letter,  etc.,  of  Raimbach  inserted, 
and  about  100  portraits,  etc.,  including  Woollet,  by  Bartolozzi  ; 
Hunter,  by  Reynolds  (mezzotint) ;  curious  mezzotint  of  Napo- 
leon, etc 

Square  8vo,  half  green  levant  morocco  extra,  gilt  top,  uncut  edges. 

2747  Rainoldes  (John).     Th'  overthrow  of  Stage-Playes,  by  the  way  of  con- 

troversie  betwixt  D.  Gager  and  D.  Rainoldes.  .  .  .  Wherein  is 
manifestly  proved,  that  it  is  not  onely  unlawful!  to  bee  an  Actor,  but  a 
beholder  of  those  vanities,  etc.     London,  1599. 

Malone's  copy,  and  later  on  that  of  Charles  Mathews,  who  added 
his  book-plate.     F'ine  copy. 

4to,  original  vellum  gilt. 

2748  Rambaud    (A.).     Popular    History  of    Russia.     Profusely  illustrated. 

Boston,  1880. 

3  vols.,  royal  8vo,  cloth. 

2749  Rare  Books.     A  Bibliographical  Account  of  the  Rarest  Books  in  the 

English  Language,  by  J.  Payne  Collier.     London,  1865. 
2  vols.,  8vo,  half  brown  levant,  gilt  top,  uncut  edges. 

2750  Ravenscroft  (Edw.).     Mamamouchi  ;  or.  The  Citizen  turned  Gentle- 

man.    London,  1675. 

4to,  half  citron  levant. 

2751  Raymond  (George).     Memoirs  of  Robert  William  Elliston.     Illustra- 

tions by  Geo.  Cruikshank.     London,  1846. 

Presentation  copy  from  the  author,  with  autograph  letters  of  El- 
liston (3)  and  the  author,  signed  "passes,"  play-bill,  and    10 
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rarities. 
2  vols.,  8vo,  half  calf,  gilt  top,  uncut  edges. 
286 


2752  Read  (T.  Buchanan).     Sheridan's  Ride.     New  York,  1867. 

Privately  printed  (60  copies),  with  autograph  letter  of  the  author 
in  reference  to  the  poem  ;  4  colored  drawings  by  Ferris,  and 
an  India  proof  portrait  of  Sheridan. 

4to,  half  blue  levant  morocco. 

2753  Reade  (Chas.).     Peg  Woffington.     London,  1853. 

First  edition. 

Crown  8vo,  cloth,  uncut. 

2754     Grififith  Gaunt.     Illustrated.     London,  1866. 

The  original  issue  in  the  "  Argosy  "  volumes. 

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2755     The  Eighth  Commandment.     Illustrated.     London,  i860. 

First  edition  of  this  famous  book  on  copyrights. 

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2756     Griffith  Gaunt.     London,  1866. 

First  edition. 

3  vols.,  crown  8vo,  cloth,  uncut. 

2757     The    Cloister   and    the    Hearth.      Profusely   illustrated.      New 

York,  1894. 

2  vols.,  8vo,  cloth  gilt,  uncut  edges. 

2758  READE  (A.  Arthur).     STUDY   AND   STIMULANTS ;    or,   the 

use  of  Intoxicants  and  Narcotics  in  relation  to  Intellectual  Life,  as 
illustrated  by  personal  communications  on  the  subject  from  Men  of 
Letters  and  of  Science.     Manchester,  1883. 

Unique    copy;    the    original    autograph    letters,    the    "personal 
communications,"  referred  to  above,  being  bound  with    the 
printed  text.     It  is  a  curious  piiase  of  this  correspondence  that 
most  of  the  writers  "dodge  the  issue,"  each  in  his  own  way, 
but  frequently  in  saying  that  they  do  not  know  of  any  special 
benefit  to  be  derived  from  the  use  of  tobacco  or  alcohol.     Sir 
John    Lubbock     "  would    rather    not    express    any    opinion." 
Wilkie  Collins  endorses  the   use  of  tobacco   in   sickness  and 
health.     Dr.  Darwin  drinks  wine  under  the  advice  of  all  his 
doctors,  and  confesses  that  snuff  affords  him  a  great  stimulus. 
Prof.  Edison  accepts  chewing  tobacco  as  more  beneficial  than 
smoking  or  drinking.     Gladstone  detests  smoking,  but  drinks 
about  4  glasses  of  claret,  etc.,  per  day.    Oliver  Wendell  Holmes 
tolerates,  but  does  not  advocate,  the  use  of  stimulants.     Ruskin 
abhors  the  use  of  tobacco  as  tending  to  idleness  and  spitting. 
Mark  Twain  smokes  at  least  300  cigars  a  month,  and  finds  2 
glasses  of  champagne  an  admirable  stimulant  to  the  tongue. 
Perhaps   the  most   comprehensive  letter  in   the  group  comes 
from  Hubert  Howe  Bancroft.    He  writes,  "  Some  constitutions 
are  benefitted   by  a  a  moderate  use  of  tobacco  and  alcohol 
others  are  not, "   and    Punch's  advice  to  people  who  rontcni 
plate   matrimony   seems  to  color   the    entire  correspondence 
Whether  you  do  or  do  not,  the  regret  is  in  e(iual  proportion. 
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287 


2759  Reber  (F.  von).     History  of   Mediaeval  Art.     422   illustrations.     New 

York,  1887. 
8vo,  cloth. 

2760  Recitations.     Sam  Weller's   Budget   of    Recitations.     30    wood-cuts. 

London,  1838. 
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2761  Red  Barn  (Tlie).     Plates  by  Phiz,  etc.     No  title. 

8vo,  half  morocco. 

2762  "Rede  (Leman)."     The  Royal  Rake  [George  IV.]  and  the  Adventures 

of  Alfred  Chesterton.     Numerous  plates.     London,  1842. 
Printed  for  private  circulation  only. 
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2763  Rede  (L.  T.).     Road  to  the  Stage.     Portrait  of  Kean.     London,  1827. 

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2764     Another  copy.     Portrait  of  Kean.     London,  1827. 

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2765  Red  Letter  (The).      Vol.  i,  Nos.  1-3,  5,  6  ;  Vol.  2,  Nos.  1-2,  in  one 

vol.     August,  1896-April,  1897. 
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2766  Rees  (James).     Life  of  Edwin   Forrest.     Portrait,  etc.     Philadelphia, 

1874. 

Unique  copy,  with  autograph  letters  of  Forrest,  Macready,  James 
Oakes,  and  the  author  ;  also  nearly    100  portraits,  and  other 
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2767     Dramatic  Authors  of  America.     Philadelphia,  1845. 

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2768  Rehan.     Ada  Rehan.     A  Study  by  William  Winter.     New  York,  1891. 

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[See  Winter  for  the  unique  illustrated  copy.] 

2769  Reid  (S.  J.).     Life  and  Times  of  the  Rev.  Sydney  Smith.    Portrait,  etc. 

London,  1884. 

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2770  Reignolds-Winslow   (Cath.  Mary).     Yesterdays  with  Actors.     Por- 

traits, etc.     Boston,  1887. 

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2S8 


2771  Reming-ton  (Frederic).     Drawings,  scenes  on   the   plains,  etc.     Lon- 

don, 1898. 

Oblong  4to,  clotii. 

2772  Rennel  (Gabriel).     Tragi-Comical  Reflections,  of  a  moral  and  political 

tendency  occasioned  by  the  two  Rival  Theatres  in  Drnry   I.ane  and 
Lincolns-Inn-Fields.     London,  1723. 

8vo,  half  blue  levant. 

2773  Reutlinger.      Nos  Jolies  Actrices.      Portraits.      Paris,  n.  d. 

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2774  Revue  Illustree.     Profusely  illustrated.      Paris,  1885-92. 

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2775  Rex  et  Pontifex,      Being  an  attempt  to  introduce  upon  the  stage  a 

new  species  of  pantomime.     London,  1745. 
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2776  Reynolds  (Frederick).      Life  and  Times.       Portraits,  3  added.      Lon- 

don, 1826. 

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2777  Reynolds  (G.  W.  M.).     Works  : 

Mysteries  of  the  Court  of  London.     8  vols.      1859,  etc. 
Mysteries  of  London.     4  vols.      1867. 
Joseph  Wilmot.     2  vols.      1854. 
May  Middleton.      1858. 
The  Soldier's  Wife.      1865. 
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2778 Pickwick    abroad  ;   or,  the   Tour  in   France.     41  steel  plates  by 

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2779     The  Seamstress.     15  illustrations.     London.   1853. 

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2780     Robert  Macaire  in  England.      Plates  by  Phi/,.      London.  1840. 

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2781     Grace  Darling.     Plates.      London,  1839. 

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2782     Master  Timothy's  Book-Case.     Steel  plates.      London.  i8.}4. 

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2783  Rhodes  (W.  B.).     Bombastes  Furioso.     London.  182-. 

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19  289 


2784  Rhymes  on  Actors  and  Theatres. 

Thfspis,  a  roem.     1766.     Strictures  in  Verse.     1799. 

The  Actor,  by  R.  Lloyd.      1764.     The  Druriad.     1798. 

The  Children  of  Thespis.     1786. 

Miscellaneous  Pieces,  by  P.  Lewis.     1774. 

Actors  and  Editors.     1817. 

Essay  on  the  Art  of  Acting.      1819. 

Review  in  Verse.     1802. 

Association  of  Theatrical  Opposers,  by  Courtney.     1773. 

The  Thespian  Mirror.     1793. 

The  Lament  ;  or,  The  Fall  of  Drury  Lane.      1840. 

Musical  Cynics  in  London,  by  Geo.  Linley.     1862. 

(A  sixth  volume,  not  here  described,  will  be  found  in  the  cata- 
logue under  another  head.  When  identified,  it  will  be  offered 
with  the  above.) 

5  vols.,  4to  and  8vo,  half  red  levant,  gilt  top. 

2785  Rhys    (Ernest).     Frederic   Lord   Leighton,    his  Life  and  Work.     Nu- 

merous illustrations.     London,  1898. 
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2786     The  Garden  of  Romance.     London,  1897. 

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2787  Rhys  (Capt.    Horton).     "Morton   Price."     Tlieatrical    Trip    Through 

Canada  and  the  United  States.     Plates.     London,  1861. 
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2788     Theatrical  Trip.     London,  1861. 

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2789  Riccoboni.     Account  of  the  Theatres  in  Europe.     London,  1741. 

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2790  Richardson  the  Showman.     By  Jerdan  (?).     Cut  from  magazine. 

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2791  Richelieu  in  Love.     The  Prohibited  Comedy.     New  York,  1844. 

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2792  Richmond  Theatre.     A  Voice  from  Richmond.     View  of  the  The- 

atre.     Philadelphia,  n.  d. 

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2793  Rideing  (W.  H.).     Thackeray's  London.     Illustrated.     Boston,  1885. 

38  additional  plates  inserted  in  this  copy. 
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2794  Rieth  (O.).     Architektur  Skizzen.     120  plates.     Berlin,  n.  d. 

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290 


2795  Riis  (J.  A.).    How  the  Other  Half  Lives.    Illustrated.    New  York,  1890. 

8vo,  cloth. 

2796  Riley  (James  Whitcomb).     Rhymes  of  Childhood  ;  Sketches  in  Prose  ; 

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2797     "The   Old   Swimmin'-Hole,"  and    Seven   More  Poems,  by  B.  F- 

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2800     Child-Rhymes.     Illustrated.     Indianapolis,  1899. 

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2802     Afterwhiles.     Portrait.     Indianapolis,  189 1. 

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2803     Old-Fashioned  Roses.     London,  1892. 

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2804     Poems  Here  at  Home.     Illustrated.     New  York,  1896. 

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2805     Sketches  in  Prose  and  Occasional  Verses.     Indianapolis,  1S92. 

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2806  Ristori  (Adelaide).     Studies  and  Memoirs.      Portrait.      London,  1888. 

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2809  Rivers  of  Great   Britain.     The  East  Coast,  descriptive,  historical. 

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2810  Rivifere  (H.).    Tentation  de  Saint-Antoine.    Music  and  colored  tableau.x. 

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291 


28li     Roach  (J.).     History  of  the  Stage.     Frontispiece,  etc.     London,  1796. 
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2814  Roberts  (W.).     The  Book-Hunter  in  London.     Numerous  illustrations. 

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2815  Robertson  (Sir  Geo.  S.).     Chitral,  the  Story  of  a  Minor  Siege.     Illus- 

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2816  Robida  (A.).     Le  Voyage  de   M.  Duniollet.     Numerous  colored   and 

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2820  Robinson  (F.  T.).     Living  New  England  Artists.     Numerous  illustra- 

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2821  Robinson  (Mrs.).     Memoirs  of.     London,  1801. 

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2822     Memoirs  of  Perdita  [Mrs.  Robinson],  etc.     London,  1784. 

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2824  Robinson  (Mary  F.).     .An   Italian  Garden.     A  book  of  songs.     Port- 

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392 


2825  Robinson  (N.).     Busy  Man's  Hand  Book.     New  York.  1S93. 

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2826  Robinson  (W.).     Garden  Design.     Illustrated.     London,  1892. 

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2827  Robson  (William).     The  Old  Play-Goer.     London,  1846. 

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2828     The  Old  Play-Goer.     London,  1854. 

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2829     •  The  Old  Play-Goer.      London,  1S46. 

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2831  Rochefort  (Henri).      Adventures  of  my  Life.      I-ondon.,  1896 

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2832  Rodriguez.      Christian  Perfection.      New  York,  n.  d. 

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2833  Roffe  (Alf.).      Handbook  of  Shakespeare.     Music.     London,  1878. 

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2834  Roger  and  Weaver.     Perseus  and    Andromeda,   with    the    Rape  of 

Colombine  ;  or,  'Lhe  Flying  Lovers.     London,  1728. 
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2835  Rogers  (Samuel).     Pleasures  of    Memory.     Illustrations  by  Stothard. 

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2836  Roman   Breviary.     Translated   by   the    Marquis  of   Bute.     LondiMi, 

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2837  Rosamond.     An  Opera.     Frontispiece.     London.  1713. 

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2838  Roscius  (The).     The  Ro.scius  Original  Memoirs.    Portrait  and  original 

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2839  Roscoe  (^Vni).     Life  of  Lorenzo  de  Medici.     Portrait,  etc.     London. 

1865. 

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2840  Rose  (Stewart).     St.  Ignatius  Loyola  and  the  Larly  Jesuits.    Illustrated. 

London,  1891. 

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2841  Rosen  ( Lew).     Napoleon's  Opera-Glass.     London,  1897. 

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2845  Ross  (John  D.).     Burns'  Clarinda.     Portrait.     New  York  [Edinburgh], 

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2846  Rossetti  (D.  G.),  etc.     Art  and  Poetry  [the  Germ].     Plates.    London. 

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Blessed  Uamozel." 
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2847     The  (k'rm  :  Thoughts  towards  Nature  in  Poetry,  Literature,  and 

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First  appeared  in  the  "  Germ." 

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2849 The  House  of  Life.     A  Sonnet  Sequence.     Portland,  1898. 

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2850  Rossetti  (Christina).     New  Poems.     New  York,  1S96. 

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2851  Rostand  (Kd.).     Cyrano  de   Bergerac.     Translated   by    Thomas  and 

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294 


2852  Round  the  World  ;    Round    London  ;  and   Round  the  Coast.     An 

album  of  pictures  of  the  chief  places  of  interest.     London,  1S95-6. 
3  vols.,  oblong  4to,  cloth. 

2853  Round  of  Days  (A).     Original   Poems.     Engravings  by  the  Dalziels. 

Boston  [LontlonJ,  1S96. 

4to,  half  brown  morocco. 

2854  Rousselet    (Louis).     India  and  its  Native  Princes.     317  illustrations 

and  3  maps.      London,  1878. 

Folio,  cloth  extra. 

2855  Rowe  (Nicholas).     Poems.     Curll,  London,  1714. 

Autograph  letter  of  Rowe  and  a  portrait  inserted. 
4to,  blue  levant,  gilt  edges. 

2856  Rowlandson,  Cruikshank,  etc.    49  colored  caricatures  of  Napoleon, 

etc.     1 8 13,  etc. 

Oblong  4to,  boards. 

2857  Rowson  (Susanna).     Charlotte  [Temple].     Philadelphia,  1794. 

2  vols,  in  I,  i2mo,  half  green  morocco. 

2858  Royal  General  Theatrical  Fund.     Ninth,  Fifteenth,  and  Twenty- 

second  Anniversary  Festival.     London,  1854-60-67. 

3  vols.,  i2mo,  half  red  levant,  gilt  top. 

2859  Roycroft    Press.      Little    Journeys    Made   to    the   Homes  of  Ruskin 

and  Turner,  by  Elbert  Hubbard.     Plates  on  Japan  paper.     Roycroft 
Press,  1896. 

473  printed. 

Quarto,  original  binding,  uncut  edges. 

2860  (Journal  of  Koheleth).  Being  a  reprint  of  the  Book  of  Ecclesi- 
astics, with  an  essay  by  Elbert  Hubbard.  Roycroft  Printing  Shop, 
1896. 

8vo,  original  boards,  uncut  edges. 

2861     Essay  on   Art  and   Life,  by  Vernon  Lee.     Illuminated  initials, 

etc.     East  Aurora,  1896. 

350  printed  on  Jai)an  paper. 
8vo,  original  binding. 

2862     On  (joing  to  Church,  by  Geo.  B.  Shaw.     Roycroft  Press,  1896. 

i2mo,  original  covers. 

2863     The   Legacy,  by  Elbert    Hubbard.      Portrait.      Roycroft   Press, 

1896. 

2  vols.,  i2mo,  blue  ooze  calf. 

2864     In    the    'i'rack    of   the    Book-Worm,   by   Irving    Browne.     I'-ast 

Aurora,  1897. 

590  copies  printed. 
8vo,  original  binding. 

295 


2865  Roycroft  Press.      This  Then  is  Upland  Pastures,  by  Adeline  Knapp. 

Roycroft   Press,  East  Aurora,  N.  Y.,  1897. 

One  of   the   "  illumined  "  eopies,  with  9  a(]uarelles  on  the  title 

and   other  pages,  and   initial   letters   heightened   in  gold   and 

colors. 
8vo,  original  boards,  uncut  edges. 

2866  This  Then  is  Sesame  and  Lilies,  by  John  Raskin.  East  Au- 
rora, N.  Y.,  1897. 

Specially    hand-illuminated    copy  ;    only    40   copies    so  issued. 

Printed  in  black  and  red,  the  title,  half  titles,  and  initial  letters 

finely  illuminated  in  water  colors. 
i2mo,  boards,  uncut. 

2867  Book  of  Job.  As  translated  from  the  original  of  Rabbi  Abra- 
ham Elzas  ;  with  comments  by  Elbert  Hubbard.  Roycroft  Press, 
East  Aurora,  1897. 

350    copies    printed.     The    ornaments   are   "  illumined  "  in  this 

copy. 
i2mo,  boards,  uncut. 

2868     'Phe  Deserted  Village,  by  Oliver  (Goldsmith,  to  which  is  prefaced 

some  notes  concerning  a  Little  Journey  to  ''  Sweet  Auburn  "  as  writ- 
ten by  Elbert  Hubbard.     Roycroft  Press,  East  Aurora,  1898. 

Special  "hand -illumined  "  copy. 
Quarto,  original  binding,  uncut  edges. 

2869     In  Memoriam,  by  Alfred  Tennyson.     Roycroft  Press,  1898. 

8vo,  gray  ooze  calf. 

2870  Sonnets  from  the  Portuguese,  by  Eliz.  B.  Browning,  etc.  Roy- 
croft Press,  1898. 

4to,  boards. 

2871 -*  Little  Journeys  to  the   Homes  of  Famous  Women,  by  Elbert 

Hubbard.     Roycroft  Press,  1898. 
4to,  half  ooze  calf,  uncut. 

2872     As   it   Seems  to   Me.     Being  some   Philistine  Essays,  by  Elbert 

Hubbard.     Portrait.     East  Aurora,  1898. 

40  copies  printed. 

8vo,  russet  chamois,  silk  lined. 

2873  Royer  (A.).     Histoire  Universelle  du  Theatre.     Paris,  1869-70. 

4  vols.,  8vo,  half  red  levant,  gilt  top,  uncut  edges. 

2874  Runaway  Girl  Souvenir.     Music  and  illustrations.     London,  1898. 

Folio,  cloth. 

2875  Ruskin  (John).     Studies  in  Both  Arts.     10  plates.     Orpington,  1895. 

Folio,  cloth. 

296 


2876  Russell  (W.  C).     Representative  x\ctors.     Portmits      London,  n.  d. 

Post  8vo,  half  calf  gilt. 

2877  Ryan  (Richard).      Dramatic   Table  Talk.     Portraits  and  other    plates. 

London,   1825. 

3  vols.,  i2mo,  half  green  levant,  gilt  top,  uncut  edges. 

2878      Dramatic  Table  Talk.     Plates.     London,  1835. 

3  vols.,  i2mo,  boards,  uncut. 

2879  Sabbattini  (N.).    Pratica  di  fabricar  Scene.    Illustrated.    Kavenna,  1638. 

4to,  half  red  levant,  gilt  top. 

2880  Sachs  (E.  O.).     Modern  Opera  Houses  and  Theatres.     220  plates,  and 

nearly  100  te.xt  illustrations.      London,  1896. 
3  vols.,  imp.  folio,  cloth. 

2881      Stage  Construction.     Plates  (6)  and  170  text  illustrations.    Lon- 
don, 1898. 

Imp.  folio,  cloth. 

2882  Sadlier  (Mrs.  J.).     Purgatory.     New  York,  1886. 

8vo,  cloth. 

2883  SAINT-AMAND.     WOMEN  OF  THE  COURT  OF  LOUIS  XV. 

Boston,  The  Club  of  Odd  Volumes,  1892. 

Unique  copy  of  the  limited  edition  of   150,  illustrated  by  the  in- 
sertion  of  400   fine    portraits,   views,  etc.,    including   origiPc, 
drawings  of  the  portrait  of  the  author.  Mad.  de  Chateauroux, 
de  Mailly,  Conti,  Pompadour,  etc.  ;  a   large  number  of  India- 
proof  plates,  some  mezzotints,  and  other  valuable  illustrations. 

3  vols.,  4to,  half  blue  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

2884     \Vorks.     Translated.     Numerous  portraits.     New  York,  18 — . 

Comprises  Court   and    Last  Years  of  Louis  XV.,  2  vols.;  Marie 

Antoinette,  3  vols.;  Marie  Louise,  4  vols.;  Josephine,  3  vols. ; 
Duchess   of  Berry,  3   vols.;  Duchess  of  Angouleme,    2   vols.; 
Napoleon    HL,   3  vols. ;  Revolution   of   1848;    \\'omcn  of  the 
Valois  Court,  and  Court  of  Louis  XIV. 
23  vols.,  i2mo,  half  brown  levant,  gilt  top,  uncut  edges. 

2885     Napoleon  HI.  and  his  Court. 

The  Court  of  the  Second  EiTipire. 

Louis  Napoleon  and  Mile,  de  Montijo.     New  York,  1S97-8. 
3  vols.,  i2mo,  red  cloth. 

2886     The  Last  Years  of  Louis  XV.      Portraits  of   Mad.  du  I'.arry   (in 

colors)  and  Marie  Antoinette.     Boston,  1893. 

Only  150  copies  printed  by  The  Club  of  Odd  Volumes,  all  signed 

and  numbered. 
Quarto,  original  binding,  uncut  edges. 

2887  St.    Augustine.     Confessions  of.     Translated   by    J.    C.    Pilkington. 

Edinburgh,  1882. 
8vo,  cloth. 

297 


2888  St.  Augustine.     Confessions.     Traduction  St.  Raymond.    8  etchings 

by  Lalauze.     Paris,  i8 — . 

Holland  paper  ;  60  printed. 
Royal  8vo,  paper. 

2889  St.   Bernard.     Melliflui  devotisque  sancti   Bernardi.     Curious  wocd- 

cut  and  colophon  leaf.     Lugduni,  1500. 
Folio,  hogskin  stamped. 

2890  St.  Juirs.      The  Tavern  of  the  Three  Virtues.     60  plates  by  Daniel 

Vierge.     New  York  [London],  18 — . 
650  copies  printed. 
Folio,  cloth,  uncut. 

2891  St.  Leger.     Reminiscences  of  Balfe.     London,  n.  d. 

Post  8vo,  half  morocco. 

2892  St.   Pierre.     Paul  and  \'irginia.     With  memoir  of  the  author  and  330 

illustrations.     London,  1839. 

Royal  8vo,  russia,  gilt  back. 

2893     Paul  et  Virginie.      Illustrations  de  Maurice  Leloir.     Paris,  1887. 

Japan   paper,  with   aquarelle  by   Leloir,  and   two  states  of  the 

illustrations  ;  50  printed. 
Imp.  8vo,  silk  covers. 

2894     Paul  et  Virginie.     The  Leloir  and  Poulard  illustrations  in  three 

states.     Paris,  1887. 

4to,  boards. 

2895  Saint-Sauveur.     Antique   Rome  on   description  historique  et  pittor- 

esque.     Aquatint  plates.     Paris,  1796. 
4to,  half  red  calf. 

2896  St.  Victor.     Tableau  de  Paris.     Over  200  aquatint  plates.     Paris,  n.  d. 

4t(),  half  calf.     The  plates  only. 

2897  Sala  (George   Augustus).     The    Great    P^xhibition    "Wot    is  to    Be." 

A  panoramic  illustration.     London,  1850. 
Oblong  i2mo,  original  boards. 

2898     America  Revisited.     400  engravings.     London,  1883. 

2  vols.,  8vo,  cloth. 

2899     Paris  Herself  Again.     400  illustrations.     London,  1879. 

2  vols.,  8vo,  half  red  calf  extra. 

2900  Salon  (The).     Complete  from  1883  to  1898,  with  India  proof  engrav- 

ings of  the  most  famous  paintings.     Baschet,  Paris,  1883-98. 

Holland  paper  copy.     The  early  volumes  are  exceedingly  scarce. 
16  vols.,  royal  8vo,  original  cloth,  uncut. 
298 


2901  Salwey    (Charlotte  M.).     Fans  of  Japan,      lo  colored  plates  and    39 

wood-cuts.     London,   1894. 

4to,  cloth. 

2902  Sand  (George).    Novels,  translated,  viz.:  Consuelo,  4  vols.;  The  Gallant 

Lords  of  Bois-Dor^,  2  vols.;  and  The  Countess  Rudolstadt,  2  vols. 
New  York,  1889-91. 

8  vols.;  large  paper  copies.    Of  the  first,  100  were  printed,  but  of 
the  last  two,  only  sixty. 

2903     Novels.       Handsome    Lawrence  ;    Cesarine    Dietrich  ;    and    the 

Marquis  de  Villemer.     Boston,  187 1. 

3  vols.,  8vo,  cloth. 

2904     Letters  of.     Translated,  etc.,  by  R.  L.  de  Beaufort.     Portraits. 

London,  1886. 

3  vols.,  8vo,  cloth,  uncut. 

2905     The  Haunted  Pool.     14  etchings  by  Rudaux.     New  York,  1890. 

4to,  extra  cloth,  uncut  edges. 

2906     Germain's  Marriage.     14  etchings  by  Rudaux.     New  York,  1892. 

No.  2  of  285  copies  on  Van  Gelder  paper. 

8vo,  half  cloth,  uncut. 

2907     Consuelo.     Plates.     Boston,  1897. 

2  vols.,  8vo,  cloth,  uncut. 

2908  Sandby  (P.).     Virtuosi's   Museum.     Select  Views   in    England,  Scot- 

land, and  Ireland.      ic8  copper  plates.     London,  1778. 

2  vols.,  oblong  4to,  half  calf.  ,     .... 

-3    Jul  J   ^;iV 

2909  SANDERSON  (John).     BIOGRAPHY  OF  THE  SIGNERS  TO 

THE  DECLARATION  OF  INDEPENDENCE,  revised  and 
edited  by  Robt.  T.  Conrad,  with  their  autographs  and  portraits.  Also 
an  historical  account  of  their  residences,  etc.,  by  Wm.  Brotherhead. 
Philadelphia,  1863. 

Unique  copy,  extended  to  three  volumes  by  tlic  insertion  of  600 

portraits,  views,  autograph  letters,  etc. 
The  autograph  letters  and  documents  include  good  and  niicrcst- 
ing  specimensof  all  the  signers,  the  famous  Lynch  letter,  which 
Mr.  Daly  owned  for  a  time,  being  replaced  by  a  facsimile  of 
the  same,  and  a  genuine  signature  in  full.  The  real  hisi(.)ry  of 
this  biblio-historic  transaction  is  on  record  by  letters  of  Dr. 
Emmet  inserted  in  the  third  volume.  Four  of  the  signers  are 
represented  by  two  specimens  each,  viz.:  Rutledg^e,  Thornton, 
Hopkins,  and  Braxton,  and  some  of  the  letters  are  more  than 
usually  valuable.  An  original  broadside  of  the  Declaration  is 
also  inserted  and  "  An  Address  of  the  Twelve  United  Colonies 
to  the  People  of  Ireland."     Bradford,  Philadelphia,  1775. 

3  vols.,  folio,  olive  levant  morocco  extra,  inside  linings  of  silk, 
gilt  edges,  by  Stikeman. 

299 


2910  Sanger  (W.  W.).     History  of  Prostitution.     New  York,  1858. 

Svo,  half  calf  antique. 

Presentation  copy  from  the  author  to  John  Fitch. 

291 1  Santley  (Charles).     Student  and  Singer.     Portrait.     New  York,  1892. 

i2mo,  cloth. 

2912  Sarcey    (F.).     La    Com^die    Fran9aise.     Numerous   etched    portraits. 

Paris,  1876. 

Royal  Svo,  calf,  gilt  top,  uncut  edges. 

2913  Sardou  (V.).     Costumes  du  Directoire.     30  colored  plates  by  Cuillau- 

niot  fils.     Paris,  1875. 
4to,  cloth. 

2914  Saunders  ((tCO.).     Treatise  on  Theatres.      13  plates.     London,  1790. 

4t(),  half  red  levant,  gilt  top,  uncut  edges. 

2915  Satchwell  (R.).    Scripture  Costume.    With  the  fine  colored  plates  drawn 

under  the  supervision  of  Benjamin  West.     London,  1819. 
Royal  4to,  boards,  uncut. 

2916  Satolli  (Abp.).     Loyalty  to  Church  and  State.     Baltimore,  1895. 

i2mo,  half  calf. 

2917  Savage  (R.  H.).     My  Official  Wife.     New  York,  1891. 

Presentation  copy,  with  author's  inscription. 
i2mo,  clolh. 

2918     My  Official  Wife.     New  York,  1891. 

i2mo,  cloth. 

2919  Savage  Club  Papers.     Illustrated.     London,  1897. 

Crown  Svo,  cloth. 

2920  Sbarra  (Francesco).     II  Pomo  d'Oro,  Festa  Theatrale.     Folded  cop- 

per-plate illustrations.     Vienna,  1668. 
Folio,  half  red  levant,  gilt  top. 

2921  Scarron    (Paul).      Whole   Comical    Works.      Translated    by    Thomas 

Brown,  etc.     Plates.     London,  1700. 
Svo,  calf  extra. 

2922     Comical  Romance  and  other  Tales,  done  into  English  by  Tom . 

15rown  and  others.     Illustrated  by  Oudry.     London,  1892. 

2  vols.,  Svo,  cloth,  uncut. 

2923  Schiller  Gallery,     50  fine  steel  plates  of  Schiller's  characters.     India 

proof.     Leipzig,  1859. 

Folio,  brown  morocco  gilt. 

2924  Schlegel  (A.  W.).     Lectures  on   Dramatic  Art  and   Literature.     Por- 

trait.    London,  1883. 

Post  Svo,  half  red  levant,  gilt  top,  uncut  edges. 
300 


2925  Schneider  (S.).     Meisterwcrke  der  Holzschneide  Kunst  Neue  Folge. 

Proof  plates.      Leipzig,  n.  d. 

Folio,  boards. 

2926  Schoelcher  (Victor).      Life  of   Handel.     30   plates   inserted,  including 

the  fine  portrait  by  Bartolozzi.     London,  1857. 
8vo,  calf  extra,  gilt  top,  uncut  edges. 

2927  Schuyler  (Eugene).     Turkistan.     Maps  and  illustrations.      New  York, 

1876. 

2  vols.,  8vo,  cloth. 

2928     Peter  the  Great.     Numerous  illustrations.     New  York,  1884. 

2  vols.,  8vo,  cloth. 

2929  Schuyler  (Mont'y).     American  Architecture.     Illustrated.      New  York, 

1892. 

8vo,  ooze  calf. 

2930  Schwenke  (Fredk.).     Designs  for  Decorated    Furniture  and   Modern 

Chamber   Arrangement.     72  large  plates,  with  working  plans.     Lon- 
don, 1882. 

Royal   folio,  half   brown   levant   morocco   extra,  gilt  top,   uncut 
edges. 

2931  Scott  (Clement).     Among  the  .Vpple  Orchards.     Illustrated.     London, 

'^95- 

Presentation  copy,  with  author's  inscription. 

i6mo,  cloth,  uncut. 

2932     Thirty  Years  at  the  Play.     London,  n.  d. 

7  copies. 

i2mo,  paper. 

2933      Pictures  of  the  World.     Illustrated.     London,  1894. 

Presentation  copy,  with  author's  inscription. 

Post  8vo,  cloth. 

2034     Blossom- Land  and  Fallen  Leaves.     Portrait.     London,  n.  d. 

Presentation  copy  from  the  author. 
Crown  8vo,  cloth. 

2935  Scott  (.Michael).     Tom  Cringle's  Log.  and  Cruise  of  the  Midge.     Lon- 

don, 1894. 

4  vols.,  post  8vo,  cloth. 

2936  Scott  and  Davey.     Guide  to  the  Collector  of  Historical   Documents, 

Literary  Manuscripts,  and  Autograph  Letters,  etc.    Facsimiles.     Lon- 
don, 1 89 1. 

4to,  half  olive  levant,  gilt  top,  uncut  edges. 

2937     Guide  to    the  Collector  of    Historical   Documents.      Numerous 

facsimile  plates.      London,  1891. 

4to,  half  maroon  morocco,  gilt  top,  uncut  edges. 
301 


2038     Scott  and   Howard.     Life   and   Reminiscences   of    E.   L.  Blanchard. 
Portraits,  etc.     London,  1891. 

2  vols.,  8vo,  cloth,  uncut. 

2939  SCOTT  (Sir  Walter).     WAVERLEY  NOVELS.     A  complete  set 

(excepting  the  Tales  of  My  Landlord,  3d  Series)  in  the  original 
binding  of  the  First  Editions.     Edinburgh,  1814-32. 

The  Waverley  alone  cost  Mr.  Daly  over  $800.  Its  recent  sale 
in  London  is  well  known  to  collectors. 

68  vols.,  post  8vo,  boards,  uncut  edges,  in  cloth  cases. 

2940     THE   WAVERLEY   NOVELS.      A   complete  set  of  the   fir.st 

editions,  including  Queenhoo  Hall,  which  was  commenced  by  Joseph 
Strutt  and  finished  by  Scott  six  years  before  the  appearance  of 
\\'averley  :  and  Walladmor,  which  was  a  fraudulent  attempt  to  foist  on 
an  admiring  public  a  so-called  translation  from  the  German,  of  an 
"  unpublished  romance  "  by  Sir  Walter.     Edinburgh,  etc.,  1808-32. 

Anne  of  Geierstein  is  a  presentation  copy  from  the  author. 
Autograph  letters  of  James  Ballantyne,  the  publisher  (2),  Scott 

(2),  and  Lockhart,  inserted  in  various  vols. 
80  vols.,  post  8vo,   green   levant  morocco   extra,  gilt  top,  uncut 

edges,  by  Riviere. 

2941     Poetical  Works.     Marmion  ;  Vision  of  Don  Roderick  ;  Rokeby, 

and  Lord  of  the  Isles.     Edinburgh,  1808-15. 

First  editions. 

4  vols.,  4to,  boards,  uncut,  in  cloth  cases. 

2942     Poetical  Works.     Lay  of  the   Last   Minstrel,   1805  ;    Marmion. 

1808;  Lady  of  the  Lake,  1810  ;  Vision  of  Don  Roderick,  181 1; 
Rokeby,  1813,  and  Lord  of  the  Isles,  1815.     Edinburgh,  1805-15. 

First  editions. 

6  vols.,  4to,  half  calf,  gilt  top, 

2943     Miscellaneous  Poems.     Edinburgh,  1820. 

First  collected  edition. 

8vo,  boards,  uncut,  in  cloth  case. 

2943* Another  copy. 

8vo,  calf. 

2944     Paul's  Letters  to  his  Kinsfolk.     Edinburgh,  1816. 

First  edition. 

8vo,  boards,  uncut,  in  cloth  case. 

2945     Halidon  Hill.      Edinburgh,  1822. 

First  edition. 

8vo,  boards,  uncut,  in  cloth  case, 

2946     Another  copy. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

302 


294^3-     Scott    (Sir    Walter).      The    Doom   of    Devorgoil,  and    Auchindrane. 
Edinburgh,  1830. 

8vo,  boards,  uncut,  in  cloth  case. 

2946b     Another  copy. 

Svo,  half  calf,  gilt  top,  uncut  edges. 

2946c     The  Field  of  Waterloo.     Edinburgh,  1815. 

See  No.  2968  for  the  original  manuscript. 
Svo,  boards,  uncut,  in  cloth  case. 

2946d     Another  copy. 

8vo,  half  calf,  gilt  top. 

29466     Religious  Discourses  by  a  Layman.     London,  1828. 

8vo,  original  covers,  uncut,  in  cloth  case. 

2946f    Tales  of  my  Landlord.     Third  Series.     Edinburgh,  1819. 

First  edition. 

4  vols.,  post  Svo,  half  calf. 

2946^     Tales  of  a  Grandfather.     Edinburgh,  1827-31. 

First  editions. 

12  vols.,  i2mo,  original  binding,  in  cloth  cases. 

2946h     A  set  of  Finden's  illustrations  to  the  Waverley  Novels.     Lon- 
don, 1830. 

The  original  numbers. 
Svo,  in  a  cloth  case. 

2946!     Introductory  Notes,  etc.,  to  the  Novels.     Edinburgh,  1833. 

3  vols.,  post  Svo,  boards,  uncut,  in  cloth  cases. 

2946J     Minstrelsy  of  the  Scottish  Border.     Kelso,  1802-3. 

First  edition  of  the  first  two  volumes. 
3  vols.,  Svo,  half  calf. 

2946k     English  Minstrelsy.     Edinburgh,  18 10. 

First  edition. 

2  vols.,  post  Svo,  half  calf,  gilt  top,  uncut  edges, 

2946I     Ballads  and  Lyrical  Pieces.     Edinburgh,  1806. 

First  edition. 
Svo,  half  calf. 

2946m     Harold  the  Dauntless.     Edinburgh,  1817. 

First  edition. 

i2mo,  half  calf,  gilt  top. 

2947     Sir  Tristrem.     Edinburgh,  1804. 

First  edition. 

Svo,  half  calf,  gilt  top. 

303 


2948  Scott  (Sir  Walter).     History  of  Scotland.     London,  1S30. 

First  edition. 

2  vols.,  post  Svo,  cloth,  uncut,  in  cloth  case. 

2949     Demonology  and  Witchcraft.     London,  1830. 

Post  Svo,  boards,  uncut,  in  cloth  case. 

2950     Skene's  Sketches  of  existing  localities  alluded  to  in  the  Waverley 

Novels.     Edinburgh,  1829. 

Post  8vo,  boards,  uncut,  in  cloth  case. 

2951     The  Sale-Room  complete.     28  numbers,  i   to  28,  with  original 

contributions  by  Sir  Walter  Scott.     Edinburgh,  181 7. 

4to,  half  olive  levant  morocco,  gilt  top,  uncut  edges. 

2952     Illustrations  to  the  I'oetical  Works,  by  Smirke  (India  proofs), 

and  to  Tales  of  my  Landlord,  by  Stothard.     London,  1820-23. 

2  parts,  folio,  original  covers,  in  cloth  case. 

2953     The  Waverley  Dramas  founded  on  the  Novels.     Glasgow,  n.  d 

Post  Svo,  half  red  calf,  gilt  top. 

2954     Trivial    Poems  and    Triolets,  by  Patrick   Carey,   165 1.     Edited 

by  Walter  Scott.     London,  1820. 

4to,  half  olive  levant  morocco,  gilt  top,  uncut  edges. 

2955     Chronological    Notes    of    Scottish   Affairs    from    16S0  to    1701. 

Edinburgh,  1822. 

4to,  boards,  uncut,  in  cloth  case. 

2956     COMPLETE  WORKS.    The  Abbotsford  edition.     Edinburgh, 

1842,  etc. 

Unique  cop)',  illustrated  by  the  insertion  of  1,740  engravings, 
a  large  number  being  proofs  on  India  paper,  including  all  the 
well-known  scenic  illustrations,  historical  portraits,  autograph 
letters,  etc. 

The  Waverley  Novels,  24  vols.;  Poems,  3  vols.;  Miscellaneous 
Prose  Works,  7  vols.;  and  Lockhart's  Life  of  Scott,  3  vols. 

37  vols.,  royal  Svo,  red  levant  morocco,  gilt  back  and  sides, 
inside  border,  gilt  top,  uncut  edges,  by  Riviere,  with  the 
original  covers  preserved. 

2957     Complete  Works.    Abbotsford  edition.     Fully  illustrated.     Lon- 
don, 1842. 

17  vols.,  royal  Svo,  half  red  morocco. 

2958     Works  : 

Waverley  Novels.     48  vols.     Cadell,  1829, 
J'ro,-e  Works.     28  vols.     Cadell,  1834. 
Poetical  Works.     12  vols.     Cadell,  1834. 
Life,     ro  vols.     Cadell,  1839. 
Anecdotes.     2  vols.     Cochrane,  1833. 
Frontispieces  and  vignettes.     Edinburgh,  1829-39. 
100  vols.,  post  Svo,  half  blue  morocco. 

304 


2959  Scott  (Sir  Walter).      Works  : 

Heart  of  Mid-Lothian.      2  vols.  Rob  Roy.     2  vols. 

Kenilworth.     2  vols.  Ivanhoe.     2  vols. 

8  vols.,  8vo,  cloth.     Boston,  1893. 

2960     Poetical   Works  : 

Lay  of  the  Last  Minstrel,  and  illustrations.      1805-8. 

Marmion,  a  Tale  of  Flodden  Field.     1808. 

Lady  of  the  Lake.      18 10. 

Vision  of  Don  Roderick,  etc.     181 1. 

Rokeby.      18 13. 

Lord  of  the  Isles.      1815. 

6  vols.,  4to,  green  morocco,  blind  tooled.     ]^dinburc:h,  1805-15. 
The  Earl  of  Ressborough's  copy,  with  water-color  drawings  and 
other  illustrations  added  to  the  published  plates. 

2961     Poetical    Works.      24  steel   engravings,   after    Turner.      Edin- 
burgh, 1 85 1. 

12  vols.,  foolscap  Svo,  half  vellum,  gilt  tops. 

2962     Musical  Illustrations  of  the  Waverley   Novels,  by  Eliza  Flower. 

London,  n.  d. 

Folio,  boards. 

2963     Journal.     Portraits.     Edinburgh,  1890. 

2  vols.,  Svo,  cloth,  uncut. 


THE    FOLLOWING     ORIGINAL     MANUSCRIPTS    ARK     IN     THE     AUTOGRAPH     m-     SIR 
WALTER    SCOTT,    ALL    PERFECT    BUT    DON    RODERICK. 

2964     THE    MOTHER  AND   THE    SON.     A  tragedy   (5  acts)   in 

prose.      124  pages,  entirely  in  the   handwriting  of  Scott,  with  prolific 
corrections  and  alterations. 

This  play  was  first  published,  under  the  title  of   "  The    House  of 

Aspen,"   in  the  Keepsake  of  1829. 
4to,  green  levant  morocco,  by  Rivi6re. 

2965     ROMANCE  OF   DUNOIS.      A   song,  in  four  stanzas,  adapted 

from  the  French,  with  an  introduction. 

Scott  says  :  "  The  original  of  this  little  romance  makes  part  of  a 
MS.  collection  of  I'rench  songs  found  on  the  field  of  Waterloo 
stained  with  clay  and  blood." 

4to,  green  levant  morocco,  by  Rivii^re. 

2q66     THE  DANCE  OF  DEATH.     A  poem  on  five  sheets,  g  stanzas 

of  124  lines  each,  showing  many  variations  from  the  printed  versions. 

4to,  green  levant  morocco,  by  Rivit;re. 
20  305 


2967  SCOTT  (Sir  Walter).     SAINT   CI.OUD.    A  poem  consisting    of 

9  stanzas  of  4  lines  each,  dated  Paris,  Sept.  15,  1815. 
4to,  green  levant  morocco,  by  Riviere. 

2968     THE  FIELD  OF  WATERLOO.     A  poem  of  29  leaves,. with 

every  detail  for  publication,  but  with  many  variations  from  the  final 
text  as  i)rinted. 

4to,  green  levant  morocco,  by  Riviere. 

2969 FAREWELL  TO  MACKENZIE,  High  Chief  of  Kintale  :  from 

the  Gaelic.     A  poem  of  10  stanzas  on  3  pages,  with  an  introduction. 
4to,  green  levant  morocco,  by  Riviere. 

2970     WAR  SONG  OF  LACHLAN,  High  Chief  of  Maclean  :  from 

the  Gaelic.     A  poem  of  3  stanzas  on  2  pages,  with  an  introduction. 

4to,  green  levant  morocco,  by  Riviere. 

2971     THE   VISION  OF  DON  RODERICK.     A  poem,  consisting 

of   17  quarto  leaves,  45  stanzas  of  9  lines  each,  with  preface  and  notes. 
23  PP- 

This  MS.  is  not  perfect,  but  it  is  all  that  exists.  The  variations 
from  the  printed  text  are  numerous,  and  an  autograph  letter 
from  Scott  to  Ballantyne,  here  added,  contains  a  different  ver- 
sion of  the  first  5  stanzas. 

2  vols.,  4to,  green  levant  morocco,  by  Riviere. 

2972  Scottish    Songs.     Illustrated  Book  of.     Wood-cuts.     London,  n.  d. 

Post  8vo,  cloth. 

2973  Scribner's  Magazine.     Complete  from  1870  to    18S1  and  (after  the 

interregnum)  from  1887  to  1898.     New  York,  1870-98. 

46  vols.  The  first  portion  (22  vols.)  in  half  morocco  ;  the  second 
(24  vols.)  in  cloth. 

2974  Scribner's   Monthly  and   St.    Nicholas.      Portfolio   of    102    proof 

impressions  of  selected  illustrations.     New  York,  1879. 
4to,  half  morocco. 

2975  Scribner's  Pictures.     Portfolio  of  illustrations  from  the   Magazine. 

New  York,  n.  d. 

4to,  boards. 

2976  Scripture  Text-Book.     Illuminated.     London,  n.  d. 

Post  8vo,  cloth. 

2977  Seccombe  (Thos.).     Lives  of  Twelve  Bad  Men.     Portraits.     London, 

1894. 

8vo,  cloth. 

306 


1 


2978  Secret  Memoirs. 

Court  of  Louis  XIV.,  by  the  Duchesse  cl 'Orleans,      i  vol. 
Courts  of   Louis  XV.  and   XVL,  from  the  Memoirs  of  Madame 

du  Hausset.     2  vols. 
The  Court  of  St.  Cloud.     2  vols. 
The  Court  of  Berlin,  by  Mirabeau.     2  vols. 
Court  of  the  Empress  Josephine,  by  Madame  Ducrest.     3  vols. 
Grolier  Society.     Boston,  n.  d. 

Edition  de  grand  luxe,  printed  on  Japan  paper,  with  plates. 
10  vols.,  8vo,  half  red  levant,  gilt  top,  uncut  edges. 

2979  Seeley  (L.  B.).     Mrs.  Thrale,  afterwards     Mrs.    Piozzi.     9    portraits. 

London,  1891. 

Large  paper  copy  ;   150  printed. 
Royal  8vo,  half  morocco,  uncut. 

2980  Seguin  (L.  G.).     Rural    England.     Loiterings  among  the   Lanes,  the 

Common-sides,  and  the  Meadow-paths,  etc.,  profusely  and  beautifully 
illustrated,  all  India  paper  impressions.      London,  n.  d. 

Folio,  ornamental  vellum,  mo.saic  sides,  gilt  top,  uncut  edges. 

2981  Seilhamer   (G.   O.).     An   Interviewer's  Album.     Numerous  portraits. 

New  York,  1881. 

Imp.  8vo,  half  calf,  gilt  top,  uncut  edges,  with  the  original  covers. 

2982     History  of  the  American  Theatre.      Philadelphia,  1891. 

4to,  cloth,  uncut. 

2983     History  of  the  American  Theatre.     Philadelphia,  r888. 

4to,  half  red  levant,  gilt  top,  uncut  edges. 

2984  Settle    (l^lkanahj.     The     Empress    of     Morocco.     A   tragedy.     With 

sculptures.     London,  1673. 

The  rare  first  edition,  with  all  the  original  plates,  mounted  on 
folio  paper,  and  rendered  still  more  valuable  by  the  insertion 
of  an  autograph  letter  from  Settle  to  "  Your  Grace,"  and  the 
following  portraits  :  Nell  (iwyn,  by  Valck  (the  large  print)  ; 
Charles  II.,  by  Boel  ;  Davenant,  by  Faithorne  ;  James  II.,  by 
Bouttats,  etc.  From  the  collection  of  John  Dillon. 
Folio,  half  red  morocco. 

2985  Seward  (Miss).      Monody  on  Major  .Andre,  etc.      Edited  by  Iv  Giddy. 

Penzance,  1S09. 

i2mo,  half  red  morocco. 

2986  Seymour  (Robl.).      Humorous  Sketches.     86  caricatures  illustrated  in 

prose  and  verse,  by  Alfred  Crowquill.      London,  1872. 
Royal  8vo,  half  red  morocco  extra,  gilt  edges. 
307 


2087  SHAKESPEARE  (William).  MR.  WILLIAM  SHAKES- 
PEARES  COMEDIES,  HISTORIES,  AND  TRAGEDIES. 
Jaggard  and  Blount,   London,   1623. 

An  exceedingly  good  copy  of  the  First  Folio,  measuring  12J/8  by 
8j/6  inches.  The  verses  opposite  the  title  are  inlaid,  and  the 
title  and  last  leaf  partly  remargined.  The  Droeshout  portrait  is 
a  brilliant  impression,  and  the  text  is  sound  throughout. 
Folio,  red  levant  morocco  extra,  gilt  edges,  by  IJedford,  in  a 
brown  levant  case. 

2988  COMEDIES,  HISTORIES,  AND  TRAGEDIES.  The  sec- 
ond impression.  Portrait  by  Droeshout,  and  verses  facing.  Printed 
by  Tho.  Cotes,  for  Robert  AUet.     1632. 

A  fine  copy  of  the  Second  Folio,  measuring  1 2^4  by  8}^  inches. 
Folio,  red    levant  morocco   extra,  gilt  edges,  by  Bradstreets,  in 
brown  levant  case. 

2989 A  Portion  of  the  Second  Folio. 

Hamlet. 

As  You  Like  it. 

Twelfth  Night. 

Much  Ado  About  Nothing.     London,  1632. 

4  vols.,  folio,  half  morocco. 

2990     COMEDIES,   HIS  TORIES,  AND  TRAGEDIES.     The  third 

impression.     London,  printed  for  P.  C,  1664. 

Fine,  perfect  copy  of  the  Third  Folio,  with  the  Droeshout  portrait, 
and  verses  underneath.     Size,  13  by  S^{  inches. 

Folio,  red  levant  morocco  extra,  gilt  edges,  by  Bradstreets,  in 
brown  levant  morocco  case. 

2991     COMEDIES,     HISTORIES,    AND     TRAGEDIES.     .     .     . 

Unto    which    is  added,  seven    plays  never    before   printed   in    folio. 
London,  printed  for  H.  Herringman,  etc.,  1685. 

The  fourth  edition. 

Fine  copy  of  the  Fourth  Folio,  133,^  by  9  inches,  with  portrait  and 

verses. 
Folio,  red  levant  morocco  extra,  gilt  edges,  by  Bradstreets,  in  a 

brown  levant  case. 

2992     LOUES   LABOURS  LOST.     A  Wittie  and  Pleasant  Comedie. 

London,  printed  by  W.  S.  for  John  Smethwicke,  1631. 

The  second  edition,  of  great  rarity. 
4to,  old  calf. 

2993     Plays,  with  Supplement.     Notes,  etc.,  by  Johnson  and  Steevens. 

Plates.     London,  1778-80. 

T2  vols.,  8vo,  boards,  uncut. 

2994  Plays  and  Poems.  Variorum  edition,  edited  by  Malone.  Por- 
traits and  plates.     London,  1790. 

10  vols,  in  II,  8vo,  calf. 

308 


2995  Shakespeare  (William).     Plaj^s.     Notes   by    Johnson    and   Steevens. 

London,  1793. 

Large  paper  copy,  with  Harding's  plates  (proofs)  inserted. 
15  vols.,  8vo,  red  morocco  extra,  gilt  edges. 

2996     DRAMATIC  WORKS.     The  large  type  Boydell  edition,  with 

all  the  famous  plates.      Bulmer,  London,  1802. 

Unique  copy.  In  addition  to  the  usual  Boydell  plates,  1,300  other 
illustrations  have  been  inserted,  including  over  70  fine  por- 
traits of  Shakespeare,  and  150  others,  including  Jonson, 
Chaucer,  and  Dryden,  by  Vertue  (the  large  series)  ;  Macready 
in  his  various  characters  (India  proofs)  ;  the  Houston  mezzo- 
tint of  Voltaire  ;  Kemble  as  Hamlet,  by  Dawe,  and  as  Corio- 
lanus,  by  Burgess  (mezzotints)  ;  and  many  others  of  actorSy 
commentators,  and  historical  characters.  The  scenic  illus- 
trations comprise  the  Fuseli,  Thurston,  Isaac  Taylor,  Hard- 
ing, Sargent,  Cruikshank  (Falstaff),  Smirke,  Meadows,  Mor- 
timer, Stothard,  and  other  familiar  groups  ;  many  proofs  on. 
India  paper.  In  addition,  the  Miranda  and  Cassandra  heads, 
by  Caroline  Watson  after  Romney  (India  proofs)  ;  colored 
heads  of  Portia  and  Nerissa,  by  Stubbs  ;  the  Reynolds  mezzo- 
tint of  Macbeth,  a  portrait  and  signed  document  of  Pope. 
Clement  VII.,  will  sufficiently  indicate  the  importance  of  the 
illustrations. 

19  vols.,  royal  folio,  half  red  morocco  extra,  gilt  top,  uncut  edges, 
by  Bradstreets. 

2997     Plays.     Revised  by  J.  P.  Kemble.     London,  1804. 

Autograph  letter  of  J.  P.  Kemble  inserted. 

2  vols.,  8vo,  green  calf,  one  cover  loose. 

2998     Dramatic  Works.     Whittingham,  Chiswick,  1823. 

One  of  the  few  copies  printed  on  India  paper. 

Crown  8vo,  inlaid  morocco,  back  and  sides  richly  tooled,  gilt  top, 
uncut  edges,  by  Vogel. 

2999     Dramatic  Works,  Poems,  and   Doubtful    Plays,  with    Biography. 

Profusely  illustrated.     I^ondon,  1839,  ^^c. 

Knight's  original  edition. 

8  vols.,  royal  8vo,  cloth,  uncut. 

3000     The    WORKS    of.      The    famous    Halliwell    folios,   beautifully 

printed,  with    numerous  facsimiles,  and    elucidatory  illustrations    by 
Fairholt.      London,  1853-65. 

Limited  to  150  copies  ;   No.  133. 

16  vols.,  folio,  original  half  green  morocco,  gilt  top,  uncut  edges. 

3001     Plavs.       Edited    by    Vcrplanck.       Profusely    illustrated.       New 

York,  1847. 

With  Hart's  discourse  on  Verplanck  inserted. 

3  vols.,  royal  8vo,  half  calf. 

309 


3002     Shakespeare  (William).    Dramatic  Works.    With  60  cuts.     Tilt,  Lon- 
don, 1836. 

Crown  Svo,  olive  levant  morocco,  gilt  edges. 

-JO03     Complete  Works.     Portrait,  and  wood-cuts  by  Anderson.     Cool- 
edge,  New  York,  1851. 

Anderson  was  77  years  old  when  he  executed  these  wood-cuts. 
Svo,  morocco. 

3004     Ashbee's  Facsimile  Quartos.     London,  1871. 

The  exceedingly  small  issue  of  this  series,  and  the  vouchers  in 
each  volume,  must  always  justify  their  high  price. 

42  vols.,  4to,  half  morocco. 

3005     Quarto  Facsimiles.     Edited  by  Furnival,  Griggs,  and  Praetorius. 

London,  1885-91. 

43  vols.,  small  4to,  half  morocco. 

3006     Works.     New    variorum    edition  by  Horace    Howard    Furness. 

Philadelphia,  1871-98. 

13  vols.,  Svo,  cloth. 

3007     WORKS.     Edited  by  Irving  and  Marshall.     London,  1888. 

Although  used  as  a  working  copy,  this  Shakespeare  is  the  (Edition 

de  luxe,  of  which  but  150  were  printed.  The  inserted  illustra- 
tions (5,000)  not  only  exhaust  the  various  series  of  plates  known 
to  collectors,  but  they  have  been  supplemented  with  rare  por- 
traits of  distinguished  actors  and  actresses  in  great  profusion, 
score  of  the  incidental  music,  fine  views  and  scenic  plates,  of 
which  many  hundred  are  on  India  paper  and  other  proof  states. 
The  play-bills  are  representative  of  English  and  American  per- 
formances ;  tlie  costume  plates  are  chiefly  from  Racinet's  au- 
thoritative work,  and  the  autograph  letters  represent  Fairholt 
the  artist,  Verplanck  the  commentator,  Halliwell,  Warburton, 
Malone,  Douce,  Cowden  Clarke,  Schlegel,  Nathan  Drake, 
Britton.  Dr.  Farmer,  Isaac  Reed,  Steevens,  Chalmers,  and 
others  of  equal  importance. 
42  vols,  (extended  from  8),  half  citron  leather,  inlaid  back,  gilt 
top,  uncut  edges. 

3008     Comedies,  Histories,  and  Tragedies.     Edited  by  Appleton  Mor- 
gan.    Shakespearean  Society,  New  York,  1888-92. 

Bankside  edition. 

20  vols.,  Svo,  original  boards,  uncut. 

3009     Works.      London,  1891. 

Mignon  edition  ;  500  printed. 
6  vols.,  post  Svo,  cloth,  uncut. 

3010     The    Comedies    of.     With    many  drawings   by    Edwin    Abbey. 

Harper,  New  York,  1896. 

4  vols  ,  royal  Svo,  original  covers,  gilt  top,  uncut  edges. 

310 


30II     Shakespeare  (William).     Romeo  and  Juliet.     Illustrated   by  Wagrez 
and  Titz.     New  York,  1892. 

Japan  paper;  50  printed,  with  plates  in  two  states. 
8vo,  original  covers. 

^012     Romeo  and  Juliet.     With    12  fine   illustrations  by  W.  Dicksee. 

London,  1884. 

Royal  4to,  half  lilue  levant  morocco  extra,  gilt  top. 

2013     Hamlet.     Text  of  First  Edition.     London,  1825. 

8vo,  original  covers,  uncut  edges. 

2014.     Hamlet.     Arranged  by  Wilson  Barrett.     London,  1884. 

8vo,  paper. 

2015     Hamlet,  and  As  You  Like  It.    Specimen  of  an  edition,  by  Thos. 

Caldecott.     London,  1832. 

An  interesting  presentation  letter  enclosed. 
Royal  8vo,  calf. 

-JO16     Midsummer  Night's  Dream.     Illustrated  by  R.  A.  Bell.    London, 

i«95- 

Large  paper  copy  ;  25    printed  for  America,  with  plates  in  two 

states. 
4to,  cloth,  uncut. 

-JO17     The  Midsummer  Night's  Dream.    As  arranged  by  Augustin  Daly. 

Tinted  photogravures.     New  York,  1888. 
4to,  paper. 

3018     Taming  of  the  Shrew.     As  arranged  by  Aug.  Daly.     New  York, 

1887. 

Unique  copy  on  large  paper,  with  23  original  water-color  draw- 
ings by  Eugene  Grivaz,  and  3  photogravures. 

Royal  8vo,  half  red  levant  morocco,  gilt  top,  uncut  edges,  by 
Stikeman. 

3019     Taming  of  the  Shrew.     8  photogravures  of  the  Daly  production. 

New  York,  1887. 

4to,  parchment. 

Taming  of  the  Shrew.     Edited  by  C.  E.  Flower.     London.  18—. 

Presentation  copy  from  the  editor. 
Post  8vo,  cloth. 


3020 


3021 


The  Shrew's  Centenary.     A  Reminiscence  of  the  13th  of  April. 

by  one  of  the  invited.     [The  Daly  Supper.]     New  York,  18S7. 

Privately  printed  (50  copies),  and.  in   this  copy,  decorated   with 

13  original  water-color  drawings  by  Eugene  Grivaz. 
Royal  8vo,   half  red   levant   morocco,  gilt   top,  uncut  edges,  by 
Stikeman. 

3" 


■3022     Shakespeare  (William):     King  Lear.     London,  1770. 
Forrest's  copy,  with  MS.  notes. 
8vo,  half  green  morocco. 

3023     Scenes    from    a    ^Vinter's  Tale.     Illustrated    by    Owen    Jones. 

London,  n.  d. 

4to,  cloth. 

3024     Love's  Labor's  Lost.    Arranged  by  Aug.  Daly.   New  York,  1891. 

Unique  copy,  on  large  paper,  illustrated  with  18  original  water- 
color  drawings  by  Eugene  Grivaz. 

Royal  8vo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

3025     Antony  and  Cleopatra.  With  17  illustrations  by  Paul  Avril.   New 

York,  1 89 1. 

Japan  paper  copy  ;  50  printed,  with  the  illustrations. 

Royal  8vo,  half  blue  levant  morocco  extra,  gilt  top,  uncut  edges. 

3026     The  Tempest.      Illustrated  by  Birket  Foster,  Dore,  and  others, 

London,   18 — . 

4to,  cloth. 

3027     The  Merchant  of  Venice,  as  produced  by  Edwin  Booth.     A  new 

adaptation  by  H.  L.  Hinton.     New  York,  1867. 

Unique  copy,  with  67  portraits,  play-bills,  etc.,  inserted,  many  of 

considerable  rarity. 
Imp.  8vo,  half  blue  levant  morocco  extra,  gilt  top,  uncut  edges. 

3028     As  You  Like  It.    As  arranged  by  Augustin  Daly.   Photogravures. 

New  York,  1890. 

Unique  copy,  with  55  pages  beautifully  embellished  with  water- 
color  drawings  by  Eugene  (invaz. 

Royal  8vo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

3029     Twelfth  Night.     Arranged  by  Augustin  Daly.     New  York,  1893- 

Unique  copy,  with  29  beautiful  original  drawings  in  water  color 

by  Eugene  Grivaz. 
Royal  8vo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges, 
by  Stikeman. 

3030     Shakespeare's  Plays.     Collection  of  the  Vocal  Music  in.      En- 
graved from  the  early  copies,  with  illustrations.     London,  n.  d. 

2  vols.,  royal  8vo,  cloth. 

3031     Richard  the  Third,  and  the  Primrose  Criticism.     Chicago,  1887. 

Unique  copy,  with  80  portraits  inserted,  some  on  India  paper. 
4to  (i2mo),  half  red  morocco  extra,  gilt  top. 

312 


3032  Shakespeare  and  his  Commentators.     A  remarkable  collection  of 

portraits  and  autograph  letters,  etc.,  including  15  India  proof  por- 
traits of  Shakespeare  (the  Wivell  series  before  letters),  autograph  let- 
ters of  Lewis  Theobold,  Steevens  (3),  Reed  (2),  Malone  (2),  Mason, 
Farmer,  Douce  (2),  Charles  and  Mary  Cowden  Clarke,  J.  Payne  Col- 
lier (2),  etc.  The  portraits  of  Isaac  Reed  (mezzotint),  Douce,  and 
others  accompany  the  letters. 

Royal  4to,  half  morocco,  from  the  Dillon  collection. 

3033  Shakespeare  Memorials.     The  Poet's  Will  and  other  Memorials  in 

facsimile,  with  notes  by  H.  Staunton.     London,  18 — . 
Folio,  cloth. 

3034     At  Stratford-on-Avon.     10  large  photographs.     London,  18 — . 

Royal  folio,  boards. 

3035  Shakespeare.      Jubilee   at   the    Theatre   in   Waterford.      VVaterford, 

1773- 

i2mo,  half  calf. 

3036  SHAKESPEARE  AND  HIS  TIMES.     Including  a  Biography 

of  the  Poet,  etc.,  by  Nathan  Drake.     London,  1817. 

Unique  copy,  the  original  2  volumes  inlaid  and  extended  to  5 
(with  special  letter-press  and  illuminated  title-pages)  by  the 
insertion  of  500  portraits  of  Shakespeare  and  his  contempora- 
ries, views  of  Stratford  and  London,  scenes  from  the  plays, 
etc.  The  prints  are  frequently  on  India  paper,  and  some  are 
rare  copper-plates.  Among  the  rarer  prints  may  be  mentioned 
mezzotints  of  James  I.  on  horseback,  by  Turner,  and  Henry, 
Prince  of  Wales,  by  Dunkarton,  both  proofs,  the  fine  Piartolozzi 
engraving  of  Imogen's  Slumber,  2  early  portraits  of  Queen 
Elizabeth,  etc. 

5  vols.,  royal  4to,  half  green  levant  morocco  extra,  gilt  top. 

3037  Shakespeare  Portraits.     A  Collection  of  Portraits  of  Shakespeare 

from  the  earliest,  engraved  by  Droeshout,  to  those  of  our  own  times. 
Embracing  nearly  1,000  prmts,  selected  impressions,  and  many  on 
India  paper,  together  with  the  text  of  I'oaden's  Inquiry.  Collected 
by  Benj.  Moran. 

If  we  except  the  first  issue  of  the  Droeshout  portrait  and  the 
original  of  the  Marshall  print,  this  collection  may  be  called  per- 
fect. 
8  vols.,  royal  folio,  half  red  levant  morocco,  by  Riviere. 

3038  Shakespeare   Portraits  and   Illustrations.     A  Collection  of  246 

engravings  of  Shakespeare,  his  Mf)mes  and  his  Haunts,  including 
many  India  proof  plates  and  other  prints  valued  for  tiieir  excellence 
as  well  as  rarity. 

2  vols.,  royal  folio,  half  red  morocco. 

313 


3039  Shakespeare.     Citation  and  Examination  touching  Deer-Stealing,  by 

W.  S.  Landor.      London,  1834. 
Crown  8vo,  boards,  uncut. 

3040  Shakespeare  Almanack  for  1850,  with   Essay  by  J.  W.  Lethbridge. 

London.  1S50. 

i2mo,  boards. 

3041  Shakespeare  Illustrations.     Dramatic   Souvenir.      200   wood-cuts. 

London,  1833. 

Crown  Svo,  half  red  levant,  gilt  top. 

3042  Shakespeare.     New  Readings  of  Old  Authors,   illustrated  by  Robert 

Seymour.     London,   1841. 

4  vols.,  i2mo,  half  green  levant,  gilt  edges,  by  Riviere. 

3043  Shakespeare    Society  (New  York).      Time  in  the  Play  of  Hamlet. 

Digest  of  Shakespeareana.     New  York,  1886-7. 

3  parts,  i2m:io,  original  covers,  uncut. 

3044     Renan     (Ernest).       Caliban.       Translated    by    Eleanor   Grant 

Vickery.     New  York,  1896. 

8vo,  boards,  uncut  edges. 

3045  Shakespeare.     Lenox  Library  Catalogue.     New  York,  1880. 

4to,  half  blue  levant,  gilt  top,  uncut  edges. 

3046  Shakespeare  Forgeries. 

Practically  the  comj^lete  Fabrications  of  Ireland — soiled,  scorched, 
mutilated,  time-stained,  and  otherwise  calculated  to  deceive. 

The  first  volume  of  this  collection  of  Ireland's  original  forgeries 
consists  of  fabricated  drawings,  autographs,  and  the  text  of 
Kynge  Lear.  The  second  volume  concerns  the  play  of  "  Ham- 
''  blette,"  and  the  third  the  invented  "Vortigern." 

Although  Ireland,  during  his  incarceration,  was  prone  to  give 
proofs  of  his  handiwork — for  a  consideration — these  are  the 
actual  originals  in  all  their  completeness;  and  as  a  monument 
of  misdirected  skill  and  genius  they  have  no  peer. 

3  vols.,  royal  folio,  russia,  the  first  volume  with  two  metal  clasps. 

3046a     The  Confessions  of  William  Henry  Ireland  and  his  Fabrication 

of  the  Shakespeare  Papers.     London,  1805. 

Unique  copy,  containing  some  of  the  forged  documents  and  let- 
ters, a  letter  of  Ireland's,  and  several  plates. 

Folio  (i2mo),  half  brown  morocco  extra. 

314 


3046b    Shakespeare  Forgeries. 

A  Full  and  I  "explanatory  Account,  in  manuscript,  of  the  Shakes- 
pearean Forgery,  being  a  most  amusing  and  singularly  inter- 
esting literary  curiosity,  entirely  in  the  handwriting  of  the 
author,  VV.  H.  Ireland. 

This  volume  contains  some  of  the  pretended  original  documents. 
contracts,  and  indentures  of  Shakespeare — Love  Letter  of 
Anne  Hathaway — The  lock  of  her  hair,  etc.,  as  exhibited. 
There  are  besides  many  other  drawings  and  engravings,  includ- 
ing the  following:  2  by  R.  Westall,  R.A.,  a  portrait  of  W.  H. 
Ireland,  and  characters  in  "  The  Gentle  Shepherd,"  as  repre- 
sented in  Arundell  Street,  January  15,  1878,  containing  11 
full-length  portraits.  Two  beautiful  miniatures  by  his  sister 
Jane,  on  ivory — one  a  portrait  of  W.  H.  Ireland,  the  other  of 
Inigo  Jones.  Among  the  drawings  by  Samuel  Ireland  arc 
portraits  of  Bolingbroke,  Mrs.  Sheridan  (Miss  J.  Linley),  and 
Miss  A.  M.  Ireland,  Garrick  as  Richard  the  Third,  and  the  set 
of  private  etchings  relating  to  his  family.  Besides  the  Shakes- 
pearean matter,  there  are  some  curious  particulars  respecting 
Chatterton.  with  a  tale  in  the  style  of  Chaucer,  and  the  original 
letters  which  passed  between  VV.  H.  Ireland,  John  Kcmble,  and 
Mr.  Harris  concerning  the  tragedy  of  "  Martino  Scsevola." 

Folio,  russia. 

3046c     IRELAND'S  ORIGINAL  MANUSCRIPT  of  nearly  200  pages. 

Folio,  half  red  morocco. 

3046(1 Miscellaneous  Papers  and   Legal  Instruments  under  the  hand 

and  seal  of  William  Shakespeare,  etc.,  in  the  possession  of  Samuel 
Ireland.     London,  1796. 

Macready's  copy  of  the  famous  Ireland  Forgeries. 

Royal  folio,  half  morocco. 

3047  Sharp  (Evelyn).     VVymps.     8  colored  illustrations.     New  York,  1897. 

8vo,  cloth. 

3048  Shaw  (Bernard).     Plays.     Portrait.     New  York,  1898. 

2  vols.,  i2mo,  cloth. 

3049  Shaw  (Henry).    Dresses  and  Decorations  of  the  Middle  Ages.    Colored 

plates,  etc.      Pickering,  London,  1843. 
2  vols.,  imp.  8vo,  half  blue  morocco. 

3050     Sj)ecimens    of   Ancient    Furniture.     74    plates,    some   colored. 

London,  1866. 

4t(),  half  morocco. 

3051     Dresses  and  Decorations  of  the  Middle  Ages.      Colored  plates. 

London,  1858. 

Vol.  I.,  imp.  8vo,  half  morocco. 

3052     Decorative  Arts  of  the  Middle  Ages.     41   plates,  .some  colored 

Pickering,  London,  1851. 

Imp.  8vo,  half  morocco. 

315 


3053  Shea  (John  Ciilniary).       The  Catliolic  Church  in  Colonial  Days.     1886. 

Life  and  Times  of  Abp.  John  Carroll.      1888. 

History  of  the  Catholic  Church  in  the  U.  S.     2  vols.      1890-2. 

4  vols.,  royal  8vo,  cloth,  uncut. 

3054     Memorial    of    the    First    Centenary    of    Georgetown    College, 

D.  C.     Illustrated.     Washington,  1891. 

4to,  cloth,  uncut. 

3055  Shepherd  ( T.  H.).     Modern  Athens.    Edinburgh.    Steel  plates.     Lon- 

don, 1832. 

4to,  half  morocco. 

3056  Sheppard   (Edgar).     Memorials   of    St.    James's  Palace.     Illustrated. 

London,  1894. 

2  vols.,  8vo,  cloth,  uncut. 

3057  SHERIDAN  (Richard  Brinsley).    MEMOIRS  OF  THE  LIFE  OF, 

BY  THOMAS  MOORE.     London,  1825. 

Unique  copy  of  the  first  edition  inlaid  to  folio  size  and  illustrated 
by  the  insertion  of  400  portraits,  views,  autograph  letters,  etc., 
with  supplementary  text  comprising  memoirs  extracted  from 
various  sources,  manuscript  correspondence  addressed  to  Sheri- 
dan, play-bills  and  documents  relating  to  the  theatre,  carica- 
tures, and  letters  of  the  Linley  family.  Collected  for  James 
McHenry. 

The  original  drawings  in  this  volume  include  portraits  of  Mad. 
de  Maintenon,  Lee  Lewes,  Fearon,  Dr.  Arne,  Mattocks,  Yates, 
Keasberry,  Quick,  Miss  Lessingham,  Bp.  Horsley,  Lord 
Cochrane,  Duke  of  Norfolk,  etc. 

The  autograph  letters  comprise  much  of  Miss  Linley 's  (Mrs. 
Sheridan)  correspondence  both  before  and  after  marriage, 
Sheridan's  letters  and  endorsements  of  theatrical  plans  for 
various  seasons,  warrants  of  arrest,  an  entire  volume  of  family 
correspondence,  the  Linley  letters,  and  interesting  communica- 
tions from  'I'homas  Moore,  Dean  Swift,  Saml.  Johnson,  Fox, 
Burke,  Pitt,  Lord  North,  Burgoyne,  Grattan,  George  III., 
Lord  Grafton,  Mrs.  Fitzherbert,  Duchess  of  Devonshire,  Duke 
of  Portland,  Vanbrugh,  Lady  Craven,  Lord  Mansfield,  and 
many  other  famous  persons ;  also  the  original  subscription  list 
for  Johnson's  monument. 

Among  the  more  valuable  prints,  may  be  mentioned  2  beautiful 
colored  engravings,  the  Death  of  Rolla  and  companion  piece; 
several  colored  caricatures,  by  Gilray,  etc.;  fine  mezzotint 
portraits  of  Wycherley,  Congreve,  Colley  Cibber,  Lord  North 
(proof),  Pitt,  Richard  Burke  (proof),  Thos.  Grenville,  Mrs. 
Sheridan,  Miss  Brown,  Duchess  of  Devonshire,  Garrick  as  the 
Auctioneer,  and  many  others,  by  McArdell,  Smith,  Faber, 
Laurie,  etc.,  and  some  superb  prints,  by  Bartolozzi.  A  printed 
index  closes  the  book. 

9  vols.,  royal  folio,  red  levant  morocco  extra,  gilt  edges,  by 
Riviere. 

316 


3058  SHERIDAN.      THE    SCHOOL  FOR  SCANDAL.      The  original 

manuscripl  in  the  handwriting  of  Sheridan,  with  the  note  submitting 

the  same  to  the  Lord  Chamberlain,  May  7,  1777. 

The  genuineness  of  this  famous  MS.  is  guaranteed  by  the  evidence 
of  Geo.  Chetwynd,  who  acquired  it  through  his  grandfather. 
"Examiner  of  all  entertainments,  etc.,"  under  the  Lord  Cham- 
berlain. It  was  nearly  destrcn-ed  by  fire  in  1834  while  in  the 
hands  of  the  bookbinder  Fairburn,  and  is  slightly  scorched  at 
the  edges,  but  it  is  now  protected  and  remargined.  Some 
original  bills  of  the  play  and  portraits  of  Sheridan  and  Mrs. 
Abington  have  been  added.  The  text  shows  that  the  char- 
acter of  a  Mrs.  Verjuice  was  largely  cancelled. 
4to,  russia,  blind  tooled,  with  the  Chetwynd  arms  on  the  sides. 

3059     School   for  Scandal.       A  prompt  book  used  at  the    Old    Bath 

Theatre,  with  notations  of  a  famous  actor. 

A  letter  from  Mr.  H.   Roll  to   Halliwell-Phillipps   explains    its 

probable  history. 
8vo,  half  brown  morocco. 

3060     The  School  for  Scandal.     Printed  for  the  booksellers,  1786. 

i2mo,  blue  levant. 

3061     School  for  Scandal.    Arranged  by  Aug.  Daly.     New  York.  1891. 

Unique  copy  on  large  paper,  with  23  original  water-color  draw- 
ings by  Eugene  Grivaz, 

Royal   8vo,  half  red    levant   morocco,  gilt   top,  uncut  edges,   by 
Stikeman. 

3062     The  School  for  Scandal,  and  Tiie  Rivals.     Illustrated  by  Sul- 
livan.    London,  1896. 

Po.st  8vo,  cloth. 

3063     The  Critick  ;  or,  a  Tragedy  Rehearsed.      A  literary  catchpenny. 

London,  1780. 

8vo,  half  green  levant. 
* 

3064     The  Critic.     Engraved  title.     London,  1781. 

8vo,  half  morocco. 

3065     The  Critic.      Engraved  title.     London,  1781. 

Second  edition. 

8vo,  half  blue  levant,  gilt  top. 

3066     Short    Memoir   of,    with    his   "  Begum "    Speech.       Portrait  in- 
serted.    London,  18 16. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

3067  Sheridan  and  his  Times.     By  an  Octogenarian.     London.  1859. 

2  vols.,  crown  8vo,  half  calf. 
317 


3o68     Sheridaniana.     12  portraits  inserted.     London,  1826. 
Crown  8vo,  half  green  morocco,  gilt  top. 

■J069     Anecdotes  of  the  Life  of  R.  B.  Sheridan.     London,  1826. 

Portraits  and  (inserted)  a  large  colored  caricature. 
Crown  8vo,  half  calf,  gilt  top,  uncut  edges. 

3070  Sheridan  vs.  Gibber.     The  Buskin  and  Sock.     Controversial  letters 

between  Tom  Sheridan  and  Theop.  Cibber.     London,  1743. 
8vo,  half  blue  levant,  gilt  top. 

3071  Sheridan    (Gen.   W.   T.).     Memoirs  of.     Portraits   and    maps.     New 

York,  1887. 

Presentation  copy  from  the  author. 
2  vols.,  8vo,  cloth. 

3072  Sherman  Letters.     Correspondence   between   General  and   Senator 

Sherman.      1837-1891.  '  Portraits.     New  York,  1894. 

8vo,  cloth,  uncut. 

3073  Sherwood  (M.    E.    W.).      An    Epistle    to    Posterity.     Portrait.     New 

York,  1897. 

8vo,  cloth. 

3074  Shirley  (Wm.).     Brief  Remarks  on  the  Drama,  and  Hecate's  Prophecy. 

London,   1758. 

An  attack  on  Garrick.        - 
8vo,  half  red  morocco. 

3075  Shorter    (Clement    K.).     Charlotte   Bronte  and    her  circle.     Portrait. 

New  York,  1896. 

8vo,  cloth,  uncut. 

3076  Shrewsbury.     History  of.     Many  fine  plates.     London,  1825. 

2  vols,  in  I,  4to,  half  calf. 

3077  Shuh  Che,  Leang.     An  English  and  Chinese  Dictionary,  in  the  Court 

dialect.     Canton,  1878. 

8vo,  half  morocco. 

3078  Sickels  (David   Banks).     Leaves  of  the    Lotos.     Portrait,  etc.     New 

York,  1895. 

Presentation  copy  from  the  author. 
i2mo,  cloth,  uncut  edges. 

3080  Siddons  (Henry).     Rhetorical  Gesture  and  Action.     69  plates.     Lon- 

don, 1822. 

Second  edition,  improved. 

8vo,  half  red  levant,  gilt  top,  uncut  edges. 

3081     Rhetorical  Gesture  and   Action.      Numerous    plates.     London, 

1807. 

8vo,  half  red  levant,  gilt  top,  uncut  edges. 

318 


3082  Siddons  (J.  H.).     The  Shakesperean  Referee.     Washing^ton,  1886. 

i6mo,  cloth. 

3083  Siddons  (Mrs.).     The  Beauties  of,  etc.,  by  a  lady  of  distinction.      Lon- 

don, 1786. 

8vo,  half  calf,  gilt  top. 

3084     Dramatic  Characters  of.     Edinburgh,  1812. 

8vo,  half  morocco,  uncut  edges. 

3085     Various    cuttings,   etc..    including    Play-bill,   1801  ;  Beauties  of 

Mrs.  Siddons,    1786;    Mrs.   Galindo's  Letter  to  Mrs.  Siddons,    1809, 
etc.     Several  portraits  inserted. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

3086     Mrs.  Galindo's  Letter  to.     Several  portraits,  etc.,  inserted.    Lon- 
don, 1809. 

8vo,  half  morocco. 

3087  Siddons  (Sarah).     Remarks  on  Mrs.  Siddons  in  some  of  her  principal 

characters.     Dublin,  1784. 
8vo,  half  calf,  gilt  top. 

3088  Siege  de  Paris    (Souvenirs  du).     Les  Defenseurs  de  la  Capitale  par 

Draner.     32  colored  plates.     Paris,  n.  d. 

4to,  boards. 

3089  Sienkiewicz  (Henryk).     Quo  Vadis.     Translated  by  J.  Curtin.     Afaps, 

portrait,  and  plates.     Boston,  1897. 
Large  paper  copy  ;  250  printed. 
2  vols.,  8vo,  vellum,  uncut  edges. 

3090  Silsby  (M.  R.).     Tributes  to  Shakespeare.     New  York,  1892. 

i6mo,  cloth. 

3091  Simrock  (M.   Karl).     Remarks   on  the    Plots  of  Shakespeare's  Plays. 

Shakespeare  Society,  London,  1850. 
8vo,  unbound. 

3092  Singer  (S.  W.).    Text  of  Shakespeare  Vindicated  from  J.  Payne  Collier. 

Pickering,  London,  1853. 
8vo,  cloth,  uncut. 

3093  Skelton    (John).  .     Mary    Stuart.       Colored    and    other    illustrations. 

Boussod,  Valadon  &  Co.,  Paris,  1893. 

4to,  half  brown  levant,  gilt  top,  uncut  edges. 

3094     Charles  L     Colored  and  other  illu.stration.s.     Goupil,  I'aris,  1898. 

4to,  half  brown  levant,  gilt  top,  uncut  edges. 

3095  Skelton  and  Hope.      Tlie  Royal  House  of  Stuart.    40  plates  in  colors, 

from  Stuart  rebcs,  by  W.  Gibb.      London.  1890. 
Royal  4to,  half  olive  morocco,  gilt  top. 
319 


3096  Sketch  (The).     Profusely  illustrated.     London,  1893-4. 

2  vols.,  folio,  cloth  (vols.  3  and  4). 

3097  Skylark,  Thrush,  and  Nightingale.     A  choice  .selection  of  the  most 

admired   popular   Songs  arranged  for   the  \iolin.   Flute,  and   Voice. 
Vignettes  by  Corbould.     London,  1825,  etc. 

3  vols.,  post  8vo,  half  red  morocco,  scarce. 

3098  Slater  (J.  H.).     The   Romance  of  Book-coUectmg.     N.  Y.  [London], 

iSgS.  " 

Post  8vo,  half  brown  levant  morocco,  gilt  top,  uncut  edges. 

3099  Sloane  (Wm.  M.).      Life  of   Napoleon  Bonaparte.     Colored  and  other 

plates,  etc.     New  York,  1896. 

4  vols.,  imp.  Svo,  half  red  morocco,  gilt  tops. 

3100  Smalley  ((ieorge  W.).     London  Letters  and  some  others.     New  York, 

1891. 

2  vols.,  8vo,  cloth,  uncut. 

3101  Smiles  (Saml.).     Memoir  and  Correspondence  of  John  Murray.     Por- 

traits.    London,  1891. 

2  vols.,  Svo,  cloth,  uncut. 

3102  Smith  (Alex.).     Memoirs  of  the  Life   and  Times   of  Jonathan  Wild. 

Plates  on  copper.     London,  n.  d. 
i2mo,  half  morocco. 

3103  Smith   (C.  W.).     Hints  on  Elocution.     London,  1850. 

Svo,  half  green  levant. 

3104  Smith   (F,   Hop.).     Well-Worn    Roads   of   Spain,    Holland,  and   Italy. 

Illustrated.     Boston,  1891. 

Presentation  copy  from  the  author. 
i6mo,  cloth. 

3105     Colonel  Carter  of  Cartersville.     Illustrated.     Boston,  1892. 

Presentation  copy  from  the   author,  with  an  ornamental  inscrip- 
tion. 

i6mo,  cloth. 

3106     A  Day  at  Laguerre's.     Boston,  1892. 

i2mo,  boards,  uncut. 

No.  25  of  250  copies.     Autograph  signature. 

3107  Smith  (Certrude).     The  Arabella  and   Araminta  Stories.     15  illustra- 
.^'  tions.     Boston,  1S95. 

4to,  cloth. 

3108  Smith  (Ci.  C).     Narrative   of  the   Falling  of  the  Brunswick  Theatre, 

etc.     Wood-cuts.     The  6  parts  complete.     London,  1828. 
Post  Svo,  half  morocco,  uncut  edges. 
320 


3109  Smith  (Horace).     The    Tin   Trumpet  ;  or,  Heads  and  Tales  for  the 

Wise  and  Waggish.  With  Poetical  Selections  by  Paul  Chatfield, 
M.  D.  [/.  c,  Horace  Smith] .     Portrait.     London,  1836. 

2  vols.,  crown  8vo,  polished  calf  e.xtra,  gilt  top,  uncut  edges, 
by  Riviere.     [See  Thackeray.] 

3110  Smith  (Horace   and   James).     Rejected  Addresses  ;  or,  the  new  Thca- 

trum  Poetarum.     London,  1813. 

13  interesting  portraits  have  been  added. 
8vo,  half  blue  morocco,  gilt  top,  uncut  edges. 

3111     Rejected  Addresses.     London,  1812. 

First  edition. 

Post  8vo,  red  morocco,  gilt  top,  uncut  edges. 

31 12     Rejected  .\ddresses.     Portraits.     London,  1852. 

Post  8vo,  half  green  calf,  gilt  top. 

3113  Smith  (J.  T.y.     Cathedral  Bells.     A  souvenir  of  St.  Patrick's  Cathedral. 

illustrated.     New  York,  n.  d. 
Oblong  4to,  boards. 

31 14  Smith  (J.  C).      British    Mezzotint   Portraits.     Numerous  autotype   re- 

productions.     London,  i  884. 
4  vols.,  royal  8vo,  cloth. 

31 15  Smith  (J.  T.).     Antiquities  of  London  and  Westminster,   and   Antient 

Topography  of  London.  With  all  the  fine  plates  in  color,  aquatint, 
etc.     London,  1 791-1807. 

The  author's  own  copy,  with  a  large  number  of  valuable  and  in- 
teresting plates  added. 

4  vols.,  4to,  half  green  morocco. 

3116  Smith  (J.    F.).     Novels.     Woman  and  her  Master;  The  Will  and  the 

Way  ;   Minnigrey  ;  Chronicle  of  the   Heiress  ;  Cromwell,   and   Stan- 
field  Hall.     Wood-cuts  after  Sir  John  Cilbert.     London,  1888-9. 
6  vols.,  8vo,  boards. 

3117  Smith  (Sol).     Theatrical  Apprenticeship.   Wood-cuts  by  Darley.  Phila- 

delphia, 1845. 

i2mo,  half  blue  levant,  gilt  top,  uncut  edges. 

31 18     Theatrical  Journey-Work,  etc.     Portrait.     Philadelphia,  r'^54. 

i2mo,  half  blue  levant,  gilt  top. 

3119  Smith    (William).     Morley  ;    Ancient    and    Modern.     130  illustration.s. 

London,   1886. 

Presentation  copy  from  the  autiior. 
8vo,  cloth. 

3120     Old  Yorkshire.     Illustrated.     London,  1S91. 

8vo,  cloth. 

21  321 


3121  Smith  (William).     A   Yorkshireman's   Trip  to  the  United  States  and 

Canada.      140  illustrations.     London,  1892. 
8vo,  cloth. 

3122  SMITH  AND    FISKE.     THE    PRESIDENTS    OF    AMERICA. 

A  series  of  Original   Steel  Engravings,  with    Biographical  Sketches, 

etc.     Boston,  1879. 

Unique  copy,  with  autograph  letters  of  all  the  Presidents  in- 
serted, and  30  additional  portraits,  includmg  the  Washington 
published  by  G.  Thompson, 'in  1797.  Autograph  letters  of 
the  Vice-Presidents  are  also  included,  with  their  portraits  ;  also 
autograph  letters  and  portraits  of  Aaron  Burr,  Geo.  Clinton, 
W.  H.  Crawford,  F..  Gerry,  John  (xaillard,  Danl.  I).  Tomp- 
kins, H.  L.  White,  Saml.  Southard,  W.  P.  Mangam,  G.  M. 
Dallas,  W.  R.  King,  D.  R.  Atchison,  J.  C.  Breckenridge, 
Lafayette  S.  Foster,  B.  F.  Wade,  T.  W.  Ferry,  David  Davis, 
G.  F.  Edmunds,  John  Sherman,  J.  J.  Ingalls,  Jefferson  Davis, 
A.  H.  Stephens,  S.  J.  'J'ilden,  etc. 
Folio,  half  red  levant  morocco  extra,  gilt-  top,  uncut  edges,  by 
Stikeman. 

3123  Smollett  (Tobias).     Peregrine  Pickle.     London,  1751. 

First  edition. 

4  vols.,  i2mo,  calf. 

3124     Expedition  of  Humphrey  Clinker.     London,  1771  [167 1]. 

First  edition. 

3  vols.,  i2mo,  calf. 

3125  Smyth  (James).     David  Garrick.     London,  18 — . 

i2mo,  half  calf,  gilt  top,  uncut  edges. 

3126  Smythe  (A.  J.).     Life  of  William  Terriss.     Numerous  portraits.     West- 

minster, 1898. 

8vo,  half  calf. 

3127  Soldene  (Emily).     My  Theatrical  and    Musical  Recollections.     7  por- 

traits.     London,  1897. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

3128  Songs.      Dramatic  Muse  ;  or.  Jubilee  Songster.     Canterbury,  n.  d. 

i2mo,  half  calf. 

3129  Songs  of  America 

Tramp  !  Tramp  !  Tramp  !  by  G.  F.  Root. 
Marching  through  Georgia,  by  H.  C.  Work. 
Nelly  was  a  Lady. 
Massa's  in  the  Cold,  Cold  Ground. 

The  Swanee  River,  and  My  Old  Kentucky  Home,  by  S.  C.  Fos- 
ter.    Boston,  etc.,  1888-90. 
6  vols.,  4to,  cloth  (3)  and  morocco. 
322 


3130  Sontag  (Henriette).     Life  of.     4  portraits  inserted.     New  York,  1852. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

3131  Soule  (K.).      Dictionary  of  English  Synonyms.     Boston,  1898. 

i2mo,  cloth. 

3132  Southey  and  Lamb.     An  interesting  original  Manuscript  in  the  hand- 

writing of  Southey  and  Lamb,  formerly  the  property  of  Joseph  Cot- 
tle, and  containing  much  that  appeared  in  the  "Annual  Anthology." 
1799-1800. 

A  note  in  the  handwriting  of  J.  Payne  Collier  explains  itself- 
"  Part  of  it  is  in  the  autograph  of  Charles  Lamb  when  he  was 
quite  a  young  man  ;  for  instance,  the  first  poem,  and  one  of 
the  very  best,  'On  a  Quid  of  Tobacco,'  is  by  Lamb,  written  in 
his  neatest  and  earliest  hand." 
8vo,  olive  morocco  e.xtra,  gilt  top. 

3133  Southey  (Robt.).     Amadis  of  Caul,  by  ^'asco  Lobeira.     London,  i<'^'o3 

4  vols.,  i2mo,  half  green  morocco,  gilt  top,  uncut  edges. 

3134  South  Kensington  Handbooks.   Textile  Fabrics:  Animal  Products; 

Furniture    and     Woodwork  ;    Musical    Instruments ;     Maiolica,  and 
Ivories.     Illustrated.     London,  1876-8. 
6  vols.,  crown  8vo,  cloth. 

3135  Souvestre  (Emile).     Brittany  and  La  Vendee.     Edmburgh,  1855. 

i2mo,  half  calf  gilt. 

3136  Spanish  Comedies.      A  collection  of  over  300  of  various  dates. 

45  vols.,  4to,  calf  and  half  vellum. 

3137  SPENCE  (Rev.  Jos.).     ANECDOTES,  OBSERVATIONS,  AND 

CHARACTERS  OF  BOOKS  AND  MEN.  Collected  from  the 
conversation  of  Mr.  Pope,  and  other  eminent  persons.  Edited  from 
the  original  papers,  with  notes,  and  a  life  of  the  author,  by  Samuel 
Waller  Singer.  _  London,  1820. 

Largest  paper,  only  50  copies  printed  for  illustration. 

Extended  from  i  to  4  vols.,  folio,  by  the  insertion  of  over  240 
portraits  and  views,  all  of  which  are  in  proof  condition,  the 
greater  portion  in  an  unlettered  state  ;  also  numerous  engrav- 
ers' proofs,  autograph  letters,  MSS.,  etc.  4  vols,  folio,  olive 
morocco,  super  extra,  gilt  back,  sides,  and  inside  borders,  gilt 
tops,  uncut  edges. 

Among  the  autographs  inserted  in  the  above  will  be  found  the 
originals  of  al!  the  letters  printed  in  the  appendix  (43  in  num- 
ber), as  follows  : 

Alex.  Pope,  i    p.  4to  ;   Christopher  Pitt,  3  pp.  4to  ;    R.   Downcs, 

2  pp.   4to  ;   E.  Young,  4to  ;    S.   Duck,  2    |)ii.  4to  ;    A.  Smyth, 

3  pp.  4to  ;  the  same,  3  pp.  4to  ;    Lord   Middlesex,  3  pp.  4to  ; 
Mr.  Spence   to    his    Mother,  4    pp.  4to  ;    same  to   the  same, 

323 


4  pp.  4to  ;  same  to  the  same,  4  pp.  4to  ;  Horace  ^^'alpole,  3  pp. 
4to  ;  Lord  Orford,  4to  ;  N.  Herbert,  4  pp.  4to  ;  Rev.  Gloster 
Ridley,  3  pp.  4to  ;  same,  3  pp.  4to  ;  C^upid  and  Psyche,  by  Rev. 
G.  Ridley,  6  pp.  i2mo  ;  same,  3  pp.  410  ;  Mr.  Rolle,  4to  ;  Mr. 
Wheeler,  2  pp.  4to  ;  R.  Dodsley,  2  pp.  4to  ;  same,  4  pp.  4to  ; 
Robert  Wood,  2  pp.  4to  ;  Rev.  Robert  Lowth,  3  pp.  4to  ;  same, 
3  pp.  folio  ;  Stephen  Duck,  3  pp.  8vo  ;  same,  4  pp.  4to  ;  Hor- 
ace Walpole,  2  pp.  4to  ;  verses  enclosed  in  same  letter,  i  p.  4to; 
Mr.  E.  Rolle,  4  pp.  4to  (a  portion  of  this  letter  has  been  sup- 
pressed in  the  printed  copy);  same,  3  pp.  4to  ;  David  Hume, 
7  pp.  4to  ;  R.  Hill,  4to  ;  same  ("  Inquiry  into  the  nature  of 
apparitions"  ),  4  pp.  4to  ;  Rev.  Mr.  Jones,  2  pp.  4to  ;  Lord 
Melcombe  (Bubb  Dodington)- to  Dr.  Young,  3  pp.  410;  Sir 
Alex.  Dick,  4  pp.  4to  ;  same,  4  pp.  4to  ;  same,  4  pp.  8vo  ; 
same,  4  pp.  4to  ;  Dr.  Jos.  Warton,  4  pp.  4to  ;  Dobson's  Ver- 
sion of  Pope's  Essay  on  Man,  2  pp.  folio  ;  Earl  of  Manchester, 
4to  ;  also,  portions  of  the  original  MSS.  by  Mr.  Spence.  An 
autograph  poem  by  Crudeli,  "  11  Piscatore,"  5  pp.,  etc. 

It  is  not  easy  to  exhibit  the  general  excellence  of  the  illustra- 
tions in  these  superb  volumes,  by  particularizing  certain  speci- 
mens ;  for  in  noticing  a  few.  it  is  at  the  risk  of  neglecting 
others  quite  as  valuable.  Particular  attention  may,  however, 
be  called  to  the  following  : 

A  splendid  series  of  portraits  by  Raphael  Alorghen,  comprising 
Leonardo  da  Vinci,  a  superb  engraver's  proof  before  the  ])late 
had  been  cleaned.  (It  has  sold  in  this  state  as  high  as  ^g  ()s.) 
Michael  Angelo,  unlettered  proof  {;f,T,  2>^.).  Dante,  unlettered 
proof  (;^4  4s.).  Tasso,  unlettered  proof  (;^4  4^^.).  Aricsto, 
engraver's  proof  (^5  5.^.).  Petrarca,  engraver's  proof  (^4 
los.).  Lorenzo  de  Medici,  unlettered  proof  (;^,"3).  Boc- 
caccio, engraver's  proof  (;^2).'  Machiavelli,  by  Paolo  Toschi, 
a  superb  engraver's  proof  on  India  paper.  Charles  Mon- 
tague, E.  of  Halifax,  by  Drevet,  brilliant  unlettered  proof. 
Robert  Dodsley,  by  Ravenet,  after  Sir  Joshua  Reynolds,  un- 
lettered proof.  Unique.  Duke  of  Argyle,  mezzo.,  er.graver's 
proof,  private  plate.  Magliabecchi,  by  Eartolozzi,  unlettered 
proof,  rare.  Titisn,  by  Cavessier,  brilliant  engraver's  proof. 
The  Violinist,  after  Raphael,  by  Buonafedi,  engraver's  proof. 
Charles  1.  in  the  dress  in  which  he  was  executed,  unlettered 
proof,  private  plate,  executed  for  the  Duke  of  Buckingham. 
Also  a  beautiful  series  of  views  by  Turner,  artists'  proofs,  etc. 

The  most  splendid  and  magnificent  copy  ever  offered  for  sale, 
or  which  exists.  It  formerly  belonged  to  the  collection  of  Sir 
Charles  Price,  an  eminent  book  and  print  collector,  and  was 
most  probably  illustrated  by  him.  Nothing  of  a  mediocre 
character  has  been  introduced.  Of  the  portraits  inserted, 
nearly  one-half  are  engraver's  proofs,  and,  even  procured  at 
the  most  reasonable  prices,  the  volumes  must  have  cost 
upwards  of  ;^5oo  sterling.  Of  the  autographs,  etc..  it  is  hardly 
necessary  to  speak — they  are  invaluable  when  taken  in  connec- 
tion with  the  book  ;  there  are,  and  doubtless  will  be,  numerous 
extra-illustrated  copies  of  this  popular  collection  of  Literary 

324 


Ana  ;  but  allowing  that  a  collection  of  portraits  and  views 
rivalling  the  ai)ove  series  could  be  got  together— which  is 
doubtful — these  letters  alone  will  insure  the  lead  against  all 
aspirants,  and  it  must  ever  remain,  as  it  is  now  ///,■  illustrated 
copy  of  Spence's  Anecdotes. 

3138  Spence  (Rev.  Jos.).     Polymetis  ;  or,  an  Enquiry  concerning  the  Agree- 

ment between  the  works  of  the  Roman  Poets,  and  the  remains  of  the 
Ancient  Artists,  being  an  attempt  to  illustrate  them  mutually  from  one 
another.  Portrait  by  Vertue  and  numerous  copper-plates  by  I,.  P. 
Boitard.      Dodsley,  London,  1755. 

Large  paper  copy. 

Folio,  half  calf. 

3139  Spencer's  Boston  Theatre.     Nos.  49  to  64.     Boston,  1856. 

Autograph  of  Qakey  Hall  on  the  inside  cover. 
i6mo,  cloth. 

3140  SPENSER    (Edmund).      THE    FAERHi   QUEENE.      Disposed 

into  12  books.     Wm.  Ponsonbie,  London,  1590. 

First  edition. 

4to,  green  morocco  extra,  gilt  edges. 

3141     TFIE  FAERIE  QUEENE.     London,  1596. 

First  complete  edition,  but  the  first  volume  is  the  second  issue. 
2  vols.,  4to,  green  levant  extra,  gilt  edges,  by  Bedford. 

3142     The    Faerie    Queene  ;    The    vShepheards   Calendar  ;    together 

with  other  works.     London,  1617. 

Folio,  red  levant  morocco  extra,  gilt  edges,  by  Niedree. 

3143  Spielmann  (M.  H.).    The  History  of  "  Punch."    Illustrated.    New  York, 

1895. 

8vo,  cloth. 

3144  Spillan   (H.    (i.).     The   Rival    Operas   in    London   in    1852.     An   Art 

Memoir.      London,  1852. 

8vo,  half  green  levant,  gilt  top. 

3145  Spiller  (James).     Spillcr's  Jests  ;  or,  the  Humours  and  Pleasant  .Adven- 

tures of  the  Comedians,    with   their   Merry  Jokes,  Diverting  St)ngs, 
and  Entertaining  Tales.     Rare  portrait  and  plate.     London,  n.  d. 
i2mo,  old  calf. 

3146  Sporting  and  Dramatic  News  (Illustrated). 

4  vols.,  folio,  half  red  morocco.     London,  1S74-76. 
19  vols.,  folio,  half  morocco.     London,  1883-92. 

3147  Staal    de   Launay    f Madame).     Memoirs   of.       Translated   by   C.   IL 

Bell.     41  etchings  by  Lalauze.     New  York  f  Paris  |.  1892. 
2  vols.,  i6mo,  half  blue  levant,  gilt  top,  uncut  edges. 
325 


3148  Stage.     Proposal    for  tlie  better   Regulation   of  the  Stage.     London, 

1732. 

8vo,  half  blue  levant. 

3149     A  Guide  to  the  Stage.      London,  1751. 

8vo,  half  green  levant. 

31^0     A  Compleat  Vindication  of  the  I,icensers  of  the  Stage,  from  the 

Aspersions  of  Mr.  Brooke.     By  An  Impartial  Hand.       London,  1739. 
4to,  half  green  levant. 

3151     The  Present  State    of  the  Stage    in  Great  Britain  and  Ireland, 

London,   1753. 

8vo,  half  green  levant,  gilt  top. 

3152     Compendious  History  of  the  Englfsh  Stage,  by  Waldron,  Dibdin. 

etc.     London,  1800. 

i6mo,  calf. 

3153     Biography  of  the  British  Stage.     Portrait  inserted.     New  York, 

1824. 

i2mo,  half  calf,  gilt  top,  uncut  edges. 

3154     Some  thoughts  concerning   the  Stage  :   also  Representation  of 

the  Impiety  and  Immorality  of  the  English  Stage.      London,  1704. 

2  vols,  in  I,  8vo,  calf. 

3155  Standard  Dictionary.     Colored  and  other  illustrations.     New  York, 

1896. 

4to,  russia. 

3156  Stanley    (Arthur  P.).     Westminster  Abbey.      Numerous  illustrations. 

London,   1886. 

Unique  copy.     69  extra  illustrations  inserted,  many  colored,  in- 
cluding the  monument  to  Major  Andre. 
8vo,  half  blue  levant,  gilt  top,  uncut  edges. 

3157  Stark   (James   H.).     Antique  Views  of  the  Town   of  Boston.     Nearly 

200  reproductions.     Boston,  1889. 
4to,  cloth. 

3158  Stebbins   (Emma).     Charlotte  Cushman.     Letters  and    Memories.     3 

plates.     Boston,  1878. 

8vo,  half  calf,  gilt  top,  uncut  edges. 

3159  Stedman  (E.  C).     Victorian  Poets.    2  vols.    Cambridge,  1887.    Poets 

of  America.     2  vols.     Cambridge,  1885. 

Large  paper  copies  extended  to  8  vols,  by  the  insertion  of  nearly 

400  portraits,  views,  and  facsimiles,  some  India  proofs. 
8  vols.,  8vo,  calf  extra,  gilt  top,  uncut  edges. 
326 


3160  Stedman   and  Hutchinson.     Library  of  American  Literature.     Steel 

portraits.      New  York,  1890. 

II  vols.,  royal  8v(),  half  morocco,  gilt  top,  uncut  eu,i,a'S. 

3161  Steele   (Elizabeth).     Memoirs  of  Sophia  Baddeley.     Dublin,  1787. 

3  vols.,  post  8vo,  half  blue  morocco,  gilt  top,  uncut  edges. 
[See  Baddeley.] 

3162  Steele  (Sir  Richard).     The  State  of  the  Case  between  the  Lord  Cham- 

berlain and  the  Governor  of  the  Royal  Company  of  Comedians. 
London,  1720. 

8vo,  half  red  morocco. 

3163  Steele  and   Adams.     Beauty  of   Form  and  Grace  of  Vesture.     Illu.s- 

trated.      New  York,  1892. 

1 2 mo,  cloth. 

3164  Steinman   (G.  S.).     Memoir  of  Mrs.  Myddelton.     Portrait.     Privately 

printed.     Oxford,  1864. 

8vo,  cloth,  uncut  edges. 

3165  Stephens    (Henry   L.).     The  Comic  Natural   History  of   tlie  Human 

Race.  Designed  and  illustrated  with  40  colored  plates,  portraits  of 
Edwin  Forrest,  W.  E.  Burton,  T.  D.  Rice,  E.  E.  Seguin,  Mary 
Taylor,  Hen.  Driesbach,  P.  T.  Barnum,  Charlotte  Cushman,  etc. 
Phdadelpliia,  185 1. 

Royal  8vo,  cloth. 

One  of  the  hundred  copies  with  the  plates  colored. 

3166  Stephens  (R.  N.).     Queens  of  the  Drama.     Etched  portraits.     Troy, 

1889. 

4to,  original  covers. 

3167  Sterne     (Laurence).      Works,    with     Life    by    himself.       Plates    after 

Hogarth.     London,  1788. 

10  vols.,  small  8vo,  half  calf. 

3168     Sentimental    Journey.     With    the    brilliant    illustrations   by    M. 

Leloir.     New  York,  1884. 

Imp.  8vo,  cloth  case,  original  covers,  uncut  edges. 

3169  Stevens    (Geo.    Alc.x.),  etc.      Dramatic    History   of    Master    l*Ldward 

[Shuter],    Miss   Ann    [Catley],   and   others.     With   all   the  facetious 
plates.     London,  1785. 
i2mo,  half  calf,  gilt. 

3170     A  Lecture  on  Heads.     47  wood-cuts  by  Nesbit.      London,  1S02. 

i6mo,  calf. 

3171  Stevenson  (R.  L. ).     Dr.  Jekyll  and  Mr.  Hyde.      London,  1886. 

Post  8vo,  paper. 

327 


3172  Stevenson  (R.  L).     A  Lowden  Sabbath  Morn.      Illustrated  by  Boyd. 

London,  1898. 

4to,  cloth,  uncut. 

3173     Weir  of  Hermiston.     New  York,  1896. 

i2mo,  half  gray  levant,  gilt  top,  uncut  edges. 

3174     Vailima  Letters  to  Sidney  Colvin.     Illustrated.    Chicago,  1895. 

Large  paper  copy  ;   100  printed. 

2  vols.,  i2mo,  half  gray  levant,  gilt  top,  uncut  edges. 

3175     A   Child's  Garden  of  Verses.     Illustrated  by  Robinson.     New 

York,  1895.  .,.    i    ^. 

i2mo,  half  gray  levant,  gilt  top,  uncut  edges. 

3176     Some  College  ]\remories.     New  York,  1899. 

i6mo,  cloth. 

3177     Father  Uamien.     Mosher,  Portland,  1897. 

Japan  paper  copy  ;  50  printed. 

i6mo,  half  gray  levant,  gilt  top,  uncut  edges. 

3178     and  Lloyd  Osborne      The  Ebb-tide.     Chicago,  1894. 

i2mo,  half  gray  levant,  gilt  top,  uncut  edges. 

3179     ^"d  Henley.      Macaire  ;  a  Melodramatic  Farce.     Chicago,  1895. 

i6mo,  cloth,  uncut. 

3180  STEWART   (James).      PLOCACOSMOS  ;    or,  the  whole  Art  of 

Hair  Dressing.      London,  1782. 

L^nique  copy,  illustrated  by  the  insertion  of  100  colored  and  other 
plates,  showing  the  fantastic  ramifications  of  head-dressing  in 
all  ages  and  nations,  with  tools  and  processes  used  in  the 
operation. 

2  vols.,  8vo,  half  red  levant  morocco  extra,  gilt  top,  uncut  edges. 

3181  Stieglitz  (Alf.).     Picturesque  Bits  of  New  York,  etc.     12  plates.    New 

York,  1897. 

Imp.  4to,  boards. 

3182  Stieler,  etc.     The  Rhine.     Translated  by  G.  C.  T.  Bartley.     Profusely 

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3199*  STRUTT     (Joseph).       BIOGRAPHICAL     DICriONARY     OF 
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3233  TANNER  (Bp.  Thos.)-    NOTITIA  MONASTICA  ;  or,  an  account 

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3236  Tarver  (J.  C).    English-French  and  French-English  Dictionary.    The 

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3245  Temple  (A.  G.).     England's  History,  as  Pictured  by  Famous  Painters. 

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3246  Tennyson  (Alfred).     Poetical  Works.     MacmiUan,  London,  1896. 

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-J247     'I'imbuctoo.     Cantab.,  1829. 

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3248     Ihe  Princess.     London,  1S47. 

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3250 In  Memoriam.     London,  1850. 

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3252     In  Memoriam.     Illustrated  by  Harry  Fenn.     New  York,  1897. 

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3253  Ode  on  the  Death  of  the  Duke  of  Wellington.  Moxon,  Lon- 
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3254     Maud,  etc.     London,  1853. 

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3255     Idylls  of  the  King.     London,  1859. 

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334 


3256  Tennyson  (Alfred).     A  Welcome  [to  Alexandra,  Princess  of  Wales). 

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3257     Enoch  Arden,  etc.     London,  1864. 

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3258     The  Holy  Grail,  etc.     London,  1S70. 

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3267     The  Death  of  CEnone,  Abkar's  Dream,  etc.     New  York,  1892. 

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3269  Tennyson  (Alfred).     The  Foresters.     New  York,  1892. 

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3270     THE   FORESTERS.     A  pastoral   comedy.     New   York,  1892. 

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3272     SULTJVAN'S  ORIGINAL   MS.  SCORE  OF    THE    MUSIC 

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3273     Poems.     64  illustrations.     Boston,  1869. 

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3274     Chronological    List   of  the  Works  of,  etc.     Grolier   Club,  New 

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3279  Terence.     Comedies.      Translated    by    Geo.   Colman.     Mask    plates. 

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3280     Comedies.     Translated  by  George  Colman.     London,  1765. 

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3281  Texier  (Ed.).     Tableau  de  Paris.     Profusely  illustrated.     Paris,  1853. 

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3282  Thackeray  (William  Makepeace).  Works.  Edition  de  luxe,  with 
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3284     The  Snob  [and  the  Ciownsman].     Cambridge,  1829-30. 

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3285     The  Snob  [also  the  Gownsman].     Cambridge,  1829-30. 

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3289     Simple  Melodies,     \\ith  illustrations.     Choisi  le  Roi,  1832. 

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3290     The  National  Omnibus.     (With  original  articles  by  Thackeray.) 

Vol.  I.,  1831-2.     London,  1832. 

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3291  The  National  Standard  of  Literature,  etc.  Wood-cuts.  Lon- 
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3292     The  Tin  Trumpet,  by  the  late  Paul  Chatfield.     Plates.     London. 

1836. 

2  vols.,  crown  8vO;  half  maroon  levant,  gilt  top,  micut  edges. 

22  337 


3293     Thackeray  (William  Makepeace).  Yellowplush  Correspondence.    Pliil- 
adelphia,  183S. 

i2mo,  half  maroon  levant,  gilt  top,  uncut  edges. 

2294     Comic  Almanack.     Plates  by  Cruiksliank.     London,  1S39. 

Contains  the  first  issue  of  "  Stubbs's  Calendar,"  and  an  autograph 
letter  from  Thackeraj',  in   regard   to  his  rights  to  the  same,  is 
inserted. 
Post  8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3295     The  Loving  Ballad  of   Lord  Bateman.     Plates  by  Geo.   Cruik- 

shank.     London,  1839. 

i2mo,  half  maroon  levant,  with  the  original  covers. 

3296     The  Corsair.     London,  1839-40. 

The  original  50  numbers,  with  contributions  by  Thackeray. 
I*"olio,  half  maroon  levant,  gilt  top,  uncut  edges. 

3297 Paris  Sketch  Book.     Numerous  illustrations.     London,  1840. 

2  vols.,  crown  8vo.  maroon  levant  morocco,  gilt  top,  uncut  edges, 
by  Riviere. 

3298     Essay  on  the  Genius  of  George  Cruikshank.     Illustrated.     Lon- 
don, 1840. 

The  Westminster  Review  article,  wath  additions. 
8vo,  half  maroon  levant. 

3299 Essay  on   the  Genius  of  George  Cruikshank.     Numerous  illus- 
trations.    London,  1840. 

The  original  article  in  the  Westminster  Review. 
8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3300     Essay  on   the  Genius  of  George  Cruikshank.     40  illustrations. 

London,  1884. 

Large  paper  copy. 

Imp.  8vo,  half  maroon  levant  morocco,  gilt  top,  uncut  edges. 

3301 L'Abbaye  de  Penmarcli.     Drame  en  trois  actes.     Paris,  1840. 

Royal  8vo,  half  maroon  levant,  gilt  top,  uncut  edges,  with  the 
original  wrappers. 

3302     Heads  of  the  People.      Portraits  by  Kenny  Meadows.     London, 

1840. 

Thackeray  contributed  some  sketches. 

2  vols.,  8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3303     '^^^  Student's  Quarter.     Colored  plates.     London,  n.  d. 

Crown  8vo,  half  maroon  levant,  gilt  top. 

3304     'i'he  Student's  Quarter.     Colored  plates.     London,  n.  d. 

Crown   Svo,  maroon   levant  morocco,  gilt   top,  uncut  edges,   by 

Riviere. 

338 


3305  Thackeray  (William  Makepeace).    Comic  Tales  and  Sketches.    Plates. 

London,  1841. 

2  vols.,  crown  8vo,  maroon  levant  morocco,  gilt  top,  uncut  edges, 
by  Riviere. 

3306 Second  Funeral  of  Napoleon,  and  Chronicle  of  the  Drum.   Lon- 


don, 1841. 

First  edition. 

Post  8vo,  original  covers,  in  maroon  levant  case,  by  Riviere. 

The  Irish  Sketch  Book.     Numerous  engravings.    London,  1843" 

2  vols.,  crown  8vo,  maroon  levant  morocco,  gilt  top,  uncut  edges, 

by  Riviere. 

Hood's  Magazine.     Illustrated.     London,  1844-5. 

3  vols.,  8vo,  half  maroon  levant,  gilt  top. 

The  Chest  of  Cigars  ;  Bob  Robinson's  First  Love,  etc.     Col- 


burn's  magazine  cuttings,  1845. 
8vo,  half  maroon  levant. 

Notes  of  a  Journey   from  Cornhill  to   Cairo.     Colored   frontis- 


piece and  numerous  wood-cuts.     London,  1846. 

Crown   8vo,  maroon  levant  morocco,  gilt  top,   uncut   edges,  by 
Riviere. 

Mrs.  Perkins's   Ball.     Plates   in   two  states,  colored   and  black. 


London,  1847. 

4to,  maroon  levant  morocco,  gilt  top,  uncut  edges,  by  Riviere. 

Vanity  Fair.     Illustrated.     London,  1847-8. 

First  issue,  with  extra  title  and  rustic  design  afterwards  cancelled, 

an  inserted  portrait  and  etching,  and  original  wrappers. 
8vo,  maroon  levant  morocco,  gilt  top,  uncut  edges,  by  Riviere. 

Vanity  Fair.     Plates.     London,  1848. 

8v«,  half  morocco  levant,  gilt  top,  uncut  edges. 

Our  Street.     With  a  double  set  of  the  plates,  plain  and  colored. 

London,  1848. 

Small    4to,  maroon   levant   morocco,  gilt  top,  uncut  edges,  witii 
the  original  covers. 

The  Book  of  Snobs.     London,  1848. 

Post  8vo,  original  covers  in  maroon  levant  case. 

Book  of  Snobs.      New  York,  1852. 

i6mo,  half  maroon  levant,  gilt  top. 

Book  of  Snobs.     New  York,  1864. 

i6mo,  maroon  levant  morocco,  gilt  top,  uncut  edges. 

339 


23^^     Thackeray    (William    Makepeace).      Doctor    Birch    and   his    Young 
Friends.      Illustrated.      London,  1849. 

Small  4to,  half  maroon  levant,  gilt  edges. 

3319     Doctor  Birch.     Colored  plates  and  wood-cut  on   title  in  black. 

London,  1849. 

Small  4to,  calf  extra,  gilt  edges. 

3320     An  Interesting  Event.     By  M.  A.  Titmarsh.     London,  1849. 

Of  great  rarity.     Perhaps  less  than  a  dozen  copies  were  issued  in 

this  form,  and  this  copy  has  been  declared  to  be  unique. 
Post  8vo,  blue  levant  morocco,  by  Riviere. 

3321     The  Keepsake,  1849.     Steel  plates.     London,  1849. 

In   this  vol.,  p.    207,  is  the  first  appearance  of  "An   Literesting 

Event." 
8vo,  half  maroon  levant,  gilt  edges. 

3322     History  of  Samuel  Titmarsh,  etc.     Plates.     London,  1849. 

Post  8vo,  calf  extra,  gilt  edges. 

3323     Sand  and  Canvas  ;  a  Narrative  of  Adventures  in   Egypt.     Col- 
ored and  other  illustrations.     London,  1849. 

8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3324     Hist(5ry  of  Pendennis.     Illustrated.     London,  1849. 

2  vols.,  8vo,  maroon  levant  morocco,  gilt  top,  uncut  edges,  by 
Riviere,  and  original  wrappers. 

3325     The  Kickleburys  on  the  Rhine.     London,  1850. 

First  edition,  with  a  double  set  of  plates,  black  and  white. 
Small   4to,   maroon   levant    morocco,  gilt   top,    uncut   edges,  by 
Riviere,  with  the  original  covers. 

3326     The  Kickleburys  on  the  Rhine.      Plates.     London,  1851. 

Second  edition,  with  the  paper  on  Thunder  and  Small  Beer. 
Small  4to,  half  maroon  levant,  gilt  top. 

3327     Stubbs's  Calendar.     Plates  by   Geo.   Cruikshank.      New   York, 

1S50. 

1 2 mo,  half  maroon  levant,  gilt  top,  with  the  original  covers. 

3328     Rebecca  and  Rowena,  with  the  plates  by  Doyle  in  two  states, 

black  and  colored.     London,  1850. 

Small   4to,   maroon   levant  morocco,  gilt  top,   uncut    edges,    by 
Riviere,  with  the  original  covers. 

3329     Henry  Esmond.     London,  1852. 

3  vols.,  crown  8vo,  maroon  levant  morocco,  gilt  top,  uncut  edges, 
by  Riviere. 

340 


3330  Thackeray    (William  Makepeace).      Confessions  of   Fitz-lioodle  and 

Major  Gahagan.     New  York,  1852. 

i6mo,  half  maroon  levant,  gilt  top. 

3331     The  Luck  of  Barry  Lyndon.     New  York,  1852-3, 

2  vols.,  i2mo,  half  maroon  levant,  gilt  top,  uncut  edges. 

333^     '^  Shabby  Genteel  Story,  etc.     New  York,  1852. 

i6mo,  half  maroon  levant,  gilt  top. 

3333     Yellowplush  Papers.     New  York,  1852. 

i6mo,  half  maroon  levant,  gilt  top. 

3334     Men's  Wives.     New  York,  1852. 

i6mo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3335 Men's  Wives.     New  York,  1852. 

i6mo,  half  maroon  levant^  gilt  top,  uncut  edges. 

333^     Men's  Wives.     New  York,  1864. 

i6mo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3337     ^^^-  Brown's  Letters,  etc.     New  Y'ork,  1853. 

i6mo,  half  maroon  levant,  gilt  top. 

3338 Punch's  Prize  Novelists  ;  The  Fat  Contributor,  etc.     New  York, 

1853. 

i6mo,  half  maroon  levant,  gilt  top. 

3339     English  Humourists.     London,  1853. 

Crown   8vo,  maroon  levant  morocco,  gilt  top,  uncut  edges,  by 
Riviere. 

3340     English  Humourists.     London,  1853. 

Second  edition,  with  about  50  portraits  inserted. 
Crown  8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3341 The  Newcomes.     Illustrated.     London,  1854. 

First  edition. 

2  vols.,  8vo,  maroon    levant   morocco,  gilt   top,  uncut  edges,  by 
Riviere,  with  the  original  wrappers. 

3342     Miscellanies.     London,  1855-7. 

4  vols.,  crown  8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3343     The  Tremendous  Adventures  of  Major  Cahagan.    London.  1855. 

Crown    8vo,  maroon   levant  morocco,  gilt    top,   uncut   edges,  by 

Riviere,  with  the  original  covers. 

3344 The  Rose  and  the  Ring.     8  plates.      London,  1855. 

Small   4to,   maroon   levant   morocco,  gilt    top,    uncut  edges,  by 
Riviere. 

341 


3345  Thackeray  (William  Makepeace).  The  Rose  and  the  Ring.  Adapted 
as  a  Pantomime  by  H.  S.  Clarke.     London,  1890. 

8vo,  half  maroon  levant,  with  the  original  covers. 

3345     liallads.     Boston,  1856. 

T2mo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3347     Ballads.     London,  n.  d. 

Crown  8vo,  half  maroon  levant,  gilt  top,  uncut  edges,  by  Riviere. 

-33^3     Ballads.     Portrait   and  numerous  other  illustrations.     London, 

1879. 

4to,  half  maroon  levant,  gilt  edges. 

33^g     A  Little  Dinner  at  Timmins's,  etc.     London,  1856. 

Crown  8vo,  half  maroon   levant,  gilt  top,  uncut  edges,  with  the 
original  covers. 

3350     Burlesques.     London,  1856. 

Crown   Svo,   maroon  levant   morocco,  gilt  top,  uncut   edges,  by 
Riviere,  with  the  original  wrapper. 

3351     The  Virginians.      Illustrated.     London,  1858. 

2  vols.,  Svo,  maroon  levant  morocco,  gilt  top,  uncut  edges,  by 
Riviere,  with  original  wrappers. 

3352  Mr.  Thackeray,  Mr.  Yates,  and  the  Garrick  Club.  The  corre- 
spondence and  facts.  Stated  by  Edmund  Yates.  Printed  for  private 
circulation  [London],  1859. 

Svo,   2   copies  and   the   original   newspaper   articles  in   maroon 
levant  case. 

3353     Mr.  Thackeray,  Mr.  Yates,  etc.     Another  copy.     1859. 

Svo,  half  maroon  levant. 

3354     The  Four  Georges.     Cornhill  Magazine.     London,  1S60. 

The  original  numbers,  with  40  portraits  inserted. 

Svo,  half  maroon  levant,  gilt  top. 

3355     The  Four  Georges.     New  York,  i860. 

i2mo,  half  maroon  levant,  gilt  top. 

3356     ^  '^^  Four  Georges.     Illustrated.     New  York,  i860. 

i2mo,  half  maroon  levant,  gilt  top. 

3357     The  Four  Georges.     Illustrated.     New  York,  i860. 

i2mo,  half  maroon  levant,  gilt  top. 

3358     The  Four  Georges.     Illustrated.     London,  1861. 

Fine  copy,  with  the  cancelled  title. 

Crown  Svo,  maroon  levant  morocco,  gilt  top,  uncut  edges,  by 
Riviere. 

342 


3359     Thackeray  (William  Makepeace).     The  Victoria  Reg;ia.     Edited  by 
Adelaide  A.  Procter.     London,  1861. 

Original  contributions  by  Thackeray,  Tennyson,  etc. 

8vo,  half  maroon  levant,  gilt  edges. 

Lovel  the  Widower.     Illustrated.     London,  1861. 

Crown   8vo,  maroon  levant  morocco,  gilt   top,  uncut  edges,  by 
Riviere. 

The  Adventures  of  Philip.     London,  1862. 

3  vols.,   crown   8vo,    maroon   levant,    gilt    top,   uncut  edges,  by 
Riviere. 

• Roundabout  Papers.     Illustrated.     London,  1863. 

Original  proof  sheets  of  the  Cornhill  article,  with  MS.  corrections 

in  the  handwriting  of  Thackeray,  have  been  inserted. 
Crown   8vo,  maroon  levant,  gilt  top,  uncut  edges.     False  title 
cut. 

Roundabout  Papers.     Illustrated.     London,  1863. 

Crown    8vo,   maroon  levant  morocco,  gilt  top,  uncut  edges,  by 
Riviere. 


Hand  Immenor.     A  few  Personal  Recollections  of  Mr.  Thackeray 

in  Philadelphia.     Privately  printed,  1864. 

Presentation  copy  from  the  author,  with  the  original  covers. 
8vo,  half  maroon  levant,  gilt  top. 

Denis  Duval.     London,  1867. 

Crown  8vo,  half  maroon  levant,  gill  top,  uncut  edges. 

Early  and  Late  Papers.     Portrait.     Boston,  18O7. 

i2mo,  half  maroon  levant,  gilt  top,  uncut  edges. 


The  Orplian  of   Pimlico.     The  plates  in   two  states,   plain  and 

colored.     London,  1876. 

Only  20  sets  of  the  colored  plates  were  issued. 

4to,  maroon  levant  morocco,  gilt  top,  uncut  edges,  by  Riviere. 

The  Orphan  of  Pimlico.     Plates.      London,  1876. 

4to,  half  morocco  lev^mt,  gilt  top,  uncut  edges. 

Patchings    Illustrative    of    University    Life,  etc.     In  two  states, 

plain  and  colored.      London,  1878. 

First  edition. 

8vo,  maroon  levant  morocco,  gilt  top,  i)y  Riviere. 

Etchings.      Another  copy,  witli   the  jiiain  plates  oniv.      l.ondon. 

1878. 

8vo,  half  maroon  levant. 

343 


3371  Thackeray  (William  Makepeace).     Landscape  Painters  of  England. 

Steel  plates  by  Marvy,  with  short  notices  by  Thackeray.     London, 
n.  d. 

4to,  half  maroon  levant,  gilt  top,  uncut  edges. 

3372     The    Heroic    Adventures    of    M.    Boudin.     12    illustrations    by 

Thackeray. 

The  original  magazine  article. 

8vo,  half  maroon  levant. 

3373     ^^^  Humourist  and  the  Man  of  Letters,     By  Theodore  Taylor. 

Illustrated.     London,  1864. 

Crown  8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3374     William   Makepeace  Thackeray  at   Clivedon  Court.     15    litho- 
graphic plates  after  Thackeray's  drawings.      1865. 

Only  a   few  copies   privately  printed  for  members  of  the  Elton 
family. 

4to,  green  levant  morocco  extra,  by  Riviere. 

3375     A  Day  with  ^\■.  M.  Thackeray.    By  Blanchard  Jerrold.    London, 

1872. 

8vo,  half  maroon  levant. 

3376  Thackeray  and  Dickens.     Anecdote  Biographies,  by  R.  H.  Stoddard. 

New  York,  1874. 

i6mo,  half  maroon  levant,  gilt  top. 

3377  Thackerayana.    Notes  and  Anecdotes  [compiled  by  J.  Gregs],    Coo 

sketches  by  Thackeray.     London,  1875. 
Considered  to  have  been  suppressed. 
Crown  8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3378  Thackeray.     By  Anthony  Trollope.     London,  1879. 

Post  8vo,  half  maroon  levant,  gilt  top. 

3379     Studies  on,  by  James  Hannay.     London,  n.  d. 

Post  8vo,  half  maroon  levant,  gilt  top. 

3380  ■ Bibliography  of,  by  R.  H.  Shepherd.     London,  1880. 

Crown  8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3381     Extracts  from  the  Writings  of.     Portrait.     London,  1881. 

Crown  S\'o,  half  maroon  levant,  gilt  top,  uncut  edges. 

3382     Magazine    Articles  on   Thackeray   from    the    North    American 

Review,  Quarterly  Review,  and  Temple  Bar.      1 863-1 848-1 881. 

8vo,  half  maroon  levant. 

3383 Hints  to   Collectors  of    Original    Editions,  by   C.    P  .  Johnson. 

London,  1885. 

Large  paper  copy  ;  25  printed. 
8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 
344 


3384  Thackeray  (William  Makepeace).      Thackeray's  London,  by  \V.   H. 

Rideing.     Illustrated.     Boston,  1885. 

Large  paper  copy  ;  100  printed. 

4to,  half  maroon  levant,  gilt  top,  uncut  edges. 

3385     Miscellaneous  Essays,  etc.     Illustrated.      London.  1885. 

8vo,  half  maroon  morocco,  gilt  top,  uncut  edges. 

3386     Contributions  to  Punch.     Illustrated.     I-ondon,  1886. 

8vo,  half  maroon  morocco,  gilt  top,  uncut  edges. 

3387     London,  by  W.  H.  Rideing.      Illustrated.      Boston,  1S87. 

i6mo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3388     A   Collection   of   Letters  of    Thackeray    [to    Mrs.   Brookiield], 

1847-1855,  facsimiles,  etc.     New  York,  1887. 

500  copies  printed. 

For   the    originals  of   these  letters,  which   were    edited    almost 

beyond  recognition,  and  many  others  as  yet  unpublished,  see 

No.  3402. 
Royal  8vo,  half  maroon  morocco,  gilt  top,  uncut  edges. 

3389     Sultan  Stork,  etc.,  with  a  Bibliography  of  Thackeray.     London. 

1S87. 

Svo,  half  maroon  morocco,  gilt  top,  uncut  edges. 

3390     The  Early  Writings  of,  by  C.  P.  Johnson.     Plates  in  two   states. 

London,  1888. 

Large  paper  ;  50  printed. 

4to,  half  maroon  levant,  gilt  top,  uncut  edges. 

3391  • Life  of  W.  M.  Thackeray,  by  Herman   Merivale  and    Frank  T. 

Marzials.      London,  1891. 

8vo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3392     Reading  a  Poem.     Frontispiece.     London,  1S91. 

Published  by  the  Sette  of  Odd  Volumes. 

i2mo,  half  maroon  levant,  gilt  top,  uncut  edges. 

33Q3     The   Gray   Friar.     A  Chronicle  in  Black   and  Wliitc,  by  Carthu- 
sians.    Illustrated.     London,  April,  1892. 
No.  7,  with  sketches  by  Thackeray. 
4to,  half  maroon  levant. 

3394     ^^'th  Thackeray  in  America,  by  Eyre  Crowe.     Illustrated.    Lon- 
don, 1893. 

4to,  half  maroon  levant,  gilt  tn\\  uncut  edges. 

33Q5     Ballads  and  Songs.     Illustrations  by  Brock.      London.  1890. 

Post  Svo,  half  maroon  levant,  gilt  top,  uncut  edges. 

345 


339^  Thackeray  (William  Makepeace).  Notes  for  Speech  at  Dinner,  Oct. 
II,  1S55,  by  W.  M.  Thackeray,  on  the  eve  of  his  departure  for  Amer- 
ica.    Letter  to  W.  C.  Macready.     Philadelphia,  1896. 

40  copies  printed  privately. 

4to,  half  maroon  levant,  gilt  top,  uncut  edges. 

3397     Haunts  and  Homes,  by  Eyre  Crowe.     Illustrated.     New  York, 

1897. 

i2mo,  half  maroon  levant,  gilt  top,  uncut  edges. 

3398      King  (ilumpus.     3  illustrations.     London,  1898. 

100  copies  in  facsimile  of  the  original  edition. 
Post  8vo,  half  maroon  levant,  gilt  top. 

3399     ^  'i^  Four  Georges.     London,  1879. 

Unique  copy  of  the  best  edition,  with  nearly  300  fine  portraits 
and  views  inserted,  including  a  large  number  of  portraits  of 
all  the  Georges,  many  mezzotints,  a  quantity  of  India  proofs, 
colored  views,  etc.,  as  well  as  several  rare  copper-plate  en- 
gravings. 

2  vols.,  roj'al  8vo,  half  green  levant  morocco  extra,  gilt  top,  un- 
cut edges,  by  Stikeman. 

3400     English  Humourists  of  the  Eighteenth  Century.     London,  1879. 

Unique  copy,  illustrated  by  the   insertion  of  over   200  i)ortraits 

selected  with  great  care,  and  including  a  large  number  of  India 
proofs. 

2  vols.,  royal  8vo,  half  olive  levant  morocco  extra,  gilt  top,  uncut 
edges,  by  Stikeman. 

3401     REMINISCENCES,  by  his  daughter,  Anne  Thackeray  Ritchie. 

New  York,  1896. 

Unique  copy,  with  no  less  than  16  original  drawings  by  Thackeray 
and  45  autograph  letters  inserted,  in  addition  to  numerous 
portraits.  An  interesting  letter  from  Shirley  Brooks,  in  refer- 
ence to  the  death  of  Thackeray,  is  also  inserted  :  "  Perhaps  he 
is  explaining  to  Shakesi)eare  why  he  was  not  on  the  com- 
mittee," etc. 

4to  (i2mo),  half  red  levant  morocco  extra,  gilt'top,  uncut  edges. 

3402     ESSAYS  ON  THE  GENIUS  OF  GEORGE  CRUIKSHANK. 

London,  1888. 

Unique  collection;  the  original"  Westminster  "article  inlaid  to  4to, 
and  enlarged  to  3  vols,  by  the  addition  of  600  illustrations  by 
Cruikshank,  including  many  detached  specimens  in  color, 
plates  from  the  Ainsworth,  Fielding,  Smollett,  and  other  novels, 
portraits,  an  original  drawing,  and  many  other  interesting 
examples. 

3  vols.,  4to,  blue  levant  morocco  extra,  gilt  edges,  by  Zaehnsdorf. 

34fj 


3403  THACKERAY  (William  Makepeace).  AUTOGRAPHIC  COL- 
LECTION.  The  Brookfield  Correspondence  and  other  private  let- 
ters, manuscripts,  and  unpublished  sketches  from  1847  to  1855. 

The  bulk  of  this  famous  correspondence  was  published  in  a  very 
mutilated  form  in  1887.  The  originals,  and  much  more,  will 
be  found  in  the  two  volumes  here  described,  nicluding  all  of 
those  letters  which  Mrs.  Brookfield  declined  to  make  known  at 
the  time  of  sale  to  Mr.  Daly,  and  many  others,  since  acquired, 
that  have  never  been  published. 

The  contents  of  the  second  Volume,  in  detail,  are  as  follows  : 

Etching  of  Thackeray,  by  Hollyer  (first  proof  taken)  ;  letter 
from  D.  G.  Fitz  Gerald  concerning  drawings  and  letters  ; 
water-color  drawing  of  Thackeray,  copied  by  him  from  drawing 
by  I).  Maclise,  about  1840  ;  5  letters  to  Mrs.  Fitz  Gerald  ;  12 
drawings  given  by  Thackeray  to  Mrs.  Fitz  Gerald,  i  of 
them  a  pencil  drawing  of  himself  ;  3  double  pages,  containing 
several  sketches  each  ;  sepia  drawing  from  Boehm's  terra-cotta 
bust  in  National  Portrait  Gallery  (moulded  from  plaster  model 
by  G.  Durham,  A.R  A.,  1864)  ;  2  letters  to  Leigh  ;  pencilled 
letter  to  "  Gamp  and  Harris  ;  "  fragment  of  letter  (recipient's 
name  not  given)  ;  2  letters  from  Mr.  Brookfield's  brother,  con- 
taining references  to  Thackeray  ;  5  long  letters  (containing  41 
pp.,  8vo)  from  Mrs.  Brookfield  to  Thackeray,  some  in  answer  to 
published  letters  ;  12  letters  from  Thackeray  to  Mrs.  Brook- 
field, I  in  cipher,  i  in  French ;  7  letters  to  Mr.  Brookfield 
(i  an  invitation  in  French)  ;  poem  (which  Mrs.  Brookfield 
valued  at  ^50)  ;  7  letters  to  Chapman  ;  i  letter  to  CMiapman 
and  Hall  ;  i  letter  to  Messrs.  Fullerton  and  Raymond  (Boston), 
when  Thackeray  was  in  New  York  ;  Thackeray's  autf>graph  to 
a  collector  ;  letters  to  .Mr.  and  Mrs.  Brookfield  from  R.  C. 
Trench  (2),  A.  James  (i),  Coventry  Patmore  (i),  W.  Holman 
Hunt  (i),  Eliot  Warburton  (i),  P.  K.  Shuttleworth  (i).  Baroness 
Burdett-Coutts  (i),  A.  W.  Kinglake  (2),  R.  M.  Milnes  (i).  W. 
C.  Macready  (2),  R.  W.  Proctor  (i),  R.  Montgomery  (i).  Lord 
Lyttleton,  with  poetry  (2),  F.  Pollock  (i),  W.  Buckland  (i). 
Dean  H.  H.  Milman  (i).  Lady  Lyttleton  (i),  J.  M.  Kemble 
(2),  Mrs.  Carlyle  (i),  Lord  John  Manners  (i),  H.  F.  Hallam 
(i),  Tom  Taylor  (i),  Lord  Lansdowne  (i).  Dr.  [.  Brown  (i), 
J.  Forster  (i),  W.  Harness  (i),  J.  White  (i).  H.  Hallam  (i). 
Harriet  Butler  (i),  Thackeray's  grandmother,  containing 
references  to  "  Titmarsh  and  that  handsome  Mrs.  Brookfield." 
Tennyson  (i),  Dickens  (3),  Carlyle  (i),  Gladstone  (1),  Henry 
Beyle  (i),  A.  Berry  (i),  Morton  McMichael  (i). 

Privately  printed  memoirs  of  TL  F.  Hallam  (great  friend  of 
Thackeray),  copy  of  pencil  drawings  of  Thackeray,  by  Richard 
Doyle,  in' the  Print  Room.  British  Museum;  photograph  of 
group  containing  Lord  B'lhver  Lytton,  Lord  Macaulay.  T. 
Carlyle,  VV.  Makepeace  Thackeray,  Charles  Dickens,  Geo. 
McDonald,  T.  A.  Fronde,  Wilkie  Collins,  Anthony  Trollopo. 
Engravings, "etc.,  of  Trench,  Holman  Hunt.  Baroness  Burdett- 
Coutts,  Kinglake,  Lord   Houghton,  Macready,   I'roctor,  Mont- 

347 


gomery,  Pollock,  Dean  Milinan,  Mrs.  Carlyle,  Lord  Lans- 
dovviie,  Dr.  John  Browne,  Forster,  Tennyson,  Dickens,  (Glad- 
stone, A.  Hallam  ;  sepia  drawing  of  Thackeray  at  13  years,  from 
bust  in  National  Portrait  Gallery  ;  MS.  in  6  4to  pages  of  "  Horae 
Carthusianae,"  Dec.  4,  1820;  "A  very  fine  print"  of  Canute, 
with  Thackeray's  marginal  notes  (Aug.,  1850)  ;  MS.  of  Four 
Georges,  with  70  engravings,  etc.;  Agnes  Repplier's  "  Letters 
of  Thackeray  "  ;  "  The  Boyhood  of  Thackeray,"  by  Anne 
Thackeray  Ritchie,  St.  Nicholas,  Dec.  1889  ;  sepia  profile  of 
Thackeray  ;   1 1  pages  of  clippings,  etc. 

2  vols.,  folio,  olive  levant  morocco  extra,  gilt  edges,  by  Stikeman. 
The  contents  of  these  volumes  cost  Mr.  Daly  considerably  over 

|!6,ooo. 

3403*  Thane   (John).      British   Autography.     Numerous  portraits.     London, 
1819. 

3  vols.,  4to,  russia. 

3404     Theatre  (The).     Wood-cuts.     Pp.  1-312.     London,  no  title-page. 
Post  8vo,  half  blue  levant,  gilt  top. 

■j^05     A   Monthly   Review  and   Magazine,  edited    by  Clement  Scott. 

Photographic  portraits.      London,  1878-84. 

12  vols.,  8vo,  half  blue  levant,  gilt  top,  uncut  edges. 

2406     An    Illustrated    Weekly    Magazine.       Wood-cuts.      New   York, 

1886-89. 

4  vols.,  8vo,  half  blue  levant,  gilt  top,  uncut  edges. 

^4^07     Essay  on  the  Present  State  of  the  Theatre  in  France,  England' 

and  Italy.     London,  1760. 
i2mo,  calf. 

3408     COVENT    GARDEN   THEATRE    CASH    BOOK  for   1759- 

1760. 

The  original  book,  neatly  written,  showing  a  total  of  ^^2 2,000. 
4to,  brown  morocco. 

3409     Major  and  Minor  Theatres.    By  One  of  the  Public.    London,  1832. 

8vo,  half  green  levant,  gilt  top,  uncut  edges. 

3410     An  Interesting  Review  of    Circumstances    connected    with   the 

Ground  upon  which  the  late  "  Royalty  "  and  the  more  recent  "  New 
Brunswick  Theatre"  stood.     London,  n.  d. 

Svo,  half  green  levant. 

341 1     Thoughts  upon  the   Present  Condition   of  the  Stiige,  and  upon 

the  Construction  of  a  New  Theatre.     London,  1807. 

8vo,  half  green  levant,  gilt  top,  uncut  edges. 

3412     A  Letter  to  a  Lady  Concerning  the  New  Play  House.     London, 

1706. 

Svo,  half  green  levant. 

348 


3413  Theatres  de  la  Place  du  Chatelet.     Chateiet,  et  Lyrique,  par  Daly 

et  Uavioud.     Numerous  plates.     Paris,  i8 — . 

Royal  folio,  half  blue  levant  morocco  extra,  gilt  top. 

3414  Theatrical  Biography.     Dublin,  1772. 

2  vols,  in  I,  i2mo,  half  citron  levant,  gilt  top. 

3415     Bladon.     London,  1772. 

2  vols,  in  I,   i2mo,  half  citron  levant,  gilt  top. 

3416  -^ Bladon.     London,  1772. 

2  vols,  in  I,  i2mo,  half  blue  levant,  gilt  top. 

3417  Theatrical  Bouquet.     Prologues  and  Epilogues.    Portrait  of  Garrick 

as  a  drunken  sailor.      London,  1780. 

Post  Svo,  half  green  levant,  gilt  top. 

3418  Theatrical  Campaign  for  1 766-1767.     London,  1767. 

Svo,  half  morocco,  uncut  edges. 

3419  Theatrical    Dictionary  (New).     London,  1792. 

Post  Svo,  half  citron  levant,  gilt  top,  uncut  edges. 

3420  Theatrical  Inquisitor  ;  or,  Literary  Mirror,  with  all  the  valuable  full- 

length  portraits.     London,  1812-1819. 

14   vols.,  8vo,  half  blue  levant    morocco  extra,   gilt  top,   uncut 
edges. 

3421  Theatrical    Magazine   (so  lettered).     A  Collection  of   Plays  ;  with 

numerous  scarce  portraits  in  character.     London,  1777-80. 
4  vols.,  Svo,  half  blue  levant,  gilt  top,  uncut  edges. 

3422  Theatrical    Managers.     General  Advice   to   Theatrical    Managers. 

London,  1789. 

4to,  half  red  morocco. 

3423  Theatrical  Observer  from  January  19  to  February  19.  1821  ;    in  all, 

27  numbers.      London,  1S21. 

i2mo,  half  blue  levant,  gilt  top,  uncut  edges. 

3424  Theatrical  Review  ;  or.  Annals  of  the  Drama.     Fine  portrait  of  Gar- 

rick and  other  plates.     London,  1703. 
Svo,  half  blue  levant,  gilt  top. 

3425     Theatrical  Review,  1757-1758.      London.  1758. 

Svo,  half  morocco. 

3426  Theatrical  Scene-Painter.     Letters  from.     London.  1850-62. 

2  vols.,  i2mo,  half  red  levant,  gilt  top. 

3427  Theatrical  Times.     A  weekly  magazine  of  Thespian  iliography,  etc. 

Portraits.      London,  1847-8. 

4  vols,  in  2,  Svo,  half  blue  levant,  gilt  top. 

349 


3428  Theatrical   Tourist.     By   Winston   (?).     Provincial  Theatres  in  the 

L  nitcd  Kiiig(,k>ni  ;  with  all  the  plates  colored.     London,  1805. 
4to,  halt  red  levant,  gilt  top,  uncut  edges. 

3429  Theatrical  Tracts. 

Honesty  in  Distress.     17 10. 

The  Stage,  by  John  Brown.     1819. 

Ophelia  Keen.      1829. 

The  Opera,  by  Philo-Mousos.     1833. 

A  New  Drama  or  we  faint.      1853. 

London,  17 10-1853. 
5  vols,  in  I,  121T10,  half  red  morocco. 

3430  Theophrastus.     Characters  of.     Translated,  etc.,  by  Francis  Howell. 

Numerous  illustrations.     London,  1824. 

Royal  8vo,  half  calf  gilt,  gilt  top,  uncut  edges. 

3431  Thespian   Dictionary.     Portraits  in   red,  and  interleaved  with   MS. 

notes  for  a  new  edition.     London,  1805. 

I  vol.  extended  to  4,  post  8vo,  half  citron  levant,  gilt  top. 

3432     London,  1802. 

Post  8vo,  half  citron  levant,  gilt  top,  uncut  edges. 

3433  Thespian  Magazine  and  Literary  Repository,  with  the  rare  por- 

traits, etc.     London,  1793-4. 

3  vols.,  8vo,  half  blue  levant,  gilt  top. 

3434  Thespian  Mirror.     Numbers  IV.  to  XIL     New  York,  1806. 

8vo,  half  blue  levant,  gilt  top,  uncut  edges. 

3435  Thespian  Dictionary  (The).     London,  1802. 

i2nu),  half  citron  levant,  gilt  top. 

3436  Thespian  Preceptor.     Portrait  of  Kemble.     London,  1807. 

i2mo,  calf. 

3437  Theuriet  (A.).     Ru.stic  Life  in  France.     Illustrated,    New  York,  1896. 

i2mo,  cloth. 

3438  Theuriet  and   Clausen.      Jules  Bastien-Lepage  and  his  art,  and  a 

Study  of  Marie  Bashkirtseff,  by  Mathilde  Blind.     Illustrated.     Lon- 
don, 1892. 

Imp.  8vo,  cloth,  uncut. 

3439  Thiers  (M.  A.).     History  of  the  French   Revolution.     Translated  by 

F.  Shoberl.      Steel  plates.     Bentley,  London,  1838. 
5  vols.,  8vo,  cloth,  uncut. 

3440  Thomas  (Bertha).     George  Sand.     London,  1883. 

Post  8vo,  cloth. 

350 


3441  Thomas.     Biographical  Dictionary.     Philadelphia,  1886. 

Royal  8vo,  sheep. 

3442  Thompson  (E.  S.).     Wild  Animals  I  have  Known.     Illustrated.     New 

York,  1898. 

Crown  8vo,  cloth. 

3443  Thompson    (Sir    Henry).     Diet   in    Relation    to    Age    and    Activity. 

London,  1887. 

Presentation  copy  from  the  author. 
1 2 mo,  cloth. 

3444  Thompson  and   Lewis.     The   Mask.     Vol.  I.,  February-December. 

1868.     Illustrated.     London,  1868. 
Royal  8vo,  cloth. 

3445  Thomson    (1).    C).     Life    and    Labours  of   Hablot   Knight  Browne, 

"Phiz."     130  illustrations.     New  York  [London],  1885. 
Limited  edition. 
Royal  4to,  cloth,  uncut. 

3446     The   Life  and  Work  of  Luke  Fildes.     Numerous  illustrations. 

London,  1895. 

Japan  paper  copy. 

4to,  cloth. 

3447     The  Barbizon  School  of  Painters.     130  illustrations.     London, 

1891. 

4to,  cloth,  uncut. 

3449  Thomson   (James).     Works  [the  Seasons,  etc.].     Portrait  and  plates. 

London,  1803. 

Large  paper  copy. 
3  vols.,  8vo,  calf. 

3450     The  Seasons.     Plates  by  Westall.     Sharpe,  London,  1S17. 

Large  paper. 

i2mo,  calf. 

3451     Defence  of  the  New  Sophonisba.     I,ondon,  1730. 

8vo,  half  calf. 

3452     Public  and  Private  Life  of  Animals.     Illustrated.    London,  1876. 

8vo,  cloth. 

3453     The  City  of  Dreadful  Night.     Portland,  1892. 

Large  paper  copy  ;  50  printed. 

4to,  half  gray  levant,  gilt  top,  uncut  edges. 

3454  Thornbury  (Walter).     Old  and   New  Lc^ndon.     Profusely  illustrated. 

London,  n.  d. 

6  vols.,  imp.  8vo,  half  calf  extra,  gilt  top. 
351 


3455  Thousand   and   One  Days.     Persian  Tales.     Edited   by  Justin  H. 

McCarthy.     Frontispiece.     London,  1892. 
2  vols.,  crown  8vo,  boards,  uncut. 

3456  Tiffin  (W.  F.).     Gossip  about  Portraits.     London,  1866. 

Post  Svo,  boards,  uncut. 

3457  Tile  Club.      Book  of  the,  by  E.  Strahan  [Earl  Shinn]  and  F.  H.  Smith. 

27  phototype  illustrations,  etc.     Boston,  1886. 
Imp.  4to,  canvas,  metal  corners. 

3458  "  Tisanthrope."     The  Origin  of  Evil.     A  celestial   drama  by  "  Ter. 

Tisanthrope."     London,  1873. 

Apparently  corrected  for  a  new  edition. 
T2mo,  half  citron  levant,  gilt  top. 

3459  Tissot  (J.  James).     Life  of  Jesus  Christ,  with  365  compositions  from 

the  Gospels,  printed  in  colors.     London,  1897. 

2  vols.,  royal  folio,  half  blue  levant  morocco  extra,  gilt  top,  uncut 
edges. 

3460  Todd    (C.   B.).     Story  of    the  City  of  New  York.     Illustrated.     New 

York,  1888. 

i2mo,  half  orange  levant,  gilt  top,  uncut  edges. 

3461  Tolstoi   (Leo).     The   Two    Pilgrims;    If  You  Neglect    the    Fire  You 

Don't  Put  it  Out.     Illustrated.     London,  189-. 
Post  Svo,  half  green  levant,  gilt  edges. 

3462  Tombleson  and  Fearnside.     Picturesque  Views  on  the  Thames  and 

Medway.     Steel  plates.     London,  n.  d. 
4to,  cloth. 

3463  Tom  Thumb.     Sketch  of  the  T>ife  of.     Wood-cuts.     New  York,  i860. 

i2mo,  half  blue  levant,  gilt  top. 

3464     The  Tragedy  of    Tragedies  ;  or,  the   Life   and    Death  of    Tom 

1  humb  the  Great.     London,  175 1. 

Svo,  half  citron  levant. 

3465  Toole   (J.    L.).     Reminiscences    of,    chronicled    by    Joseph    Hatton. 

Wood-cuts.     London,  1889. 

2  vols.,  Svo,  half  calf,  gilt  top,  uncut  edges. 

3466  Topsy    Turvy  Literature.     Enfant   Terrible,  No.    i,  April,    1898  ; 

Whims,  April,  June,  September,  1896  ;  Le  Petit  Journal  des  Re- 
fusees,  No.  I,  July,  1896  ;  Humanity.  October,  1896  ;  Clique,  Vol.  L, 
No.  I,  May,  1896;  Pickwick,  May,  1898;  The  Twilight,  Nos.  i,  2, 
May,  June,  1898. 

Original  covers,  in  imp.  Svo,  cloth  case. 
352 


3+6?     Topsy  Turvy  Literature.    The  Fly  Leaf,  April,  i8g6  ;  The  Shadow, 

April,  1896  ;  The  Magpie,  September,  October,  1S96  ;  Alkahest, 
October,  1896,  April,  1897  ;  The  Yale  Courant,  Vol.  ^:i,  No.  i, 
October,  1896. 

8vo,  cloth  case  enclosing  the  above. 

3468     Chop-Book    (The),  1896  ;  The   Little   Chap,   September,  1896  ; 

The  Bauble,  June,  October.  1896  ;  Poster  Lore,  January.  February. 
April,  September,  1896. 

i2mo,  cloth  case  enclosing  the  above. 

3469     The  Bibelot,   July-September,    1897  ;  The  Roycroft  Quarterly, 

May,  1896  ;  Time  and  the  Hour,  Vol.  L,  Nos.  5,  7  ;  Vol.  III.,  No.  9, 
1896  ;  The  Truth  in  Boston,  Nos.  17,  18,  April,  1896. 

8vo,  cloth  case  enclosing  the  original  numbers. 

3470  "  Touchatout."     Le  Trombinoscope.     Wood-cuts.      Portraits  in  cari- 

cature.    Paris,  1872. 

Royal  8vo,  half  brown  morocco,  gilt  top,  uncut  edges. 

3471  Touchstone,    the  ;    or,    Historical,    Critical,   Political,    Philosophical, 

and   Theological   Essays  on   the   Reigning  Diversions  of  the   7'o\vn. 
By  a  Person  of  some  Taste  and  some  Quality.     London,  1728. 
i2mo,  half  green  levant. 

3472  Toulmin   (Camilla).     Lays   and  Legends  illustrative  of   Englisii    Liio. 

Engravings  on  steel  and  wood.     London,  1845. 
4to,  half  red  calf. 

3473  Town   and   Country   Magazine.     From    1771    to    1795,    with   the 

famous  tete-a-tcte  and  other  plates.     London,  1771-1795. 

A  few  numbers  missing,  but,  as  a  set,  far  above  the  average. 
25  vols.,  8vo,  half  calf. 

3474  Townsend  (Geo.  Alfred).      Life,  (."rime,  and  C"a])ture  of   John  Wilkes 

Booth.     New  York,  1865. 
8vo,  half  calf,  gilt  top. 

3475     Life,  Crime,  and  C'apture   of    John    Wilkes    P.ootli.      Nrw    \'()rk, 

1865. 

8vo,  half  morocco,  uncut  edges. 

3476  TOWNSEND   (V.   F.).     OUR  PRESn)ENTS  ;  or,  the  Lives  of 

the  Twenty-three  Presidents  of  the  United  States.     New  York.  1889. 
Unique  copy,  with  autograph  letters  of   Washington,  and    .^oo 

portraits  inserted,  many  India  proofs. 
Folio,  half  red  levant  morocco  extra,  gilt  top,  by  Stikcman. 

3477  Tracts  on  the  Stage  (n).      By   Witherspoon,  (iibb.  .Vndc-r'jon.  Fer- 

guson, Pickering,  etc.     Clasgow,  1757.  etc. 

8vo,  calf. 
23  353 


347^     Tredwell  (H.  M.).     Monograph  on  Privately  Illustrated  Books.     Flat- 
bush,  L.  1.,  1892. 

Whatman  paper  ;  25  printed. 

Imp.  8vo,  half  citron  levant,  gilt  top,  uncut  edges. 

2479     Monograph  on  Privately  Illustrated  Books.     Brooklyn,  1881. 

Large  paper  coj^y. 

Royal  8vo,  original  covers,  uncut. 

3480     Privately  Illustrated  Books.     Brooklyn,  1881. 

8vo,  original  covers,  uncut. 

3481  Trevelyan  (Geo.  Otto).     Life  and  Letters  of  Lord  Macaulay.     Por- 

trait.    London,  1876. 

2  vols.,  8vo,  cloth,  uncut. 

3482  Tristram  (W.  O.).     Coaching  Days  and  Coaching  Ways.     Illustrated 

by  Railton  and  Hugh  Thomson.     London,  1888. 
Royal  8vo,  cloth. 

3483  Trollope    (Anthony).     He   Knew  he   was   Right.     64  illustrations  by 

Marcus  Stone.     London,  1869. 

First  edition,  with  the  original  covers  enclosed. 

2  vols.,  8vo,  half  green  levant  morocco,  gilt  top,  uncut  edges. 

3484     Can  You  Forgive  Her?     40  plates  by  ''  Phiz."     London,  1871. 

8vo,  cloth,  uncut  edges. 

3485     An  Autobiography.     Portrait.     Edinburgh,  1883. 

2  vols.,  post  8vo,  cloth,  uncut. 

3486  Trollope  (T.  A.).     Girlhood  of  Catherine  de  Medici.     London,  1856. 

Unique  copy,  with  numerous  portraits  and  views  inserted. 
Crown  8vo,  blue  morocco,  gilt  top,  uncut  edges. 

3487     Italy,  from  the  Alps  to  Mount  Etna.     100  plates  and  300  text 

illustrations.     New  York  [London],  1877. 

Folio,  half  red  morocco  extra. 

3488  Trollope    (Mrs.).       Domestic    Manners    of   the    Americans.     Curious 

plates.     London,  1832. 

2  vols.,  crown  8vo,  half  calf. 

3489  Trueman  (Thomas).     The  Nurse's  Rhyme  Book.     Wood-cuts.     Phila- 

delphia, 1858. 

8vo,  original  cloth. 

3490  Tryon  (John).     The  Old  Clown's  History.    Wood-cuts  (minus  pp.  15- 

16).     New  York,  1872. 

8vo,  half  green  levant,  gilt  top. 
354 


3491  TUCKERMAN   (Henry  T.).     THE  CHARACTER    AND    POR- 

TRAirs  OF  WASHlxXGTON.     New  York,  1859. 

12  portraits,  etc.,  on  India  paper,  two  of  them  early  proofs. 

Unique  copy,  with  129  extra  plates,  includin^j  Braddock;  Din- 
widdie's  Interview  with  Washington  ;  Gen.  Knox,  after  Savage  ; 
Hamilton,  by  Leney  and  Durand  ;  Brissot's  Interview  with 
Washington;  C.  W.  Peale,  by  Longacre  ;  Lafayette  (2  i.p.)  ; 
Hugh  Williamson,  by  Thomson  ;  (ieo.  Clinton  (i.p.);  Mt.  Ver- 
non (publ.,  1798)  ;  Houdon  (i.p.)  ;  Trumbull,  by  Durand  (i.p.)  ; 
Gouverneur  Morris,  by  B.  B.  E.;  Jeremy  Belknap;  Louis  XVI.. 
by  (iabrielli  ;  Mrs.  Wright,  with  bust  ;  Washington's  resigna- 
tion, by  Lawson,  etc.  The  scarce  sheet  of  portraits,  ''  Memo- 
rials of  Washington,"  and  3  portraits  of  Washington,  not  in 
Baker,  2  of  them  being  India  proofs,  besides  the  following 
Baker  numbers  :  3,  4,  28  i.p.,  35  first  state,  36,  43,  54,  79,  96, 
99,  103,  III  i.p.b.l.,  113,  114  i.p.,  early  state,  115,  122  i.p.b.l., 
135.  143,  144,  i55>  T62,  167,  168,  175,  176  i.p.;  also  p.b.l,  177, 
183,  189  i.p.,  206,  245  i.p.,  293,  382,  385,  404,  418,  and  425. 

4t(),  half  blue  crushed  levant  morocco,  gilt  back  and  top,  edges 
uncut. 

3492  Tuer  (A.  AV.).     London  Cries.     With  Six  Charming  C'.iildren,  being  re- 

prints of  rare  engravmgs  by  I'artolnzzi,  Cruikshank,  Rowlandson,  etc., 
some  colored.     London,  n.d. 
4to,  boards. 

3493  Turenne  (Count  de).     Life  and  Amours.     London,  1762. 

1  2mo,  half  calf. 

3494  Turin  Gallery.     Reale  Galleria  di  Torino.      164  fine  plates,  proofs  on 

India  jjaper.     Torino,  1836. 

4  vols.,  royal   folio,  half  morocco. 

3495  Turner  Gallery.     60   selected  plates,  with   memoir   and    descriptions 

by  li.  X'.  AN'ornum.      London,  1875. 
Royal  folio,  citron  morocco. 

3496  Turner  (J.  W.   M.).     Autotype  reproductions  of  the  Liber  Studiorum. 

24  plates.     Edited  by  Stopford  Brooke.      London,  1882. 
Vol.  I.,  oblong  4to,  cloth. 

3497  Tussaud  (Madame).     Memoirs  and  Reminiscences  of  France.     With 

no  inserted  plates,  being  portraits  of  the  principal  characters  of  the 
French  Revolution,  etc.     London,  1838. 

2  vols.,  8vo,  calf  extra,  gilt  edges. 

3498  Tyerman  (L.).     The  Oxford  Methodists.     Portraits.     New  York.  1873. 

8v(j,  cloth. 

3499  Uchard  (Mario).     My  Uncle   Barbassou.    40  etchings  by  Paul  \\\'\\ 

London,  1888. 

Royal  8vo,  cloth,  uncut. 

3.S5 


I 


3500  Ueber  Land  und  Meer.     Profusely  illustrated.    Stuttgart,  1887-90. 

4  vols.,  folio,  half  morocco. 

3501  Univers  Illustre.     A  larije  number  of  illusirations.     Paris,  1876. 

13  vols.,  folio,  half  morocco. 

3502  Upton  (Joiin).     Critical  Observations  on  Shakespeare.     London.  1746, 

8vo,  calf. 

3503  Uzanne  (Octave).     La   Reliure  Moderne.     Illustrated  with  facsimiles, 

etc.      Paris,  1887. 

Royal  8vo,  original  covers,  uncut  edges. 

2504     Contes    pour    les    Bibliophiles.       Numerous    illustrations,    some 

colored.     Paris,  1895. 

Imp.  8vo,  original  covers,  uncut  edges. 

3505     ^'^  Femme  a  Paris.     Nos  Contemporaines.      Illustrations,  beau-  1 

tifully  colored,  by  Vidal.     Paris,  1894. 

Royal  8vo,  original  covers,  uncut  edges. 

3506     Le   Miroir  des  Monde.     With  the  colored   illustrations  by  I'aul 

Avril.     Paris,  1888. 

Japan  paper  ;  100  copies  printed. 

4to,  stamped  morocco  case  over  the  original  covers,  uncut  edges. 

3507     Mirror  of  the  World,  with  the  Avril  illustrations  in  color.     Lon- 
don, 1889. 

Japan  paper;  ico  jM'inted. 

4to,  blue  levant  morocco  e.xtra,  gilt  top.  uncut  edges. 

3508     La  Femme  a  Paris.     Colored   and  other  illustrations  by  Vidal. 

Paris,  1894. 

Royal  8vo,  original  covers,  uncut. 

3509     The  Book  Hunter  in  Paris.     Illustrated.     London,  1893. 

8vo,  cloth. 

3510     L'Ecole  des  Faunes. 

Contes  de  la  Vingtieme  Annee.     Numerous  colored  illustrations, 

etc.     Paris,  1896. 
Royal  8vo,  silk  covers. 

3511     La  Frangaise  du  Siecle.     Illustrations  by  Lynch,  etc.     Printed 

in  colors.      Paris,  1886. 

Royal  8vo,  original  binding. 

3512  Valentine  (David  T.).     History  of  the  City  of  New  York.     Maps,  etc. 

New  York,  1853. 

8vo,  cloth. 

356 


3513  Vanbrugh  (Sir  John).     Plays.     Portrait  by  Miller.     London,  1776. 

2  vols.,  i2mo,  calf. 

3514     Plays.     Portrait.     London,  1776. 

\'ol.  1.,  i2mo,  calf  extra. 

3515     The  Mistake.     A  comedy.      Frontispiece.     London,  1769. 

Warren's  copy,  with  his  autograph,  etc.     A  prompt-book. 
i2mo,  half  citron  levant. 

3516  Vandam  (A.  D.).     An  Englishman  in  Paris.     London,  1892. 

2  vols.,  crown  8vo,  cloth,  uncut. 

3517     My  Paris  Note-Book.     London,  1894. 

8vo,  cloth,  uncut. 

3518     Undercurrents  of  the  Second  Empire.     New  York,  1895. 

8vo,  clolh,  uncut. 

3519     French  Men  and  French  Manners.     London,  1S95. 

8vo,  cloth,  uncut. 

3520     Undercurrents  of  the  Second  Empire.     New  York,  1896. 

8vo,  cloth,  uncut. 

3521  Vandenhoff  (Geo.).      Leaves  from  an  Actor's  Note  Book.     New  York, 

i860. 

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3522  VANDERBILT  HOUSE  AND  COLLECTIONS.     Described 

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photogravures,  some  printed  in  colors,  and  numerous  illustrations  in 
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collections,  and  4  sections  descriptive  of  the  paintings.  Philadelphia, 
1883. 

Large  paper  ;  Japanese  edition,  only  500  copies  printed  on  Jap- 
anese vellum  paper,  the  plates  being  proofs  before  letters. 

4  vols.,  large  folio,  half  morocco  and  satin  portfolios. 

3523  Van   Dyke   (J.   C. ),  Ed.     Modern  FVench  Masters;  reviews  by  Ameri- 

can Artists.      Illustrated.     New  York,  1896. 
Imp.  8vo,  cloth,  uncut. 

3524  Vanity  Fair.     A  Weekly  Show  of  Political,  Social,  and  Literary  Wares  ; 

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58  vols.,  folio,  original  green  cloth. 

3525  Vauxhall  Paintings.     Sliding  on  the  Ice  ;    Leap-Frog  ;    Batllcdoro 

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engraved  by  B.  Cole. 

Oblong  4to,  half  red  levant  morocco,  very  rare. 

357 


3526  Vauxhall  Papers.     London,  v.  d. 

Unique  copy,  with  autograph  letters  of  Green  the  Aeronaut,  etc.  ; 
an  original  drawing  of  the  Pavilion  ;  the  12  engravings  of  the 
paintings  at  Vauxhall  ;  many  programmes  ;  a  catalogue  of  the 
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of  the  last  music  ;  a  ticket  for  the  last  night  ;  the  last  pro- 
gramme, etc. 

4to,  half  brown  morocco. 

3527  Vedder  (Paul).     The  Dramatic  Year,  1886.     Portraits.     London,  1887. 

i2mo,  half  blue  levant,  gilt  top. 

3528  Venice.     Calli  e  Canali  in  Venezia.     Plates.     Ongani,  Venezia,  1891-2. 

Imp.  folio,  boards. 

3529     SAINT  MARK'S,  VENICE. 

Dettagli  di  Altari,  Monumenti,  ?cultura,  etc.,  della  Basilica  di 
San  Marco  in  Venezia  riprodotti  dal  vero  in  eliotipia  di  C. 
Jacobi.     8  vols.     Ongania,  Venezia,  1881. 

Pavimento  ed  Ornamenti  in  Mosaico  della  Basilica.  2  vols. 
1881. 

II  Tesoro.     2  vols.     1885-7. 

Documenti.      i  vol.      1886. 

La  Basilica.     2  vols.      1888. 

Together  13  vols.,  folio,  original  covers. 

3530    San  Marco  in  Venezia.     La  Basilica.     Plates  in  color,  etc. 

Ongania,  Venezia,  188 1-3. 

2  vols.,  atlas  folio,  boards. 

3531  Vermont  (E.  de  V.).     America  Her<ildica.     Numerous  plates  in  gold, 

silver,  and  colors  of  the  arms  of  prominent  American  families.  New 
York,  1886. 

Royal  4to,  half  blue  morocco  extra,  gilt  top. 

3532  VESTRIS    (Madame).      MEMOIRS  OF   THE   LIFE,    PUBLIC 

AND    PRIVATE    ADVENTURES    OF    MADAME    VESTRIS, 
to  which  is  added  the  Amorous  Confessions,  etc.     London,  1839,  rep. 
Unique  copy,  illustrated  by  the  insertion  of  200  portraits,  auto- 
graph letters,  play-bills,  etc.    The  autograph  letters  are  chiefly 
by  Mad.  Vestris  and  C.  J.  Mathews,  and  the  portraits  include 
20   of    Vestris    and    rare    prints    of    Clara    Fisher,    Grimaldi, 
Mathews,  Mad.  Storace,  Miss  Tree,  etc.     At  the  end  of  Vol.  2 
the  text  has  been  increased  by  the  addition  of  rare  pamphlets 
concerning  Mad.  Vestris. 
2  vols.,  4to,  half  red  levant  morocco  extra,  gilt  top. 

3533     ^  collection  of  over  100  portraits  of  this  famous  actress,  many 

of  exceeding  rarity,  together  with  15  of  her  songs,  nearly  150  play- 
bills, and  other  illustrative  material.  An  exceedingly  valuable  and 
comprehensive  gathering. 

Folio,  half  red  morocco. 

358 


3534  Vestris  (Madame).  Memoirs  of  the  Life,  Public  and  Private  Adven- 
tures, of  Madame  Vestris,  with  interesting  and  curious  anecdotes. 
Portrait  and  curious  colored  plates.     London,  n.  d. 

The  rare  original  edition,  containing  much  matter  cancelled  in 
the  so-called  reprint. 

Small  8vo,  half  citron  levant  morocco,  gilt  edges,  by  Bedford. 

3536     Public  and   Private  Life  of  [and  of  Miss  Chester].     Portraits. 

London,  18 — . 

8vo,  half  maroon  levant,  gilt  top. 

3537     Memoirs  of.     London,  1839,  rep. 

Large  paper  copy,  with  11  scarce  portraits,  etc.,  inserted. 
4to,  half  calf,  gilt  top,  uncut  edges. 

3538  Vetault   (Alphonse).      Charlemagne.      Numerous  plates  in  gold  and 

colors  and  profuse  text  illustration.     Tours,  18S0. 
Royal  8vo,  half  red  morocco  extra. 

3539  Veuillot  (Louis).     Jesus  Christ.     16  colored  plates  and  180  text  illus- 

trations.    Paris,  i88r. 

Royal  8vo,  half  red  morocco  extra. 

3540  Victor  and  Oulton.      History  of  the  Theatres  of  London  and  Dublin 

from  i7i2to  1817.     London,  1796-1813-18. 

8  vols,  in  7,  post  8vo,  calf. 

3541  Vidocq,  the  French  Spy.     Memoirs  of,  by  himself.     London,  n.  d. 

4  vols.,  i2mo,  half  calf  gilt. 

3542     Life  in  Paris.     Wood-cuts.     London,  1848. 

Royal  8vo,  half  calf. 

3543  Vienna  Theatre.     Die   I'heater  Wiens.     Profusely   illustrated   with 

colored  and  other  engravings.     Wien,  1894. 
Parts  I  to  21,  folio,  original  covers. 

3544  Vigny  (Alfred  de).     Cinq-Mars.     Translated  by  Wm.  Hazlitt.     Portrait 

and  other  etchings.     Boston,  1889. 
Large  paper  copy  ;   200  printed. 

2  vols.,  8vo,  cloth,  uncut  edges. 

3545  Vincent  (A.).    Lives  of  Twelve  ]5ad  Women.    Portraits.    Loiulon.  1S97. 

8vo,  cloth,  uncut. 

3546  Virgil.     Works  of.     Translated  by   Dryden.     Portrait  and   100  |ilales. 

Tonson,  London,  17 16. 

3  vols.,  8vo,  sprinkled  calf  extra. 

3547     The    Eclogues.      Done    into    Lnglisli    Prose   by   J.  W.    NLickaii. 

Portland,  1898. 

Japan  paper  copy. 
i6mo,  pa|)er. 

359 


354^     Vitu    (Auguste).     Paris.     450    original    illustrations.     Quantin,    Paris, 
n.  d. 

Royal  4to,  half  green  morocco,  gilt  top. 

3549  Vizetelly  (Henry).     Berlin  under  the  new  Empire.     400  illustrations. 

London,  1879. 

2  vols.,  8vo,  half  red  calf  extra. 

3550     Glances  Back  through  Seventy  Years.     Portrait.     London,  1893. 

2  vols.,  Svo,  cloth,  uncut. 

3551  Voiture.     Works  of.     Translated,  with  additions,  by  Thomas  Brown. 

Portrait.     London,  1705. 

Svo,  calf,  cover  loose. 

3552  Vuillier  (Ciaston).     History  of  Dancing.     Tinted  and  other  illustrations 

in  great  profusion.     London,  1S98. 

4to,  cloth. 

3553     History  of  Dancing.       200    plates  and   400    wood-cuts.       New 

York  [London],  1897. 

4to,  cloth. 

3554  Wagner  and  Liszt.     Correspondence  of.     New  York  [London],  1889. 

2  vols.,  crown  Svo,  half  calf,  gilt  top,  uncut  edges. 

3555  Waite  (A.  E.).     Devil  Worship  in  France.     London,  1896. 

Crown  Svo,  cloth,  uncut. 

3556     I'he  Book  of  Black  Magic.     Illustrated.     London,  1898. 

Privately  printed. 

4to,  cloth,  uncut. 

3557  Waldron  (F.  C).     Shakespeare   Miscellany.     Portraits   of   Farquhar, 

Davies,  Theo.  Gibber,  Pinkethman,  Joe    Harris,  W.  Cartwright,  etc. 
London,  1802. 

4to,  half  calf,  uncut  edges. 

3558  Walford  (Edward).     (Greater    London.     Profusely    illustrated.      Lon- 

don, n.  d. 

2  vols.,  royal  Svo.  cloth. 

3559  Waliszewski  (K.).     Tiie   Romance  of  an  Empress  ;  Catherine  H.  of 

Russia.     Portrait.     London,  1894. 
Svo,  cloth. 

3560 Peter  the  Great.     Translated  by  Lady  Loyd.     London,  1897. 

2  vols.,  Svo,  cloth. 

3561     Walker  (J).      Rhyming  Dictionary.     Philadelphia,  1870. 
i2mo,  cloth. 

360 


3562  Wallace  (D.  M.).     Russia.     Maps.     New  York,  1877. 

<Svo,  cloth. 

3563  Wallace  (Lew).     The  Fair  God.     Illustrated  by  Eric  Pape.     Boston, 

1899. 

2  vols.,  8vo,  cloth,  uncut. 

3564     Ben-Hur.     Portrait  and  other  plates.     New  York,  1892. 

Large  paper  copy  ;  350  printed. 

2  vols.,  8vo,  vellum  paper,  uncut  edges. 

3565  Wallack  (Lester).     Memories  of  Fifty  Years  ;  with  an  Introduction  by 

Laurence  Hutton.     New  York,  1889.  ^;'-      ' 

Unique  copy,  inlaid  to  folio,  and  illustrated  by  the  insertion  of 
over  300  portraits,  play-bills,  autograph  letters,  etc.,  and  18 
original  water-color  and  sepia  drawings  of  Mad.-  Vestris  and 
other  shining  lights  of  the  stage.  Many  of  the  plates  are  fine 
India  proofs,  including  one  of  the  100  impressions  of  Stephen 
Price,  Edmund  Kean,  by  Hall  (with  a  scratch  plate),  and  many 
of  the  HoUyer  proofs,  signed.  A  colored  mezzotint  of  Miss 
Mellon,  by  Turner,  is  also  added. 

The  autograph  letters  represent  J.  W.  Wallack,  Henry  and 
Lester  Wallack,  C.  J.  Mathews,  j.  P.  Kemble,  Alfred  Bunn, 
a  letter,  leaf  of  the  original  MS.  and  proof  sheets  by  Laurence 
Hutton,  and  the  correspondence  of  those  who  assisted  in  the 
Wallack  benefit. 

2  vols.,  4to,  half  red  morocco  extra,  gilt  top. 

3566  Wallack  (Jas.  Wm.).     Sketch  of  the  Life  of.     New  York,  1865. 

Unique  copy,  extra-illustrated  with  228  portraits,  autograjihs, 
play-bills,  views  of  theatres,  original  drawings,  etc.  Garrick 
(p.b.l.)  ;  Queen  Charlotte,  by  Evans  ;  Sheridan  ;  Kemble 
(0.1. p.),  by  Sharp  ;  Kemble  as  Rolla  (original  drawing);  Mun- 
den  from  Thespian  Magazine  ;  Cooke  from  Cabinet ;  Interior  of 
Park  Theatre  (original  drawing)  ;  Kean  (i.p.)  ;  Mathews,  by 
H.  Meyer  (proof);  Mathews  (mezzo.), by  Turner  ;  Forrest  (4to), 
by  Meyer  ;  Cooper  as  Piere  ;  The  (4)  Ravels  (original  draw- 
ing); Chas.  Kemble  (i.p.);  Fanny  Kemble,  by  Picart  (i.p.); 
Clara  Fisher,  by  Rogers  ;  Clara  Fisher  as  Richard,  Master 
Burke,  Placide  (original  drawing),  Yankee  Hill,  I.  Vandenhoff, 
(i.p.,  2),  de  Begnis,  Jane  Shirreff  (i.p.),  National  Theatre 
(original  drawing).  Miss  Vandenhoff  as  Juliet  (i.p.).  Burton's 
Theatre  (original  drawing),  Walcot  (original  drawing),  Blake 
(original  drawing),  Mrs.  Hoey  (original  drawing),  Cooke 
(p.b.l.,  printed  in  red),  Cooke  as  Richard  (410),  Scriven.  Ge<M-<,fC 
Holland  (i. p.b.l.),  etc.,  J.  W.  Wallack,  by  Holl  ;  autograph 
letters,  J.  W.  Wallack,  1829,  J.  W.  Wallack  (lith.),  A.  Newsam. 
Wallack  as  Alcibiades,  as  Alokarra,  as  Rugantino,  as  Charlevois 
(2),  as  Bolingbroke,  as  Lucester  (original  drawing),  as  Ber- 
tuccio  (original  drawing),  as  Massaroni. 

One  of  50  copies  i)rinted. 

4to,  brown  levant  morocco,  gilt  backs  and  edges. 
361 


3567  Wallack  (Jas.  Wm.).     Sketch  of  the  Life  of.     New  York,  1865. 

Unique  copy,  inlaid  to  4to,  and  illustrated  by  the  insertion  of 
100  portraits,  numerous  valuable  play-bills,  etc.,  collected  by 
T.  H.  Morrell. 

4to,  half  brown  levant  morocco  extra,  gilt  top. 

3568  Waller  (l^dmund).     Poems.     No  portrait.     London,  1682. 

8vo,  calf,  covers  loose. 

3569  Wallett    (W.  F.),  the    Queen's  Jester.     Public    Life  of.     Portrait. 

London,  1870. 

Post  8vo,  half  calf  gilt. 

3570  Wallon  (H.).     Jeanne   d'Arc.     Numerous    colored    plates   and    other 

illustrations.      Paris,  1883. 

Royal  8vo,  half  red  morocco  extra. 

3571     St.  Louis.     Plates  in  gold  and  colors,  and  numerous  text  illus- 
trations.    Tours,  1880. 

Royal  8vo,  half  red  morocco  extra. 

3572  Walpole  (Horace).    Letters.    Edited  by  Peter  Cunningham.     Portraits. 

London,  1861. 

Unique  copy  ;  with  260  plates  inserted,  some  quite  scarce. 
9  vols.,  8vo,  half  blue  levant  morocco,  gilt  top,  uncut  edges. 

35'73     Catalogue  of  Royal  and  Noble  Authors  of  England.     Strawberry 

Hill,  1758. 

Unique  copy,  inlaid  to  4to,  with  over  60  portraits  inserted,  in- 
cluding 5  drawings  (Albemarle,  Shaftesbury,  Halifax,  Oxford, 
and  Hamilton),  and  mezzotints  of  John  Lord  Hervey,  Sir 
Robert  Walpole,  etc. 

4to,  russia,  gilt  edges. 

3574  Walter  (James).     Shakespeare's    True    Life.     Illustrated    by    G.   E. 

Moira.     London,  1890. 

Imp.  8vo,  boards,  uncut. 

3575  Walton  (Isaak).     Complete  Angler  and  Lives.     With  India  proof  im- 

pressions of  the  plates.     Major,  London,  1823-5. 

Large  paper  copies  of  Major's  famous  edition,  absolutely  un- 
trimmed  on  all  the  edges. 

2  vols.,  8vo,  half  morocco. 
362 


3576  Walton   (VVm.).     Paris  Known  and   Unknown.     Superbly  illustrated, 

many  of  the  plates  in  colors.     Philadelphia,  1899. 
Japan  paper  copy. 
2  vols.,  half  blue  levant. 

3577  Wandell  (Sam'l  H.).     The  Law  of  the  Theatre.     Albany,  1891. 

8vo,  sheep. 

3578  Ward  (A.  W.).     Hi.story   of   English   Dramatic   Literature.     London, 

2  vols.,  8vo,  lialf  red  levant,  gilt  top,  uncut  edges. 

3579     History  of  English   Dramatic  Literature  to  the  Death  of  Queen 

Anne.     London,  1899. 

3  vols.,  8vo,  cloth,  uncut. 

3580  Ward  (Henry).     Works  of.     Dramatic  pieces,  etc.     London,  1746. 

8vo,  calf  gilt. 

3581  Ward  ("  Ned ").     Remarkable  C'lubs   and    Societies    in    London    and 

W'estminster.     London,  1756. 

i2mo,  calf  extra,  gilt  edges,  by  Riviere. 

3582  Ward  (H.  S.  and  C.  W.).    Shakespeare's  Town  and  Times.    Illustrated. 

London,  n.  d. 

4to,  cloth. 

3583  Warner  (Chas.  Dudley).     The  People  for  whom  Shakespeare  Wrote. 

Illustrated.     New  York,  1897. 

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3584  Warner  (Richard).     A   Letter  to   David  (iarrick,   Esq.,  concerning  a 

Cilossary  to  the  Plays  of  Shakespeare.     London,  1768. 

8vo,  half  green  levant. 

3585  Warren  (N.  B.).     The  Holidays.     Illustrated  by  Darley.     New  York, 

1868. 

4to,  brown  morocco. 

3586  Warren  (Samuel).     Ten  Thousand  a  Year.     Edinburgh,  1S41. 

Eirst  edition. 

3  vols.,  crown  8vo,  tree  calf  extra,  gilt  lup,  uncut  edges,  bv  ]W(.\- 
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3587  Warren  (William).     Life  and  Memoirs.     Portraits.     Poston,  1SS2. 

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3''3 


3588  Water-Color  Paintings.  Societe  d'Aquarellistes  Franyais.  Illus- 
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1883. 

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353g     Another  copy,  with  the  plates  on  India  paper.      Paris,  1883. 

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3590 ^^^  Belle's  Stratagem,  condensed   from   Mrs.  Cowley's  comedy 

and  arranged  by  Augustin  Daly.     London,  1892. 

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3591  Watkins  (Ben.  Wm.).     Outlines  of  the  Life  of  William  Bestow.     Por- 

trait.    London,  1864. 

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3592  Watson  (T.  E.).     The  Story  of  France.     New  York,  1899. 

A'ol.  L,  8vo,  cloth. 

3593  Watteau(A.).     Pieces  choisies.     40  plates  by  Marks,  from  the  Dinaux 

collection.     Paris,  1830. 

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3594     Another  copy. 

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3595  Watts    (Isaac).     Divine    Songs.     Portrait    by   Bartolozzi    (inserted), 

and  numerous  vignettes.     London,  1810. 
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3596  W^ay  and  W^heatley.     Reliques  of  Old  London.   "Later  Reliques, and 

Reliques  of  Old  London  Suburbs.     Beautiful  lithographs.     Bell,  Lon- 
don, 1896-7-8. 

No.  64  of  275  copies. 

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3597  Waylett  (Mrs.).     Life  and  Amours  of,  etc.     Portrait.     London,  n.  d. 

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3598  Weaver  (John).     History  of  the  Mimes  and   Pantomimes.     London. 

172H. 

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3599  Webster  (John).     'I'he  Duchess  of  Malfy.     London,  1678. 

4to,  half  citron  levant,  gilt  top. 

364 


3600  Webster's  Acting  National    Drama.     A  Collection   of  Plays  by 

Eminent  Writers,  Correctly  Printed  from  the  Prompter's  Copies,  with 
Casts  of  Characters,  Costumes,  Scenery,  etc.  1840.  Illustrated  with 
149  etched  frontispieces,  by  Pierce  Egan,  Jr.,  and  F.  Clayton,  from 
drawings  taken  during  representation,  and  7'portraits  of  popular  per- 
formers. 

Unique  set. 

A  set  interesting  not  only  for  the  wide  range  of  pieces  which  it 
presents,  but  also  for  the  dedications  to  the  favorites  of  the 
drama,  such  as  Madame  Vestris,  Farren,  and  Reeve,  and  for 
brief  biographies  of  performers,  and  prefaces  and  remarks  by 
Macready  and  others.  The  present  set  also  possesses  unique 
interest  from  the  fact  that  it  contains  an  autograph  manuscript 
by  Webster,  in  the  form  of  a  letter,  of  9  quarto  pages,  addressed 
to  George  Daniel,  dated  February  15,  1832,  giving  an  account 
of  his  career,  with  histrionic  and  literary  particulars,  from  his 
birth,  in  1798,  to  date.  From  this  we  learn  that  Benjamin 
Webster,  who  terminated  his  career  as  the  first  melodramatic 
actor  of  the  day,  had  been  successively  Harlequin,  Ballet-Mas- 
ter,  Leader  of  the  Band,  Principal  Dancer,  and  Walking  Gen- 
tleman. The  series  was  issued  in  separate  plays,  and  titles 
and  portraits  were  afterwards  printed  to  enable  it  to  be 
made  up  into  volumes.  This  informal  method  of  publication 
renders  an  absolutely  complete  set  almost  unprocurable,  and  in 
this  set,  while  the  whole  of  the  plays  are  i:)resent,  several  of  the 
extra  titles  have  had  to  be  supplied  in  MS.,  and  a  portrait  is 
missing.  Webster's  letter  is  preserved  in  a  special  pocket  at 
■  the  end  of  Vol.  I. 

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3601     Portrait  and  plates.     London,  n.  d. 

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3602  Weekly  Magazine.      Portraits.      Includes  a  life  of    Theop.   Cibber, 

poems  on  Garrick,  etc.     London,  1760. 

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3603  Wells  (Edward).     A  new  Sett   of  Maps,  both  of  ancient  and   present 

Geography.      London,  17 12. 

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3604  Wemyss  (F.  ('.).     Twenty-six    Years    of   the    Life   of   an   .\ctor  and 

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3605     Theatrical  Biography.     Glasgow,  1848. 

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3606     Chronology  of  the  American  Stage.  1752-1852.     New  York,  1852. 

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3f'5 


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etc.     New  York,  1896. 
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3608  Wertheimber  (Louis).     A  Muramasa  Blade  ;  a  Story  of  Feudalism  in 

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3609  West  (B.  B.).     Wills  and  how  to  make  them.     London,  1893. 

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3610  Westcott   (T.).     Historic    Mansions  and   Buildings   of   Philadelphia. 

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3612  Wetmore    (Prosper    M.).      Lexington,    with    other   P'ugitive    Poems. 

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printed. 

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1817. 

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3614  Wharton  (Anne  H.).    Through  Colonial  Doorways,  and  Colonial  Days 

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3617  Wharton  (Grace  and  Philip).     Wits  and  Beaux  of  Society,  and  Queens 

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3618  What  to  Eat.     Vol.  I.,  Nos.  1-5,  August-December,  1896.     Profusely 

illustrated.     St.  Paul,  1896-7. 

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366 


3619  WHEATLEY  (H.   B.).     ROUND  ABOUT  PICCADILLY  AND 

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state,  engraved  by  artists  of  repute  ;  also  2  original  drawings, 
and  3  autograph  letters  signed,  by  E.  A.  Sothern,  the  actor,  Sir 
Sidney  Smith  and  Alfred  Bunn,  and  special  titles. 

Sothern  in  his  letter  says,  "  Have  you  any  MSS.  that  might  suit 
me  ?  '  David  Garrick  '  was  once  considered  valueless,  and  it 
happened  to  be  just  what  I  required  at  the  moment." 

2  vols.,  Svo,  red  morocco  extra,  uncut,  top  edges  gilt,  by  Riviere. 

3620     The  Adelphi  and  its  site,  by  H.  B.  Wheatley.     London,  1885. 

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3621     Notes  on  the  Life  of  John  Payne  Collier.     London,  1884. 

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3622  Wheatley  and  Cunningham.     London  :  Past  and  Present.     London, 

1891. 

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3623  Wheeler  (John   IL).     Historical  Sketches  of  North  Carolina.     Illus- 

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3624  Wheler   (R.  B.).     History   and    Antiquities   of    Stratford-upon-Avon. 

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3625  Whibley  (Chas.).     A  Book  of  Scoundrels.     Frontispiece.     New  York, 

1897. 

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3626  Whincop   (Thos.).     Scanderbeg,  a  Tragedy,    and    List    of    Dramatic 

Authors  to  1747.     Plates  and  18  small  portraits.     London,  1747. 
8vo,  old  calf. 

3627  Whistler    (James    McNeill).     The    Gentle   Art  of    making    Enemies. 

Chelsea,  n.d.     Genuine  edition. 
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3628  White.    Original  Letters,  etc.,  of  Sir  John  Falstaff,  by  White.     Frontis- 

piece.    London,  1796. 

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authorship  of  this  volume. 
367 


1 


3629  White  (Fannv).     The  Life  and   Death  of  Fanny  White.     New  York, 

i860. 

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3630  White    (J.    T.).       Captive    ?*Iemories.     Beautifully    illustrated.     New 

Yorkf  1896. 
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3632  Whitehall    Review.     November,    1876,   to    May,    1877.     Numerous 

portraits.      London,  1877. 
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3633  Whitman  (Walt).     Leaves  of  Grass.     Brooklyn,  1855. 

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2634     Leaves  of  Grass.     Portrait.     Boston,  1860-61. 

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3635  Whittier  (J.  G.).     Poetical  Works.     Illustrated.     Boston,  1869. 

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3636     Poetical  Works.     London,  1891. 

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3637     At  Sundown.     Illustrated  by  Garrett.     Cambridge,  1892. 

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3638     Poems  on  the  Abolition  Question.     Boston,  1837. 

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3639  Whyte  (Frederic).     Actors  of  the  Century.     Portraits.    London,  1898, 

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3640  Wiener  (Leo).     History  of  Yiddish  Literature  in  the  Nineteenth  Cen- 

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3641  Wikoff  (Henry).     My  Courtship  and  its  Consequences.     New  York, 

1855- 

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3642     Reminiscences  of  an  Idler.     Portrait.     New  York,  1880. 

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3643  Wilde  (Oscar).     Salome.     Illustrated  by  Aubrey  Beardsley.     London, 

1894. 

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363 


3644  V/ilde  (Oscar).    The  Ballad  of  Reading  Gaol.    By  C.  3.  3.    London,  1898. 

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3645     Oscariana.     Epigrams.     London,  1895. 

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3646     The  Importance  of  being  Earnest.     London,  1899. 

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3647  Wilder  (Marshall  P.).      The    People    I've    Smiled   with.       Illustrated. 

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3648  Wilkes  (George).     Shakespeare    from    an    American    Point   of   View. 

London,  1877. 

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3649  Wilkes  (Thomas).     General  View  of  the  Stage.     Vignette.     London, 

^759- 

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3650  Wilkinson  (R.)-    Londina  Illustrata.    Graphic  and  Historic  Memorials, 

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plates. 
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3651  Wilkinson  (Tate). 

Memoirs.     4  vols.     1790. 

Wandering  Patentee.     4  vols.     1795. 

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3652  Wilks  (Robt.).     Memoirs  of  the  Life  of.     Portrait.     London,  1732. 

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3653     Life  of.     Vignette  portrait.     London,  1739. 

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3654     Memoirs  of  die  Life  of.     Portrait.     T,ondon,  1732. 

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35^5     Memoirs  of  tlic  Life  of,  minus  the  portrait.     London,  1732. 

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3656  Willet  (Edward).      Letters  addressed  to  Mrs.  Bellamy.      London,  n.  d. 

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3657     Letters  addressed  to  Mrs.  Bellamy,  occasioned  by  her  Apology. 

London,  n.  d. 

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24  369 


3658  Willet  (Edward).     Letters  addressed  to  Mrs.  Eellamy,  occasioned  by 

her  Apology.      Portrait  inserted.     London,  n.  d. 
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3659  Williams  (Barney).     Tributes  to  the   Memory  of.     By  W.  E.  Robin- 

son.    Brooklyn,  1876. 

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3660  Williams   (Sir  C.  H.).     Works,   humorous  and  satirical,  with  Memoir, 

by  Horace  Walpole.     Portraits.     London,  1822. 

3  vols.,  crown  8vo,  half  brown  morocco. 

3661  Williams    (John,    "Anthony    Pasquin  ").       The    Pin-Basket    to    the 

Children  of  Thespis.     Vignette  by  Bartolozzi.     London,  1797. 
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3662     rhe  Pin-Basket.     Vignette.     London,  1797. 

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3663     Life  of  the  Earl  of  Barrymore.     London,  1793. 

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3664     The  Children  of  Thespis,  by  Anthony  Pasquin.     Portrait.     Lon- 
don, 1792. 

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3665  Williams    (J.    A.).     Memoirs  of  John    Philip   Kemble.     Portrait  and 

vignette.      London,  1823. 
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3666  Williams  (J-  L.).     Homes  and   Haunts  of   Shakespeare.     15   colored 

plates,  45,  photogravures,  and  i  =50  additional  illustrations.     New  York, 
1892. 

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3667  Williams    (Michael).      Some    London    Theatres,    past    and    present. 

London,  1883. 

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3668     Some  London  Theatres.     London,  1883. 

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3669  Willis    (N.    P.).     Life   of   Jenny   Lind.     Portraits  and   concert    ticket 

inserted.     Philadelphia,  185 1. 

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3670     Letters  from   under  a  Bridge.     Portrait   and  plates.     London, 

1840. 

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370 


I 


"      3671     Willis  (N.  P.).     Pencillings  by  the  Way.     London,  1835. 
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3672     Pencillings  by  the  Way.     Portrait,  and  plates  by  Leecfi.     Lon- 
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3673     Melanie  and  other  Poems.     Edited  by  "  Barry  Cornwall."    Lon- 
don, 1835. 

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3674  Wills    (Freeman).      W.    G.    Wills,    dramatist    and    painter.      Portrait. 

London,   1898. 

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3675  Willsey  and  Lewis.     Book  of  Facts.     Harper,  New  York,  1S95. 

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3676  Wilmot  and  Streatfeild.     Charterhouse,  Old  and   New.     4  etchings. 

London,   1895. 

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3677  Wilson  (Chas.).     Memoirs   ot    the    Life,   etc.,   of   William    Congreve. 

Portrait.     London,  1730. 
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3678     Memoirs  of  the  Life,  Writings,  and  Amours  of  William  Congreve, 

etc.     London,  1730. 

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3679  Wilson  (David).      Mr.    Froude    and    Carlyle.     New    York    [London], 

1898. 

8vo,  cloth,  uncut. 

3680  Wilson   (Francis).      Recollections  of  a    Player.     Portraits,  etc.     New 

York,  1897. 

120  copies  printed. 

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3681  Wilson  (J.  G.).     Bryant  and  his  Friends  ;  Some  Reminiscences  of  the 

Knickerbocker  Writers.     Portraits,  etc.     New  York,  1886. 
Large  paper  copy  ;  195  printed. 
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3682  Wilson    (Thomas).      English    Country    Dancing.      Illustrated.      Lon- 

don, n.  d. 

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3683  Wingate  (C.  E.  L.).     Shakespeare's  Heroines  and  Heroes  on  the  Stage. 

Illustrated.     New  York,  1895-6. 
2  vols.,  i2mo,  half  red  levant. 
371 


3684  Winsor  (Justin).     Narrative  and  Critical  History  of  America.     Many 

hundred  maps  and  illustrations.     Boston,  1889. 
550  copies  i^rinted. 
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3685     Bibliography  of  the  Original  Quartos  and  Folios  of  Shakespeare. 

68  facsimiles.     Boston,  1876. 

Folio,  cloth,  uncut  edges. 

3686  Winston.     Winston's  "  Theatrical  Tourist,"  being  his  autograph  MS. 

diary  of  above  400  pages,  describing  the  various  theatres  and  buildings 
where  plays  could  be  acted,  how  much  each  place  would  hold,  the 
owners'  names,  managers,  what  plays  v/ere  acted,  who  acted,  amusing 
anecdotes,  and  interesting  theatrical  gossip  relating  to  above  300 
towns  and  villages  in  the  provinces,  and  with  numerous  sketches  of 
the  various  theatres  and  buildings,  in  pen  and  ink,  pencil  and  water 
color,  also  an  index  of  all  the  places  mentioned  ;  the  whole  of  very 
great  importance  to  any  one  interested  in  the  provincial  English 
theatres  of  the  last  century. 

Bound  in  i  vol.,  4to,  calf  extra,  uncut. 

3687  Winter  (Wm.).     The  Press  and  the  Stage,  an  oration  before  the  Goethe 

Society.     New  York,  1889. 

Unique  copy,  with  autograph  by  Mr.  Winter,  and  27  portraits  in- 
serted.    Only  250  copies  of  the  text  were  printed. 
8vo,  half  blue  morocco,  gilt  edges. 

3688     The  Press  and  the  Stage,  an  oration  before  the  Goethe  Society. 

New  York,  1889. 

250  copies  printed. 

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3689     The  Press  and  the  Stage.     New  York,  1889. 

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3690     Life  and  Art  of  Edwin  Booth.     Portraits.     London  [New  York], 

1893. 

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3691     Thistle-Down  ;  a  Book  of  I-yrics.     London,  1878. 

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3692     Gray  Days  and  Gold.     New  York,  1892, 

Large  paper  copy  ;  250  printed. 

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3693     Shadows  of  the  Stage.     New  York,  1892. 

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372 


3694  Winter  (Wm.).     The  Poet  and  the  Actor.     [Joseph  Kffcrson.     New 

York,  1898.J 

A  private  issue,  with  autograph  of  the  author. 
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3695     Life  and  Art  of  Joseph  Jefferson.     Portraits.     New  York,  1894. 

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8vo,  half  gray  levant,  gilt  top,  uncut  edges. 

3696     Life  and  Art  of  Joseph  Jefferson.     Illustrated.     New  York,  1S94. 

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English  Rambles.     Boston,  1884. 

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In  Memory  of  John  McCullough.     Portrait.     New  York,  1889. 

500  copies  printed. 

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Stage  Life  of  Mary  Anderson.     New  York,  1886. 

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Old  Shrines  and  Ivy.     New  York,  1892. 

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The  Trip  to  England.    Illustrated  bv  Joseph  Jefferson.    Boston, 

1881. 

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Shakespeare's  England.     New  York,  1S92. 

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Shakespeare's  England.     Illustrated.     New  York,  1895. 

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\Vandcrers.     Poems.      Portrait.     New  York,  1892. 

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Wanderers.     Poems.     Boston,  1889. 

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373 


3707  Winter  (Wm.).     The  Trip  to  England.     Boston,  1879. 

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3708     Henry  Irving.     Portrait.     New  York,  1885. 

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3709     Henry  Irving.     Portraft.     New  York,  1885. 

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3710     HENRY  IRVING.     New  York,  1885. 

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4to,   half   red  levant  morocco  extra,   gilt  top,  uncut  edges,  by 

Stikeman. 

3711     ADA  RERAN.     A  study.    New  York,  1891. 

Unique  copy,  with  400  portraits  inserted,  chiefly  of  Miss  Rehan, 
in  addition  to  those  published  with  the  book,  which  are  in  sev- 
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ton, H.  H.  Furness,  etc.,  and  part  of  the  text  of  this  book  in 
the  author's  "  copy."     The  frontispieces  are  in  water  colors. 

4  vols.,  4to,  half  olive  levant  morocco  extia,  gilt  top,  uncut  edges, 
by  Stikeman. 

3712     A    PORTFOLIO  OF    PLAYERS  (the  Daly  Company),  with  a 

packet  of  notes  thereon,  by  H.  C.  Bunner,  E.  A.  Dithmar,  Laurence 
Mutton,  Brander  Matthews,  and  William  Winter.     New  York,  1888. 

No.  I  of  25  specially  printed  copies. 

Unique  copy,  illustrated  by  the  insertion  of  700  portraits,  views, 
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Daly  Theatre. 

4  vols.,  4to,  half  olive  levant  morocco  extra,  gilt  top,  by  Stike- 
man. 

3713     Ada  Rehan.     A  study.     23  portrait  plates.     New  York,  1891. 

4to,  half  calf,  gilt  top,  uncut  edges. 

3714  Wiseman  (Cardinal).  Fabiola  ;  or,  the  Church  of  the  Catacombs.  Illus- 

trations, plain  and  colored.     New  York,  n.  d. 
4to,  clotli. 

3715     William  Shakespeare.     Boston,  1865. 

i6mo,  half  gray  levant,  gilt  top. 

374 


3716  Wit,  etc.      An  Essay  Towards  Fixing  the  true  Standards  of  Wit,  Hu- 

mour, Raillery,  Satire,  and  Ridicule.  By  the  author  of  a  Letter  from 
a  By-Stander.     London,  1744. 

8vo,  half  green  levant,  title  soiled,  etc. 

3717  Wither  (Geo.).     A  Satyre.     London,  1615. 

8vo,  maroon  morocco. 

3718     Abuses  Stript  and  Whipt.     Portrait  by  Holle.     London,  1615. 

8vo,  maroon  morocco. 

3719  Wittram  (S.  A).     Cupid's  Game  with   Hearts.     Unique  illustrations. 

San  Francisco.  1S97. 

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3720  Woffington  ("Peg").     Memoirs  of  the  Celebrated  Mrs.  \V*ff**ort*n. 

Interspersed  with  several  Theatrical  Anecdotes,  the  Amours  of  manv 
Persons  of  the  First  Rank,  etc.  [also  the  rare  Supplement].  London, 
1760. 

A  dramatic  memoir  of  the  greatest  rarity,  with  a  MS.  key  to  the 

characters. 
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3721  Woffington,    etc.      The    Original    Account-Book    of    Covent  Garden 

Theatre,  1 740-1 741,  neatly  written,  with  interesting  data  respecting 
the  first  appearance  of  Mrs.  Woffington  in  the  Recruiting  Officer, 
the  various  sums  per  night  paid  to  famous  actors  and  actresses,  notices 
of  the  nights  when  members  of  the  Royal  Family  were  present,  and 
other  matters  of  interest. 
4to,  brown  morocco. 

3722  Wolfe  (T.  F.).     Literary  Shrines  and  Literary  Pilgrimage.    The  haunts 

of  American  and  English  authors.     Illustrated.     Philadelphia,  1S96. 
l^dition  de  luxe  ;   512  printed. 
2  vols.,  Svo,  cloth,  uncut  edges. 

3723  Women  Novelists  of  Queen  Victoria's  Reign.     A  Book  of  ap- 

preciations, by  Mrs.  Oliphant  and  others.     London,  1S97. 
Royal  Svo,  cloth,  uncut. 

3724  Wood  (K.  B.).     Quotations  for  Occasions.     New  York,  1896. 

i2mo,  cloth,  uncut. 

3725  Wood  (Mr.  and  Mrs.  John).    Private  and  Public  Life  of.    London,  1835. 

Post  Svo,  half  morocco,  uncut. 

3726 Memoir  of.     Wood -cut  portrait.     Boston,  1840. 

Svo,  half  calf,  gilt  top. 

3727     Memoir  of.     Boston,  i8.jo. 

Unique  copy,  with  upwards  of  80  portraits,  etc.,  inserted,  includ- 
ing 7  original  drawings  in  water  colors  by  A.  'I'oedtcberg  ;  also 
many  interesting  play-bills. 

Folio  (Svo),  half  red  levant  morocco  extra,  gilt  top,  by  Stikeman. 

375 


3728  Wood  (J.).     Dictionary  of  Quotations.     London,  1893. 

Crown  8vo,  cloth. 

3729  Wood  (VV.  B.).     Personal  Recollections  of  the  Stage.    Portrait.     Phila- 

delphia, 1855. 

i2mo,  half  calf,  <^i!t  top. 

3730  Wood-cuts.     Mcisterwerkeder  Holzschneidekunst.    Moderne  Meister. 

Leipzig,  n,  d. 

Folio,  boards. 

3731     Engravings   on  Wood,  by  members  of  the  Society  of  American 

Wood- Engravers.     Text  by  W.  M.  Laffan.      Harper,  New  York,  1887. 

Edition  de  luxe  ;   112  copies  printed. 

Atlas  folio,  original  covers.  ■ 

3732  WOOD    ENGRAVING     A    Treatise    on   Wood    Engraving,  with 

Illustrations  collected  by  Henry  S.  Richardson.     London,  1839. 

A  large  collection  of  prints,  formed  with  the  text  of  Chatto  and 
Jackson  as  a  working  basis,  including  every  known  process  of 
engraving  from  wood-cuts  to  lithographs,  portraits  of  printers 
and  engravers,  specimen  and  trial  plates,  and  such  representa- 
tive prints  as  are  mentioned  in  the  text,  together  with  many 
originals  reproduced  in  the  book  by  way  of  illustration,  includ- 
ing original  Diirers  and  other  valuable  engravings. 

3  vols.,  atlas  folio,  half  red  morocco. 

3733  Wooddeson   (W.  F.).     Performances   at   the    Theatre    Royal,    Drury 

Lane,  1827-8.     London,  1828. 
8vo,  half  morocco. 

3734  Woodman  (C.   E.).     The   Poets   and  Poetry  of  Ireland.     A  speech. 

[New  York],  1892. 

Presentation  copy. 
i2mo,  cloth. 

3735  Woodward.     An   Answer  to  Henry  Woodward,    Comedian.     By  the 

Right  Hon.  Earl  of .     London,  1753. 

8vo,  half  green  levant. 

3736  Woodward-Hill.      Letter   from   Harry  Woodward   to   Sir  John   Hill. 

London,  1752. 

8vo,  half  calf. 

3737     Letter  to  Dr.  John  Hill.     Rare  portraits  inserted.    London,  1752. 

8vo,  half  calf  gilt. 

3738  Wordsworth  (Wm.).     Poetical  Works.     London,  n.  d. 

6  vols.,  post  8vo,  limp  russia. 

3739     Poems.      Illustrated  by  Birket  Foster,  etc.     London,  1866. 

4to,  green  morocco. 

376 


3740  Wordsworth  (Wm.).     Selection  from  the  Sonnets  of.     Illustrated  by 

Alfred  Parsons.     New  York,  1891. 
4to,  green  morocco. 

3741  World  of  Fashion.     A  large  number  of  colored  plates  of  Costume. 

London,   1851-63. 

7  vols.,  4to  and  ro3'al  8vo,  boards. 

3742  World's    Best    Literature  (Library  of  the),  Ancient   and    Modern. 

Edited  by  Charles  Dudley  Warner,  etc.     Illustrated  University  edi- 
tion.    New  York,  1897. 

45  vols.,  royal  8vo,  buckram,  gilt  top. 

3743  World  (The).     A  comedy,  by  the  author  of  Ella  Rosenberg.     Colored 

print  of  Mrs.  Jordan.     London,  n.  d. 
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3744  WORLIDGE.     A  COLLECTION  OF  PRINTS  (265),  consisting  of 

portraits,  etc.,  from  copper-plates  in  the  manner  of  Rembrandt,  to 
which  are  added  early  proofs,  or  first  impressions,  collected  by  Mrs. 
Mary  Nicol,  some  in  2,  3,  and  4  states,  and  nearly  50  original  draw- 
ings. In  addition,  a  complete  set  of  the  Antique  Gems.  London,  1768. 
Together,  3  vols.,  folio  (i)  and  4to  (2),  half  red  levant  morocco 
extra,  gilt  top. 

3745  Worth   (Thomas).     Plutarch   Restored.     An  Anachronatic  Metempsy- 

chosis, illustrating   the  illustrious  of  Greece  and  Rome.     New  York, 
1862. 

Autograph  letter  of  author  enclosed,  with  a  key  to  the  characters. 

Oblong  4to,  cloth. 

3746  Wright  (G.  N.).     Ireland  Illustrated.     Plates  by  Bartlett,  etc.     Lon- 

don, 1833. 

4to,  cloth. 

3747  Wright  (Mabel  Osgood).     Tommy-Anne  and  the  Three  Hearts.    Illus- 

trated.    New  York,  1896. 
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3748  Wright  (Thomas).     Universal  Pronouncing  Dictionary  of  the  English 

Language.     Steel  plates  and  maps.     London,  n.  d. 
5  vols.,  imp.  8vo.,  half  russia. 

3749  Wyatt   (M.  Digby).     Industrial  Arts  of  the  Nineteenth  Century.    The 

choicest  specimens  jiroduced  by  every  nation  at  the  Great  F.xhibition 
of  1851.     Over  150  plates  in  gold,  silver,  and  colors.      London,  1S51. 
2  vols.,  imp.  folio,  green  levant  morocco,  back  and  sides  covered 
with  gold  tooling,  inside  border,  gilt  edges,  by  Batten. 

3750  Wycherley  (Wm.).     Plays.     London,  1731. 

i2mo,  mottled  calf  extra. 

377 


375^     Wycherley  (Wm.).     Works.     London,  17 13. 
8vo,  calf. 

3752     rhe  Gentleman  Dancing-Master.     London,  1693. 

Love  in  a  Wood  ;  or,  St.  James'  Park.     London,  1694. 
The  Country  ^^'ife.     London,  1695. 

The  Plain- Dealer.     London,  1694. 
4to,  half  green  morocco. 

3753  Wynne   (James).     Private    Libraries   of   New  York.     With    over    150 

portraits,  etc.,  inserted,  many  proofs  and  some  rare,  also  autographs. 
New  York,  i860. 

Large  paper  copy. 

2  vols.,  imp.  Svo,  half  olive  morocco,  gilt  top,  uncut  edges. 

3754  Wynnstay  and  the  Wynns.     Illustrated.     Oswestry,  1885. 

4t(),  cloth. 

3755  Yale  Songs.     Edited  by  Charles  S.  Elliot.     New  Haven,  1870. 

i6mo,  cloth. 

3756  Yankee    Doodle.     From   its   commencement   in  1846  to   March   27, 

1S47,  complete.     Numerous  illustrations.     New  York,  1846-7. 
4to,  half  orange  levant,  gilt  top,  uncut  edges. 

3757     Another  copy.     New  York,  1846-7. 

All  published. 

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3758  Yates   (Edmund).     Recollections  and  Experiences.     Portraits.     Lon- 

don, 1884. 

2  vols.,  8vo,  cloth,  uncut. 

3759     Reminiscences,  and  Portraits  and  Sketches  in  Town  and  Country. 

Colored  plates.     London,  n.  d. 

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3760  Yellow  Book  (The).     Complete  from  its  commencement.     Illustrated 

by  Aubrey  Beardsley,  Sir  Fredk.   Leighton,  etc.     London,  1894-96. 
T I  vols.,  4to,  cloth,  uncut. 

3761  Young,  Gray,  and  Kirke  White.    Poetical  Works.   Portraits.    Picker- 

ing, London,  1830-4-6. 

4  vols.,  foolscap  8vo,  brown  morocco. 

3762  Young  (J.  C).    Memoir  of  Charles  Mayne  Young.    Portraits.    London, 

1871. 

2  vols.,  crown  Svo,  tree  calf. 

3763  Young  (J.  R.).     Around  the  World  with  General  Grant.     800  illustra- 

tions.    New  York,  1879. 

2  vols.,  royal  Svo,  cloth. 

378 


I 


37^4     Young  (M.  J.).    Memoirs  of  Mrs.  Crouch.     Portraits  inserted.    London, 
iSoO. 

2  vols.,  i2mo,  half  calf,  gilt  top,  uncut  edges. 

3765     Memoirs  of  Mrs.  Crouch.     London,  1806. 

Unique  copy,  with  115  portraits,  etc.,  inserted,  including  rare 
prints  of  Mrs.  Bellamy,  Garrick,  Foote,  Mrs.  Siddons,  and 
others. 

2  vols.,  i2mo,  half  green  morocco,  gilt  top,  uncut  edges. 

3766  Young  People.     Profusely  illustrated.     Harpers,  New  York,  1881-92. 

12  vols.,  4to,  cloth. 

3767  Yriarte  (Charles).     Venice:  Its  History,  Art,  Industries,  and  Modern 

Life.     Profusely  illustrated.     London,  i88o. 
Folio,  cloth  extra. 

3768  Zeeus  (Jakob).     De  Wolf  in  t'Schaepsvel.     Portrait,  etc.     Rotterdam, 

1715- 

4to,  parchment. 

3769  Zimmern    (Helen).     Arthur   Schopenhauer,    his    Life,    etc.     Portrait. 

London,  1876. 

Post  8vo,  cloth. 

3770     Lessing:   His  Life,  etc.     London,  1878. 

Post  8vo,  cloth. 

A    MOST    IMPORTANT    SERIES    OF    ZOLa's    PROOF    SHEETS. 

3771  Zola  (Emile).     Pot  Bouille  ;  the  original  first  proof  sheets,  printed  in 

large  8vo  upon  one  side  only,  consisting  of  349  leaves,  quite  perfect 
and  uncut  ;  every  page  is  filled  with  corrections  and  alterations  (some 
very  lengthy  and  important)  in  the  autograph  of  Zola. 

3772     Au  Bonheur  des  Dames  ;  the  original  first   proof  sheets,  printed 

in  large  8vo  upon  one  side  only,  consisting  of  several  hundred 
leaves,  quite  perfect  and  uncut  ;  every  page  filled  with  corrections 
and  alterations  (some  very  lengthy  and  important)  in  the  autograph 
of  Zola. 

3773     -^"  Bonheur  des  Dames  ;  the  second  set  of  proof  sheets  in  the 

form  in  which  the  book  was  originally  published,  with  title,  quite 
perfect  and  uncut  in  wrapper  ;  with  numerous  corrections  and  altera- 
tions in  the  autograph  of  Zola.      Paris,  1883. 

3774     La  Joie  de  Vivre  ;  the   original   first   proof  sheets,    printed    in 

large  8vo,  upon  one  side  only,  consisting  of  several  hundred  leaves, 
quite  perfect  and  uncut ;  every  page  filled  with  corrections  and  alter- 
ations (some  very  lengthy  and  important)  in  the  autograjih  of  Zola. 

3774*  La  Joie  de  Vivre  ;  the  second  set  of  proof  sheets,  in  the  form  in 

which  the  book  was  originally  published,  with  tith.'.  quite  perfect  and 
uncut  ;  with  numerous  corrections  and  alterations  in  the  autograph 
of  Zola.     Paris,  1S84. 

379 


3775  Zola  (Emile).     Germinal  ;  the  original  first  proof  sheets,  in  large  8vo, 

printed  upon  one  side  onl}^  consisting  of  several  hundred  leaves, 
quite  perfect  and  uncut  ;  every  page  filled  with  corrections  and  alter- 
ations (some  very  lengthy  and  important)  in  the  autograph  of  Zola. 

3776     Germinal  ;  the  second  set  of  proof  sheets,  in  the  form  in  which 

the  book  was  originally  published,  with  title,  quite  perfect  and  uncut  ; 
with  numerous  corrections  and  alterations  in  the  autograph  of 
Zola.     Paris,  1S85. 

The  manuscript  variations  and  corrections,  throughout  this  inter- 
esting series  of  proof  sheets,  are  innumerable,  and  many 
paragraphs  are  entirely  rewritten.  They  serve  to  show  Zola's 
careful  method  of  workmanship.  The  portions  struck  out 
also  represent  a  great  deal  of  unpublished  matter. 

3778  Novels.  Translated  ;  including  Piping  Hot ;  The  Soil  ;  His  Mas- 
terpiece ;  Fat  and  Thin  ;  Conquest  of  Plassans  ;  Eugene  Rougon  ; 
A  Soldier's  Honor  ;  Rush  for  the  Spoils  ;  Germinal  ;  Fortune  of  the 
Rougons  ;  Therese  Raquin  ;  Ladies'  Paradise  ;  How  Jolly  Life  is  ; 
Abbe  Mouret's  Transgression,  and  A  Love  Episode.  Numerous  illus- 
trations.    Vizetelly,  London,  1885-9. 

15  vols.,  crown  8vo,  cloth. 

3779     La    Fete    k    Coqueville.     Colored    illustrations   by    Devambez. 

Paris,  1899. 

4to,  original  covers. 

3780  The  Assommoir.  and  Nana.  Translated  and  illustrated.  Lon- 
don, 1884. 

2  vols.,  crown  8vo,  half  red  morocco,  gilt  top. 

3781     Stories    for   Ninon ;    Lourdes  ;    and   Rome.     Translated.     New 

York  and  London,  1896-8. 

3  vols.,  i2mo,  cloth. 

3782 The  Attack  on  the  Mill,  etc.     London,  1892. 

Post  8vo,  half  green  levant,  gilt  top,  uncut  edges. 

3783     Paris,  and  Lourdes.     Translated  by  E.  A.  Vizetelly.    New  York, 

1897-8. 

4  vols.,  i6mo,  cloth. 

3784  Zouch  (Thos.).     Life  of  Isaac  Walton.    With  the  Gosden  plates,  proofs 

on  India  paper.     Prowett,  London,  1823. 

Unique  copy,  with  over  60  portraits  inserted,  including  the  rare 
efifigies  of  Bp.  Hacket  by  Faithorne,  John  Hales  of  Eton, 
Anthony  Wood,  Thomas  Fuller,  Bp.  Gauden,  Gervase  Mark- 
ham  (proof),  Warburton  by  Houbraken,  etc. 

4to,  green  levant  morocco,  gilt  back  and  sides,  gilt  edges. 

3-785     Life  of  Isaac  Walton.     Including  notices  of  his  contemporaries. 

Copper-plate  illustrations.     Prowett,  London,  1823. 
Post  8vo,  original  calf  with  medallion  portraits. 
3S0 


3786  Zschokke  (H.),  etc.    The  Lover's  Stratagem  and  Other  Tales.     Illus- 

trated by  Linton.     London,  n.  d. 

8vo.  half  calf. 

3787  BIBLE.     THE    HOLY    BIBLE.      Translated   from  the  Latin   \ul- 

gate.  The  Old  Testament,  from  the  Douai  version  of  1609.  The 
New  Testament,  from  the  Rhemes  version  of  1582.  Newly  revised, 
etc.     Dublin,  1792. 

Unique,  and  the  most  extensively  illustrated  copy  of  the  Douai 
Bible  known.  The  text  has  been  enlarged  by  skilful  inlaying 
to  17  by  1 2  J/2  inches,  and  the  book  has  been  extended  to  42 
volumes  by  the  insertion  of  over  8,000  prints  and  drawings. 
Special  title-pages,  with  water-color  embellishments  by  Eugene 
Grivaz,  precede  the  text  of  each  volume.  While  it  is  manifestly 
impossible  to  give  more  than  a  bare  outline  of  the  illustrations 
at  this  time  and  place,  some  indication  of  their  value  and  im- 
portance may  be  gleaned  from  the  following  details  : 

Almost  all  the  known  sets  of  plates  are  here,  from  the  wood-cuts 
(colored)  of  the  Koberger  Bible,  Nuremberg  Chronicle,  etc.,  to 
the  Dore  illustrations  ;  embracing  the  Macklin,  Bida,  Luyken, 
and  other  uniform  groups,  the  scriptural  plates  from  the  Flor- 
ence, Turin,  and  Crozat  Galleries,  the  illustrations  by  Strange, 
Blake,  West  (colored),  Martin,  Bartolozzi,  Lucas  van  Leyden, 
Riccius,  De  Vos,  etc.,  and  various  collections  illustrating  Para- 
dise Lost.  Many  of  the  engravings  and  etchings  by  Diirer 
and  Rembrandt,  both  originals  and  copies,  will  be  found 
among  the  early  specimens  of  Christian  Art  ;  and  detached 
specimens  of  steel  and  copper  engraving  by  Raphael  Morghen, 
Muller,  Porporati,  Sharp,  etc.,  brilliant  proofs  and  portfolio 
specimens,  added  to  mezzotint  examples  by  Val.  Green,  Mur- 
phy, Turner,  Earlom,  etc.,  round  out  a  brilliant  assemblage  of 
folio  plates,  to  which  many  reproductions  from  illuminated 
manuscripts  lend  color. 

The  original  drawings  commence  with  a  specim.cn  in  red  crayon 
by  Raphael,  from  the  collection  of  Sir  Joshua  Reynolds,  and 
others  by  Cipriani,  Paul  Veronese,  Carlo  Maratti,  Lairesse,  etc., 
are  scattered  through  the  volumes. 

42  vols.,  royal  folio,  half  white  levant  morocco  extra,  doubled 
with  green  calf. 

AMERICAN    ART   ASSOCIATION. 

MANAC.liRS. 

THOMAS    E.    KIRBV, 

A  uctionecr. 


381 


^^f". 


S^t 


AMERICAN  ART 

MADISON  SQUAP 

NEW  Y01<^ 


AUGUSTIN   DALY  COLLECTION 

PART   III 


I 


AUGUSTIN  DALY  COLLECTION 


AUTOGRAPH  LETTERS  AND  OTHER 
DOCUMENTS,  PRINTS,  PLAY  BILLS 
AND  PHOTOGRAPHS 


SALE   AT   THE 

AMERICAN  ART  GALLERIES 

ON  THE  AFTERNOONS  AND  EVENINGS  OF  MARCH  28th  and  29111 

BEGINNING  AT  2.30  AND  8  O'CLOCK 


PART   111. 
Autographs 

CATALOGUE  ^" 

Prints 
Photographs 

OF   THE 


VALUABLE  LITERARY  AND 
ART  PROPERTY 

GATHERED  BY  THE  LATE 

AUGUSTIN    DALY 


TO    BE    DISPOSED    OF    AT    ABSOLUTE    PUBLIC    SALE 
BY  ORDER  OF  THE  EXECUTORS 

ON   MONDAY,  MARCH    iqth,  AND  FOLLOWING   DAYS 

AT  2.30  AND  8  O'CLOCK,   I>.M. 

AT  THE   AMHRICAN   ART   GALLERIES 

MADISON   SQUARE  SOUTH 


Where  the   entire   Collection   will   be  on   View    Day   and    Evening   from 

Wednesday,  March  14th,  until  date  of  Sale 

inclusive  (Sunday  excepted) 


Thomas  E.  Kirby  AMERICAN   ART   ASSOCIATION 

Auctioneer  Managers 

NEW  YORK 
1900 


CONDITIONS    OF    SALE. 

1.  The  highest  Bidder  to  be  the  Buyer,  and  if  any  dispute  arise  between 
two  or  more  JHdders,  the  Lot  so  in  dispute  shall  be  immediately  put  up  again 
and  re-sold. 

2.  The  Auctioneer  reserves  the  right  to  reject  any  bid  which  is  merely  a 
nominal  or  fractional  advance,  and,  therefore,  in  his  judgment,  likely  to  affect 
the  Sale  injuriously. 

3.  The  Purchasers  to  give  their  names  and  addresses,  and  to  pay  down  a 
cash  deposit,  or  the  whole  of  the  Purchase-money,  if  lequired,  in  default  of  which 
the  Lot  or  Lots  so  purchased  to  be  immediately  put  up  again  and  re-sold. 

4.  The  Lots  to  be  taken  away  at  the  Buyer's  Expense  and  Risk  upon  the 
conclusion  of  the  Sale,  and  the  remair.der  of  the  Purchase-money  to  be  abso- 
lutely paid,  or  otherwise  settled  for  to  the  satisfaction  of  the  Auctioneer,  on  or 
before  delivery  ;  in  default  of  which  the  undersigned  will  not  hold  themselves 
responsible  if  the  Lots  be  lost,  stolen,  damaged,  or  destroyed,  but  they  will  be 
left  at  the  sole  risk  of  the  Purchaser. 

5.  The  undersigned  will  not  hold  themselves  responsible  for  the  correctness 
of  the  description,  genuineness,  or  authenticity  of,  or  any  fault  or  defect  in,  any 
Lot  ;  and  make  no  Warranty  whatever. 

6.  To  prevent  inaccuracy  in  delivery,  and  inconvenience  in  the  settlement 
of  the  Purchases,  no  Lot  can,  on  any  account,  be  removed  during  the  Sale. 

7.  Upon  failure  to  comply  with  the  above  conditions,  the  money  deposited 
in  part  payment  shall  be  forfeited  ;  all  Lots  uncleared  within  one  day  from 
conclusion  of  Sale  shall  be  re-sold  by  public  or  private  sale,  without  further 
notice,  and  the  deficiency  (if  any)  attending  sucli  re-sale  shall  be  made  good  by 
the  defaulter  at  this  Sale,  together  with  all  charges  attending  the  same.  This 
Condition  is  without  prejudice  to  the  right  of  the  Auctioneer  to  enforce  the 
contract  made  at  this  Sale,  without  such  re-sale,  if  he  thinks  fit. 


THE    AMERICAN    ART    ASSOCIATION, 

Managers. 
Thomas  E.   Kiruv, 

Auctioneer. 


ORDER  OF  SALE 


WEDNESDAY  AFTERNOON,  MARCH  28th,  at  2.30  o'clock 

AT  THE  AMERICAN  ART  GALLERIES 

AUTOGRAPHS 

CATALOGUE  Nos.  3787  to  4143  INCLUSIVE 

'    WEDNESDAY  EVENING,  MARCH  28th,  at  8  o'clock 
AUTOGRAPHS    AND    DOCUMENTS 

CATALOGUE  Nos.  4144  to  4481   INCLUSIVE 

THURSDAY  AFTERNOON  MARCH  29th,  at  2.30  o'clock 

AUTOGRAPHS  AND  PLAY  BILLS 

CATALOGUE   Nos.  4482   to   4836    INCLUSIVE 

THURSDAY   EVENING,   MARCH   29TH,  at  8   o'clock 
PHOTOGRAPHS,    PRINTS,    PLAYS,    ETC. 

CATALOGUE  Nos.  4837  to  1263  INCLUSIVE 


SPECIAL    NOTICE. 


This  being  an  Executor's  sale  to  close  the  estate,  a  cash  deposit 
will  be  reciuired  from  every  purchaser  without  exception. 

Intending  purchasers  wishing  to  avoid  the  trouble  and  confusion 
of  making  a  deposit  during  the  sale,  can  make  arrangements  prcr  ^ 
vious  to  day  of  sale,  with  the  undersigned,  at  their  office,  6  East 
Twenty-third  Street.  

In  compiling  this  catalogue  Mr.  J.*  O.  VVright  has  endeavored 
to  make  descriptions  thoroughly  accurate,  but  we  guarantee  neither 
description  nor  condition,  sufficient  time  being  allowed  for  a  care- 
ful examination  of  the  books  and  other  objects  to  be  sold.       '  •   ■  ^ ' '  » 

AMERICAN    ART    ASSOCIATION, 

Managers. 

Thomas  E.  Kirby,  Auctioneer^ 

'■  .A  ;-;;.■  :.i  j  i  ;  '  .  ■ 


CATALOGUE 


AUTOGRAPH    LETTERS,    ETC. 

3787  Adams,  W.   H.  Davenport.     Autograph  letters,  December  31,  187S,  3 

pp.,  and  November  15,  1882,  2  pp.     2. 

3788     MS.  of  title  to  Women  of  Fashion,  etc.     2. 

3789  AiNswoRTH,  W.  Harrison.     MSS.,  5  pp.,  folio,  Book  IV.,  Chap.  VI.,  of 

Old  St.  Paul's. 

3790  Albert  Edward,  Prince  of  Wales.     Autograph  letters,  3  pp.,  8vo. 

3791  Allan,  Alexander.     Autograph  letters,  2  pp.,  410.     New  York,  Janu- 

ary 7,  1861. 

3792  Anderson,  Mary.     Autograph  letters,  2  pp.,  8vo. 

3793  Anderson,  J.  R.     Autograph  letters,  December  17,  1855,  Svo. 

3794  Andrews,  A.     Autograph  letters,  5  ;   and  list  of  wigs.     6. 

3795  Andrews,  James  Petit.     Autograph  letters,  November  25,  1788,  4to. 

3796  Andrews,  M.,  3  ;  W.  W.  Bickerton  ;  R.  Belville,  autograph  letters.  5. 

3797  Angelo,  H.     Autograph  letters,  March  9,  1834,  3  pp.,  Svo. 

3798  Anson,  J.  W.     Autograph  letters,  2  pp.,  Svo,  each.     2. 

3799  Arch  BOLD,  Ellen.     Autograph  letters.     16. 

3800  Arnold,  Arthur.     Autograph  letters,  1873  and  1876.     2. 

3801  Arnold,   Sir   Edwin.     MSS.  of  his  Sptccli  at  iiis  Farewell  .\cl(lrc-ss  in 

Daly's  Theatre,  February  15,  1892,  4  pp.,  4to. 

3802  Ashe,  Andrew  (Musician).     Autograph  letters,  December  31,  1S13. 

3803  Atkinson,  Polly.    Autograph  letters,  3,  and  Duke  of  Argyll  (frank).    4. 

3804  Atwood,  Tho.mas  (Composer).     Autograph  letters,  February  26,  1823, 

8vo. 


3805  Ais'iiN,  Alfred.     Autograph  letters,  8vo. 

3806  Austin,  John  ;  Austin,  L.  F. ;  Albert,  Aline,  autograph  letters.     4. 

3807  Algf.r,  William  R.     Autograph  letter,  November  9,  1876,  8vo. 

3808  Ball,  Edward.     Autograph  letter,  March  16,  1821.      Balfe,  M.  W., 

Jr.     2. 

3809  Barnard,  John.      Autograph  letter,  November  3,  1819,  3  pp.,  4to,  to 

EUiston.       a  U  l)  U  J  i\    I    A  w 

3810  Barnes,  William  Augustus.     Autograph  letters,  2  ;  Barnes,  P.,  auto- 

graph letters,  2.     4. 

3811  Barnet,  I.  C.     Autograph  letters,  November  29,  1842,  3  pp.,  4to  ;  Bar- 

nett,  Benj.  ;  Barton,  Henry,  3.     5. 

3812  Barrett,  Frank.     Autograph  letter,  July  3,  1882,  8vo. 

3813  Barrett,  Lawrence.   Autograph  letter,  July  22,  3  pp.,  8vo,  to  Osgood. 

3814  Bartlev.  George.      Autograph  letter,  November  23,  18 13,  4  pp.,  4to, 

to  Elliston. 

3815     Autograph  document,  signed,  April  22,  1830. 

3816  Bartholomew,  V.     Autograph   document,  signed  ;   Bathurst,  Lord, 

Autograph  note,  signed,  in  third  person.     2. 

3817  Bates,  James  W.     Autograph  letter,  Cincinnati,  October  lo,  1849,  4to. 

3818  Baxter,  Laura  Singer.     Autograph  letters,  1865,  etc.     3. 

3819  Beattie,  Frank.       Autograph   letter,    3    pp.,    8vo  ;     Beatty,   John, 

document  signed.     2. 

3820  Beazley,  Samuel  (Dramatist),     Autograph   letter,  September  i,  1819, 

3  pp.,  4to,  to  Elliston. 

3821  Begnis,  de.     Autograph  letter,  March  23,  1823,  8vo. 

3822     Autograph  letter,  August  i,  1826,  3  pp.,  4to. 

3823     Autograph  letter,   2  pp.,  4to,  in  his  hand. 

3824  Belcan,  George.      Autograph    letter  ;     Bellamy,    B.    P.,    autograph 

letter,  July  28,  1837,  4  pp.,  4to.     2. 

3825  P>knnett.  W'li  LiAM  Sterndale.    Autograph  letter,  May  I,  1855,  2   pp., 

8vo  ;  Bknnki  T,  William,  autograph  letter.     2. 

3826  Bernard.  Charles  S.     American  Fire  King.     Autograph  letters,  i860 

and  1864.     2. 

3827     Autograph  letters,  i860  and  1864.     3. 

2 


3828  Bernard,  William  Bayle.     Autograph  letters.     2. 

3829     Autograph  letters.      2. 

3830  BiNG,  Julius,  2  ;  Berengf.r,  A.  D.  ;  Bland.  Harcourt.       Autograph 

letters.     4. 

3831  Blackford,  Harriet  C.     Autograph  letters,  1875.     2. 

3832  Blake,  William  Rufus.     Autograph  letter,  October  30,  1849. 

3833  Blanchard,  E.   L.     Autograph  letter,  8vo. 

3834  Blanchard,  William  (Comedian).       Autograph   letter,  8vo,  to  J.    P. 

Harley. 

3835  Blewitt,  John   (Composer).     Autograph  letter,  3  pp.,  4to. 

3836  Blocklky,  John.     Autograph  letters,  i86i  and  1877.     2. 

3837  Blum,  J.  (French  dramatist).     Autograph  letters.     10. 

3838  BocHSA,  Robert  N.  C.     Autograph  letters,  Se]nember  21   and   Octo- 

ber, 1822,  4  pp.  and  3  pp.,  4to.     2. 

3839  BoLENO,   Henry  Mason    (Clown)  ;     Devlin,    Isaac   (Harlequin),  and 

others.     Agreement  to  perform  at  Surrey  Theatre. 

3840  Bologna,  Boschetti  Anna  (Dancer)  ;  Boyle,  Edmund  R.,  etc.   Auto- 

graph letters.     4. 

3841  Boone  Children,  The.     Letter  about  them  from  .\nna  R.  Boone,  3  pp., 

8vo,  and  another.     2. 

3842  BoswEi.L,  James.      Autograph   letter,  August   22,   1791,   2   pp.,  4to,   to 

Lord  Dreghorn  and  copy  of  letter  from  Dr.  Johnson.     2. 

3843  Boucicault,  Dion.     Autograph  letter,  8vo. 

^g^^     Colman,  George;  Bishop,  H.  R.,  and  others.     Passes  signed.    6. 

3845  Brayant,    Kate;    Brazier,    1855;    Brereton,    Emma.      Autograph 

letters,  etc.     3. 

3846  Bridgeman,  J.  V.  (Dramatist).     Autograph  letters.     8. 

3847  Brooke,    Edwin;    Brookes.    H.    Moreton,    2:    Brydon,    C.eo.    C; 

Butler,  G.  B.,  1819  ;   Buzzi,  Sr..  etc.     .Autograph  letters.     8. 

3848  Brooke,  G.  V.     Autograph   letter,  February  19,  ^^^>-^  4  PP-.  •~'\'<».  l<>  '- 

Falconer. 

3849  Brooks,  Col.  Edward,  of  Detroit.      Autograpli  letters  and  ponn.      13 

3850  Brougham,    John.      Autograph    letter.  June    16,   1848,  2  pj)..  410.    to 

Benj.  Webster. 

3851      .Autograph  letter,  January  31,  1850,  4to,  to  Chippendale. 

3 


J 


3852       Brougham,  John.     Autograph  letter.   March   19,  1850,  2   pp.,  4to,  to 
Chippendale. 

853  Autograph  letter,  March  25,  1850,  3  pp.,  4to,  to  Chippendale. 

j8^4  Autograph  letter,  April  4,  1850,  3  pp.,  4to,  to  Chippendale. 

3855  Autograph  letter,  March  17,  1852,  3  pp.,  8vo,  to  Chippendale. 

3856  Autograph  letter,  February  3,  1853,  4  pp.,  4to,  to  Chippendale. 

3857  Autograph  letter,  February  16,  1863,  8vo,  to  Chippendale. 

3858  Autograph  letter,  April  5,  4to,  to  Chippendale. 

3859  Autograph  letter,  April  19,  4to,  to  Chippendale. 

3860  Autograph  letter,  May  22,  2  pp.,  4to,  to  Stuart. 

3861  Autograph  letter.  May  24,  2  pp.,  8vo,  to  Chippendale. 

3862  Autograph  letter,  October  17,  2  pp.,  8vo,  to  Chippendale. 

3863  Autograph  not  signed,  Monday,  8vo,  to  Chippendale. 

3864  Autograph  letter,  Tuesday,  2  pp.,  8vo,  to  Chippendale. 

3865  Brown,  Tom  (Dramatist).     Autograph  letters,  1864.     3. 

3866  Brunton,  Eliza.     Autograph  letters.     2. 

3867  Buckstone,  John  Baldwin.      Autograph  letters,  April  6,   1833,    4to 

to  J.  p.  Collier. 

3868  Autograph  letter,  April  8,  1833,  2  pp.,  4to,  to  J.  P.  Collier. 

3869  Autograph  letter,  September  27,  1841,  3  pp.,  4to. 

3870  Autograph  letter,  August  10,  1842,  3  pp.,  4to. 

3871 Autograph  letter,  September  22,  1852,  2  pp.,  4to. 

3872  Autograph  letter,  November  17,  1852,  4  pp.,  8vo. 

3873  Autograph  letter,  March  13,  1853,  3  pp.,  Svo. 

3874  Autograph  letter,  September  14,  1853,  4  pp.,  8vo. 

3875  Autograph  letter,  September  28,  1853,  5  pp.,  8vo. 

3876  Autograph  letter,  October  2,  1853,  4  pp.,8vo. 

3877  Autograph  letter,  October  7,  1853,  5  pp.,  Svo. 

3878  Autograph  letters,  November  i,  1858,  and  another.     2. 

3879  :  Autograph  letters,  November  6,  1858,  3  pp.,  4to,  and  another.     2. 

3880  Autograph  letter,  November  17,  1858,  2  pp.,  8vo. 

3881  Autograph  letter,  January  7,  i860,  3  pp.,  8vo. 


4 


3882  BucKSTONE,    John    Baldwin.      Autograph   letter,   October    12,    1861. 
Signed   also    by   Fanny  Fitzwilliams.     3  pp.,  410. 

3883 Autograph  letters,  October  12,  18C3,  etc.    3. 

3884  Autograph  letter,  October  16,  1863,  2  pp.,  8vo. 

3885  Autograph  letter,  November  10,  1863,  3  pp.,  8vo. 

3886  Autograph  letter,  November  11,  1863,  4  pp.,  8vo. 

3887  Autograph  letter,  November  21,  1863,  3  pp.,  8vo. 

3888  Autograph  letters,  December  15,  1863,  etc.     3. 

3889  Autograph  letter,  October  13,  1864,  3  pp.,  8vo. 

3890  Autograph  letters,  March  5,  etc.     2. 

3891 Autograph  letters,  September  20,  etc.     2. 

3892  Autograph  letters,  Monday  morning,  etc.     3. 

3893  Autograph  letters,  2.      Early,  undated,  to  Thompson.     2. 

3894  Farewell  Tour  of,  1877.     The  Company,  Casts,  etc.,  8  pp.,  folio. 

3895  BuNBURY,  Thomas  Charles.     Autograph  letter,  August  25,  1813,  8vo. 

3896  BuNN,  Alfred.     Autograph    letters.  May  3,   1853,  and  benefit  ticket. 

Drury  Lane,  1847.     2. 

3897  Autograph  letter,  Monday,  8vo. 

3898  Burke,  Charles.     Autograph  letter,  May  6,  1853,  2  p]).,  4to. 

3899  Burke,  Master.     Box  office  sheet,  benefit  of.  May  25,  1825, 

3900  Burton,  Wm.  E.     Autograph  letter,  June  21,  1845,  4to. 

3901  Autograph  letter,  July  20,  1845,  2  pp.,  4to. 

3902  Autograph  letter,  June  19,  1846,  4to. 

3903  Autograph  letter,  June  22,  1846,  4to. 

3904  Autograph  letter,  April  5,  1847,  4to. 

3905  Autograph  letter,  October  13,  1847,  4to. 

3906  Busk,  Hans.     Autograph  letter,  March  14,  1871,  2  pp.,  8vo. 

3907  Butler,  George.     Autograph  letters,  1869,  etc.     17. 

3908  iivRON,  Henry  James.     Autograpli  letter,  December  2,  1864. 

3909  Autograph  letter,  1878. 

3910 Autograph  letters,  September  24,  and  another.     2. 

3911  Calcrakt,  John  W.     Autograph  letters,  2  pp.,  8vo. 

5 


3912  Cai.dwf.ll,  James  H.,  and  others.     8. 

3913  Campbkll,  Hartley  ;  Campbell,  Gordon.    Autograph  letters,  8vo.    2. 

3914  Cattermole,    George    (Painter).      Autograph    letter,    November    i, 

1843,  2  pp.,  4to,  to  Chapman  and  Hall. 

3915     Autograph  letter,  October  16,  1845,  3  PP-  ^^''^■ 

2pj5  Autograph  letters.  3  \)p.,  4to,  to  Chapman  and  another.     2. 

3917  Cawse,  Miss  H.     Document  signed. 

3918  Chapman  and  Grove.     Box  office  sheet,  benefit  of,  August  8,  1805, 

3919  Chapman,  Charles.   Autograph  letters,  7;  Mrs.  Amy  Chapman,  2.     9. 

3920  Chapman,  W.  P.     Autograph  letters.     3. 

3921  Ch.at  TERLEY,  Mrs.     Box  officc  shcct,  benefit  of,  October  7,  1823. 

3922  CiiATiERLEY,  Mrs.  Louisa  ;  Chatterton,  Ernest,  and  others.     9. 

3923  Chi'.stnut  Street  Theatre.      Letter  from   jMayor  P.   M.   McCall  to 

Wemyss  and  Pratt  requesting  suppression  of  the  Piece  called  the 
"Quaker  City,"  printed  broadside,  quoting  it,  November  11,  1844, 
and  letter  from  Board  of  Agents  expressing  fear  of  Riots.     3. 

3924  Chippendale,    Mrs.    Adelaide.     Autograph  letters    to    her    husband, 

Wm.  H.  C.      19. 

3925 Autograph  letters  to  her  mother,  Mrs.  Margaret  Dudley.     4. 

3926  ('hippendale,  Alfreda.     Autograph  letters.     2. 

3927  Chippendale,  Emily  (Mrs.  Wm.  M.  Fleming).     4. 

3928  Chippendale,   Mrs.   E.  (mother  of   Wm.    H.   C).      Autograph   letter, 

November  15,  1852,  4  pp.,  4to. 

3929  Chippendale,  Frederick.     Autograph  letters,  1850  and  1867.     2. 

3930  Chippendale,  Harry.     Autograph  letters,  1862,  etc.     8. 

3931  Chippendale,  James.     Autograph  letter,  4to. 

3932  Chippendale,  Mary.     A.utograph  letters,  1863,  etc.     9. 

3933  Chippendale,  Wm.  B.     Autograph  letters,  1852.      2. 

3934     Autograph  letters,  February  16  and  May  1,  1853.     2. 

3935 ~"  Autograph  letters,  January  3c  and  March,  1853.     2. 

3936     Autograph  letters.  May  29,  1853,  and  September  10,  i860.      2. 

3937  Chippendale,   Wm.   Henry.      Autograph   letter,   December    ia,   1S44, 

3  pp.,  4to,  to  Moses  Kimball. 

6 


3938  Chippendale,  \Vm.   Henry.     Autograph  letters,  June  25  and  July  16, 

1848,  to  Col.   E.  Brooks.     2. 

3939     Autograph  letter,  November  16,  1848,  3  pp.,  410. 

3940     Autograph    letter,    October    31,    1851,    to    Mrs.    Catherine    N. 

Forrest,  and  her  answer  on  same  sheet. 

3941     Autograph  letter,  October  23,  1852,  4  pp.,  4to. 

3942     Autograph  letter,  March,  1853,  3  pp.,  8vo. 

3943     Autograph  letter,  April  28,  1853,  4  pp.,4to. 

3944  • Autograph  letters,  February  2  and  March  31,  1854.     2. 

3945     Autograph  letter,  August  7,  1858,  3  pp.,  8vo. 

3946     Autograph  letter,  January  11,  i860.  2  pp.,  4to. 

3947     Autograph  letter.  May  25,  i860,  4  pp.,  8vo. 

3948     •  Autograph  letters,  June  i  and  8,  i860.     2. 

3949  x-Vutograph  letter,  June  26,  1860,6  pp.,  8vo. 

3950  Autograph  letter,  July  6,  i860,  7  pp  ,  8vo. 

3951  Autograph  letters,  October  19,  i860,  etc.     2. 

3952  Autograph  letters,  November  16,  187 1,  etc.     2. 

3953  Receipts  from  Eliza  A.  Worthy.     5. 

3954  Chippendale,  W.  J.  B.     Autograph  poems.     3. 

3955  Christian,  Mrs.  F.  A.  (Mrs.  Robert  Hall);  Clarendon,  Countess,  etc.  5. 

3956  Cincinnati  Theatre  Scheme,  2  pp.,  4to.     List  of  Players  including 

Chippendale,  T.  Placide,  Fredericks,  AVeston,  etc. 

3957  CiocCA,  Signora.     Autograph  letter,  Baltimore,  April  3,  1852. 

3958  Clairon,   Mlle.      Autograph   letter   to    M.   de    Saviandre,  and    order 

signed  by  the  Due  de  Cxesvres,  addressed  to  Mlle.  Clairon.  From 
Edmond  de  Goncourt's  collection,  with  his  autograph  and  notes- 
Bound  in  half  calf,  410. 

3959  Clarke,  Mary   Annk.     Autograph  letter,  April  3,  1824,  3  pp..  410. 

3960  Clarke,  Richard.     Autograph  letter,  May  12,  183  i.  410. 

3961  Clement  VII.      Papal  Bull  on  vellum,  dated  March  4,  1523,  folio,  witli 

fine  portrait. 

3962  Clerk,  Sir  Ceorge.     Autograph  letter.  August  23.  1834,  410. 

3963  Clifford,  Fanny;  Cobbett,  E.  J.;  Collins,  Wilkie.     3. 

3964  Coghlan,  Charles;  Cole,  John  W.     2. 

7 


i 


3965     Collins,  John.     Autograph  letter,  October  12,  1846,  2  pp.,  4to. 
2966     Autograph  letters,  June  10,  1863.     8vo. 

3967  Collins,  VVilkie.     Black  and  White  :  A  I.ove  Story,  in    1  hree  Acts,  by 

Wilkie  Collins  and  Charles  Fechter,  i2mo,  London,  1869.  "Un- 
corrected copy,  presenting  the  Play  as  it  was  written,  bcfoie  the 
Stage  Alterations  and  variations  were  made.  First  Represented  at  the 
Adelphi  Theatre,  March  29,  1869."  Cast  of  characters  and  annota- 
tions in  Wilkie  Collins's  hand,  and  play-bill  of  first  production. 

3968  CoMPTON,  Henry.     Autograph  letter,  March  2,  1838,  5  pp.,  410. 

3969     Autograph  letter,  November  6,  1838,  3  pp.,  4to. 

3970     Autograph  letter,  December  9,  1864,  2  pp.,  8vo. 

3971 Autograph  letter,  3  pp.,  4to. 

3972     Autograph  note  signed. 

3973  CoNTAT,  Mli.k.    Louise.     2  autograph    letters,   document  signed,  and 

portrait.  From  Edmond  de  Concourt's  collection,  and  with  his  auto- 
graph and  notes.     Bound  in  cloth,  4to. 

3974  CoNWAV,  Marianne.     Autograph  letter,  8vo. 

3975  CooKE,  George   Frederick.     Autograph  letter,  January  i,   1800,  410. 

3976  Cooke,  T.     Autograph  letter,  October  3,  1821,  3  pp.,  8vo. 

3977  CoRBYN,  W.     Autograph  letter,  January   15,    1855,  4  pp.,  4to,  to  John 

Povey. 

3978     Autograph  letter,  June  10,  1856,  2  pp.,  8vo. 

3979     Autograph  letter,  November  11,  1858,  4  pp.,  4to. 

3980  Corcoran,  W.  W.     Autograph  letters  (7)  to  Cabriel  Harrison  (who  has 

written  answers  on  2)  concerning  removal  of  John  Howard  Payne's 
remains  ;  photo,  of  J.  11.  P.  as  Norval  ;  original  poems,  etc.      11. 

3981  CoRRi  Monte.     Autograph  letters,  184c,  4to;  Corri,  Wm.,  8vo.       2. 

3982  Conquest,  B.     Autograph  letter,  December  7,   1831,  2  pp.,  4to. 

3983  Courtney,  John.     Subscription  list  at  time  of  his  death  from  members 

of  the  Haymarket  Theatre,  1865. 

3984  Covent    Garden    Theatre.     List  of   nightly  receipts    from    Novem- 

ber 15,  1819,  to  January  17,  1820,  etc.     12. 

3985     Copy   of   the    agreement    for   a    lease    of    H.    Harris's    shares, 

1822,  etc.     3. 

3986     Payments  proposed  to  be  made,  season   1815-16,  to  Mr.   Cop- 
land, etc.     2. 


CowELL,  Harriet.     Autograph  letters,  May  5  and  July  i,  1864.     2. 
Autograph  letters,  October  24  and  December  2,  1864.     2. 

Autograph  letters,  1866-67.     3- 

Coyne,  J.  Stirling.     Autograph  letter,  March  14,  1859,  2  pp. 

Autograph  letter,  April  4,  1859,  8vo. 

Craik,  Dinah  Mulock.     Autograph  poem,  1S85,  8vo. 

Creswick,  Wm.     Autograph  letter,  August  10,  1855,  2  pp.,  8vo. 

Autograph  letter,  December  10,  1855,  2  pp.,  8vo. 

Autograph  letter,  June  24,  2  pp.,  8vo. 

Crisp,  Eliza.     Autograph  letter,  4to. 

Crisp,  George.  Subscription  list  from  members  of  Haymarket  Theatre, 
folio. 

Crisp,  W.  H.     Autograph  letter,  February  6,  1853,  410. 

Autograph  letter,  April  25,  1853,  3  pp.,  410. 

Autograph  letters,  June  4,  1853,  etc.     2. 

Crivei.li,  Sionok  D.     Autograph  letter,  August  2,  1838,  4to. 

Croker,  Thomas  Crofton.  Correspondence.  32  auto.graph  letters  of 
Croker,  many  with  interesting  pen-and-ink  sketches,  and  3  of  them 
being  (28  pp.,  folio)  philippics  against  Moore,  addressed  chiefly  to 
Robert  Balmanno  ;  3  autograph  letters  of  Robert  Balmanno  ;  7  auto- 
graph letters  of  Robert  Lemon  ;  7  autograph  letters  of  S.  F.  Dilhjn 
Croker,  autograph  letters  of  J.  B.  Nichols,  John  Rouse,  A.  J.  Kempe, 
W.  H.  Rosser,  W.  Jordan,  and  others  ;  2  sets  of  the  minutes,  and 
many  pamphlets,  broadsides,  proceedings,  etc.,  of  the  Noviomagians  ; 
3  unusual  portraits  of  C'roker,  and  memoir  of  Croker  by  his  son,  presen- 
tation copy  to  Balmanno.     An  unusually  interesting  collection. 

Crotch,  Dr.  Wm.     Autograph  letter,  l-'ebruary  23,  1825,  2  pp.,  4to. 

Crouch,  Mary  Ann.     Autograph  letters,  1872.     3. 

Cudlip,  Abbie  Thomas,  Mrs.     Autograph  letters,  1881,  etc.      6. 

Cumberland,  Richard.  Autograph  letters,  1800.  etc.,  signed  Richard 
Cumberland.      4. 

Autograph  letters  signed  R''.  Cumberland.  6. 

Autograph  letters  signed  R.  Cumberland.  12. 

Autograph  letters  signed  R.  Cumberland.  11, 

.Autograph  letters  signed   R.  Cum.     9. 

9 


4011  Cumberland,  Richard.     Autograph  letters  signed  R.  C.     4. 

The  above  six  lots  are  all  410,  3  and  4  pp.,  and  addressed  to  Sir  James 
Bland  Kurgess. 

4012  CusHMAN,  Charlotte.     Autograph   letters,  February   24,   1842,  2    pp., 

4to,  and  another.     2. 

4013  Autograph  letter,  June,  1842,  8vo. 

4014  Autograph  letter,  August  2,  1842,  4to. 

4015  Autograph  letter,  August  8,  1842,  2  pp.,  4to. 

4016  Autograph  letter,  September  11,  1842,  3  pp.,  4to. 

4017  Autograph  letter,  October  18,  1842,  3  pp.,  4to. 

4018  Autograph  letter,  October  29,  1842,  2  pp.,  4to. 

4019  Autograph  letters,  December  27,  1843,  John  H.  Oxley,  etc.  15  pp. 

4020  Autograph  letter,  April  2,  1844,  4to. 

4021  Autograph  letter,  September  14,  1849,  3  pp.,  8vo. 

4022  Autograph  letters,  September  20  and  22,  1849.     2. 

4023  Autograph  letter,  October  20,  1849,  8vo. 

4024  Autograph  letter,  February  23,  1852,  3  pp. 

4025  Autograph  letter,  June  27,  1856,  8vo. 

4026  Autograph  letter,  August  4,  1857,  4  pp.,  8vo. 

4027  Daly,  Ellen.     Autograph  letter,  8vo. 

4028  Dartmouth,  Lord.    Autograph  document  signed,  June  14,  1804,  licens- 

ing \Vm.  Taylor's  Masquerade. 

4029  Davenport,  Edward  L.     Autograph  letter,  January  26,   1849,  4  PP-' 

4to. 

4030  Autograph  letter,  September  21,  1849,  8vo. 

4031  Autograph  letter.  May  6,  1855,  3  pp.,  4to. 

4032 Autograph  letter,  July  2,  2  pp.,  8vo. 

4033  Autograph  letter,  Tuesday,  5  pp.,  8vo. 

4034  Autograph  letter,  Wednesday,  3  pp.,  8vo. 

4035  Davidge,  VVm.     Autograph  letter.  March  30,  1866,  4  pp.,  8vo. 

4036  Davis,  Jefferson.     Letter  signed,  August  4,  1856,  as  Secretary  of  War. 

4037  Deane,  Fanny.     Autograph  letter,  4  pp.,  4to,  from  her  mother,  Sophia 

Deane,  about  engagement. 


4038  De  Camp.     Box  office  sheets,  benefits  of,  August  17,  1805.  and  August 

18,  1807.     2. 

4039  Delmomco,  Charles;  Dealy,  P.  F.;  Desart.     Autograph  letters.     3. 
404c     Denis,  Achille.     Autograph  letter,  June  5,  1853,  8vo. 

4041  Denneval  (Comedian).     Autograph  letter,  2  pp.,  8vo. 

4042  Denvil,  W.  G.     Autograph  letters  (8vo)  to  Harley. 

4043     Autograph  letter,  4to. 

4044  Desolme,  Charles.     Autograph  letters,  1854,  etc.     16. 

4045  Desplaces,  Henri  (Ballet  Master  at  C.  G.  Theatre).     Autograph  letter, 

June  17,  1863. 

4046  DiBDiN,  Thomas.     Autograph  letter,  June  23,  1840,  8vo. 

4047  Dickens,  Charles.      Autograph   letter,  April  3,   1866,  in  reference  to 

the  first  two  numbers  of  Pickwick  and   Seymour's  Drawings  thereto, 
2  pp.,  8vo. 

4048     Autograph  letters,  3  pp.,  8vo,  to  Kate  Hogarth,  shortly  before 


his  marriage  to  her.  Autograph  letter  from  his  daughter,  Kate 
Perugini,  enclosing  it  to  Geo.  Augustus  Sala,  and  endorsement  of 
Sala  :   '"  Precious  Dickens  letter  to  his  wife  before  their  marriage."     3. 

4049  Dickens,  Frederick.     Autograph  letter,  2  pp.,  8vo. 

4050  Dickenson,  G.  K.;  Dillon,  Arthur;  Donaldson,  Walter,  and  others. 

Autograph  letters.     5. 

4051  Dii.i.Y,  C.     Autograph  letter,  4to. 

4052  DisTiN,  J.     Autograph  letters,  December  7,  1833,  etc.     4. 

4053  Dizi,  Francois  Joseph.     Autograph  letter,  August  7,  1823,  4to. 

4054     '  Autograf)h  letter,  1828,  4to. 

4055  Dolby,  Miss  Charlotte  Helen.    Autograph  letters,  January  22,  1840, 

etc.     9. 

4056  Don,  Sir  Wm.     Autograph  letter,  November  15,  8vo. 

4057     Autograph  letter,  November  25,  8vo. 

4058     Autograph  letter,  December  r,  8vo. 

4059  Dormeuil,  Charles  C.  D.     Autograph  Ktier,  February  4,  1S56,  Svo. 

4060  DowTON,   Wm.        Autograph   letter,   November  9,    1838,    410.  to  J.   P 

Harley. 

4061     Autograph    letter,   February   25,    1840,    2     pp.,    4to,    to    J.    V 

Harley. 


4062  DowTON,  \\m.       Autograph  letter,  8vo,  to  J.  P.  Harley. 

4063  Dkavton,  Henri.     Autograph  letter,  September,  1854,  etc.,  8vo.     2. 

4064  DuDOis,  Edward.     Autograph   letter,    November  7,  iSoo,  4  pp.,  410, 

to  Tom  Hill. 

4065     Autograph  letter,  4  pp.,  folio,  to  Tom  Hill. 

4066     Autograph  letter,  4  pp.,  folio,  to  Tom  Hill. 

4067  Dubois,  Emilik.     Autograph  letter,  8vo. 

4068  Du  Cange,  Victor.     Autograph  letters,  4  pp.,  8vo,  and  another.      2. 

4069  Dudley,  Joseph.     Autograph  letters,  1850,  etc.     12. 

4070  DuDLEV,  John,  Kate.  William,  and  J.  G.     Autograph  letters.     6. 

4071  DuLCKEN,  Louise.     Autograph  letters  to   Lord  Burghursh,  his  answer, 

and  others.     7. 

4072  DuRUSET,  John.     Autograph  letters,  2  pp.,  8vo  ;   Dutch,  L   S.,  2  pp., 

8vo.     2. 

4073  DuGGAN,  Joseph  F.     Autograph  letters.      3. 

4074  Eagle,  Bernardo.     Autograph  letter,  March  23,  1842,  inclosing  play- 

bill.    Earle,  Lt.-Col.  William.     Autograph  letters.     3. 

4075  Edwards,  Annie.     Autograph  letters.      2. 

4076  Edwin,  Mrs.  Eliza  Rebecca.     Agreement,   May  3d,  between  her  and 

Elliston  to  perform  at  Surrey  Theatre,  with  play-bill.     2. 

4077  Egerton,   Daniel.      Autograph  letter,  April    12,  1807,  z  pp.,    4to,  to 

Winston. 

4078  Autograph  letter,  June  16,  1807,  4to,  to  Winston. 

4079  Autograph  letter,  June  26,  1807,  4to,  to  Winston. 

4080  Autograph  letter,  18 16,  2  pp.,  4to,  to  Winston. 

4081  Autograph  letter,  March  25,  181 7,  4to,  to  Winston. 

4082  Autograph  letter,  August  29,  1819,  2  pp.,  4to,  to  Winston. 

4083  Autograph  letter,  March  20,  1823,  3  PP--  4^0,  to  Elliston. 

4084  Autograph  letter,  Thursday,  4to,  to  Winston. 

4085  Engel,  Ludwig.     Autograph  letter,  8vo. 

4086  Ellis,  George.     Autograph  letters,  December  14,  1855,  etc.     2. 

4087  Elliston,  Charles  R.     Autograph  letters.     2. 


4088  Elliston,  Robert  William.      Articles    of   Agreement,   Februarj-   26, 

iSir,  between  Elliston  and  Edward  Lawler. 

4089  Lewis,  M.  G.,  etc.     Passes  signed.     4. 

4090  Kelly,  H.;  Bishop,  Henry  R.;  Palmer,  R.    Passes  signed.    4. 

4091  Rauzzini,  signatures.     2. 

4092  Pox  office  sheets,  benefits  of,  July  21,  180S,  and  July  4,  1800.     2. 

4093  Emiliani,  C.     Autograph  letter,  1838,  4to,  with  lithograph   portrait.     2. 

4094  Elvey,   Dr.  G.;   Ely,  Horace  S.     Autograph  letters.     2. 

4095  Falconer,  Edmund,  and  Chatterton.      Letter,  February   ii.   1864, 

in  third  person. 

4096  Farjeon,  Benjamin  L.     Autograph  letter,  November  22,  1869,  Svo. 

4097  Autograph  letter,  November  25,  1869,  8vo. 

4098  Autograph  letter,  December  13,  1869,  Svo. 

4099  Autograph  letter,  October  10,  1873,  4  pp.,  8vo. 

4100  Autograph  letter,  October  31,  1877,  4  pp.,  Svo. 

4101  Autograph  letter,  July  12,  1878,  2  pp.,  Svo. 

4102  Autograph  letters,  January  8,  i88r,  and  September  22,  1S82.     2. 

4103  Autograph  letter,  December  29,  1882,  Svo. 

4104  Autograph  letters,  March  17,  1884,  and  another.     2. 

4105  Autograph  letter,  December  31,  1839. 

4106  Farley,  Charles.     Autograph  letter,  July  9,  1845,  to  Harley. 
4107 Box  office  sheet,  benefit  of,  August  11,  1820. 

4108  Farren,  George.      Autograph  letters,    December   15,    1837,    etc.,    to 

Harley.     2. 

4109  Farren,  H.  E.,  Mrs.     Autograi)h  letters,  June  10,  1838,  etc.     2. 

41 10  Farren,  William.     Autograph  letter,  July  30th,  Svo. 

41 1 1  Autograph  letter,  Svo,  to  Buckstone. 

41 12  Autograph  letter,  Svo,  to  Harley. 

4113  .Vutograph  letters  to  Thompson  and  another.     2. 

4114  Autograi^h  letter,  2  pp.,  Svo,  to  Chippendale. 

41 15  Box  office  sheets,  benefits  of.  September  23,  1824,  and  September 

29,  1S27.     2. 

13 


41 16  Fawcett,  John.     Box  office  sheets,  benefits  of,   September   lo,   1807,    m 

and  September  3,  1808.     2. 

41 17  Field,  Eugene.     Bibliomaniac's  Prayei',  autograph  copy,  4to. 

4118  Field,  Joseph    M.      Autograph    letter.    Mobile    Theatre,   March    15, 

1852,  2  pp.,  folio. 

41 19  Autograph  letter,  March  29,  1852.     4to. 

4120  Autograi)h  letter,  March  27,  1852,  4to, 

4121  Autograph  letter,  April  i,  1852,  folio. 

4122  Autograph  letter,  January  24,  1852,  folio.  I 

4123  Fisher,  Jane  Marchant.      Autograph  letter,  February    9,   1850,  4to, 

and  NiBLO,  Wm.,  3  pp.,  4to,  on  same  sheet. 

4124  FiTZBALL,  E.     Autograph  letter,  March  17,  1856,  2  pp.,  8vo,  to  Harley, 

4125     Autograph  letter,    March  7,  1859,  2  pp.,  8vo. 

4126  Fitzgerald,  Percy.     Autograph  letters,  2  pp.,  8vo,  each.     2. 

4127  — ■ Autograph  letter,  2  pp.,  8vo,  and  2  others.     3. 

4128  Fitzwilliam,  Edward.     Autograpli  letter,  8vo,  to  Harley. 

4129  Fitzwilliam,  Fanny  Elizabeth  (Copeland).      Autograph  letter,  2  pp.. 

4to.     Fitzwilliam,  Ellen  E.,  2  pp.,  8vo.     2. 

4130  Fleming,  Wm.  M.     Autograph  letters,  May  16,  1853,  etc.     2. 

4131  Florence,  Wm.  J.     Autograph  letter,  January  24,  1856,  4to. 

4132  Flynn,  Thomas.     Part  of  a  letter  in  his  hand. 

4133  Felis  Foemina,  The.     Original  MSS.  of,  9  pp.,  4to. 

4134  Forrest,  Mrs.  Catherine  N.  Sinclair.     Autograph  letter,  2  pp.,  Svo. 

4135  ■ Autograph  letter,  October,  1852,  Svo. 

4136     —  Autograph  letter,  1852,  3  pp.,  Svo. 

4137 Autograph  letter,  July  31,  2  pp.,  Svo. 

4138     Autograph  letter,  October  19,  3  pp.,  Svo. 

4139     Autograph  letter,  Thursday,  2  pp.,  Svo. 

4140  Forrest,  Edwin.     Autograi)h  letter,  June  29,  i860,  2  pp.,  Svo. 

4141     Autograph  letter,  February  23,  1S71,  with  portrait  of  Kean. 

4142  Foster,  Wm.  R.     Autograph  letter,  April  17,  1847,  2  pp.,  4to. 

4143  Fo.x,  Charles  James.      Autograph  letter,  5  pp.,  4to,  to   L.  Concannoa 

Interesting  letter  about  personal  matters. 

14 


4144  ^^^^,    George   L. ;   Tayleure,    C.    W.;  Wolcott,    Charles    W.,   etc. 

Signatures.     5. 

4145  Francis,  Adolphus.     Autograph  letters  concerning  Shakespeare  mon- 

ument.    2. 

4146  Fredericks,  Wm.  S.      Autograph  letter,  August  22,  1839,  3  pp.,  4ti) 

4147  Freer,  John  Charles.     Autograph  letter,  2  pp.,  8vo. 

4148  Fry,  W.  R.     A.  N.,  signed  with  initials. 

4149  Furness,  Harry.     Receipts  for  payment  of  drawings  for  Tinsley.     2. 

4150  Gaboriau,  Emile.     Autograph  letter,  Bvo. 

4151  Gambetta,   Leon.      Autograph    letter,    Paris,  October,   1870,  to   Cre- 

mieux. 

4152  Garcia,  Signor  Manuel,  8vo. 

4153  Gardiner,  W.     Autograph  letter,  June  10,  1808,  3  pp.,  4to.     Garden. 

E.  W.,  3  pp.,  8vo.     2. 

4154  Garrick,  David.      Autograph   letter,   Hampton,  Saturday,    7  o'clock. 

and  a  cloudy  morning.       Exceeding  long  and   interesting  letter,  in 
perfect  condition,  to  one  of  his  intimates,  4  pp.,  4to. 

4155     Autograph  letter,  March,  1745,  from  Lord   Marchmont  to  and 

endorsed  by  Garrick. 

41^5     Letter,  January  30,    1754,  from  Keppel,  Earl  of  Albemarle,  to 

and  endorsed  by  Ciarrick. 

4157 Autograph   letter,  August   12,    177 1,   from  Lord  Clanricarde   to 

and  endorsed  by  Garrick. 

4158     Autograph    letter.     May    28,     1776,     from    John     Paterson    to 

Garrick. 

415Q  ^  Autograph  letter,  May  29,  1776,  from  F.  Hargravc  to  and  en- 
dorsed by  Garrick. 

^160     A.  N.  S.  from  Lord  Mulgrave  to  and  endorsed  by  (}arrick. 

4l5l     Autograph   letter  from  Lady   Harriet   Vernon  to  and  endorsed 

by  Garrick. 

4162  Garrick  Club.     Original  announcement  of  the  opening  of  the  Carnck 

Club,  signed  by  J.  Winston,  January  14,  1832,  and  another.     2. 

4163  George,  Miss  and  Vining.     Box  office  sheet,  benefit  of,  Scpteni!)or  28. 

1826. 

4164  Gibbon,   Charles.      Autograph   letter.    May   3,    1883,  8vo.      Gilbert, 

Wm.,  1872.     2. 

15 


4165  Oh^i^s,  Mrs.     Box  office  sheets,  benefits  of,  1805-1820.     4. 

4166  liiuBELEi,  Mme.     Autograph  letter,  September  4,  1846,  2  pp.,  8vo. 

4167  Glaisher,    James.      Autograph  letter,   1882.      GiiisoN,    John.      Auto- 

qraph  letter,  1853.     2. 

4168  CioROSTiZA,  Manuel  Edouard  de.     Autograph  letter.     Gordon,  Wm. 

Autograph  letter.     2. 

4169  (ioss,  John.     Autograph  letter.  May  3,  1858. 

4170  CiouLD,  Miss  (Singer).     4to. 

4171  Gould,  Robert  Howe.     Autograph  letters,  1838,  etc.,  to  Chippendale. 

21. 

4172  Graham,    George.      Autograph    letter,    Jul}'    23,    1822.       Grossi,    A. 

1874.     2. 

4173  Grant,  James.     Autograph  letters,  April  6  and  September  29,  1869.     2. 

4174     Autograph  letters,  1874  and  1875.     2. 

4175     Autograph  letters,  March  S  and  October  11,  1876.     2. 

4176  Greatorex,  Thomas.     Autograph  letter,  September  12,   1826,  2   pp., 

4to. 

4177  Gregory  XIII.     Papal  bull   on    parchment,   dated    February  3,   1584, 

folio.     Fine  caligraphic  specimen. 

4178  Grove,  G.     Autograph  letter,  August  9,  1872.     Grosvenor,  Richard, 

1862.     2. 

4179  Hackett,  James  H.     Autograpli    letter,  October  28,  1859,  3  pp.,  8vo. 

4180  — — - —  Autograph  letter,  September  6,  1864,  3  pp.,  8vo. 

4181  Hakewill,  Joseph,  2  ;   Harmax,  Abra.,   1793  !    Hewitt,    J.;    Horn, 

Charles,  and  others.    13. 

4182  Hall,  Anna  Maria.     Autograph  letter,  1863,  3  pp.,  8vo. 

4183  Hall,  Marshall.      Autograph  letter,  1889,  4  pp.,  8vo. 

4184  Halliwkll-Phillips,    J.  O.      Autograph    letter,    October    25,    1883, 

"  Refers  to  my  collection  of  Ireland  material.     A.  D." 

4185     Autograph  letters,  November  27  and  30,  1886.     2. 

4186  Hamblin,  Thomas  S.     Autograph  letter,  January  8,  1845. 

4187  Hannay,  James.     Autograph  letters,  June  29  and  July  4,  1866.     2. 

4188  Hardinge,  George.     Autograph  letter,  3  pp.,  410,  to  Garrick. 

4189  Hambly,  Mrs.  Mary.     Autograph  letters,  i860  and  1861.     4. 

16 


4190  Harrison,  Wm.  (Singer).     Autograph  letter,  2  pp.,  to  Parry. 

4191     Autograph  letter,  2  pp.,  to  Adams. 

4192  Hatton,  Ann,  sister  of   J.  P.  Kemble.      Autograph  letter,   March    10, 

1823,  4to,  to  Alexander  Murray  ;  speaks  of  her  brother's  death  the 
previous  month,  her  affection  for  him,  etc. 

4193     Autograph    letter,   April   8,    1823,   to  Alexander   Murray,    4to  ; 

referring  to  her  brother  and  his  affairs. 

4194     Autograph  letter,  July  5,  1825,  to  Alexander  Murray,  4to. 

4195  Hawes,  Wm.     Autograph  letter,  November  7,  181 1,  2  pp.,  folio. 

4196  Haworth,    Martin.     Autograph   letter,   December  8,  1880  ;    Heath, 

Francis  George,  January  29,  1874;  Hingston,  G.  P.,  November  11, 
1874-     3- 

4197  Haymarket  Theatre.     A  large  and  unusually  important  collection  of 

letters,  referring  principally  to  the  financial  affairs  of  the  theatre,  from 
David  Edwin  Morris,  James  Winston,  T.  N.  E\ybank,  and  others, 
addressed  to  George  Colman,  Braham,  Charles  Kemble,  Blanchard, 
Dibdin,  etc.     90. 

4198     Box  office  sheets,  July  21,  1806,  July  16  to  20,  18 11.     6. 

4199  July  22,  24,  and  25,  i8ri.    3. 

4200  July  21  to  31,  1824.      10. 

4201  August  2  to  7,  1824.     6. 

4202  August  10  to  16  and  November  2,  1824.     6. 

4203  August  27  to  30,  1827.     4. 

4204  jii'ie  15  to  20,  1829.     6. 

4205  June  and  July,  1829,  various.     6. 

4206  July  14  to  18,  1829.     5. 

4207     — • .Uily  ^I'ltl  August,  1829,  various.     6. 

4208 August  14  to  20,  1829.     C. 

4209     August  21  to  27,  1829.     6. 

4210 August  and  September,  1829,  various.     5. 

4211 September,  1829,  and  August,  1832,  various.     9. 

4212  Haywood,  Mrs.,  and  Tokklv.   1)Ox  office  sheet,  benefit  of,  September  1. 

1815. 

4213  Herauo,    John    A.     Autograph  letter,  January   5,    1855,    4    pp.,    8vo. 

Herve,  Charles  S.     Autograph  letters,  2.     3. 

17 


4214  Heron,   Matilda.     3   pp.   of  a  letter  in  her  hand,   and  portrait  with 

inlaid  signature.    2. 

4215  Mii.i.i).  \\  -M.     Autograph  letters.     2. 

4216  Hoffmann,  Francois  Benoit.     Autograph  letters.      2. 

4217  — • Autograph   letter,   March   11,    1828,  to    Henri   Berton  and  with 

Barton's  answer. 

4218  HiJLLANi),  Lord  Vassall.     Autograph   letter,  April  i,  1817,  2  pp.,  4to. 
4219 Autograph  letter.  May  19,  181 7,  2  pp.,  4to. 

4220 Autograph  letter,  May,  181 7,  2  pp.,  4to. 

4221 Autograph    letters,    May,    1817,  3    pp.,    8vo,    and    April,    1817. 

4  pp.,  8vo.     2. 

4222     Autograph  letter,  June  30,  1817,  3  pp.,  8vo. 

4223  Hoon,   Tom..     Autograph    letter,  8vo,  to    F.   W.   Fairholt,   with  the    9 

original  drawings  by  Fairholt  to  Hood's  "  Death's  Ramble."     10. 

4224  HoKN,  Charles  Edward.     Autograph  letter,  3  pp.,  4to. 

4225  Howard,  Charles.     Autograph  letter,  November  4,    1837,  8  pp.,  4to. 

Long  and  interesting  account  of  Western  theatrical  matters. 

4226     Autograph  letter,  September  9,  1837,  4  pp.,  4to. 

4227  Howe,  J.  Kurdette.     Autograph  note  signed,  4to. 

4228  Howe,   Julia  Ward.     Agreement  March   7,    1857,   between    her  and 

Wm.    Stuart  to  sell   her  play  "  The   World's  Own,"  signed  by  Julia 
Ward  Howe,  Samuel  G.  Howe,  and  Wm.  Stuart. 

4229  HuGUET,    L.      Autograph    letter,    June    19,    1830,    with    lithograph    of 

Huguet's  Manege  des  Elephanten. 

4230  Hull,  Anna  Maria.     Autograph  letters,    1786,  etc.,  full  of   theatrical 

gossip,  etc.     5. 

4231  HuKLnuRT,  W.M.  Henry.     Autograph  letters,  1869,  etc.     9. 

4232  Inchbald,  Mrs.    Original  MSS.  (54  pp.,  folio  of  her  Lecture  111.)  on 

Shakespeare  and  Milton. 

4233  Jameson,  Joh.     Autograph  letter,  February,  1864,  3  pp.,  8vo  ;  Jevons, 

W.  S.,  April,  1873,  8vo.     2. 

4234  Jones,  Mei.inda  Topping    (Countess  Johannes).     Autograph  letter, 

February  i,  i860,  4  pp.,  8vo. 

4235  Jones,  Richard.    Box  office  sheets,  benefits  of,  1809  to  1820.     5. 

18 


4236  Kean,  Charles.     An  interesting  8vo  letter  from  the  Rev.  F.  Hopkinson 

to  Charles  Kean,  dated  from  Malvern  Wells,  June  25,  1863,  giving 
a  graphic  account  of  the  collapse  of  Edmund  Kean,  just  thirty  years 
previously,  whose  last  words  were,  "  Othello's  occupation  gone." 
Autograph  letter,  3  pp.,  410,  from  a  friend  in  Limerick  to  Charles 
Kean,  July,  1836,  chiefly  on  personal  matters.     2. 

4237     Autograph  note  signed,  Astor  House,  Thursday. 

4238     Storage,  A.;   Peake,  Richard,  Jr.     3  passes  signed. 

4239  Kean,  Mrs.  Charles;   Ella  Tree.     Autograph  letter,  4  pp. 

4240  Kean,    Edmund.      Autograph  letter,    February    23,    1S27,  2    pp.    from 

F.  Laporte,  Dublin,  to  Edmund  Kean  (with  reply),  mentioning  his 
benefit,  and  asking  Mr.  Kean,  as  a  great  favor,  to  act  for  him.  Auto- 
graph letter,  April  7,  1828,  3  pp.,  4to,  from  S.  W.  Eutler,  Theatre, 
Sheffield,  to  Edmund  Kean,  complaining  of  loss  sustained  by  the  non- 
fulfilment  of  Kean's  engagement,  "to  be  brief,  I  have  lost  ^300," 
asks  for  a  loan  of  ;!^ioo.      2. 

4241     Autograph    letter,    r   p.,  4to,   to   D.   K.  Morris,   May   10,   1830  : 

"  To-morrow  I  give  away  my  annual  Wherry     .     .  happy  to  see 

you  between  the  Heats  to  a  good  dinner  and  a  hearty  welcome,  we 
dine  at  the  Red  House,  Battersea,"  with  Mr.  Morris's  reply  on  the 
same  sheet  ;  quotations  from  Shakespeare  in  the  hand  of  Edmund 
Kean,  on  2  4to  pages.     2. 

4242 Autograph  letter,   London,   March  29,  1828,   3  pp.,  4to,  to   Mr. 

Corkindalc  of  Rothesay,  speaks  about  his  not  being  able  to  see  Bute. 
till  after  his  return  from  France  ;  comi)lains  of  havnig  had  to  pay  the 
same  taxes  3  times,  and  says  "  I  must  think  with  Shakespeare,  there 
is  something  rotten  in  the  state  of  Denmark."  Asks  Mr.  Corkindalc 
to  take  complete  authority  of  the  property  (Woodend  House).  "  I 
am  longing  like  a  child,  to  see  the  dear  place  once  more." 

4243     Autograph    letter,     14    pp.,    4to,    headed:     "Vie    miscro    mihi, 

quanta  spe  decide,"  to  the  Rev.  Dr.  Drury,  commencing  :  '*  Never, 
Dear  Sir,  has  man  suffered  so  many  mortifications  in  the  short  space 
of  three  weeks."  Is  offered  a  situation  by  .Mr.  Flliston  for  his  new 
Theatre  in  VVych  Street  as  Acting  Manager,  at  a  salary  of  ^'3  per 
week.  The  letter,  which  is  a  most  interesting  one,  deals  largely  with 
the  negotiations  l'",iliston  made  with  Kean,  and  the  great  disappoint- 
ment of  the  latter  in  having  lost  the  chance  of  appearing  at  Drury 
Lane.  "  I  have  now  Sir  (he  concludes)  given  a  candid,  and  strictly 
true  account  of  the  transaction,  trusting  the  whole  matter  to  your  con- 
sideration, and  friendly  interference."     .     . 

19 


4244  Kean,  Edmund.      Autograph  letter,   June   12,    1826,  3  pp.,  4to,  from 

Wm.  Clarke  to  Edmund  Kean  in  regard  to  repayments  of  money, 
Deed  of  Woodend  House.  Mr.  Kean  remits  bills  for  ;^'2, 250.  Messrs. 
Coutts  have  purchased  ;!{^i,ooo  reduced  3  per  cents.  "You  will  see 
by  the  papers  that  Mr.  l':iliston  has  given  up  Drury  Lane  Theatre," 
etc.  Another,  January  24,  1827,  2  pp.,  4to,  to  E.  Kean,  congratu- 
lating him  on  his  cordial  reception,  and  referring  to  monetary  trans- 
actions.    2. 

4245     Autograph  letter,  2  pp.,  4to,   from  J.    Powell  to  Edmund   Kean, 

in  regard  to  various  alterations  in  the  play  of  Hamlet.  Autograph 
letters,  2  pp.,  4to,  from  J.  G.  Raymond,  T.  R.,  D.  L.,  asking  Kean's 
advice  about  Munden's  playing  the  character  of  Jack  Cade.  Another, 
from  Raymond,  i  p.,  4to,  speaking  of  the  same  matter.     3. 

4246     Autograph  letter,  June  24,  8vo. 

4247  Keelev,  M.  a.     Autograph  letter,  2  pp. 

4248     Autograph  letter,  April  i,  3  pp. 

4249  Keith,  Charles.     Autograph  letter,  November  27,  1874,  4  pp.     Kent, 

Charles,  1878.     Kingford,  Ninon,  1876.     3. 

4250  Kelk,  John.     Autograph  letter,  April  29,  1875,  3  pp. 

4251  Kelly,  Frances  Maria.     Autograph  letter,  3  pp.,  to  J.  P.  Collier. 

4252     Autograph  letter,  4  pp. 

4253  Kemble,  Charles.     Autograph  letter,  January  26,  1821,  4to. 

4254     Autograph  letter,  July  i,  1823,  with  enclosure.     2. 

4255     ^Vill  of,  August  13,  1845,  signed  C.  Kemble. 

4256     Copy  of  valuation  of  effects  and  other  schedules.     6. 

4257  Kemble,    Mrs.  Charles  ;  Maria  Theresa  De  Camp.     Autograph  let- 

ter, August,  1826,  3  pp.,  8vo. 

4258  Kemble,  Fanny.     Autograph  letter,  4to,  and  play-bill  Covent  Garden, 

March  25,  1830.     2. 

4259  Kemble,  J.  P.     Autograph  letter,  August  28,  1822,  to  Alex.    Murray, 

3  PPm  4to. 

4260     Autograph   letter,  January   27,  1823,  to  Alex.  Murray,  congrat- 
ulating him  on  his  marriage,  2  pp.,  4to. 

4261     Account    of    Covent    Garden     Theatre,   June,    1817,    with    the 

Enderbys,  for  oil,  four  seasons,  ^6,777,  signed  by  Kemble  and  the 
other  proprietors. 

20 


4262  Kemble,  J.  p.     Cheques,  signed  181S,  July  15,  etc.     3. 

4263  Do.  do.     1 81 8.     3. 

4264  Do.  do.      18 1 8  and  1820.     3. 

4265  Declaration  of  trust  to,  concerning  ^10,200,  April  23,  1822. 

4266  Stock  receipt  for  ^^2,000,  bought  for. 

4267     Autograph    letter,    February    25,    1823,    from   J.   Cheesbrough, 

English  chaplain  at  Lausanne,  to  Alex.  Murray  :  ''  It  is  with  deep 
regret  that  I  announce  .  .  .  the  decease  of  Mr.  Kemble  .  .  . 
at  I/4  p.  9  o'clock  this  morning,"  etc.,  3  pp.,  4to. 

4268     Account  of   expenses  for  physicians,  surgeons,  apothecary,  etc., 

at  his  death,  signed  by  P(riscilla)  Kemble.     2. 

4269     Messrs.  Dyke   and  Stokes's  charges  for  the  probate  of  his  will, 

^199  i2s.  lod.,  and  their  receipt.     2. 

4270     Receipt    for  ;^ioo   legacy   from   him  to   Mrs.    Frances  Twiss, 

signed  by  Horace  Twiss,  and  extract  from  w'ill.     2. 

4271     Notification    by  stamp    office   to    Mrs.    Kemble    of   arrears  of 

legacy  duties  on  her  husband's  will. 

4272     Stamp  office  receipt  and  discharge  for  annuity  to  Jane  Mason, 

his  sister. 

4273     Stamp  office  receipt  and  discharge  for   annuity  to  Ann  Hatton, 

his  sister. 

4274     Account  of  the  personal  estate  in  England  of. 

4275     Evans's    account   of   sale    of    his    books    and    prints.      ^"2,575 

IS.  od. 

4276     Account  of  C.  G.  Theatre  with  executors  of  his  estate.     Seasons 

1822-24. 

4277     Coutts  &  Co.,  bankers.     Various  letters  and  documents  bearing 

on  Kemble's  estate  and   Mrs.  Kemble's  investments,  etc.      10. 

4278     Autograph  letters  from  John  Brandon,  of  C.  G.  Theatre,  refer- 
ring to  Kemble's  accounts.    5. 

4279     Draft    account  of   his   estate,  with  Mrs.   Kemble,  in  duplicate. 

One  sigi^ed  Priscilla  Kemble.     2. 

4280     List  of  deeds  belonging  to  Mrs.  Kemble. 


4281  Kemble,  Mrs.  John  Philip  (Priscilla  Hopkins,  Mrs.  Brereton).     Auto- 

graph letter,  May  6,  1823,  to  Alex.  Murray,  2  pp.,  4to. 

4282     Autograph  letter.  May  27,  1823,  to  Alex.  Murray,  2  pjx,  4t(). 

4283     Autograph    letter,    June   iS,    1823,  to  Alex.   Murray.       Inquiry 

as  to  her  husband's  estate,  etc.     Statement  of  her  income.     Receipt 
for  annuity  payment,  ;^473  2.$-.  dd.,  etc. 

4284 Autograph  letter,   January,  1825,  to  Alex.  Murray.     Speaks  of 

protection  of  her  husband's  tomb,  etc.,  3  pp.,  4to. 

4285 Her  will,  alteration  in  codicil,  2  pp.,  4to,  July  25,  1824.  Fur- 
ther codicil,  October  16,  1826,  etc.     5. 

4286     Autograph  letter,  February  i,  1826,  to  Alex.  Murray,  3  pp.,  4to. 

4287  Autograph  letter,  February  6,  1826,  to  Alex.  Murray,  com- 
plains of  Charles  Kemble's  extreme  want  of  common  good  manners 
and  ill-treatment,  3  pp.,  4to. 

4288  Kemble,  Roger.     Attested  copy  of  will.     Kemble,  Sarah.     Copy  of 

will.     2. 

4289  Klmball,  Moses.     Autograph  letter,  March  14,  1845,  4to. 

4290     Autograph  letter,  March  i,  1S53,  3  pp.,  8vo. 

4291  Knight,  Mary  Ann.     Autograph  letters.  May  18,  1858,  etc.     10. 

4292  Labouchere,  Henry.      Autograph  letter.  May  16.      Long  and  inter- 

esting letter  to  Wm.  Stuart,  8  pp.,  8vo. 

4293  Lacy,  Rophino.     Autograph  letter,  December  6,  1830,  3  pp.,  4to. 
4294 Autograph  letter,  January  23,  1831,  3  pj). ,  4to. 

4295     Autograph  letter,  2  pp.,  8vo. 

4296  Lambert,  Charles.     Autograph  letters,  June  18,  1853,  etc.     3. 

4297  Land,  Belle.     Autograph  letters,  2  pp.,  4to,  and  4  pp.,  8vo.     2. 

4298  Lanergan,  J.  W.     Autograph  letter.  May  11,  1875,  ^^^• 

4299  Lang,  Andrew.     Autograph  note  signed,  8vo. 

4300  Lardner,    Dionysius.      Autograph   letter,   Cincinnati,   July   20,   1843, 

4to. 

4301  Lavenu,  L. ;   Lee,    A.;  Lee,    Nelson;    Lee,    Henry.     Autograph  let- 

ters.    9. 

4302  Laya,  J.  L.     Autograph  letter,  November  28,  1817,  to  Didot,  8vo. 

4303  Lee,  Alexander.     Autograph  letter,  2  pp.,  8vo. 

4304  Lee,  Henry.     Autograph  letter,  January  20,  t8oo,  3  pp.,  4to. 


4.305  Lek,  Mrs.  M.  A.  Autograpli  letters,  1818,  etc.,  3  pp.,  410,  each,  to  her 
husband.     3. 

4306  Le  Fanu,  J-  S.     Autograph  letter,  August  16,  1869,  4  pp.,  Svo. 

4307  Le  Kain.     Autograph  letter,  Paris,  June  9,  1778,  8vo. 

4308  Lemercier,  N.  L.     Autograph  letters,  January  20,  1820,  etc.     2. 

4309  Leonard,  I).     Autograph  letter,  August  13,  1846,  4  pp.,  Svo. 

4310  Leonard.  S.  W.     Autograph  letter,  January  18,  1839,  to  Harley,  3  pp., 

4to. 

431 1  Lerigo,  Charles;   Liddell,  Edward  T.;   Liederdorf,  M.  Y.     Auto- 

graph letters.     3. 

4312  Lever,  Charles.      Autograph  letter,  March  5,  1846,  to  Ed.  Chapman, 

in  regard  to  his  publications,  Phiz's  drawings,  etc.,  4to. 

4313     Autograph  letter,  March  it,  1S46,  to  Ed.  Cliapman. 

4314 Autograph  letter.  May  4,  1846,  to  Ed.  Chapman,  4to. 

4315     Autograph  letter.  May  9,  1846,  to  Chapman  &  Hall,  410. 

4316     Autograph  letter,  July  20,  1846,  to  Chapman  &  Hall. 

4317  Autograph  letter,  November  17,  184.7,  4  PP-,  Svo.  Long  and  in- 
teresting letter  about  financial  difficulties,  his  publications,  politics, 
etc. 

4318 Autograph    letter,   November   24,   1847,   4to,  to  Ed.  Chapman. 

Speaks  of  his  difficulties  with  the  Curry's,  etc. 

4319    Autograph  letter,  3  pp.,  8vo. 

4320  Levy,  Jonas  (Collector).     Autograph  letters,  1855,  etc.     6. 

4321  Lewis,  William  'I'homas.     Covent  Garden  accounts,  signed  {2)  by.     6. 

4322  LiND,  Jenny.     Portrait,  autograph,  and  letter  from  secretary.     3. 

4323  LiNDLEY,  Robert.     .Autograph  letters,  August  4,  1832,  etc.,  2  pp.,  4to, 

and  I  p.,  4to.     2. 

4324  LiNLEY,  VVm.     Autograph  letter,  March  9,  1823,  4to. 

4325     Autograph  letter.  May  17,  1824,  3  pp.,  4to. 

4326 Autograph  letter,  March  14,  Svo. 

4327  Linton,  E.  Lynn.     Autograph  letters,  November  24,  1868.  and  June  2S, 

1869.     2. 

4328     Autograph  letters,  1869,  1874,  and  iSgo.     3. 

4329  LiSToN,  John.     Box  office  sheet,  benefit  of,   .\ugust  25,  1S19. 

23 


4330  Litchfield,  John.     Autograph  letter,  October  i8,  1805,  to  Tom  Hill, 

4to. 

4331     Autograph  letter,  October  19,  1S05,  3  pp.,  4to,  to  Tom  Hill. 

4332     Autograph  letter,  October  21,  1805,  to  Tom  Hill,  4to. 

4333     Autograph    letter,    October    22,    1805,    2   ])p.,    4to,    to    Edward 

Dubois. 

4334  LoDER,    I.    D.      Autograph    letters.    May   3,    1826,   to   Harley   and    2 

others.     3. 

4335  LoMAS,  Wm,     Autograph  letters,  1864,  etc.     3. 

4336  LoNSADA,  F.     Autograph  letters,  1863,  etc.     6. 

4337  LoTT,  Emeline,     Autograph  letter,  July  30,   1868,  to  Edmund  Yates, 

2  pp.,  8vo. 

4338  Love,  Miss.     Autograph  letter,  third  person,  8vo. 

4339  Lover,  Samuel.     Autograph  letter,  8vo. 

4340  Lowe,  James.     Autograph  letters,  September  3  and  December  17,  1855. 

2. 

4341 Autograph  letters,  June  22,  1856,  and  May  13,  1886.     2. 

4342  Luce  de  Lancival  (J.  C.  Julien).     Autograph  letter,  le  3  Frimaire,  An 

2,  4to. 

4343  I-UDLow  AND  Smith.     Autograph  letter,  St.  Louis,  June  4,  1845,  3  pp., 

4to.     J.  M.  Weston,  autograph  letter  on  same  sheet. 

4344     Autograph  letter,  April  5,  1847,  3  pp.,  4to. 

4345  Lunn,  J.     Autograph  letters,  October  24,  1856,  etc.     3. 

4346  Lyons,  Louisa.     Autograph  letter,  4to,  to  Oxberry. 

4347  McCarthy,  Austin.     Autograph  letters,  January  4,  1872,  etc.     2. 

4348  Macfarren,  Geo.  Alex.     Autograph  letter,  March  i,  1841,  2  pp.,  4to. 

4349     Autograph  letter,  July  26,  3  pp.,  8vo. 

4350  Mackay,  Charles.     Original  MS.  of  The  Vision  of  Michael  Scott,  an 

ode  written  for  the  Scott  Centenary,  Edinburgh,  August,  1871,  6  pp., 
4to. 

4351  Mackenzie,  R.  Shelton.      Autograph  letter,  September  6,  1856,  2  pp., 

8vo. 

4352  MacGregor,  J.;   McLvn,  R.  R.;  McMurray,  Robt.,  etc.     Autograph 

letters.     5. 

4353  Mackknna,  Mrs.  W.  H.     Autograph  letters,  4  pp.  each.     2. 

24 


4354  McLean,  Jessie.     Autograph  letter,  January  15,  i860,  4  pp.,  Svo. 

4355  Macready,  W.  C.      Autograph  letter,  June  12,   1841,  4  pp.     Interest- 

ing letter  to  Chippendale  speaking  of  his  desire  to  engage  him. 

4356     Autograph  letter,  Boston,  October  31,  1848,  to  Chippendale,  dis- 
cussing terms,  etc.,  3  pp. 

4357  Maddock,  Mrs.      Seven  letters,  1863,  etc.,  endorsed  by  Chippendale, 

"  Poor  Mrs.  Maddocks." 

4358  Maeder,  James  G.      Autograph  letter.  New  York,  May  3,  1853,  4  pp., 

4to.  Full  of  interesting  local  theatrical  chit-chat,  etc.,  to  Chippen- 
dale. 

4359  Malibran-Garcia,  Maria   Felicita.     Autograph   document   signed, 

January  13,  1831. 

4360  Mansp'ield,    Earl    of.      Autograph    letter,    March    9,    1825,    4to,    to 

Alex.  Murray. 

4361  Murray,  Mrs.     Box  office  sheet,  benefit  of,  August  29,  1820. 

4362  Markwell,  W.  R.     Autograph  letters,  December  i,  1864,  etc.     7. 

4363  Marston,    Henry.      Autograph    letters,    2.     Marston,    Georgina. 

Autograph  letter.     3. 

4364  Massett,  Stephen  C.     Autograph  letter,  June  13,  1854,  2  pp.,  8vo. 

4365  Massingham.     Box  office  sheets,  benefits  of,  October  II    and   14,  1826, 

and  October  11,  1827.     3. 

4366  Mathews,  Anne.     Autograph  letters,  1812,  etc.,  to  Edward  Dubois.   i6. 

4367  Mathews,  Charles.     Letter,  February   12,   1835,  4  pp.,  folio.     Long 

list  of  grievances  against  Mr.  Barry  of  the  Tremont  Theatre,  whom 
he  accuses  of  ''  falsehoods  for  the  purpose  of  traducing  my  character 
as  a  man  of  honor  and  veracity,  making  it  necessary  for  me  to  leave 
this  refutation  with  some  of  my  friends  previously  to  my  departure 
for  Europe." 

4368     pLANCiiit,  G.  R.;  SiDDONS,  H.     Passes  signed.     3. 

^269     Box  office  sheet,  benefit  of,  August  9,  1S08. 

/^yjO     Box  office  sheet,  benefit  of,  September  6,  1815. 

4371  Mathews,  Charles  James.     Autograph  letters,  1853  and    1854.     Im- 

portant and  affectionate  letters  to  Lizzie  Weston,  whom  he  addresses 
as  "  my  own  beloved  dearest  wife,"  etc.     i  to  3  pp.  each.     6. 

4372     Autograph  letter,  November  29,  i860,  Svo. 

4373     Autograph  letter,  December  2,  1S60,  Svo. 

25 


4374  Mathews,  Charles  James.     Autograph  letter,  March  2.  1864,  Svo. 

4375  Autograph  note  signed,  February  24,  Svo. 

4376  Mathews,  Cornelius.     Autograpli  letter,  April  16,  1856,  4  pp.,  Svo. 

4377  Mavwood,  Mary  Elizarkth.     Autograph  letter,  June  10,  1S43,  4to. 
4378 Autograph  letter,  July  27,  1843,  4to. 

4379  Mellon,  Henry.     Autograph  letters,  February  6,  1859,  etc.,  2  pp.,  Svo, 

each.     2. 

4380  Melrose.     Bo.\  office  sheets,  benefits  of,  October   7,  1824,  and   October 

5,  1826.     2. 

4381  Merimee,   Prosper.     Original   MS.   of    Mateo   Falcone,    16  pp.,  folio. 

From  the  collection  of  the  Marquis  de  Queux  de  St.  Hilaire,  with  his 
book-plate.     Bound  in  half  crushed  levant  morocco,  folio. 

4382  Mery,  Joseph.     Autograph  letter,  3  pp.,  Svo. 

4383  Mezeray,  Mlle.     Artiste  de  la  Comedie  Francraise.    Love  letter.    From 

Edmond  de  Goncourt's  collection,  and  with  his  autograph  and  notes. 
Published  in  "la  Maison  d'un  Artiste."     Bound  in  cloth,  i2mo. 

4384  Mill,  John  Stuart.     Autograph  letter,  Svo. 

4385  Mitford,   Miss.       Rienzi,    with    Interlineations   by    Macready.       Both 

the  original  MSS.  copy,  iii  pp.,  4to,  and  the  printed  play.  Mr. 
Ferdinand  Dreer,  the  eminent  autograph  collector,  verified  each  line, 
and  states  that  all  the  corrections  and  changes  are  by  the  great 
Macready.  Also  has  Lawrence  Barrett's  autograph  .on  the  wrapper, 
and  account  of  its  purchase  by  R.  C.  Hartranft. 

4386  Mitchell's  Olympic  Theatre.     The  engagement  book  from  June  2, 

1842,  to  September  6,  1843,  signed  by  the  actors  Charles  M.  Walcot, 
James  C.  Dunn,  Mary  Taylor,  \Vm.  Wood,  John  Nickinson,  Benj.  A. 
..    Baker,  and  many  others,  who  have  all  also  signed  receipts  for  salaries, 
4to. 

4387  MoNCREiFF,  W.  T.     Autograph   letter,  September  7,  1S26,  to  Winston, 

2  pp.,  Svo. 

4388     Autograph  letter,  October  21,  1843,  etc.     2. 

4389  MoRAN,  Pjenjamin.     Autograph  letter,  February  3,  1S57,  4  pp.,  Svo. 

4390     Autograph  letter,  May  28,  1859,  2  pp.,  Svo. 

4391     Autograph  letter,  March  31,  1873,  3  pp.,  Svo. 

4392  Mori,   Augusta.     Autograph  letters,  April    14,  1S21,  etc.,  2  pp..  410, 

each.     2. 

26 


I 


4393  Morris,  Edwards.     Autograph  letter  to  Mrs.  Inchbald,  8vo. 

4394  Morton,  George.     Autograph  letter,  May  17,  1875,  2  pp.,  4to.     Protests 

against  newspaper  statement  that  he  was  "  notable  for  a  bad  imitation 
of  Edwin  Booth." 

4395  Morton,  John  M.     Autograph  letter,  November  18,  1864,  etc.     2. 

4396  Mowatt-Ritchie,  Anna  Cora.     Autograph  letter,  January  24,  1866. 

3  PP-.  8vo. 

4397     Autograph  letter,  5  pp.,  8vo.     Interesting  letter  to  Chippendale, 

in  which  she  speaks  of  the  losses  caused  by  the  Civil  War,  asks  his 
advice  about  appearing  in  London,  etc. 

4398  Mow  AIT,  James.     Autograph  letter,  October  24,  1846,  2  i^p.,  4to. 

4399     Autograph  letter,  August  24,  1849,  3  pp.,  8vo. 

4400     Autograph  letter.   September   20,  1849,  6  pp.,  4to,  to  Chippen- 
dale, with  draft  of  Chippendale's  reply.      2. 

4401  MuNYARD,  I.  H.     Autograph  letter,  8vo,  to  J.  P.  Harley. 

4402  Murdoch,  James  E.     Autograph  letter,  February  11,  1887.  2  pp.,  Svo. 

4403  Murray,  Alexander.     Autograph  draft  of  letter,  March  30,    18 19,   to 

J.  P.  Kemble,  5  pp.,  4to. 

4404  Murray,  Edward.     Autograph  letter,  2  pp.,  Svo. 

4405  Murray,  Leigh.     Autograph  letter,  May  24,  1865,  3  pj).,  8vo. 

4406  Murray,  W.  H.     Autograph  letter,  August,  12,  1845,  etc.     3. 

4407  Myers,  Samuel  S.     Autograph  letter,  Richmond,  April    19,  1850,  2  pp., 

4to,  to  Seften  and  Chippendale  about  theatrical  matters,  with  draft 
of  Chippendale's  reply  on  same  sheet.  Very  interesting.  (See  lots 
4541  and  4542.) 

4408  Negri,  L.     Autograph  letter,  April  i,  1846,  2  pp.,  8vo. 

4409  Neilson,    Adelaide.     Album    of    autographs,    tributes,    verses    from 

admirers,  etc.,  gathered  by.  (147.)  The  collection  contains  autograph 
letters  of  Howard  Paul,  Benjamin  Webster,  Lord  EUenborough  (5). 
Forbes-Robertson  (2),  Mrs.  Forbes-Robertson,  William  Black  (2).  Tom 
Taylor  (2),  Dr.  John  Doran,  T.  B.  Aldrich,  Sir  Arthur  Sullivan.  Fanny 
Kemble  (3),  Macready.  Sothern,  Fanny  Stirling  (2),  Hp.  Wilber- 
force,  Mrs.  Charles  Kean,  Genevieve  Ward,  We.stland  Marston  (3) 
and  several  pages  of  verse,  etc.,  besides  signatures  of  C.  Kemble, 
Macready,  Charles  Kean,  Mrs.  Charles  Kean,  C.  M.  ^'<)ung  (2),  j.  R. 
Anderson,  etc.  There  are  also  3  copies  of  Miss  Neilson's  lirst  benefit 
at  Drury  Lane,  besides  other  programmes,  and  many  annotations  in 
her  hand. 

27 


4410  Xeilson,  Miss.     Autograph  letter,  November  6,  1891,  signed  N.  H.     A 

biographical  account  of  Miss  Neilson.  4  pp.,  8vo. 

4411  Nkithardt,  Henry  August.      Autograph  letter,  November  2,   1850, 

3  PP-,  ^vo. 

4412  Neville,   Henry   G.;   Nicholson,  Wm.     Autograph  letters,  i  p.,  8vo, 

each.     2. 

4413  Niblo,  William.     Autograph  letter,  October  4,  1847,  4to.      Interesting 

letter  to  Chippendale,  requesting  him  to  testify  in  his  suit  against 
insurance  company,  who  have  refused  to  pay  losses. 

4414     Autograph  letter,   April  3,    1849,   2  pp.,  4to.      "I   have   partly 

closed  a  bargain  for  the  old  grounds,  '  Niblo's  Garden,'  ...  I 
offered  to  share  with  Macready  after  $150,  etc."     Very  interesting. 

4415     Autograph    letter,    January   24,    1850,    4to.      To    Chippendale. 

Refers  to  Ravel  Troupe,  and  his  difficulty  in  making  a  bargain  with 
them  ;  Placide  ;  desire  to  secure  Brougham,  etc. 

4416  Autograph  letter,  February  i,  1850,  2  pp.,  4to.  To  Chippen- 
dale. Has  seen  the  Ravels.  "  They  will  not  share  after  a  red  cent, 
and  I  will  not  share  even,  thafs  settled"  etc.  Long  and  interesting, 
regarding  theatrical  affairs,  his  intentions  as  to  the  "  Garden,"  etc. 

4417     AutograjA  letter,    February  25,    1850,  4to.      Speaks  of  having 

settled  engagement  of  Ravels,  Brougham,  etc  ;  desire  to  close  with 
Mary  Taylor  ;  death  of  "poor  Col.  Myers,"  etc. 

4418     Autograph  letter,  March  19,  1850,  2  j^p.,  4to.     "Burton   is  very 

savage  and  discharged  I.ynne  and  Leach  as  soon  as  he  found  they 
were  coming  to  us  ;  "  about  Garden  affairs,  etc. 

4419     Autograph    letter,   April    17,   1850,  410.      Preparations    for   the 

season.  "  The  first  blow  is  half  the  battle  ;  good  people,  good 
arrangements,  good  pieces,  and  novelty  must  be  the  order;"  "the 
Havana  Troup  of  Opera  Folk  are  with  us,"  etc. 

4420     Autograph    letter,   February  25,  4to.      Interesting   letter  about 

opening,  engagement  of  stars,  etc. 

4421  NiccoLiNi,    Giovanni    Battista.      Autograph    letter,    September    16, 

^^IZ',  2  pp.,  4to,  in  Italian. 

4422  NiCHOLLs,  Henry.     Autograph  letters,  1856,  etc.     9. 

4423  Ofi'enbach,  Jacques.     Autograph  letter,  2  pp.,  8vo. 

4424  Owens,  John  E.      Autograph   letter,   Baltimore,   May  27,   1846,  2  pp., 

4to,  to  Chippendale,  with  interesting  theatrical  data. 

4425  OxENFORD,  John.     Autograph  letter,  8vo. 

28 


4426  OxLEV,   JoHX   H.     Autograph   letter,   July  i6,    i860,   3  pp.,  8vo.      Tlic 

Oxley  letters  all  relate  largely  to  the  American  Dramatic  Fund,  but 
contain  much  interesting  local  historv. 

4427     Autograph  letter,  August  16,  i860,  2  pp.,  4to. 

4428     Autograph  letter,  October  24,  1864,  3  pp.,  8vo.     "  Old  Bowery" 

again  changed  hands ;  this  time  circus,"  and  other  interesting  items. 

4429  Autograph  letters,  January  7,  i86i,and  February  3,  1863.     2. 

4430  Autograph  letters,  April  4  and  May  19,  1863.     2. 

4431  Autograph  letters,  August  5  and  November  9,  1863.     2. 

4432  Autograph  letters,  February  15  and  May  5,  1864.     2. 

4433     Autograph  letters,  May  10,   1864,  and  August  10,  1866.      2. 

4434 Autograph  letters,  November  8,  1866,  February  7,  1867.     2. 

4435  Falser,  Henry.     Autograph    letter,  January  25,   1837,   8  pp.,  4to.     A 

long  and  interesting  letter  to  Chippendale  from  his  cousin. 

4436  Parry,  John.     Autograph  letters,  November  5,  1849,  etc.     2. 

4437  Faton,  Miss.     Box  office  sheet,  benefit  of,  June  22,  1822. 

4438  Paul  IH.  (Pope).     Bull  of   Excommunication,  dated   June  7,  1537,  on 

vellum,  folio. 

4439  Paul,  W.  Howard.     Autograph  letter,  November  23,  1855,  2  pp. 

4440     .Vutograph  letter,  March  29,  8vo. 

4441  Payn,  James.     Autograph   letter,  July  24. 

4442     Autograph  letter,  8vo. 

4443     Autograph  letter,  8vo. 

4444  Payne,   John    Howard.      Autograph   letter,   U.  S.    Consulate,  Tuni.s, 

September  3,  1843,  4to,  to  State  Department.  "  The  honor  of  this 
wretched  place  is  a  most  ruinous  one,  for  it  is  overwiielmingly  ex- 
pensive ...  if  my  accounts  are  not  fully  admitted  I  shall  be  in 
a  very  sad  position.  I  have  been  very  ill,"  etc.  A  most  interesting 
and  important  letter. 

4445     Theatrical  pass,  signed. 

4446  Peake,  Richard.      1  )()(umcnt  signed,  September  15,  1S07. 

4447  Peale,  I'vDMUND.      Autograph  letter,   Baltimore,  January  30.  1845,  4I0, 

speaks  of  his  company,  i)lans,  terms,  etc.  "  Burton  is  doing  miser- 
ably— he  is  a  bitter  opponent." 

29 


I 


4448  Pk.mbroke,  Wm.  HERBEkr,  Earl  of  (Poet).     Signature  on  bill,  April, 
•    1626,  of  Sir  Lewis  Lewkoner,  signed  also  by  Edward,  Lord  Conway, 

folio. 

4449  I'liKi.ps,  Samukl.     Autograpii  letter,  8vo. 

4450  I'liii.i.ii's,  L.  A.  (Actress).     Autograph  letter,  8vo. 

4451  i'l  I  r,  Im.len   (Mrs.  Charles  Pitt).     Autograph  letter,  January  30,  1864, 

3  PP-,  Svo. 

4452  l^LACiDE,  Henry.     .Autograph  letter,  .\ugust   19,   1849,  410.      Interest- 

ing letter  regarding  terms  for  his  appearance  at  Niblo's.  "  For  three 
weeks  I  must  have  $5oYer  night  and  clear  half  benefit  ;  shaving  off 
the  beard  is  worth  half  the  money." 

4453  Autograph  letter,  September  28,  1849,  2  pp.,  Svo.  "  With  re- 
gard to  your  Irishman,  don't  you  think  they  are  getting  too  thick." 
"  Buffalo  is  very  far  off,  and  I  must  he.  paid  to  go  far  off."  "  1  must 
inform  you  that  I  am  about  to  cut  my  Indian  corn  to-day — 10  bushels 
at  least." 

4454     Autograph  letter,  December  5,  1849,  410. 

4455     Autograph  letter,   February  22,  1850,  3  pp.,   4to.     "  W'e  had   a 

.^l)lendid  affair  last  night  the  Hungarian  ball  .  .  .  Jenny  Lind 
comingout,"    .     .     .     etc.;  also,  on  same  sheet,  letter  from  Wm.  Niblo. 

4456  Autograph  letter,  March  2,  1850,  4to.  Interesting  letter  re- 
garding terms,  benefits,  etc. 

4457  PI'Acide,  Thomas.     Autograph  letter,  New  Orleans,   January  2,  1851, 

3  pp.,  4to.  Long  and  confidential  letter  to  Chippendale  about  local 
theatrical  matters,  etc. 

4458  Autograph  letter,  January  3,  185 1,  4I0.  Regarding  his  en- 
gagement with  the  Monplaisirs,  stolen  trunks,  etc.     (See  lot  4621.) 

4459     Autograph   letter,  November  17,    1851,  4to.     Interesting   letter 

about  railroad  disaster,  etc. 

4460     ■  Autograph    letter,  April   9,   1852,  4to.      "Take  care  of  No.    i 

better,  and  don't  let  managers  get  the  better  of  your  good  feelings." 

4461     Autograph   letter,    November    18,    1852,    4to.      Offer  to   secure 

Mrs.  Conover  for  New  Orleans. 

4462  Autograph  letter,  December  26,  1852,  2  pp.,  4to.  "  Our  busi- 
ness is  bad,  very  bad,  but  not  so  bad,  as  the  source  from  whence 
you  derived  your  information,  could  desire  ...  so  much  for  en- 
vious and  malicious  meddlers  and  liars."     Very  interesting. 


4463  Placide,   Henry.     Autograph  letter,  March  21,  1853,  410.     Interesting 

letter  about  New  Orleans  theatrical  matters. 

4464     Autograph  letter.  October  4,  1S58,  4  pp.,  8vo. 

4465     Autograph  letter,   rhursday,  2  pp.,  Svo. 

4466  Planche,  James  Robinson.     Autograph  letter,  June  22,  about  Mrs.  J. 

Prosser  (late  Mrs.  Charles  Horn) ;  and  autograph  letter  from  Mrs. 
Prosser.     2. 

4467  (Poe).     Autograph  letter,  May  31,  1S58,  Svo,  of  Maria  Clemm,  mother- 

in-law  of. 

4468     Autograph    letter,    December    12,    1864,  3    pp.,    Svo,  of    Maria 

Clemm.  Long  and  interesting  letter  about  Poe,  his  letters,  manu- 
scripts, and  her  own  illness  and  difficulties.  "  I  suppose  you  will 
scarcely  credit  me  when  I  tell  you  I  often  suffer  for  a  cup  of  green 
tea.  ...  I  am  ready  to  go  when  the  good  Ciod  calls  me."  An 
extremely  interesting  and  valuable  specimen. 

4469  Pope,  Alexander  (Comedian).     Document  signed,  March  31,  1804. 

4470  Porter,  R.  St.  Clair.     Autograph  letter,  November  7,  1848. 

4471  Porter,  Cipriani,     Autograph   letter,   December  12,   1828,  4  pp.,  4to. 

Long  and  interesting  letter  to  Royal  Academy  of  Music,  tendering 
his  resignation  and  giving  his  reasons. 

4472     Autograph  letter,  October  22,  1848,  3  pp.,  4to. 

4473  Povey,  John.     Autograi)h  letter,  September  20,  1S52,  4  pp.,  4to.     Liter- 

esting  and  friendly  letter  to  Chippendale,  offering  an  engagement 
from  J.  B.  Buckstone. 

4474  Autograph  letter,  March  14,  1853,  4  pp.,  Svo.  Letter  of  wel- 
come to  England,  to  Chijjpendale. 

4475     Autograph  letter,  March  2,  1855,  Svo. 

4476     Autograph  letter,  December  28,  1S57,  4  pp.,  Svo. 

4477  Autograph  letter,  January  i,  1858,  4  pp.,  4to.  Long  and  inter- 
esting letter  about  theatrical  matters,  players,  "Peter  the  Foolish 
(Richings)     .     .     .      Puppy  Charles  Kean,"  etc. 

4478 Autograph  letter,  February  17,    1S61,    4  pp.,  Svo.     Account  of 

theatrical  affairs  in  Bath. 

4479     Autograph  letter,  August  27,  1863,  410. 

4480     Autograph  letters,  September  2,  1863,  and  September  22,  1S64. 

2. 

4481  Proctor,  Adelaide.     Original  MS.,  9  pp.,  4t(),  of  "A  Wedtling  Ring." 

31 


4482  QuiNAULT,    Mlle.     Actress  of   the   Comedie    Fran?aise,  to   Mme.   de 

GraffiK'iy-     From  the  collection  of  Edmond  de   Goncourt,  with   his 
autograph  and  notes.     Bound  in  cloth,  4to. 

4483  Rachel.     Autograph  letter,  3  pp.,  8vo,  and  India-proof  portrait.     2. 

4484  Rainforth,    Miss    Elizabeth;    Ridpath,    Wm.    (2);    Robson,    H.; 

Rosenthal,  E.     5. 

4485  Ray.moni),  Alfred.     Autograph  letter,  August  24,  1845,  2  pp.,  4to. 

4486  Raymond,  George..    Autograph  letter,  2  pp.,  8vo. 

4487  Raymond,  Henry  J.     Autograph  letter.  May  10,  1869,  8vo. 

4488     Autograph  letter. 

4489  Raymond,  John  T.     Autograph  letter,  2  pp. 

4490  Raymond,    Richard   Malone.      Autograph   letters,  March    28,    1830, 

etc.     2. 

4491  Rayner,  Lionel  Benjamin.     Autograph  letter,  January  25,  1813,  2  pp., 

4to,  to  Winston,  and  printed  copy,  Rayner's  Parody  on  the  Huntsmen's 
Chorus.     2. 

4492     Autograph  letter.   May    19,   1814,  2  pp.,  4to,  to  Winston,  and  2 

bills,  Rayner's  benefit,  June  9,  1825,  and  June  13,  1826.     3. 

4493     Autograph    letter.   May    27,   1814,   2  pp.,  4to,  to  Winston,  bill, 

and  printed  copies  of  two  of  Rayner's  songs.     4. 

4494     Autograph    letter,   January  30,    1815,  4   pp.,  4to,    to    Winston, 

autograph  note  signed,  and  portrait  as  Giles.     3. 

4495     Autograph  letter,  April  24,  1816,  2  pp.,  4to,  to  Winsto^i,  autograph 

note  signed,  8vo,  bill  C.  G.,  February  20,  1836.     3. 

4496     June  29,   1833,  3  pp.,  4to,  memorial  signed  by  Rayner  to  the 

Committee  of  the  House  of  Commons  on  the  Bill  to  regulate  Dra- 
matic Performances. 

4497     Memorial,   3   pp.,    folio,  signed    by    Rayner,   addressed    to    the 

Lord   Chamberlain,  respecting  the  Strand  Theatre,  and  2  autograph 
letters.     3. 

4498  Reuello,  Charles.     Autograph  letters,  April  23,  1869,  etc.     2. 

4499  Reed,  Isaac.     MS.,  i  p.,  4to. 

4500  Reeve,  Wvbert.     Autograph   letters,  February,   18C4,  3  pp.,  8vo,  and 

October,  1867,  3  pp.,  8vo.     2. 

4501  Reford,  L.  L.     Autograph  letters,  December  2,  1863,  etc.     4. 

32 


4502  Reynolds,  Frederick.     xVutograph  letter,  October  .  i,  looy,  2  [)[} ,  4I0. 

Interesting   letter,  on  the   rights   of   authors,  to    Drury    Lane  Man- 
agement. 

4503     Autograph   letter,  December  27,  1825,  2  pp.,  4to,  to  Sir  William 

Knighton,  seeking  authority  to  dedicate  his  memoirs  to  His  Majesty. 

4504  Reynolds,  J.  H.     Autograph  letters,  1835,  etc.,  to  Laporte,  4to.     8. 

4505  Reynolds,  Jane.     Autograpli  letters.     2. 

4506  RiDDELL,  Charlotte  M.     Autograph  letters,  October,  1868,  and  June, 

1878.     2. 

4507  Rivers,  Miss  Fanny.     Autograph  letter,  2  pp.     Mrs.  A.  Riveio.     .Au- 

tograph letter.  May  6,  i860.     2. 

4508  Roberts,  Eimma.     Autograph  letter,  June  21,  1837,  4to. 

4509  Robins,  George.     Autograph  letter,  August  11,  1835,  to  Harley. 

4510  Robs(jn,  F.     Autograph  letters.     3. 

451 1  Rodwell,  G.  Herbert.     Autograph  letters,  1818  and  1828.     3. 

4512     Autograph  letters,  1837,  1838,  and  1840.    3. 

4513     Autograph  letters,  1843-4.     3. 

4514  Roselle,  W.  H.     Autograph  letter,  2  pp.,  8vo.    Roxby,  Robert.     Au- 

tograph letters,  2.     3. 

4515  Roxley,  Samuel.     Autograph  letter,  June  28,  1842,  4to,  to  O.xberry. 

4516  RuDERSDORFF,  Mme.  Erminia.    Autograph  letters,  September  26,  1851), 

etc.     3. 

4517  Russell,  James.     Autograph  letter,  October  23,  1822,  2  pp.,  410. 

4518     Box-office  sheet,  benefit  of,  July  28,  1819. 

4519  Russell,  \V.  Clark.     Autograph  letter,  May  12,  1875,  2  pp. 

4520     Autograph  letter,  December  10,  1875. 

4521  Russell,    William     Howard.     Autograph    letters,     Marcii    (>.    1S6-, 

etc.     2. 

4522  Saint,  Albin  W.;  Salvandy,  Mme.;  Seymour,  Laura;  Spac.noletti, 

P.;  Stephenson,  Rowland,  etc.,  autograph  letters.     9. 
3  33 


4523  Saint-Huberty,  Mme.     (Actress.)     2  autograph  letters  to  the  Comte, 

d'Antraigues,  her  lover  and  later  her  husband,  and  2  from  d'Antraigues 
to  her.  From  the  Edmond  de  Goncourt  collection,  and  with  his  auto- 
graph and  notes.  These  letters  were  published  in  de  (loncourt's 
Mme.  de  Saint-Huberty.     Bound  in  cloth,  4to 

4524  Saint  Leon,  Chas.  Victor  Arthur.     Autograph  letter,  May  29,  1836^ 

2  pp.,  8vo. 

4525  Saint  Luke,  L     Autograph  letters,  1863  and  1864.     2. 

4526  Salm  Salm,  Agnes,  Princess.     Autograph  letter,  November  16,  1862, 

3  pp.,  4to. 

4527  Sar(;knt,  AVinthrop    (American   Poet,  etc.).     Autograph  letter,   Sep" 

tember  25,  1869,  4  pp.,  8vo. 

4528  Saunders,  John.     Autograph  letter,  2  pp.     Scott,  Clement.     Auto- 

graph letter,  April  12,  1875.     2. 

4529  Scotch   Celebrities.     Autographs  and  portraits  of,  219.     An  excep- 

tionally fine  and  important  collection,  including  Robert  Burns's  orig- 
inal and  earliest  version  of  "  Queen  Mary's  Lament,"  3  pp.,  folio, 
substantiated  by  Gilbert  Burns,  the  poet's  brother  ;  a  long  letter  to 
"  My  ly  Countrywoman,"  folio,  in  which  Burns  speaks  of  "  the  black 
story  at  home,"  etc.;  and  MS.  verses,  5  stanzas  ;  Jam.es  Hogg,  auto- 
graph letter,  3  pp.,  4to,  October  15,  181 1,  and  MS.,  2  pp.,  4to.  An 
exceedingly  fine  letter  of  Adam  Smith,  3  pp.,  4to,  to  Thomas  Cadell, 
relating  to  his  work,  "  The  Theory  of  Moral  Sentiments."  Long 
and  interesting  letters  of  Sir  Walter  Scott  to  Joseph  Cooper  Walker, 
3/^  pp.,  4t(),  1809  ;  another,  181 7,  4to  ;  one  to  W.  Laidlaw,  January 
21,  1825,  "  The  great  disaster  of  Constable  here  and  Hurst  and  Rob- 
inson in  London  stopping  payment  v/as  the  news  which  welcomed  my 
arrival  here,"  etc.;  to  \Vm.  Hewes,  1825,  2  pp.,  410  ;  to  George 
Handley,  1826,  2  pp.,  4to  ;  c/ne  of  2 '4  pp.,  4to,  December  26,  1810 
with  "  Epitaph  on  William  Seward,"  in  response  to  invitation  from  the 
Dean  of  Lichfield  ;  February  t6,  1830,  2  pp.,  4to  ;  December  28, 
1832,  4to  ;  one  of  2^2  pp.,  4to,  to  General  Ainslie  ;  April  30,  1828, 
^K  PP-  8^''^  ;  Jw'y  ^3)  1826,  4to  ;  May  15,  1828,  4to  ;  April  6,  i}4 
pp.,  4to  ;  June  13,  1826,  2  pp.,  4to  ;  March  21,  1826,  3  pp.,  4to, 
a  very  fine  letter  ;  besides  2  pp.,  MS.  of  Life  of  Bonaparte,  2  pp. 
from  MS.  of  Tales  of  a  Grandfather,  and  various  others.  There 
are,  in  addition,  autograph  letters  of  his  father,  Walter  Scott,  Lad}' 
Scott,  Walter  Scott,  his  son,  and  letters  of  Robert  Bloomfield,  relat- 
ing to  him  ;  a  very  fine  letter  of  James  Ballantync,  dated  Abbotsford, 
September  24,  1822,  and  relating  to  Sir  Walter  ;  seven  long  and  in- 
teresting letters  from  Sir  David  Wilkie  to  Thomas  Phillips,  R.A.,  and 

34 


one  to  Sir  Thomas  Lawrence  ;  four  of  Allan  Cunningham  ;  one  of 
Allan  Ramsay,  the  painter  ;  two  of  Thomas  Campbell ;  an  unusually 
important  letter  of  Dr.  James  Beattie,  addressed  May  22,  1773,10 
Garrick  ;  two  of  Lord  Monboddo  ;  one  of  David  Mallet  (Malloch), 
November  2,  1762  ;  three  exceedingly  interesting  3  pp.,  410,  letters 
from  Andrew  Brown  to  George  Chalmers  ;  four  letters  of  James  Mac- 
pherson,  author  of  Ossian  ;  3  page  letter,  folio,  of  Dr.  James  Currie  ; 
letters  of  Dugaid  Stewart,  Wm.  Aytoun,  Wm.  McGavin,  Felix  Mc- 
Donough,  John  Burnet,  the  artist  ;  Mme.  Creech,  relating  to  Burns  ; 
Sir  James  Mackintosh,  Sir  Wm.  Forbes,  the  friend  of  Dr.  Johnson 
and  Boswell,  4  pp.,  4to,  1795,  to  Edmund  Malone,  respecting  papers 
and  letters  left  by  Boswell  to  be  looked  over  ;  Henry  Mackenzie  (3), 
Sir  John  Sinclair  (2),  James  Drummond,  fourth  Karl  of  Perth  :  Sir 
Samuel  Auchmuty,  Lord  Erskine,  Wm.,  third  Marquis  of  Lothian  ; 
Lady  Glenorchy  (2),  Thomas  Somerville  (2),  and  many  others.  Car- 
lyle  is  represented  by  no  less  than  15  interesting  letters  of  2  to  4  pp. 
each,  besides  17  receipts  to  his  publishers  or  other  documents,  and  2 
pp.,  folio,  of  the  MS.  of  "A  Picture  of  Husbandry  in  Annandale." 
Mrs.  Jane  Welsh  Carlyle  by  one  very  interesting  3  page  letter.  There 
is,  in  addition,  a  large  number  of  excellent  portraits,  many  India 
proofs  before  letters,  of  Burns,  Scott,  Hogg,  Wilkie,  Sir  Wm.  Forbes, 
Carlyle,  etc.,  and  a  superb  proof  before  letters,  on  India  paper,  of  the 
scarce  "  Broken  Jar,"  after  Wilkie  ;  as  well  as  2  original  drawings  of 
Scott  and  2  of  Carlyle.     Bound  in  half  morocco,  folio. 

4530  SCRAP-BooK  of  64  autograph  letters.     An   important  group  of  literary 

characters,  including  Shelley,  Mrs.  Shelley,  Byron,  Lady  Byron  (2), 
Ada  Byron.  Countess  Guiccioli,  Wm.  Cowper,  Wordsworth  (2),  Scott, 
Southey,  Tom  Hood,  Sydney  Smith,  Philip  Doddridge,  Thackeray, 
Dickens,  Hallam,  Coleridge,  Ouikshank,  Moore,  Rogers,  Bulwer, 
Hugo,  Ruskin,  Ainsworth,  Wilkie  Collins,  Hazlitt,  Sala,  etc. 

4531  ScRAP-BooK  of  76  autographs,  facsimiles,  etc.     Among  the  autograph 

letters  included  are  Dr.  John  Abernethy,  Lord  and  Lady  Ashburton, 
Dr.  Buckland,  Lords  Carnarvon,  Albert  D.  Conyngham  and  Francis 
Jeffrey,  W.  Jerdan,  Thomas  Wright  (the  antiquary),  J.  R.  Planche,  T. 
C.  Croker,  Richard  Owen,  and  Carolus  Linneus,  in  Latin,  folio,  1774. 
There  are  also  documents  signed  or  signatures  of  Lords  Delawarr, 
1722  (2);  Halifax,  1719;  Sunderland,  1719;  Middlesex,  1745; 
Henry  Fox  ;  Spencer,  1736;  North,  1759;  George  Grenville,  1749  I 
Henry  Pelham,  1749;  Godolphin,  1709  (2);  Rochester,  16S4  ;  New- 
castle, 1773;  Lincoln,  1716  (2);  H.  B.  Legge,  175S;  Sir  Robert 
Walpole,  1 7 16,  1740,  1749  (3)  ;  Sarah,  Duchess  of  Marlborough,  1740; 
W.  Harrison  Ainsworth,  T.  C.  Croker,  etc. 

35 


4532  ScRAP-BooK   of  88   parts  and  autograph  letters,   and  several   hundred 

cuttings,  relating  principally  to  Thomas  King.  The  portraits  include 
King  as  Fame,  Lissardo,  Lucio,  Marplot,  Ogleb)-,  Perry,  Puff, 
Rimines,  and  Touchstone.  Among  the  autographs  are  King's  receipts 
for  Drury  Lane  profits,  season  of  1782-3,  and  for  his  benefits  in  1782, 
1786,  1795  ;  2  statements  of  account  with  the  theatre,  3  letters  to 
Peake,  and  4  pp.  from  his  diary.  Other  autograph  letters  of  R.  B. 
Peake,  Ann  Pitt,  John  Powell,  Jane  Hamilton,  Leonora  I'incott 
(Wigan),  J.  Willmott,  John  Cole,  Caroline  Heath,  W.  T.  Moncrieff, 
W.  C.  Macready,  Henriette  Lee,  W.  T.  Lewis,  John  Brunton  (2), 
Thos.  Brunton,  G.  W.  Butler,  FitzRoy  Kelly,  Richard  Wroughton, 
and  8  lines  in  Kemble's  hand.  There  are  also  Drury  Lane  benefit 
bills  for  the  Widow  King,  1800,  and  Mr.  and  Mrs.  Pope,  1802. 

4533  ScR.\p-BooK  of  277  autograph  letters,  signed  photographs,  portraits,  etc., 

gathered  by  Charles  Dickens,  the  younger.  Among  the  more  im- 
portant autograph  letters  may  be  mentioned  Bulwer,  Louis  Blanc, 
Samuel  L.  Clemens,  Charles  Francis  Adams,  Capt.  Marryat,  Lever, 
Trollope,  Chas.  Kingsley,  Thackeray,  Moore,  Douglas  Jerrold,  Peter 
Cunningham,  Caroline  Norton,  Rogers,  Chas.  R.  Leslie,  Ruskin, 
Charles  Reade,  Frederika  Bremer,  Stanfield,  Richard  Doyle,  Land- 
seer  (2),  Maclise  (2),  Sir  Frederick  Leighton,  Millais,  W.  Clark  Rus- 
sell, C.  J.  Mathews,  Sotheran,  Geo.  Colman,  Charles  Kean,  Dutton 
Cook,  with  7  humorous  portrait  sketches,  etc.,  besides  signatures 
of  George  IV.,  William  IV.,  Victoria,  Fechter,  Mendelssohn,  Tenny- 
son, etc.  ;  an  original  drawing  by  Tom  Hood,  The  First  Charles 
Dickens'  Birthday  Celebration,  etc. 

4534  ScRAP-BooK  of  328  illustrations  to  Byron,  Scott,  Shakespeare,  etc.;  New 

York  views,  costumes,  subjects  after  American  artists,  portraits,  etc. 

4535  ScRAP-BooK  of  Mr.  and  Mrs.  Edward  Knight  (Miss  Povey).    729  auto- 

graphs, original  drawings,  play-bills,  portraits,  broadsides,  etc.  Among 
the  more  important  autograph  letters  may  be  mentioned  Charlotte 
Cushman,  4  pp.,  410,  Braham  (2),  O.  Smith,  Moscheles,  Chas.  E. 
Horn,  T.  P.  Cooke  (2),  Macready,  Ferd.  Ries,  Lorenzo  da  Ponte  (and 
verses  signed),  Mrs.  Mountain,  R.  Keeley,  Geo.  Bartley,  F.  Burdett, 
Dora  Jordan,  Tate  Wilkinson,  Rd.  Wrighten,  James  Montgomery, 
Robert  Southey,  Keswick,  1810,  with  fine  impression  of  his  seal  ; 
Henry  Clay  (2),  Edward  Knight,  Aaron  Burr,  February  26,  1803, 
Jane  Porter,  Dion  Lardner,  Bp.  Philpots,  Washington,  and  lock  of  his 
hair  certified  by  Geo.  W.  Clarke,  Richmond,  May  25,  1831,  Thomas 
Jefferson,  Monticello,  August  27,  1822,  James  Monroe,  Thos.  Mac- 
donough,  G.  Wombwell,  Clara  Fisher,  Tom  Sheridan,  Thomas 
Abthorpe  Cooper,  Francis  A.  Drake,  Catherine  Stephens,  Eliza  Yates, 

36 


I 


Anna  C.  Mowatt,  Celeste,  C.  Mathews,  S.  Kcmble,  1-.  W.  Fairholt, 
etc.,  besides  documents,  revolutionary  passes,  and  other  papers  signed 
by  C.  Kemble  (2),  S.  Kcmble,  C.  M.  von  Weber,  Giviia  (jrisi,  J.  P. 
Kemble,  C.  Mathews,  Chas.  Dickens,  Blake  the  manager,  C.  J.  Math- 
ews (2),  T.  Cooke  (2),  C.  E.  Horn,  Macready,  Forrest,  Elliston, 
Lind,  Flaxman,  Cruikshank,  Mrs.  Sigourney,  George  IV.,  C.  R.  Leslie, 
R.  B.  Parke,  Eliza  Mathews,  Tate  Wilkinson,  Kenny,  Joseph  Wood, 
Mary  Anne  Wood,  Ole  Bull,  George  Clinton,  Gouverneur  Morris, 
John  Adams,  James  Madison,  J.  Q.  Adams,  Andrew  Jackson,  and 
lock  of  his  hair.  Van  Buren,  Charles  Carroll,  John  Jay,  DeWitt  Clin- 
ton, Tom  Paine,  Patrick  Henry,  John  Marshall,  Richard  Peters,  G. 
Duval,  Wm.  Wirt,  Samuel  Griffen,  James  Ewing,  Lafayette,  Tremont 
Theatre  Beefsteak  Club,  October  14,  1832  ;  with  signatures  of  J.  W. 
Wallack,  Geo.  H.  Barrett,  Geo.  H.  Andrews,  T.  Comer,  W.  H.  Sedley 
Smith,  H'y  J.  Finn,  C.  E.  Horn,  etc.  Among  the  original  drawings 
are  "  my  first  attempt  at  drawing,  saved  by  my  mother  E.  K."  and  3 
other  water-color  sketches,  an  excellent  drawing  of  Quebec,  1829,  and 
2  other  Canadian  views,  signed  E.  K.,  original  drawing  in  colors  of 
Michael  Kelly  and  another,  an  early  and  artistic  drawing  of  New  York 
City  Hall,  original  drawing  of  Elliston,  by  Wageman  ;  original  draw- 
ing, by  R.  Smirke,  1730,  and  many  others.  Among  the  theatrical 
programmes  is  the  curious  English  Opera  House,  April  26,  1822,  with 
the  "  Farce  of  Mr.  H.  .  .  .  This  piece  was  damned  at  Drury 
Lane;  the  Sorrows  of  Werther,  this  piece  was  damned  at  Covent  Gar- 
den ;  and  Le  Comedien  d'Etampes — may  very  probably  be  damned 
here'' \  Broadway  Theatre  (benefit  of  Charles  Mathews),  2  Drury 
Lane  bills  on  satin,  and  7  others,  and  Knight's  benefit  ticket.  "  A 
portion  of  a  Frill  of  poor  Kean's  which  I  picked  up  after  he  had 
quitted  the  stage,  etc."  The  original  drawing  in  colors  by  Wm. 
Foster,  1810,  of  Edward  Knight  as  Jerry  Blossom,  and  a  portrait  of 
Wm.  Foster  in  pen  and  ink  by  himself,  and  the  last  drawing  he  ever 
made,  with  certificate  to  that  effect  from  Edw.  Knight ;  Knight's 
passport  to  travel  in  France  ;  a  large  number  of  early  American  bank- 
notes and  state  bills  ;  portraits  of  Chabert  the  Fire  King,  Tyrone 
Power,  Master  Betty,  Mme.  Vestris,  Kean,  Mrs.  Jordan  (3),  Fanny 
Kemble,  etc. 
4536  SCRAP-BooK,  Massingham's  (W.  W.)  collection  of  over  3,300  dramatic 
autographs,  play-bills,  concert  and  benefit  tickets,  lottery  tickets, 
orders,  passes,  documents,  proposals,  etc.,  of  Drury  Lane,  Haymar- 
ket,  etc.,  in  2  folio  scrap-books. 
An  unusually  full  and  valuable  collection,  including  play-bills  of  Drury 
Lane,  1795  and  later  (89),  Haymarket  (4),  Lyceum  (4),  Covent  (harden. 
Princess,  etc.;  autograph  letters  of  Wm.  Barrymore  (2),  Duchess  of 

37 


Bedford,  J.  B.  Buckstoiie,  Duke  of  Devonshire,  Hon.  Charles  Grey 
(5),  Duke  of  Kent,  John  Povey,  Tom  Sheridan  (brother  of  R.  B.  S.), 
Lord  Shaftesbury,  Braham,  Beverley,  Bellamy,  Phillips,  Charles  Kean 
(2),  lohn  Powell,  etc.;  besides  hundreds  of  signatures  and  about  900 
autograph  orders.  The  benefit  tickets — most  of  which,  as  also  tht 
concert  tickets,  are  beautifully  engraved  from  artistic  designs — include 
Akers  (5),  Mme.  Albertazzi,  Mrs.  Banti  (6),  John  Palmer  (3),  Robert 
Palmer  (2),  Massingham  (7),  Massingham,  Jr.  (2),  Whitfield  (5), 
Miss  Duncan  (6),  Miss  Mellon  (3),  Wewitzer  (6),  Ebers,  ANaldron. 
Dignum  (25),  Wathen  (5),  Henry  and  Mrs.  Johnston  (9),  Elliston, 
Lacy  (8),  Mrs.  Mountain  (5),  Mr.  and  Mrs.  Mathews,  Suett  (4), 
Fawcett  (3),  Terry  (3),  Cooke  (6),  Mrs.  Harlowe  (4),  Bannister  (3), 
D'Egville  (4),  Mrs.  Crouch,  Mr.  and  Mrs.  Powell  (9),  Mrs.  Gibbs 
(4),  Mrs.  Glover  (2),  Mr.  and  Mrs.  Bland  (5),  Dowton  (2),  Raymond 
(2),  Delpini,  King,  Mr.,  Mrs.  and  Miss  Pope,  Johnstone  (10),  Burton 
(2),  Mr.  and  Mrs.  Henry  Siddons  (2),  Kelly  (4),  Beverley,  Barrymore 
(2),  Master  Betty  (2),  Braham,  Mrs.  Burke,  Burrows,  Mrs.  Butler  (2), 
Mr.  and  Mrs.  Chatterley,  Caulfield  (3),  Mrs.  Grimaldi,  Mrs.  Henry, 
Miss  Kelly,  Reeves,  Mr.  and  Mrs.  Sparks  (1800,  6),  Miss  Stephens  (2), 
Miss  Tidswell  (2),  and  hundreds  of  others.  Also  catalogue,  and 
announcement  of  sale  of  Princess  Theatre,  of  Taylor's  interest  in  Hay- 
market,  Federal  St.  Theatre  bill  (Miss  Bates's  benefit,  May  17,  1802), 
autograph  letter,  of  T.  Harris,  October,  1808,  autograph  letter  of  W. 
Lacy,  autograph  document  signed  of  W.  Lacy,  document  signed  of 
R.  B.  Sheridan  and  R.  Peake,  proposals  for  rebuilding  Drury  Lane 
Theatre,  report  of  committee  to  proprietors,  autograph  letters  of  J. 
Winston,  etc.,  announcements  of  sales  of  shares,  silver  tickets,  deben- 
tures, etc.,  early  copies  of  important  indentures,  etc. 

4537  ScRAP-BooK  OF  Lester  Wallack.  Album  of  autograph  letters  collected 
by  and  mainly  addressed  to  him  or  Jas.  W.  Wallack,  no.  Autograph 
letter  (3  pp.),  Charleston,  S.  C,  March  8,  1820,  from  Jas.  W.  Wallack 
to  Elliston,  and  agreement  of  engagement  between  them,  August  16, 
1820  ;  Geo.  Colman  (3  pp.,  MSS.);  Lester  Wallack,  poem  on  the  death 
of  his  brother,  and  2  page  dedication  and  preface  to  Jas.  Vv'allack,  as 
well  as  a  humorous  sketch  ;  property  bill  signed  by  Robert  Wilks, 
Colley  Gibber,  and  Barton  Booth  ;  autograph  letters  of  John  John- 
stone, C.  J.  Mathews,  Henry  Irving  (2),  C.  Kemble,  Douglas  Jerrold, 
Samuel  L.  Clemens,  Mrs.  Cha.s.  Kean,  Wm.  Farren,  Macready, 
Hackett,  Lester  Wallack  (2),  Charles  Dickens,  Charlotte  Cushman, 
Edwin  Booth,  Charles  Reade.  J.  W.  Wallack,  J.  E.  Millais,  Fechter, 
Benjamin  Webster,  Sarah  Bernhardt,  J.  P.  Kemble,  Tom  Taylor,  E. 
L.  Davenport,  W.  Harrison  Ainsworth,  John  Wilks  (2),  Wm.  Lewis, 

38 


1793  ;  lorn  Sheridan,  iBii  ;  Chas.  Macklin,  2  pp.,  410,  1742  ;  Andrew 
Jackson,  Duke  of  Wellington,  Barrymore  (1791,  3),  Thos.  Coutts, 
Landseer,  Geo.  Colman.  Jr.  (2),  J.  Ballantyne,  etc.;  besides  signatures 
of  Adelaide  Kemble,  Matilda  Heron,  John  Poole,  Ludwig  Barnay, 
and  others  ;  letter  from  the  Lambs  to  Wallack,  signed  by  Florence, 
Gilbert,  Phelps,  Hy.  Edwards,  Lawrence  Barrett,  Henry  Irving.  John 
Howson,  etc.;  menu  signed  by  Booth,  Irving,  Gilbert,  McGulIough, 
T.  B.  Aldrich,  S.  L.  Clemens,  and  others  ;  Drury  Lane  bill,  March 
17,  1831,  with  H.  and  Jas.  \V.  Wallack  in  cast,  etc. 

4538  Scribe,  EuciixXE — Le   Pasticcio  ou  I'opera  a  la  cour.     Original  MS.   of 

the  3-act  comic  opera  (86  pp.,  4to),  from  the  collection  of  the  Marquis 
de  Queux  de  St.  Hilaire  and  with  his  book-plate.  Bound  in  half 
crushed  levant  morocco,  4to. 

4539  Seymour,  C.  B.     Autograph  letter,  April  30,  1864,  5  pp.,  4to. 

4540  Seguin,  Annk.     Autograph  letter. 

4541  Sefton   and    Chippendale.     Four   important   papers  bearing  on  tiie 

disappointment  to  citizens  of  Richmond  by  the  non-appearance  of 
Booth,  two  of  them  being  the  original  petitions,  dated  April  3,  1850, 
praying  that  the  "  Infirmity  of  Nature  "  might  not  be  allowed  to 
deprive  them  of  the  privilege  of  seeing  "  one  of  the  brightest  orna- 
ments of  the  stage,"  and  signed  by  fifty  prominent  citizens.  Sefton 
and  Chippendale's  reply  to  the  committee,  and  a  letter  to  the  public  on 
"the  recent  disgraceful  affair."     4. 

4542     April   18,    1850.     "  Notice — 'i"he  business  of   this  establishment 

(Richmond  Theatre)  will  be  wound  up  on  Tuesday  next.  etc.  Seflon 
and  Chippendale."     And  other  papers.     (See  lot  4407.)      14. 

4543  Sefton,  John.     Autograph  letter,  February  2,  1845,  2  pp..  4to.     ''Burton 

stopped  me  in  the  street,  regretted  that  we  passed  and  did  not  speak, 
shook  hands,  drank  (cider),  and  so  we  cease  to  call  each  other  ugly 
names."     Very  interesting. 

4544     Autograph     letter,      March     27,    1845,    3     pp.,    4tf'-       "Young 

Wheatly  has  encountered  a  difficulty  in  Philadelphia,  discovered 
.  .  .  and  compelled  to  leave  the  theatre,  and  dare  not  play  again." 
Very  interesting  letter  full  of  theatrical  scandal,  gossip,  etc. 

4545     Autograph    letter,    March    5,    1853.  4to.       Letter    of    introduc- 
tion to  Signor  Brigaldi,  for  (Miippendale. 

4546     Autograph  letter,  April  i,  1856,  4to. 

4547     Autograph  letter.  March  28,  1856.  4I0.      Interesting  letter  about 

Barney  Williams. 

39 


4548  SiFTON,  John.     Autograph  letters,  April  23,  1858,  2  pp.,  each.     2. 

4549     Autograph    letter,   July   8,    1863,  8vo.     Letter  on  his  arrival  at 

Liverpool  to  Chippendale. 

4550     Autograph  letter,  November  24,  1859,  4  pp.,  8vo.       Interesting 

letter  about  theatricals,  J.  Jefferson,  Barney  Williams,  Miss  Coombs, 
Wallack,  Tom  Taylor,  etc. 

4551     Autograph  letter,  July  23,  1863. 

4552     Autograph    letter,   August    24,    1863,  4    pp.      Interestmg    letter 

preparatory  to  his  return  to   New   York,   "  taking   back  some  great 
pieces,"  etc. 

4553     Autograph  letter,  September,  1863. 

4554  SuuTTLEwoRTH,  H.  C.     Autograph  letters,  2  pp.,  each.     2. 

4555  Sei, BY,  Charles.     Autograph  letter,  October  3,  1855,3  PP^  8vo. 

4556  Seliiy,  Clara.     Autograph  letter,  April   22,   1863,  3  pp.,  8vo.     Asking 

Chippendale  to  play  Sir  Peter  at  her  benefit. 

4557     Autograph  letter,   April   12,    2    pp.       Acknowledging  receipt  of 

^8  I05-.,  for  Mr.  Seymour's  family,  with  the  original  subscription  list, 
2  pp.,  folio.     2. 

4558  Sfnnett,  C.  ;  SiNNETT,  A.  Percy.     Autograph  letters.     2. 

4559  Serle,   Thomas  James.      Autograph    letter,    4to,   to    John    Oxenford. 

"  Macready  trusts  that  he  will  have  your  cooperation,"  etc. 

4560  Seymour,    Edward    Hickey.      Autograph  letter,  September  24,  1801, 

4to,  to  Tom  Hill. 

4562  Shakespeare  Club.     Formed  April   30,   1S50,   2  pp.,  folio,  signed   by 

Chapman,   Rea,   Pope,   Ceo.  W.   Taylor,   Sefton,   Chippendale,   J.  F. 
Brady,  and  the  other  incorporators. 

4563  Shaw,    Rosina   (Howard-Watkins).     Autograph   letter,    May   30,   i860, 

2  pp.,  8vo. 

4564  Sherwin,  Ralph.     Articles  of  agreement,  February  18,  1823,  between 

hini  and  h^lliston,  witnessed  by  Winston,  3  pp.,  folio. 

4565     .'\utograph  list,  signed,  2  pp.,  4to,  of  his  characters. 

4566  SiCKELS,  Daniei,  E.     Autograph  letter. 

4567  SiDDONS,  Mrs.     Song  to  Galindo,  24  stanzas  on   2  pp.,  4to,  in  her  own 

hand.     Endorsed  by  two  previous  owners. 

40 


4568  Simpson,  Edmund.     Agreement,  June  7,  1836,  2  pp.,  4to.  with  Chippen- 

dale, "  to  proceed  to  New  York  by  the  July  packet  and  perform  and 
act."  etc. 

4569     Autograph  letter.  May  23.  1843,  4to. 

4570     Autograph  letter,  June   14,  1843,  410,  to  Chippendale,  offering 

an  engagement. 

4571     Autograph  letter,  June  29,  1843,  4to. 

4572     Autograph  letter,   September  9,  1846,  4to,  to   Povey,    request- 
ing him  to  meet  "  Forest  "  on  his  arrival  and  offer  terms. 

4573  Simpson,  J.  Palorave.     Autograph  letter,  March  9,  1859. 

4574  Smart,    Sir    George    Thomas.      Autograph    letter,    March    25,    1S28, 

2  pp..  8vo. 

4575 Autograph  letter,  March  17,  1834,  4to. 

4576  Smith,  Albert.     Autograph  letter. 

4577  Smith,  Charles  G.     Autograph  letters,  September  17  and  October  25, 

1863.     2. 

4578  Smith,  E.  J.     Autograph  note,  signed,  July  6,  1859. 

4579  Smith,    Sol.     Autograph    letter,    Februar)'   25,    1845,   3   pp.,   410.     In- 

teresting account  of  difficulties  of  American  Theatre,  etc. 

4580     Autograph  letter,  April  2,  1845,  3  PP->  4*^o. 

4581 Autograph  letter,  April  9,  1845,  3  pp.,  4to. 

4582  Autograph  letter,  July  10,  1845,  3  pp.,  4to. 

4583  Autograph  letter,  August  10,  1845,  4  pp.,  folio. 

4584  Autograph  letter,  December  23,  1845,  8vo. 

4585  Autograph  letter,  April  14,  1856,  4  pp.,  8vo. 

4586  Autograph  letter,  April  15,  1856,  8vo. 

4587  Autograph  letter,  November  3,  1857,  4  pp.,  8vo. 

4588  Autograph  letter,  January  31,  1858,  8  pp.,  8vo. 

4589  Autograph  letter,  July  26,  1859,  4  pp.,  8vo. 

4590  Autograph  letter,  May  21,  1865,  2  pp.,  Svo. 

4591  Autograph  letter,  August  21,  1865,  4  pp..  Svo. 

4592  Autograph  letter,  August  10,  1866,  4  pp.,  Svo. 

4593  Smith,  Sol,  Jr.     Autograph   letter,  January   19,  1S67,  4  pp..  4to,  with 

10  clever  pen-and-ink  sketches. 

41 


4594  SouzA,  M.ME.  Adelaide  de  (Marquise  Flahault).     Autograph  letter, 

2  pp.,  Svo. 

4595  Spark,  Dr.  Wm.     Autograph  letter,  October  4,  185S.  4  pp.,  Svo. 

4596  Spencer,   Edward.     Autograph  letter,  January  9,    1846,  3  pp.,  4to,  to 

Dawson  Turner.     Interesting  letter  about  Ann  Berry,  Upcott  and  his 
collection,  his  own  exploits  in  aero'^tation,  etc. 

4597  Stanhope,  Earl.     Autograph  letters,  April   9   and   May  21,   1817,  to 

Alex''-  Murray.     2. 

4598     Autograph  letters,  April  30,  181 7.  3  pp.,  4to,  to  Ale.v'    Murray. 

4599     •  Autograph   letters,  May  j  and  July  3,  181  7,  to  the  same.      2. 

4.600      Autograph  letter,  July  9,    181 7,  2  pp.,  4to,  to  the  same,  and  2 

other  pieces.     3. 

4601     Autograph  letters,  1818  and  1825,  to  the  same.     2. 

4602  Stanley,  Emma.     Autograph  letters,  January  21  and  February  14,  r86i, 

from  J.  G.  Richards,  concerning  Mrs.  Stanley.     2. 

4603  Stanley,   Mrs.    Fanny.     Autograph   letter,    October   17,    1837,  3   pp., 

4to,  to  J.  P.  Harley. 

4604  Stewart,  R.  P.     Autograph  letter,  3  pp.,  8vo. 

4605  Stirling,  Arthur.     Autograph  letter,  March  4,  1864,  3  pp.,  Svo. 

4606  Stirling,  Fanny.     Autograph  letter,  4  pp.,  Svo. 

4607     Autograph  letter,  Svo. 

4608  SiOEPEL,  Mme.   Lovarny.     Autograph  letter,   February  19,    1S52,  4to, 

to  John  Brougham. 

4609  Stoddart,  James  H.,  Sr.     Autograph  letters,  March  9,  1866,   2  ;  and 

1  from  Jane  Stoddart.     3. 

4610  Stowe,  Harriet  Beecher.     Autograph  letter,  October  30,   1852,  4to, 

to  Mrs.  M.  W.  Chapman  at  Paris,  giving  permission  for  the  translation 
of  "  Uncle  Tom." 

4611  Strickland,  Agnes.     MS.,  5  pp.,  4to,  of  "The  Royal  Captive." 

4612  Stuart,  Wm.     Autograph    letters,   3   pp.,   Svo,    to   Mi.ss  Markham  and 

2  others.      3. 

4613  Sugg,  C.  Fee.     Autograph  letter,  April  7,  1797,  4to.     Seeking  engage- 

ment for  himself  and  wife. 

4614  SwANiiOROUGH,  FouiSA.     Autograph  letter,  2  pp.,  Svo. 

4615  Tayleure.     Box-office  sheet,  benefit  of,  September  11,  182 1. 

42 


4616  Taylor,  Agnes  S.     Autograph  letter,  4to,  to  Oxberry. 

4617  Taylor,    Charles.      Autograph  letter,   4to,   to  J.  P.    Harley,   with  2 

portraits.     3. 

4618     Box-ofifice  sheet,  benefit  of  Mr.  and  Mrs.,  August  16,  1806. 

4619  Taylor,  Tom.     Autograph  letter,  September  30,  1857,  Svo,  and  satirical 

poem.     2. 

4620  Taylor,    Wm.       Document    signed,  John   Thynne,    Vice-Chaiiil)erlain, 

licensing  Wm.  Taylor  to  have  Italian  operas  performed. 

4621  Telegraph.     Two  early  American  telegrams  ;  one,  finely  engraved,  and 

the  other  from  Tom  Placide  inquiring  about  his  stolen  trunks.     (See 
lot  4458.)     2. 

4622  Terry,  Daniel.    Box-ofifice  sheets,  benefits  of,  181 4,  i  816,  and  1822.     4. 

4623  Thackeray,  William  Makepeace.     Original  sketch  of  Braliam  ;  auto- 

graph letter  to  Mrs.  Brookfield  and  one  from  her;  autograph  letter 
from  Braham's  son,  Hamilton.     4. 

4624  Thompson,  Dr.  W.    Autograph  letter,  June  21,  1806, 4to,  and  another.    2. 

4625  Thompson,    Benjamin.     Autograph   letter,  November  6,  1800,  4to,  to 

Richard  Peake,  threatening  decisive  legal  measures  to  enforce  pay- 
ment for  "The  Stranger." 

4626  Thompson,  Sir  Henry.     Dinner  invitation  to   Miss  Rehan,  and   menu. 

with  list  of  guests  and  remarks.     2. 

4627  TiLi'.URY,  Wm.   Harries.     Autograph    letter,   January   7,    1853,  2    pp.. 

4to,  and  others.     3. 

4628  ToKELY.     Box-ofifice  sheet,  benefit  of,  September  11,  1S16. 

4629  Train,  George  Francis.     Letter  to  Citizen  Manager  Daly,  and  pro- 

gramme.    2. 

4630  Trollope,  Anthony.     Autograph  letter,  March  16,  1861,  8vo. 

4631     Autograph  letter,  September  6,  18C3,  2  pp.,  8vo. 

4632     Autograph  letter,  February  20,  1864,  8vo. 

4633     Autograph  letter,  August  9,  1869,  Svo. 

4634  Twiss,  Horace.     Autograph   letter,  December  29,  1825,  4  pp.,   4to,  to 

Alexander  Murray,  regarding  Charles  Kemble's  affairs. 

43 


4035  UPCOTT  (WIlJ.lAMj.  COLLECTION  OF  AUTOGRAPHS  of 
distinguished  characters  in  all  classes  of  life,  including-  sovereigns, 
statesmen,  divines,  lawyers,  naval  and  military  officers,  authors,  poets, 
artists,  actors,  musicians,  men  of  science,  physicians,  surgeons, 
eminent  foreigners,  and  celebrated  women.  The  collection  is  con- 
tained in  13  thick  folio  vols.,  with  specially  printed  titles,  and  consists 
of  2,078  autographs  and  1,000  portraits.  Many  of  the  latter  are  proof 
impressions  of  considerable  value.  Some  are  private  plates  of  great 
rarity,  and  there  is  a  large  quantity  of  fine  and  scarce  mezzotints. 
The  autographs  are  tastefully  mounted  on  toned  paper,  with  the  bio- 
graphical notices  neatly  written  underneath.  At  the  end  of  the  last 
vol.  is  a  complete  alphabetical  index.  It  was  formed  by  that  cele- 
brated collector,  William  Upcott,  who  devoted  many  years  to  the  con- 
genial task  of  Lringing  together  such  a  fine  and  complete  assemblage 
of  autographs  and  portraits,  many  of  which,  at  the  present  time,  it 
would  be  hopeless  to  procure.  The  vols,  are  strongly  and  hand- 
somely bound  in  red  morocco  extra,  with  inside  borders  and  joints, 
and  the  edges  gilt. 
Below  are  given  a  few  of  the  more  important  items  : 

Vol.  L — Henry  VIIL,  with  fine  and  rare  portrait  ;  Elizabeth,  with  2 
fine  portraits  ;  James  L;  Charles  1.,  a  long  and  highly  important 
letter,  entirely  in  his  autograph,  dated  from  Newcastle,  June  4,  1646, 
to  Sir  Edward  Nicholas,  his  confidential  secretary,  with  Vertue's  fine 
portrait  ;  Oliver  Cromwell,  to  the  Commissioners  for  Ireland,  with 
Vertue's  portrait ;  Charles  II. ,  3  specimens,  with  Hollar's  and  Ver- 
tue's portraits  ;  Prince  Rupert,  with  very  fine  contemporary  portrait  ; 
James  II.,  2  specimens,  with  Vander-Gucht's  portrait  ;  William  and 
Mary,  with  fine  contemporary  ]:)ortraits  ;  Queen  Anne,  with  Vander- 
Gucht's  portrait  ;  George  I.,  with  2  portraits  ;  George  IL,  with  3 
portraits  (2  very  fine  and  contemporary)  ;  George  III.,  2  specimens, 
with  2  portraits  ;  George  IV.,  4  specimens,  with  2  portraits  ;  Queen 
Caroline,  2  specimens,  with  portrait  ;  Princess  Charlotte  and  Prince 
Leopold,  with  3  portraits  ;  Dukes  of  York,  Clarence,  Kent,  Cumber- 
land, Sussex,  Cambridge,  Gloucester,  several  specimens  of  each,  with 
fine  portraits  ;  Francis  I.,  with  portrait  ;  Charles  IX.;  Louis  XHI.; 
Louis  XIV.,  2  specimens,  with  fine  portraits  ;  Louis  XV.,  with  very 
fine  portrait  ;  Louis  XVI., with  2  portraits  :  Napoleon  I.,  2  specimens, 
with  4  portraits  ;  Frederick  the  Great,  with  portrait  ;  Mrs.  Abington 
(the  actress),  with  portrait  ;  Addison,  with  portrait  ;  Monk,  Uuke  of 
Albemarle,  a  fine  autograph  letter,  with  Ciaywood's  very  rare  por- 
trait ;  Admiral  Lord  Anson,  a  fine  autograph  letter,  with  rare  con- 
temporary portrait ;  John  Arbuthnot,  with  contemporary  portrait  ; 
Pishop  Atterbury,  with  Vertue's  portrait. 

44 


Vol.  II. — Mrs.  Barbauld,  with  fine  portrait  by  Meyer  ;  Bartolozzi,  with 
2  beautiful  portraits  ;  Admiral  Benbow,  a  very  fine  letter,  with 
portrait ;  Jeremy  Bentham,  with  portrait ;  Richard  Bentley,  D.  D., 
with  portrait  ;  Marshall  Berthier,  with  fine  portrait  ;  Isaac  Bicker- 
staff,  with  very  fine  contemporary  portra-.t ;  Thomas  Bewick,  3  very 
interesting  letters,  with  fine  portrait  ;  Mrs.  Billington.  with  portrait 
as  "  St.  Cecelia  "  ;  Sir  William  Blackstone,  with  portrait  ;  Henry  St. 
John,  Lord  Bolingbroke,  2  specimens,  with  rare  contemporary  por- 
trait ;  James  Boswell,  with  portrait. 

Vol.  III. — James  Bruce  (the  'rravcUer),  a  very  fine  letter  ;  John  Sheffield, 
Duke  of  Buckingham,  2  specimens,  with  portraits  ;  Edmund  Burke, 
with  portrait ;  Bishop  Burnet,  an  important  letter,  with  fine  contem- 
porary portrait  ;  Robert  Burns, a  poem  in  his  autograph,  *'  The  Soger 
Laddie  Gaed  (^ver  the  Sea  ;  "  Burton  (author  of  "  Anatomy  of  Mel- 
ancholy);" Admiral  Sir  George  Byng,  2  specimens,  with  very  fine 
contemporary  portrait  ;  Lord  Byron,  3  specimens,  with  2  portraits  ; 
Thomas  Campbell,  a  song  in  his  autograph  ;  Angelica  Catalani,  with 
portrait ;  Robert  Cecil,  Earl  of  Salisbury  ;  Mrs.  Chapone,  with  por- 
trait ;  Chateaubriand,  a  very  fine  letter,  with  portrait ;  Philip  Dormer, 
Earl  of  Chesterfield,  with  2  portraits  ;  Colley  Cibber,  with  very  rare 
portrait ;  Mrs.  Cibber,  a  very  fine  letter  to  David  Garrick,  with 
portrait. 

Vol.  IV. — Lord  Chancellor  Clarendon,  a  fine  letter  to  the  Earl  of 
Leicester,  with  contemporary  portrait ;  William  Cobbctt,  a  long  letter, 
with  fine  portrait  by  Bartolozzi  ;  J.  B,  Colbert,  2  letters,  with  por- 
trait ;  S.  T.  Coleridge,  a  letter  mentioning  Charles  Mathews,  with 
portrait  ;  Admiral  Lord  Collingwood,  with  portrait  ;  George  Colman 
(the  elder  and  the  younger),  letters  and  portraits  ;  William  Congreve, 
2  specimens,  with  fine  contemporary  portrait  ;  Captain  Cook,  with 
portrait  ;  Admiral  Lord  Cornwallis,  with  very  fine  portrait  ;  William 
Cowper,  with  2  portraits ;  Rev.  George  Crabbe,  with  [portrait  ; 
John  Wilson  Croker,  with  portrait ;  Sir  William  Davenant  (tlic 
Dramatist),  fine  specimen;  Sir  Humplirey  Davy,  with  portrait;  De 
Lolme,  with  portrait  ;  Chevalier  D'Eon,  a  very  fine  letter,  and  5  fine 
and  very  rare  portraits  ;  Kenelm  Digby,  with  rare  portrait. 

Vol.  v.— Isaac  D'Israeli,  with  portrait  ;  Dr.  Doddridge,  with  -•  por- 
traits ;  William  Dugdale,  with  Hollar's  rare  portrait  ;  Maria  lldge- 
worth  ;  Lord  Ellcnborough,  2  specimens,  with  portrait  ;  Lord 
Erskine,  with  portraits  ;  Robert  Devereu.x,  Earl  of  Essex,  with  por- 
trait ;  Prince  Eugene,  with  very  rare  portrait  ;  John  I'.vclyn,  a  mag- 
nificent letter  to  Archbishop  Tenison,  very  fine  and  extremely  rare  ; 
Mary  Evelyn  (his  wife),  a  fine  letter,  with  portrait  ;  William  Falconer 

45 


(author  of  "  The  Shipwreck  "  )  ;  Marquis  de  la  Fayette,  with  por- 
trait ;  Henry  Fielding,  2  very  interesting  specimens,  rare,  with  por- 
traits ;  Saml.  Foote  (Dramatist),  with  portrait  ;  Thomas  Sackville, 
Karl  of  Dorset ;  Robert  and  Andrew  Fouiis  (the  celebrated  Printers), 
a  fine  letter  ;  Sir  Stephen  Fox,  with  portrait  ;  Charles  James  Fox, 
with  portrait;  Benjamin  Franklin,  interesting  letter,  with  fine  con- 
temporary portrait  ;  Captain  John  Franklin,  with  portrait  ;  Fuseli 
(2  letters),  with  portrait. 

Vol.  VI. — David  (iarrick,  3  letters,  with  3  fine  portraits;  Sir  Samuel  Garth, 
with  portrait  ;  John  Gay  (author  of  the  "  Fables  "),  with  portrait ;  Ma- 
dame de  Genlis,  with  portrait  ;  Edward  Gibbon,  with  portrait  ;  Mary 
WoUstonecraft,  with  portrait  ;  Goethe,  with  portrait  ;  Oliver  Gold- 
smith, a  letter  to  Cadell  the  publisher,  a  letter  of  extreme  rarity,  with 
Bunbury's  portrait  ;  Rev.  James  Granger,  with  contemporary  por- 
traits ;  Gray  (author  of  the  "  Elegy  "  ),  a  magnificent  letter  of  2  4to 
pages,  extremely  rare,  with  portrait  ;  Zachary  Grey,  with  portrait  ; 
Charles,  Earl  of  Halifax,  with  contemporary  portrait  ;  Handel,  fine 
letter,  signed,  and  so  rare  that  probably  no  other  specimen  is  attain- 
able, with  contemporary  portrait  ;  Harley,  Earl  of  Oxford,  with  Ver- 
tue's  fine  portrait ;  Warren  Hastings,  with  fine  portrait  ;  B.  R.  Hay- 
don,  with  contemporary  etched  portrait  ;  Hazlitt,  folio  page  of  his 
manuscript  and  a  note  ;  Thos.  Hearne,  a  letter,  a  note,  etc.,  with  fine 
portrait. 

Vol.  VH. — William  Herschell,  with  fine  proof  i)ortrait  ;  Rev.  James 
Hervey  (author  of  "  Meditations  "  ),  with  portrait  ;  William  Hogarth, 
with  portrait  ;  Admiral  Lord  Hood,  with  portrait  ;  Theodore  Hook, 
with  portrait  ;  Cardinal  Howard,  with  fine  portrait  ;  John  Howard, 
with  portrait  ;  John  Hughes  (Dramatist),  with  portrait  ;  Baron  Hum- 
boldt, v/ith  portrait;  David  Hume,  with  portrait;  John  Hunter,  with 
portrait  ;  W.  H.  Ireland,  letter  and  one  of  his  celebrated  forgeries  ; 
Dr.  Johnson,  with  4  portraits  ;  Mrs.  Jordan,  with  portrait ;  Edmund 
Kenn,  with  portrait  ;  Michael  Kelly,  with  portrait  ;  J.  P.  Kemble, 
with  portrait  ;   Charles  Kemble,  with  portrait. 

Vol.  VIII. — Sir  Godfrey  Kncller,  with  fine  mezzotint  portrait  ;  Sir 
Thos.  Lawrence,  2  letters  and  portrait  ;  Narcissus  Luttrell  ;  Lord 
Lyttelton,  with  portrait  ;  Charles  Macklin,  with  portrait  ;  John,  First 
Duke  of  Marlborough,  and  Sarah,  Duchess  of  Marlborough,  with  por- 
traits;  Hannah  More,  with  portrait;  Joseph  Munden,  with  portrait. 

Vol.  IX. — Lord  Nelson,  with  portrait  ;  Sir  Edward  Nicholas  (Secre- 
tary of  State  to  Charles  I.  and  II.),  a  fine  letter,  with  portrait;  James 
Northcote,    R.A.,    with    fine    mezzotint    portrait;    Titus    Gates,  with 

46 


portrait  ;  Mrs.  Anne  Oldfield,  with  fine  mezzotint  portrait  ;  Speaker 
Onslow,  with  portrait  ;  John  Opie,  R.A.,  with  fine  mezzotint  por- 
trait ;  Thomas  Paine,  with  fine  portrait  by  VVm.  Sharp  ;  Thos.  Par- 
nell  (Poet),  with  fine  mezzotint  portrait;  Saml.  Pepys,  with  portrait 
by  White  ;  Bishop  Percy,  2  letters  and  portrait ;  John  Pine  (En- 
graver) ;  Mr.  and  Mrs.  Piozzi,  with  her  portrait  ;  Thos.  Pownall 
(Governor  of  South  Carolina,  1759). 

Vol.  X. — Alex.  Pope,  a  letter  to  Tonson,  a  note,  and  2  receipts  for 
subscriptions  to  his  Homer,  filled  in  and  signed  by  him,  with  7  por- 
traits, I  being  the  fine  mezzotint  after  Sir  Godfrey  Kneller ;  \Vm. 
Prynne,  with  portrait  ;  James  Puckle,  with  portrait  ;  Allan  Ramsay, 
the  painter,  with  portrait  ;  Sir  Joshua  Reynolds,  with  portrait ;  Saml. 
Richardson  (author  of  "  Pamela  "  ),  with  2  portraits  ;  Joseph  Ritson, 
with  portrait ;  Admiral  Lord  Rodney,  with  portrait ;  Sir  George 
Rooke,  a  fine  letter,  with  portrait ;  Count  Rumford,  with  portrait  ; 
Lord  St.  Vincent,  with  portrait  ;  Sir  Walter  Scott,  several  specimens, 
with  portraits  ;  Wm.  Shenstone,  with  3  portraits  ;  R.  B.  Sheridan. 

Vol.  XL — Bishop  Sherlock,  with  fine  portrait ;  Admiral  Sir  Cloudsley 
Shovel,  with  portrait ;  Mrs.  Siddons,  with  portrait ;  Sir  Hans  Sloane, 
with  fine  mezzotint  portrait ;  Southerne  (the  Dramatist),  with  por- 
trait ;  Madam  de  Stael,  2  letters  and  2  portraits,  i  very  rare  ;  Sir 
Richard  Steele,  an  interesting  letter  to  his  wife,  with  2  portraits  ; 
Lawrence  Sterne,  with  portrait ;  Thos.  Stothard,  with  portrait  ;  Dean 
Swift,  with  portrait  ;  Prince  Talleyrand,  with  portrait  ;  Talma,  with  2 
portraits  ;  Bishop  Jeremy  'I'aylor,  a  magnificent  letter  to  John  Evelyn, 
with  portrait  ;  Sir  William  Temple,  a  fine  letter,  1648,  with  portrait  ; 
Philip  Thicknesse,  a  fine  letter;  Sir  James  Thornhill.  with  fine  mezzo- 
tint portrait  ;  Matthew  Tindall,  with  fine  mezzotint  portrait  ;  Jacob 
Tonson,  with  portrait  ;  John  Home  Tooke,  witli  portrait. 

Vol.  XH. — Mrs.  Trimmer,  with  fine  portrait  ;  Dr.  Trusler,  witii  por- 
trait;  J.  M.  W.  Turner;  Sir  John  Vanbrugh,  with  fine  mezzotint  por- 
trait ;  George  Vertue,  with  portrait  ;  Voltaire,  with  portrait  ;  .Arch- 
bishop Wake,  with  fine  mezzotint  portrait  ;  Edmund  \Valicr,  a 
magnificent  letter  and  of  extreme  rarity,  with  portrait  ;  Sir  Robert 
Walpole,  with"  portrait  ;  Horatio  Walpole,  with  fine  mezzotint  por- 
trait ;  Horace  Walpole,  with  2  portraits  ;  Bishop  Warburton,  4  letters, 
with  5  portraits;  General  \Vasliington,  with  portrait;  Daniel  Water- 
land,  with  fine  mezzotint  portrait  ;  Isaac  Watts,  with  fine  mezzotint 
portrait ;  Carl  Von  Weber,  with  portrait  ;  Josiah  Wedgewood,  with 
fine  portrait  ;  John  Wesley,  with  2  portraits  ;  Charles  Wesley,  with 
portrait  ;  Benjamin  West,  with  portrait. 

47 


Vol.  XIII. — George  Whitefield,  a  fine  and  rare  letter,  with  portrait ;  John 
Wilkes,  3  specimens,  with  fine  mezzotint  portrait  ;  Dr.  Wolcot,  with 
portrait  ;  General  Wolfe,  an  extremely  rare  letter,  with  portrait  ; 
Antony  k  Wood,  with  portrait  ;  William  Wollett,  with  portrait  ;  W. 
Wordsworth,  with  portrait ;  Sir  Christopher  Wren,  2  specimens,  with 
2  portraits,  i  a  fine  mezzotint  ;  Edward  Young  (author  of  "  Night 
Thoughts  "  ),  with  portrait  ;  Charles  M.  Young,  with  portrait. 

4636  Upcott  (Wili,i.\m).     Vol.  XIV.,  being  Mr.  Augustin  Daly's  additions  to 

the  above  celebrated  collection.  Among  the  more  important  auto- 
graph letters  may  be  mentioned  Shefifield,  Duke  of  Buckingham  (3), 
Lord  Bolingbroke,  Mile.  Clairon,  Franklin,  1762,  2  pp.,  4to,  to 
Strahan,  Dr.  Johnson, -Jacob  Tonson,  George  Steevens,  Sir  Hudson 
T.owe,  Daniel  Boone,  1792,  Wm.  Cowper,  George  Morland,  R.  B. 
Sheridan  (2)',  Sir  William  Hamilton,  Emma,  Lady  Hamilton,  Malone, 
Wilkie,  Goethe,  2  pp.,4to,  and  3  pp.,  folio,  original  MS.  of  Faust, 
Thomas  Knight,  Henry  Siddons,  Bartolozzi,  Lady  Byron,  Byron,  Ada 
Byron,  James  Kenney,  Sir  Thomas  Lawrence,  Grimaldi,  Charles 
Mathews,  Moscheles,  Albany  Fonblanque,  etc.  The  portraits,  many 
of  which  are  fine  mezzotints  or  India  proofs,  include  Sheffield,  Duke 
of  Buckingham,  Sir  Thomas  Lawrence,  Mrs.  Crouch,  Byron,  Dr. 
Johnson,  George  Steevens,  Saint  Prix  in  colors,  R.  B.  Sheridan,  Lady 
Hamilton  as  Cassandra,  Moscheles,  etc.;  as  well  as  original  drawings 
of  Jacob  Tonson,  Thomas  Davies,  and  Chabert.  Bound  in  folio  half 
levant  morocco  gilt. 

4637  COLLECTION  OF  MS.  ASSIGNMENTS.  Original  assign- 
ments of  manuscripts  between  authors  and  publishers,  for  dramatic  and 
other  works,  from  the  year  1703  to  1822.  3  vols.,  small  folio,  being  a 
collection  of  540  original  unpublished  documents,  showing  the  value 
paid  for  literary  productions  in  the  eighteenth  century,  collected,  alpha- 
betically arranged,  and  indexed,  by  the  eminent  bibliophile,  William 
Upcott,  Esq.,  containing  an  India-proof  portrait  of  himself,  entitled 
"  A  Collector,"  3  engravings  of  the  Handel  celebration,  etc.,  and  47 
fine  portraits  of  celebrities,  including  rare  and  choice  mezzotints, 
proofs  before  letters,  etc.  The  whole  carefully  mounted,  folded, 
inlaid,  and  bound  in  morocco,  by  C.  Lewis. 

An  invaluable  collection  for  the  side  lights  it  throws  on  English 
literature,  and  for  the  mass  of  original  matter  of  a  class  becoming 
every  year  more  difficult  to  obtain.  The  following  is  a  selection  of 
the  contents  :  Addison's  receipt  for  ;^io7  10s.  from  Jacob  Tonson, 
for  his  opera  of  Cato.  Bickerstaffe  (Isaac)  assignment  of  17  plays  of 
the  21  which  he  wrote,  for  10  guineas;  dated  from  Heidelburg,  1786. 
Barton  Booth,  receipt  for  ^£^2  los.  for  his  play,  The  Perjured  Lover. 


Contracts  by  the  notorious  Edmund  Curll.  Carey  (David,  author  of 
Life  in  Paris)  for  the  Poetical  Magazine.  Cibber  (Colley)  receipt  for 
^105  for  his  comedy,  The  Provoked  Husband,  witnessed  by  Aime 
Cibber,  with  iiis  seal  attached.  Cibber  (Theophilus)  j£45  for  his 
comedy,  The  Lover  ;  or.  The  Libertine  Hypocrite.  Cleland  (John) 
Woman  of  Honour,  1767.  ^25.  Interesting,  as  the  title  was  after- 
wards altered  to  "  The  Man  of  Honour  "  (see  Lowndes).  It  also 
determines  the  date,  which  Lowndes  could  not  ascertain.  European 
Magazine,  details  respecting  the  Handel  commemoration,  by  Isaac 
Reed  and  others.  Cay  (John)  Fables  and  Beggar's  Opera,  j^ij^  los., 
with  his  seal.  Haywood  (Eliza)  History  of  the  British  Theatre, 
j£i6  4s.  Humphreys  (S.)  translation  of  La  Fontaine's  Tales,  for  E. 
Curll.  Lillo  (G.)  play,  entitled  the  London  Merchant  ;  or,  History  of 
George  Barnwell,  ^105.  "Acted  at  Drury  Lane  with  great  success." 
— Baker.  London  Packet  (Newspaper)  signatures  of  George  Colman, 
T.  Becker  (for  I).  Garrick,  Esq.),  W.  Woodfall,  and  others,  1770- 
Malone  (Edmund)  ^200,  1801.  Payne  (T.)  proving  who  was  the 
author  of  the  well-known  Hoyle's  Games.  Percy  (Bp.)  various  works, 
1764-71.  Pope  (Alex.)  receipt  for  subscription  to  the  Iliad.  Rich 
(John,  proprietor  of  the  Covent  Garden  Thecitre)  20  guineas  for  one 
half  of  an  opera,  entitled  Momus  turned  Fabulist.  Rowe  (Nicholas) 
agreement  for  his  tragedy  of  Jane  Shore,  witnessed  by  Alex.  Pope,  17 13. 
Savage  (Richard)  signature  as  witness  to  agreement  for  Smythe's 
comedy.  Rival  Modes  ;  recently  jiroduced  at  the  Theatre  Royal, 
Drury  Lane.  Walker  (Thos.,  the  original  Macheath  in  Th.e  Beggar's 
Opera),  ^21  for  his  play,  The  Fate  of  Villany,  1729.  Broome 
(W.)  poems,  ;^35,  1726.  Echard  (Laurence)  History  of  England, 
^370  los.  Hill  (Sir  John,  director  of  Kew  Gardens)  Natural  History 
of  Animals,  Vegetables,  and  Minerals,  ^472  10s.  London  Packet, 
1770,  signatures  by  Partners:  W.  Strahan,  H.  S.  Woodfail,  Thos. 
Davies,  J.  MacPherson,  and  others.  Simpson  (Rob.)  Elemenl^;  of 
Euclid,  for  one  moiety,  ^"104  14s.  $h/.  Strutt  (Jos.)  Views  of  the 
Dress  and  Habits  of  the  People  of  F.ngland,  ^^250.  Grey  (/achary) 
signature  as  witness  to  an  agreement.  Cobbctt  (W.)  letter  respect- 
ing the  Porcupine,  1801.  Johnson  (J.,  publisher)  various  docuinciUs, 
1804,  etc.  Rivington  (James,  publisher)  letter  from  New  York,  to 
T.  Nourse,  bookseller,  of  the  Strand,  announcing  his  bankruptcy, 
1767.  After  Upcott's  death,  in  1S52,  tlie  collection  appears  to  have 
come  into  the  possession  of  John  Nichols,  the  anlicpiary. 

4638  Vandenhoff,  Gkorgk.  AutOL'Taph  I'-ttcr.  I'"(I)ruaiy  10,  1849,  3  pp.. 
4to.  Interesting  letter,  declining  to  play  seconil  and  ihirti  nite  puts, 
etc. 

4  49 


4639     Vaxdenhoff,  Georgk.     Autograph  letter,  Monday,  2  pp.,  Svo. 

^5^0  Autograph  letter,  Saturday,  3  pp.,  8vo.  Important  and  in- 
teresting letter  concerning  engagement  with  Hackett,  declining  to 
appear,  etc. 

4641     Autograph  letter,  2  pp.,  Svo,  on  the  same  subject. 

4642  Vezin,    Hermann.       Autograph    letter,    2    pp.,  8vo.       "  The    way    the 

Oerman  actors  prepare  their  grease  paint,"  etc. 

4643  Victor,  Benjamin.     Autograpli  letter,  August  25,  1741. 

^644 Autograph  letter.  Tuesday.  Interesting  letter  to  Major  Pear- 
son about  one  of  Ids  early  works,  and  2  pp.  folio  poem,  "  Upon  Mr. 
Lee's  being  turned  out  of  the  I'layhouse."     2. 

4645     Autograph  letter,  \Vednesday,  4to.     Interesting  letter  to  Sheri- 
dan. 

4646  VicToRiNE,   Mme.     Autograph    letter,  2    pp.,    8vo.      Victor,  French 

(Dramatist),  8vo.      2. 

4647  Vining,  Edward.     Autograph  letter,  September  20,  1830,  2  pp.,  4to. 

4648  Vining,  F.     Autograph  letter,  8vo. 

4649  Vining,  George  J.     Autograph  letter,  8vo. 

4650  Vining,  Mrs.  George.     Autograph  letter,  8vo. 

4651  Vining,  Henry.     Autograph  letter,  September  19,  1830,  3  pp.,  4to. 

4652  Vining,  James.     Autograph  letters,  December  6,  1832,  etc.     2. 

4653  Vining,  W.     Autograph  letter,  8vo. 

4654  VoKES,  W.  Fawdon.     Autograph  letter,  February  4,  1864,  8vo. 

4655  Walche,  R.;  Webbe,  Samuel  ;  Webster,  Richard  ;  Wigan,  Horace, 

and  others.     6. 

4656  Walcot,    Charles    Melton.     Autograph    letter,    4to.     Endorsed   by 

Chippendale.  "  Another  beautiful  missive  from  Walcot.  He  is 
impertinent  on  Broiighaui  ;  there  is  no  ruling  his  wretched  self- 
conceit." 

4657  Wai.den,  Thomas  B.  De.     Autograph  letter,  February  21,  1852,  4  pp., 

8vo.  Interesting  letter  about  theatrical  matters  in  Cincinnati,  St. 
Louis,  etc. 

4658     Autograph  letter,  June  30,  3  pp.,  4to.     "After  three  weeks  of 

hope  and  expectation.  .  .  .  Rice,  Crisp  &  Co.  .  .  .  have 
exploded."     Interesting  letter  about  Cincinnati  Theatre. 

50 


4659  Waldauer,  a.     Autograph  letters,  1S53  and  i860.     Interesting  letters 

about  theatrical  affairs  in  St.  Louis  and  New  Orleans.     3. 

4660     Autograph  letters,  1861  and  1S66.     Similar  to  above.     2. 

4661  Ward,  Sam.    Autograph  letters,  1870  and  1871,  3  pp.,  8vo,  each,  to  Wm. 

Stuart.     2. 

4662     Autograph  letters,  January,  1871,  etc.     To  the  same.     2. 

4663  Warde,  James  Prescott.     Autograph  letter,  2  pp.,  8vo. 

4664  Washington,    George.      Autograph   letter,    Philadelphia,    August   29, 

1 791,  2  pp.,  4to.     A  long  and  interesting  letter  to  Mr.  Anthony  \Vhit- 
ing.  the  manager  of  his  estates.     In  perfect  condition. 

4665  Webb,   C.   H.     Autograph  letters,   February  28,  1867,  and  October   14, 

1875.     A  facetious  letter  to  Wm.  Stuart.     2. 

4666  Weber,  Lisa.    Autograph  letters,  May  4,  1869,  and  May  5,  1869.    2  pp. 

each.     2. 

4667  Webster,  Arthur.     Autograph  letter,  March  20,  1848,  3  pp.,  8vo. 

4668  Webster,  Benjamin.     Autograph  letter,  June  25,  1841. 

4669     Autograph  letter,  August  26,  i860,  Svo,  and  circular  letter  from 

Wm.  Willott  inviting  Chippendale  to  dinner,  to  be  tendered  to  Webster 
on  the  completion  of  the  Adelphi  Theatre.     2. 

4670     Autograph  letter,  i860,  8vo. 

4671     Autograph  letter,  August  29,  1864,  Svo. 

4672     Autograph  letters,  June  20,  Svo,  signed  Photo.,  etc.     3. 

4673  Welsh,  Thomas.     Autograph   letter.   May  7,   1S35,  3  pp.,  Svo,  to  the 

Secretary  of  the  Royal  Academy. 

4674  Wemyss,  Francis  Courtney.     Autograph   letter,   December  29.  1852. 

Interesting  letter  about  receipts  of  festival  at  Castle  Garden,  etc. 

4675     Autograph  letter,  January  16,  1855,  2   pp.,    4to.     Letter  almtit 

hard  times,  flour  %\2  per  barrel,  etc.     Unusually  interesting. 

4676     Autograph    letter,    January    19,    1853.    3    pp..    4to.     Long   and 

interesting  letter  about  Dramatic  Fund,  Hamblin's  death,  and  tlicatri- 
cal  matters. 

4677  Westmoreland,    John    Fane,    Earl.     Autograph   letter,    .August    22, 

1857,  2  pp.,  Svo. 

51 


4678  Wkston,  J.  M.     AutograiT^i  letter,  January  5,  1845,  4  pp.,  4to.     Inter- 

esting letter  about  New  Orleans  Theatre,  actors,  etc.  "  God  help  the 
innocent  [niblic  !  " 

4679     Autograph    letter,   February    8,    1845,    4    pp.,   4to.     Interesting 

letter  about  H.  Placide's  benefit,  affairs  of  Charles  St.    Theatre,  etc. 

4680  VVhuakkr,  John.     .Autograiih  letter,  August  11,  1815,  4to,  to  Winston, 

with  rare  lithographic  portrait.     2. 

4681  WinTK,  C.  B.,  Mrs.     Autograph  letter,  2  pp.,  8vo. 

4682  Win  IK,  Rkv.  J.a.mks.     Autograph  letter. 

4683  Willi  K.  J.'VMKS.     Autograph  letter,  May  23,  1853,  3  pp.,  8vo. 

4684  Wiirn:,  Rich.akd  Grant.     Autograph  letter,  2  pp.,  8vo,  and  autograph 

note  signed.     2. 

4685  WiOAN,  Alfred.     Autograph  letter,  November  17,  1854. 

4686     Autograph  letter,  July  30,  1872. 

4687  WiGAN,    Horace.     Autograph    letters,   January   31    and    February    13, 

T855.     2. 

4688  WiLDK,  W.  J.      Autograph  letters,  1865.  etc.     6. 

4689  Wilkinson,  J.     Autograph  letter,  3  pp.,  8vo,  to  Harley. 

4690     Autograph  letter,  .\ugust  15,  1856,  2  pp.,  8vo,  to  Harley, 

4691  Williams,  Barney.     Autograph  letter,  November  4,  1855,  3   pp.,  4to. 

Interesting  letter  about  New  York  theatricals. 

4692     Autograph  letter,  August  4,  2  pp.,  8vo. 

4693     Autograph  letter,  .April  16,  8vo. 

4694  Williams,  1'homas  J.     Autograph  letter,  2  pp.,  8vo. 

4695  WiNGFiELD,  L.     Autograph  letters.     7. 

4696  Winter,  Willie.     MS.,  i  p.,  folio. 

4697  Winter  Garden   Theatre.      The  receipt  book,  beginning   with   the 

Strakosch  Italian  Opera  Co.,  December  7,  1858,  $161.50  (raining 
heavily — prices  raised)  and  ending  March  15,  1865.  An  extremely 
important  item  in  connection  with  the  New  York  stage.  Folio,  half 
bound. 

4698  Wood,  Im.i.en.     Autograph  letter,  October  7,  1868,  2  pp.,  8vo. 

4699  Wood,  Mrs.  John.     Autograph  letter,  October  8,  1890,  4  pp.,  8vo. 

52 


4700  Wooden,  W.  S.     Autograph  letter,  December  28,  1852. 

4701  WooLER,  J.  P.     Autograph  letters,  November  i,  1855,  etc.     6. 

4702  Worrell,  James.     Autograph  letters,  October   28  and  November   11, 

1864,  3  pp.,  8vo,  each.     2. 

4703  WkouGHroN,    Richard.       Autograph    letter,    December    13,    1824,    to 

Winston. 

4704  Yarnold,    Mrs.    Edwin.      Autograph    letter,    vSeptembcr    21,    1862,   2 

pp.,  8vo. 

4705  Yarnold,  George.     Autograph  letter,  September  19,  1862. 

4706  Young,  Charles   Mayne.     "  Part  of  the  Fan  used  by  Charles  Young, 

Esq.,  30th  May,  1832,  in  the  character  of  liamlet,  his  last  appearance 
on  the  stage.     John  M.  Field." 


PLAY-BILLS 

4707  Academy  of  Music.     14th  Street,  etc.     8. 

4708  Adelphi    Theajre,  Strani>.     Novembef  19,  1827,  etc.     Mr.  Mathews 

severe  indisposition,  etc.     Astley's.     4. 

4709  Barnum's    Museu.m.      August    27,    1864,    etc.    (3).      Bath    Theatre 

Royal,  February  22,  1830.     4. 

4710  Broadway    Amphitheatre  ;    American,    444  Broadway  ;    Bradford 

Theatre  ;  BostoxN  Theatre,  Lucille  Western,  J.  W.  Wallack,  and 
E.  L.  Davenport  ;  Birmingham  Theatre,  benefit  of  Mrs.  CJlover.     5. 

4711  Booth's  Theatre.     January  8,  1870,  etc.    Booth  as  Hanilet ;  Jefferson, 

Boucicault  (3).     5. 

4712     February  i,  1873,  etc.     Booth  as  Brutus,  Macbeth,  etc.     .;. 

4713  Bowery    Americ.vn    Theatre.      December    31,    1833.      Mrs.    Llynn. 

Ingersoll,  U'hcatley,  Connor,  etc. 

4714     January   15,  1834,  and  Worrell  Sisters  ;   New    York    Theatre, 

January  31,  benefit  of  M.  L.  Finch.     2. 

4715  Bowery  Theatre,  Fox's  Old,   May  9,  1864;    New  F>owekv   1  iik a  rRE, 

June  I,  1864,  etc.,  farewell  benefit  of  0.  F.  l'"<>.\.     4- 

4716  I'.owERV    Theatre,  May  13,  1867,  etc.     P.cncfits  of  (1.  C\  Ilowanl,  J.  W. 

Fingard,  etc.     3. 

4717  Bristol,  Theatre  Royal.     August  29,  1820,  etc.     10. 

53 


4718  Bristol,  Theatre  Royal.     August  30,  1820,  etc.     10. 

4719     February  24,  1829,  etc.     8. 

4720  Broadway  Theatre,   1865,  etc.     Mr.  and  Mrs.  Chas.  Kean,  Fechter, 

etc.;  Bryant's  Mechanic's  Hall  ;  Bryant's  Opera  House.     8. 

4721  Chester,  Theatre  Royal,   benefit  of   Sheridan   Knowles  ;  Carlisle 

Theatre,  July  4,  1846;  Burton's  New  Theatre,  October  3,  1857. 

3- 

4722  CovENT    Garden,    Theatre    Royal.     November    13,    1795,    October      J| 

27,  and  November  28,  1801,  etc.     5. 

4723  1807,  1811,  1812,  1813.     10. 

4724  September  28  to  December  13,  1813.     10. 

/^J2S  February  24,  1814,  to  November  9,  18 16.     12. 

^726  June  10,  1817,  to  December  21,  1819.     10. 

Ajzy  April  17,  1820,  to  November  21,  1827.     10. 

4278  March  3,  1828,  to  June  11,  1828.     7. 

4729     October  10  to  December  10,  1828.     All  Kean  bills.     4. 

47^0     January  19,  1829,  to  July  21,  1832.     8. 

4731     July  24,    1832,' to  June  20,1836.      Paganini,    Malibran,   Helen 

Faucit,  etc.     6. 

4732     December  22,  1836,  etc.     Last  appearance  of   Charles  Kemble, 

etc.     8. 

4733  Italy's  Fifth  Avenue  Theatre.     2  bills  indorsed  by  Mr.  Daly,  "The 

Last  Night  and  the  First,"  and  poster  of  "  Railroad  of  Love."     3. 

4734     1869,  etc.,  and  4  plans  of  seats.     7. 

4735     Chas.  Mathews  as  Coldstream,  etc.     4. 

4736 December  13,  1869,  etc.      10. 

4737  December  20,  1869,  etc.     6. 

4738  J""^  9?  1870,  etc.     10. 

4739  April  20,  1870,  etc.      10. 

4740  December  14,  1872,  etc.     8. 

4741  Daly's  Theatre.     April  30,  1887.     "Taming  of  the  Shrew,"  on  satin. 

4742     January  23,  1888.     "  Railroad  of  Love,"  on  satin, 

4743 Another  copy. 

4744     Another  copy. 

54 


4745  Italy's  Theatre.     Another  copy.     Proof  of  "  Mr.  Daly  reading  a  new- 

play  to  his  company,"  before  the  text. 

4746     February  27,  1888.     "  AJidsiimmer  Ni.y:ht's  Dream,"  on  satin. 

4747     April  23,  1892.     "As  You  Like  It,"  printed  on  blue  .satin. 

4748     I  he  same,  on  yellow  satin. 

4749  Drury  Lane,  Theatre    Royal.      February    23,    1771.      "The    Busy 

Body."     Woodward,  Mr.  and  Mrs.  Weston,  Mrs.  Baker,  etc. 

4750     December  21,  1789.     "Tempest."     Bensley,  Moody,  Kelly,  Miss 

Romanzini,  Mrs.  Crouch,  Miss  Farren,  etc. 

4751     April    24,1797.       "The    Will."     King,    Bannister,    Suett,    Mrs. 

Jordan,  etc. 

4752     May  18,  1804,  and  January  9,  1806.     2. 

4753     December,  1819  ;  July,  1825.     3. 

4754     ^^28,  1832,  etc.     8. 

4755  Edinburgh,  Theatre  Royal.      August   29,   1831,   Mme.   Vestris  and 

Mr.  Horn,  February  23,   1838  ;  February  15,   18.19,  ^"^^  Greenwich 
Theatre,  April  14,  1825.     4. 

4756  English   Opera    House,   Strand.       May    7,  1821,    etc.      Mathews  at 

Home.     4. 

4757  English  Opera,  Theatre  Royal.     August  30,  1815.     Cooke's  benefit, 

September  i,  1815  ;  Oxberry's  benefit,  September  5,  1815.     3. 

4758  Franklin  Theatre,  Chatham  Square.     May  20,  1836.    John  Sefton, 

Anderson,  Miss  Gannon,  etc. 

4759  French  Theatre,  New  York,  etc.     3.     Lina  Edwin's.     3.     6. 

4760  Grand  Opera  House,  23D  Street  and  8th  Avenue.     9. 

4761  Hay  Market,  Theatre  Royal.     July  25,  1799,  Charles  Kemble,  etc. 

4762  July  5  and  11,  1805.     2. 

4763  1814,  1815,  1822.     Tayleurc's  benefit.     3. 

4764  August,  1824.     4. 

4765  September  3-15,  1824.     6. 

4766  Sei)tember  17-29,  1S24.     7. 

4767  October  1-12,  1824.     Mme.  Vestris's  benefit,  etc.     6. 

4768  October  13-25,  1824.     6. 

4769  June  I,  1825,  etc.    Macready,  iNLathews,  etc.     4. 

4770  Ipswich  Theatre.     Mathews'  benefit,  etc.     4. 

55 


4771  Keene's  Varieties,  Laura.     June  21,  1856  ;  on  satin,  etc.     5. 

4772  LhMERicK,    Theatre    Royal  ;  Liverpool,  Theatre  Royal,  May  24 

and  June  4,  1834.     Mr.  and  Mrs.  Kean,  VVallack,  etc.     3. 

4773  Lyceum,  Theatre  Royal.     December   21,   181 1  ;   September  9,  1814. 

etc.     5. 

4774  Nassau    Street    Theatre.       Facsimiles  of  play-bill,    March,     1750, 

etched  by  G.  Ferris.     2. 

4775     The  same.     Signed  India  proof. 

4776  National    Theatre.       April    8    (1S52).      Benefit    of   A.    IT.    Purdy, 

April  28,  1852  ;  June  25,  1852.     3. 

4777     August    30,    1852  ;    September    17,    1852,    first    appearance    on 

any  stage  of  Miss   Hey  wood.      February  4,   1853,  benefit  of  W.  G. 
Jones.     3. 

4778  NiiiLo's  Garden.     March  23,  etc.     Benefit  of  W.   A.  Moore.     Benefit 

of  Lawrence  Barrett,  etc.     4. 

4779     June  29,   1858,  etc.     Charlotte  Cushman,  E.  L.  Davenport,  Mr. 

and  Mrs.  Barney  Williams,  etc.     6. 

4780     January    10,     1870,    etc.      First    appearance    in    America    of 

Fechter   and    Carlotta    Leclercq.      First    appearance    of    Fechter    as 
Hamlet,  and  Miss  Leclercq  as  Ophelia.     3. 

4781  Olympic  Theatre,  New  York.     September  15,  1865,  etc.     Joseph  Jef- 

ferson as  Woodcock,  Mrs.  John  Wood,  (ieo.  L.  Fo.x  as  Hamlet,  etc.    5. 

4782  Olympic,  Theatre  Royal,  London.     December  iS,  1835  ;  November 

13,  1848;  August  10,  1857,  etc.     4. 

4783  Bark  Theatre,  Old.     December  i,   1809  ;    Foundling  of  the  Forest, 

with  Simpson,  Twaits,  Collins,  Hallam,  Mrs.  Foe,  Mrs.  Oldmixon,  etc. 

4784  June  9,  1S17.     Benefit  of  the  Fund,  on  satin. 

4785  January  14,  1S31.     Master  Burke,  etc. 

4786  Octol)er  7,  1839.     Miss  Poole,  Giubilei,  etc. 

4787  October  8,  1839.     C'reswick,  Richings,  Placide,  etc. 

4788  October  10,  1839.      Martyn's  benefit. 

4789  October  12,  1839.    Wheatley,  Chippendale,  etc. 

4790     October  14.   1S39.     First  appearance  in  America  of  Mrs.  Fitz- 

william. 

4791     October  15  and  16,  1839.     2. 

4792     February  26,  1840.     Placide's  bciefit. 

50 


I 


4793  l^ARK  Theatre,  Old.     February  27  and  April  16,  1840. 

4794  April  14,  1840.      Blake's  benefit. 

4795  May  2  and  4,  1840.-    2. 

4796  May  8  and  ir,  1840.     Mrs.  Fitzwilliam's  benefit.     2. 

4797  Park  Theatre,  Abbey's.     March  9,  1878,  etc.     2.     Royat.  Park.  Lon- 

DON,  June,  1854.     Engagement  of  the  celebrated  American  tragedian, 
McKean  Buchanan.     3. 

4798  Pike's  Opera  House.     March  16  and  18,  1868.     Lotta  in  Uncle  Tom's 

Cabin  and  the  Pet  of  the  Petticoats.     2. 

4799  Plymouth,    Theatre    Royal.      September    2,    1846,    Mile.    Taglioni, 

Mme.  Giubilei,  etc. 

4800  Princess  Theatre.     May  27,  1850,  etc.     3. 

4801  Sadlers  Wells  Theatre.     The  2  original  drawings   in  colors  of  the 

posters  for  "  London  by  Ciaslight"  ;  folio  bill,  September  6,  1819,  and 
admission  ticket.     4. 

4802  Strand  Theatre.  3. 

4803  4- 

4804  Stratford-upon-Avon.     List  of   the    horses  entered    at   the    Jubilee 

race,  September  8,  1769. 

4805  Stratford-upon-Avon  Theatre.     August  9  aiul  .August  16,  1814,  etc. 

10. 

4806  Stratford-upon-Avon,    Royal  Shakespearean  Theatre.      May  4, 

1849,  etc.      10. 

4807  May  r,  1869,  etc.      10. 

4808  October  11,  1869,  etc.     10. 

4809  July  12,  etc.      10. 

4810  October  4.     8. 

4811  Surrey  Theatre,  March    18,1828;    Tewkesbury   Theatre.  October 

29,     1828  ;     Royal    Strand     Theatre,     August     24,     1.SC3,    etc.; 
Theatre  Royal,  Sta.mford,  July  23,  1855.     5. 

4812  Union    Square   'J'iieatre.       November    3,    187 1,  etc.,   2.      T.\mmann' 

Palace  of  .Amusement.     Opening  night,  January  4.  i^(>9-     ^■ 

4813  Wallack's    Theatre.       March    11,    1858;    Scplombcr     12,   1S5S.  etc. 

Matilda  Heron  asCamille,  Dan.  Bryant,  J.  W.  Wallack  as  Fagin.     4. 


4814  \\'allack's  Theatre.     April   9,   1870,  etc.     J.   W.  Wallack,  Chas.   J. 

Mathews,  Sothern,  etc.;  Barney  Williams'  Broadway  Theatre. 
Julia  Dean  as  Deborah.     5. 

4815  West  Kent  Theatre.     March  6,  1823.     Benefit  of  Cooke. 

4816  Wood's  Theatre,  New  York.     August  9,   1866,  etc.     Worrell  Sisters, 

benefit  of  Lucille  Western,  etc.     4. 

4817  Worcester  Theatre  Royal.     August  22  and  24,  1842.     2. 

4818  American.     Various.     11. 

4819  English.     Various.     11. 

4820  Boston  Theatre.     1854  to  1857.     452  bills,  2  vols.,  folio,  half  calf. 

4821  iJosTON,     The  Globe  Theatre,  1870  and  1871.      86  bills,  folio,  half  calf. 

4822  Brougham's  Lyceum.      169  bills.    July  11,  1851,  to  June  i,  1852,  folio, 

half  calf. 

4823  Covent  Garden  Theatre.   September  23,  1782,  to  June  6,  1783  ;  Sep- 

tember 8,  1817,  to  June  23,  1826  ;  October  3,  1831,  to  July  3,  1835. 
3,334  bills,  bound  in  13  vols.,  folio,  half  calf  and  half  morocco. 

4824  Edinburgh,  Adelphi  Theatre.     i85oand  1851.     239  bills,  bound  in  2 

vols.,  folio,  boards. 

4825  Fairbanks'  Wharf  Theatre.     71  bills,  1818  and  1819,  folio,  boards. 

4826  Mobile  Theatre.     1841  and  1842.     208  bills,  2  vols.,  folio,  boards. 

4827  Olympic    Theatre,   New    York.     1863-1868.     809  bills,    bound   in  4 

vols.,  folio,  half  morocco. 

4828  New  Orleans,  Saint    Charles  Theatre.     First  si.x  seasons,    1835- 

1841.      1,222  bills,  bound  in  6  vols.,  folio,  half  calf. 

4829  New  Orleans,  Camp  Street  Theatre.      1826,   1827,  1829,   1838-39. 

566  bills,  in  4  vols.,  folio,  half  calf,  etc. 

4830  Philadelphia.    Various.      143  bills,  views  of  theatres,  Kean  as  Richard 

Imbert  (lith.),  hundreds  of  newspaper  cuttings,  etc.,  2  vols.,  folio, 
sheep. 

4831     123    bills,    benefits,  first   appearances,    etc.,    of    Edwin    Booth, 

Forrest,  Anna  Thillon,  Louisa  Howard,  Miss  Heron,  Miss  Daven- 
port, E.  L.  Davenport,  Alexina  F.  Baker,  John  Drew,  Sr.,  Conway, 
Burton,  Charlotte  Cushman,  Chas.  J.  Mathews,  Wm.  Wheatley, 
Blondin,  etc.,  2  vols.,  folio. 

4832  Philadelphia  Play-Bills.     Scrap-book  of  70,  and  hundreds  of  news- 

paper cuttings,  etc.,  folio,  half  calf. 

58 


4833  Chestnut    Street   Theatre.     91    bills   from   September   8,   1832,  to 

December  31,  1832.  Including  many  important  benefits,  first  appear- 
ances, etc.,  of  Rice,  Sinclair,  the  Ravels,  Charles  Kemble.  Fanny 
Kemble,  Wm.  Warren,  Horn,  Miss  Hughes,  James  Wallack,  Wood, 
Mrs.  Rowbotham,  etc.,  bound  in  folio,  boards. 

4834     207    bills,  September    28,  1836,  to  April   29,    1837,  and    Arch 

Street  Theatre,  May  i,  1837,  to  July  5,  1837.  Mrs.  Shaw,  Tyrone 
Power,  Mr.  and  Mrs.  Kelly,  James  Wallack,  Miss  Clifton,  Dowton, 
Celeste,  Ravels,  Maywood,  Ellen  Tree,  Miss  Grove,  Hackett,  Burton, 
Mrs.  Gibbs,  Conner,  etc.,  folio,  stitched. 

4835  Play-Bills.     186410   1871.     The  "Play-Bill,"  the  ''Stage,"  and   the 

"Season,"  255  numbers,  bound  in  3  vols.,  folio,  half  calf. 

4836  ScRAP-BooK.      Bills  of   Park  Theatre,  Chestnut  Street   Opera  House, 

Hartford,  New  Haven,  Baltimore,  Troy,  etc.,  and  numerous  news- 
paper cuttings  of  Daly's  Company,  1882  and  1883,  and  MS.  "Accounts 
of  Tour  kept  for  Mrs.  A.  Daly,"  all  in  Mr.  Daly's  hand.     2. 


PHOTOGRAPHS 

4837  Anderson,  Mary.     No  duplicates.     6. 

4838  Ashley,  Minnie.     No  duplicates.     9. 

4839  Barrymore,  Maurice.     10. 

4840  Bernhardt,  Sarah,  etc.     5. 

4841  BouRCHiER,  Arthur,  etc.      10. 

4842  Brockuank,   Harrison,  etc.     10. 

4843  Bryant,  W.  C.,  etc.     8. 
8444  Cardon,  Juliet,  etc.     10. 

4845  Cargill,  May.     Large  photographs.     6. 

4846  Carter,  Maude,  etc.     10. 

4847  Cheatham,  Kitty,  etc.     10. 

4848  Clark,  George,  etc.     10. 

4849  ('lark,  Wilfred,  etc.     10. 

4850  Clark,  J.  S  ,  etc.     10. 

4851  Converse,   Lila,  etc.     5. 

4852  Daly,  Augustin,  etc.     10. 

59 


4^53  Davenport,  Fanny.     No  duplicates.     lo. 

^8^^  No  duplicates,     lo. 

4855  No  dujilicates.      10. 

4856  No  duplicates.      10. 

4857  No  duplicates.     9. 

4858  Davidge,  etc.     8. 

4859  Donaldson,  Arthur.     No  duplicates.     5. 

4860  Drehek,  Virginia.     No  duplicates.     8. 

4861  ,  etc.      13. 

4862  Drew,  John.     No  duplicates.     10. 

4863  No  duplicates.     10. 

4864  No  duplicates.     10. 

4865  No  duplicates.     8. 

4866  Karle,  Virginia.     No  duplicates.     8. 

4867  No  duplicates.      10. 

4868  Elliott,  Maxine.     No  duplicates.  ^  7. 

4869  Eytinge,  Rose,  etc.     4. 

4870  Fealy,  Maude.     Tinted.     No  duplicates.     7. 

4871  Tinted.     No  duplicates.     7. 

4872  Fisher,  Charles.     No  duplicates.     10. 

4873  No  duplicates.     11. 

4874  Forrest,  Edwin.     Unmounted.     No  duplicates.     10. 

4875  Unmounted.     No  duplicates.     10. 

4876  Unmounted.     No  duplicates.     10. 

4877  Unmounted.     No  duplicates.     9. 

4878  Unmounted.     9. 

4879  Freeman,  Max,  etc.     6. 

4880  Gilbert,  John,  etc.     10. 

4881  Gilbert,  William.     No  duplicates.     8. 

4882  ,  etc.     10. 

4883  Gilbert,  Mrs.     Panels.     No  duplicates.     5. 

4884  Panels.     No  duplicates.     5. 

60 


i 


4885  Gilbert,  Mrs.     No  duplicates.     10. 

4.886  No  duplicates.     10. 

4887  No  duplicates.     10. 

4888  No  duplicates.      10. 

4889  No  duplicates.      10. 

4890  No  duplicates.      10. 

4891  No  duplicates.      10. 

4892  No  duplicates.      10. 

4893  No  duplicates.     10. 

4894  No  duplicates.      10. 

4895  7- 

4896  Gresham,  Herbert,  etc.     13. 

4897  Hackett,  James  J.  K.,  etc.     10. 

4898  Harper,  Belle,  etc.      to. 

4899  Haswell,  Percy,  etc.     10. 

4900  Herbert,  Sidney.     No  duplicates.     9. 

4901  Heron,  Bijou,  etc.     10. 

4902  Holland,  Joseph,  etc.      13. 

4903  Irving,  Henry,  etc.     10. 

4904  Irving,  Isabelle,  and  Irwin,  May.     id. 

4905  Janauschek,  Fanny,  etc.      10. 

4906  KiNGDON,  Edith.     No  duplicates.     8. 

4907  Kingston,  Gertrude,  etc.     10. 

4908  Langtry,  Mrs.,  etc.     10. 

4909  Leclercq,  Charles,  etc.     10. 

4910  Lemon,  Marguerite.     2  large.     No  duplicates.     5. 
4QII  2  large.     No  duplicates.     5. 

4912  3  large.     5. 

4913 4  large. 

4914  4  large. 

4915  Lewis,  Catherine,  etc.     10. 

4^Ql5  Unmounted.     13. 

61 


4917  Lkwis,  James.     Panels.     No  duplicates.     5. 

4918  Panels.     No  duplicates.     5. 

4919  Panels.     No  duplicates.     5. 

4920  Panels  and  4to.     No  duplicates.      5. 

4921  Panels  and  4to.     No  duplicates.      10. 

4922  Panels  and  4to.      10. 

4923  Cabinets.     No  duplicates.     10. 

4924  Cabinets.     No  duplicates.     10. 

4925'  ■ —  Cabinets.     No  duplicates.     10. 

4926 Cabinets.     No  duplicates.     10. 

4927  Cabinets.     No  duplicates.     10. 

4928  Cabinets.     No  duplicates.     10. 

4929  Cabinets.     No  duplicates.     10. 

4930 ~"  Cabinets.     No  duplicates.      10. 

4931  Cabinets.     No  duplicates.     10. 

4932  10. 

4933  Various.      13. 

4934  Pi'OYD,  Violet,  etc.     10. 

4935  I-OFTus,  Cissy.     No  duplicates.      11. 

4936  Macintosh,  Burr,  etc.     10. 

4937  Macintosh,  Nancy,  etc.     10. 

4938  May,  Jane.     No  duplicates.     8. 

4939  Morris,  Clara,  etc.     10. 

4940  Morton,  Dorothy,  etc.     10. 

4941  MuRDOCK,  James  E.,  etc.     7. 

4942  Neilson,  Adelaide,  etc.     Large.     5. 

4943  Nelson,  Helma,  etc.      10. 

4944  Nethersole,  Olga,  etc.     5. 

4945  Owen,  William.     Large.     No  duplicates.     ^ 

4946  Palmer,  Frances,  etc.       10. 

4947  PiNERO,  Arthur,  etc.     10. 

62 


4948  Potter,  Mrs.  J.  B.,  etc.     8. 

4949  Powers,  James.     No  duplicates.     15. 

4950  ■ No  duplicates.    15. 

4951  No  duplicates.     8. 

4952  Rehan,  Ada.     No  duplicates.     7. 

4953  ^^  duplicates.     6. 

4954  Rejane,  Mme.,  etc.     10. 

4955  Rif^L,  Emiev,  etc.     11. 

4956  Richman,  Charles.     Large.     No  duplicates.     3. 

4957  * Large.    No  duplicates.     3. 

4Q28  Cabinets.     No  duplicates.     8. 

4959  Ritchie,  Adele,  etc.    12. 

4960  RoBUCK,  Miss.    4  large.    4  cabinets.     No  duplicates.    8. 

4961  Saint  John,  Marie,  etc.     10. 

4962  Sampson,  William,  etc.     7. 

4963  Skinner,  Otis.     No  duplicates.    5. 

4964  SoRMA,  Agnes,  and  other  foreign.     8. 

4965  Steven,  Edwin.     No  duplicates.     7. 

4966  Templeton,  Fay.     Juvenile  pictures.     No  duplicates.     7. 

4967  Terry,  Ellen,  etc.     8. 

4968  Thompson,  Mabela,  etc.     10. 

4969  Van  Dresser,  Marcia.     Folio.     No  duplicates.     2. 

4970  Folio.     No  duplicates.     2. 

4971  Folio.     No  duplicates.     2. 

4972  No  duplicates.     5. 

4973  ^"  duplicates.     5. 

4974  No  duplicates.     5. 

4975  4. 

4976  Vaughan,  Kate.     No  duplicates.  .  6. 

4977  ^^  duplicates.     5. 

(-3 


4978  Varry,  Edmund.     6. 

4979  Wachtel,  Theodore,  etc.     lo, 

4980  U'liEATLEiGii,  Charles,  etc.     11. 

4981  Winter,  Jefferson.     No  duplicates.     6. 

4982  Young,  James,  etc.     7. 

4983  Old  Favorites.     Inlaid  to  4to.     Baker,  Ben.;  Bangs;  Bateman,  Kate  ; 

Bennett,  Julia  ;  Bridges,  Mrs.     5. 

4984     Cooke,  Viola  ;  Davidge  ;  Dean,  Julia  ;  Deland,  Anne  ;  Denin, 

Kate.     5. 

4985     Denin,   Susan  ;    Drew,  Frank  ;    Drew,  John  ;    Florence  ;    Gale 

Sisters.     5. 

4986     Hadaway,  Howard,  Cordelia  ;    Jordan,    Geo.;    Logan,    Olive  ; 

Ludlow  (Western  Manager).     5. 

4987     Marsh,  Geo.;    Mitchell,    Maggie  ;    Morant,  Fanny  ;  Mortimer  ; 

Nagle.     5. 

4988     Paradi,  Mile.,  fine  India-ink  drawing. 

4989     Raymond,    J.  T.;    Sefton  ;  Webb,    Ada  and  Emma;    Western, 

Helen.     5. 

4990     Wykoff,  Chevalier,  etc.     3. 

THE    FOLLOWING   ARE    FOLIOS: 

4991  Bates,  Blanche  ;  Boucicault.     2. 

4992  Cameron,  Rhoda,  etc.     3. 

4993  Cargill,  May,  etc.     No  duplicates.     4. 

4994  CoQUELiN.     2  different.    Clark,  George.     3. 

4995  Davenport,  Fanny.     No  duplicates.     3. 

4996  Drew,  John.     As  Petrucchio.     3. 

4997  Earle,  Virginia  ;  French,  Pauline;  Lewis  and  Mrs.  Gilbert.     3. 

4998  Elliott,  Maxine.     No  duplicates.     3. 
4959  GiLiiERT,  Mrs.     4. 

5000  Gresham,   Herbert  ;    Hall,    Laura    N.;    Hare,    John  ;    Haswell, 

Percy  ;  Herbert,  Sidney.     5. 

5001  Jackson,  Ethel  ;  Janauschek,  Mme.;  Kendall,  Mr.  and  Mrs.     4. 

5002  Lewis,  James.     Different.     2. 

64  f 


5003  Macintosh,  Nancy,  2  ;    May,  Edith.     3. 

5004  Morton,  Dorothy,  2  different  ;  Nethersole,  Olga.     3. 

5005  Powers,  James,  and  Tyrone.     3. 

5006  Reran,  Ada.     Different.     2. 

5007  RiCHMAN,  Charles,  2  different;  Rignold  as  Henry  V.     3. 

5008  RisTORi  ;  RoBucK,  Miss.     2. 

5009  Saint  John,  Marie;  Sims,  George  R.;  Vassar,  Queenie.     3. 

5010  Wheeler,  Van  R.;  Winter  and  Miss  Cowan;  Wisner,  Miss;  Young, 

Mary.     4. 

FRAMED    DAGUERREOTYPES 

5011  Forrest,  Edwin.     1841. 

5012  Early. 

5013  Gannon,  Mary. 

5014  Montez,   Lola. 

5015  PoE,  Edgar  Allen.     With  letter  authenticating. 

5016  SiiAw,  Dora. 

5017  Taylor,  Mary. 

5018  Wallack.     Lady  of  the  family  of.     7. 

5019  Various.     Unidentified.     7. 

5020  Actors.     Various.     7. 

5021  Actrkssks.     Various.     5. 

5022  ■ \'arious.     8. 

5023  Various.     10. 

5024  Actors  and  Actresses.     Various.     Panel  and  smaller.     25. 

5025  Various.     Panel  and  smaller.     23. 

5026  Various.     Panel  and  smaller.      16. 

5027  Various.     Panel  and  smaller.     16. 

5028  Various.      Quarto  and  smaller.     25. 

5029  Various.     Quarto  and  smaller.     48. 

5030  Gaiety    (^irl    Souvenir,     12;      Two    Orphans     Souvenir,    24   (in 

albums).     ^6. 

5  65 


THE    FOLLOWING    ARE    CABINETS: 

5031  Elliston,  Grace   Rutter,  9  ;  Craig,  John,  i  i  ;    Prince,  Adelaide, 

5,  etc.     27. 

5032  Saint  John,  Marie.     23. 

5033  Actors  and  Actresses.     Various.     50. 

5034  Various.  50. 

5035  Various.  50. 

5036  Various.  50. 

5037  Various.  50. 

5038  Various.  50. 

5039  Various.  50. 

5040  Various.  31. 

5041  Various.  31. 

5042  Various.  Unmounted.     75. 

5043  Various.  Unmounted.     50. 

5044  Various.  Unmounted.     50. 

5045  Folio  Landscapes,  etc.     19. 

5046     ,  etc.     17. 

5047     ,  etc.      15. 

5048  Quarto  Landscapes,  etc.     30. 

5049  Great  Ruby,  etc.     Cabinet.     53. 

ENGRAVED   PORTRAITS,  ETC. 

5050  Adams,   J.   Q.   (folio)  ;   Addison  ;   Albaugh,  J.  W.,  American  Dram- 

atists ;    Alboni,    Marietta  ;    Anna    Boleyn  ;    Dr.    Arbuthnot, 
etc.     10. 

5051  Anderson,   J.   P.     The  original    drawing,   full-length,   folio,  by  R.  J. 

Lane. 

5052  Arthur,  T.  S.;  Baker,  Alexina  F.;  Bancroft,   S.  B.  (signed  presen- 

tation copy)  ;  Barnes  as  Mowworm   (original  drawing)  ;  Barnum, 
etc.     8. 

66 


I 


5053     Barrett,    Mr.,  of  the  Theatre   Royal,   Norwich,   as  Charles  Surface, 
folio  aquatint  ;  Dunthorne-Scott. 

5C54     as  Lingo,  folio  aquatint  ;   Dunthorxe-Scott. 

5055  Bennett,  G.  G.,  as  Gabor.     The  original  drawing,  half  length,  by  R.  J. 

T.ane,  and  India  proof  of  the  lithograph.     2. 

5056  Betty,    Henry,  as    Macbeth.     Folio   lith.,  by  Onwhyn.     Presentation 

proof. 

5057  Bishop,  Anna  ;  Blangy,  Mme.  ;  Booth  as  Richelieu  (proof)  ;  Bowers, 

Mrs.  D.  p.  ;  Branchu,  Mme.,  etc.     10. 

5058  Booth,  Edwin,  after  Sargent.    Presentation  proof  from  Laurence  Hut- 

ton   (folio)  ;    Booth,   Edwin  (4to  mezzo),  by   S.   Arlent  Edwards. 
Presentation  proof  and  the  only  copy  printed  in  brown.     2. 

5059  Browning,  Mrs.  ;  Cerito,  Fanny, with  autograph  ;  Chiniquy,  Father; 

Clarke,     McDonald  ;     Columbus  ;    Congreve  ;    Cooper,    Feni- 

MORE  ;    CORTEZ,    CtC.        12. 

5060  Chapman,  Caroline  (4to  drawing   in   colors)  ;  Cowper,  Wm.    (4to,  by 

Blake)  ;  Davenport,  Fanny  (lith.).     ii. 

5061  Daly,  Augustin  (4to).     Presentation   signed   proof  before  letters,  by 

Charles  B.  Hall. 

5062  Devlin,  Mary  (Booth),  4to. 

5063  Dickens,  Charles,  and  his  Friends  (i.p.,  folio)  ;  Drew.  John  ;  Duffy, 

William,    died    1835  ;    Esten,    Mrs.,    from     Thespian    Magazine  ; 
Ethel,  Agnes.     10. 

5064  DuRAND,  Rosalie,  4to,  original  drawing. 

5065  Edwin  singing  "  The  Bay  of  Biscay,  O."'     Lulia-ink  drawing,  4to. 

5066  Esten,  Mrs.     Folio  by  Plymer-Roffe.     Superb  signed  India  proof,  with 

the  "Siddon's"  remarque.     One  of  13  impressions. 

5067  Everett,  Edward,  by  Cheney,  with  autograph  ;  Feli.owes,  Miss  (folio); 

Florence,  VV.  J.;  Forrest  as  Metamora,  etc.;  French  actresses,  etc. 
10. 

5068  Frost,    John;    Glover,    Miss  P.;  Hackett.    Jas.    K.;    Henri    I^^; 

Henry  VHL;  Thomas  Hobbes,  etc.     15. 

5069  Gazzaniga,  Mlle.     Original  drawing  in  colors. 

5070  Guizct,  F.      Folio,  hidia  proof.  SkeUon-Hopwood. 


5071  Harrison,   Mrs.    Elizabeth.      410   mezzo.,   proof   before   letters,  by 

Charles  P.  Harrison.  She  was  the  wife  of  the  engraver,  and  mother 
of  Gabriel  Harrison  ;  Hill,  Mrs.  Charles,  as  Smike.  India-inl< 
drawing,  410.     2. 

5072  Holland,  George  (lith.);  Holman  in  character  (3),  Houssaye,  Arsene 

(proof  etching);  Irving,  Washington  (4to);  Johnson,  Dr.,  etc. 
15- 

5073  Holman.     4to,  by  James  Heath,  after  Bone. 

5074  Howard,  Mrs.  J.  C,  as  Topsy.     410  original  drawing. 

5075  Humphreys  and  Mendoza's  set-to  at  Stilton  ;  Jane  Grey,  Lady  (folio, 

by  Vermeulen);  Johnston,  Mr.  and  Mrs.  H.;  Johnston,  'J\  B.; 
Kelly,  Miss  F.  H.;  Lavater  (4to  mezzotint),  etc.     10. 

5076  HvA  IT  as  Billy  Black.     Full-length  drawing. 

5077  Jarrett,  Henry   C.  (litb.);  Johnson,  W.  F.,  as  Artful  Dodger  (India- 

ink  drawing);  Kingslky,  Charles  ;  Laurent,  Mme.  Marie  ;  Long- 
fellow (3  India  proofs);  Macklin,  Chas.;  Macready  as  Virginius 
etc.     II. 

5078  Johnson,  W.  F.,  as  Artful  Dodger.     4to  India-ink  drawing. 

5079  KiRRY  as  Clown  in  Jack  and  Jill  (410  India-ink  drawing);  Lind,  Jenny, 

as  Lucie  (4to  drawing  in  colors). 

5080  Malibran,  Mme.  (4to  India  proof);  Marshall;  Mather,  Margaret, 

as  Juliana;  Maturin,  Rev.  C.  R.;  Montes,  Lola;  Murdoch; 
MuRPHv,  Arthur,  etc.     12. 

5081  Meadows,  Drinkwater,  as  Idenstein.     The  original  drawing  by  R.  J. 

Lane,  and  India  proof  of  the  lithograph. 

5082  Minstrels.     Pell,    Harrington,  White,  Stanwood,    and  Germon 

(4to,  lith.);  Mitchell  (drawing  in  colors);  Owens,  J.  E.,  etc.     lo. 

5083  Nelson,  Miss   (Mrs.    Brougham),  as  Cherubino,  and  Nelson,  Carrie, 

in  Atalanta  (drawings  in  color,  4to).     2. 

5084  Pasca,  Mme.     Folio  etching  ;    Bonnat-Raion. 

5085  Payne,  John  Howard  (folio),  G.  R.  Hall. 

5086     Another  copy, 

5087     Another  copy. 

5088  Petrarch  ;  Poe,  Edgar    A.;   Provost,  Mary  (Mrs.    J.    P.   Adams); 

Rachel  ;  Racine;  Rae  ;  Rogers,  Samuel.     10. 

5089  Reran,  Miss,  as  Peggy,  on  Japan  paper,  the  .same  proof  on  India  paper  ; 

as  Rosalind,  2  ;  as  Lady  Teazle,  2  ;  and  phototype  folio.     7, 

68 


5090  Reeve,   W.,  with    autograph;   Ristori,  Mme.;  Roberts  as  Wormwood 

(drawing)  ;  Sardou,  Victorien  ;  Shakespeare,  etc.      12. 

5091  Shakespeare;   Siddons,  Mrs.  (drawing   in    colors);   Stirling,   Mrs., 

with  autograph  ;  Soto,  SeSorita  (foho  drawing  in  colors),  etc.     7. 

5092  Sutton,  Emily  (drawing  in  colors);  Terry,  Ellen,  as  Marguerite,  etc. 

5- 

5093  Taglioni,  Mme.     No  duplicates.     6  India  proofs,  etc.     9. 

5094  Truffi,  Signora,  as  Lucretia  Borgia.     (India-ink  drawing,  4to)  ;  Ver- 

non ;  Warren,  2  ;  Wesley  ;  Willis,  N.  P.,  etc.     10. 

5095  Vandenhoff,    John,    as    Adrastus.       The   original   drawing  by  R.    I. 

Lane,  and  India  proof  of  the  lithograph.     2. 

5096  Wallock,  Fanny  (Mrs.  Charles  Moorhouse)  ;  Wallack,  J  as.  W.  Jr., 

2  ;  Winston,  Jas.;  Woffington,  Mrs.;  Woodward,  2  ;  Vates, 
Mrs.     8. 

5097  Woffington,  Mrs.     Set  of  7  used  by  Mr.  Daly  for  the  book,  with  his 

remarks  on  back  of  a  few,  etc.     12. 

5098  ScRAP-BooK  of  35  dramatic  portraits,  theatrical  caricatures,  and  draw- 

ings, etc.,  including  Hermann  the  Magician,  Mrs.  Howard  Paul, 
Professor  B.  Carr,  (jCo.  Emlen,  Amelia  B.  Welby  (i.p.);  Chas.  J. 
Miers,  Henrietta  Sontag,  Mile.  Dussert,  Mile.  Cheza,  Grandville, 
Harrigan  and  Hart  (1872),  and  3  original  drawings  in  color  of 
Chanfrau. 

2099     of  49  unfinished  proof  landscapes,  Civil  War  portraits,  drama, 

etc.,  including  Franklin  before  the  Privy  Council  ;  Thomas  Jefferson, 
Millard  Fillmore  (4to  mezzo.,  p.b.l.)  ;  Fenimore  Cooper,  by  Marshall  ; 
Keeley  ;  Quick  ;  C.  Kemble.  etc. 

^100     of   TOO  dramatic  portraits,  Shakespearean  scenes,  etc..  including 

Mile.  Noblet,  Catherine  Hayes,  Christine  Nilsson,  Sam  Sharpley, 
Archie  Hughes,  a  series  of  pictures  of  dancing,  etc. 

5101     of   117  dramatic  portraits,  play-bills,  views  in  Washington,  etc., 

including  (Christine  Nilsson,  Elise  Holt,  Fanny  ICllsler  (7),  Lolta,  Wm. 
Warren,  l-aimy  Davenport,  Prince  Albert  and  Queen  \'icloria  (in 
colors),   Handel  Commemoration  (folio),  Patti,  Mme.  Palcy,  etc. 

^102 of  139  plates,  of  which  18  are  by  Sarlain  and  several  by  Cluncy, 

including  an  unusual  scries  of  finely  engraved  plates,  on  India  paper, 
of  celebrated  American  trotters,  Lady  Suffolk,  Sir  Archy.  Pocahontas, 
Pryor,  Lexington,  .Xmcrican  Ivjllpse,  Clcncoc,  I''asliion,  Black 
Maria,  Vernol's  Black  Hawk,  Stella  anil  .Mice  Gray,  Lantern  and 
Whalebone,  and  Ethan  Allen. 


5103  ScRAP-BooK  of  176  original  pencil  drawings,  portraits,  historical  and 

sporting  scenes,  views,  etc.  The  portraits  include  many  of  the  cele- 
brated English  beauties  of  tlie  early  part  of  thi.s  century,  and  a  series 
of  beautifully  designed  subjects  printed  in  red 

5104     ot  266  dramatic  portraits,     Mme.  Taglioni  (i.p.),   Mile.  Sontag, 

Jenny  Lind,  Paganini,  Edmund  Kean,  Miss  Duncan,  as  Clarinda, 
Josh.  Silsbee  in  4  characters.  Miss  Kelly  ([irinted  in  colors),  etc. 

5105  English  Members  of  Parliament,   Generals,   Authors,   etc.,  folio 

lithographs,  etc.     30. 

5106  English  Beauties,  Actresses,  etc.      Small  folio  lithographs,  etc.      18. 

5107  English  Authors,   Divines,  Military,  etc.     Small  folio  lithographs, 

etc.     42. 

5108  English  I>adies  of  Title.     A  and  15,  folio  phototypes,  etc.     24. 

5109  C,  folio  phototypes,  etc.     25. 

51 10  D,  E,  F,  folio  phototypes,  etc.  25. 

51 1 1  G  to  K,  folio  phototypes,  etc.  31. 

5112  E  and  M,  folio  phototypes,  etc.     ^6. 

51 13  N  to  R,  folio  phototypes,  etc.  27. 

51 14  S  and  T,  folio  phototypes,  etc.  30. 

51 15  V  to  Y,  folio  phototypes,  etc.  20. 

5116  French  Actors  and  Actresses.     Folio  and  royal  8vo,  lithographs,  in 

colors.     50. 

51 17     Royal  8vo,  lithographs,  in  colors.     50. 

51 18     Royal  8vo,  lithographs,  in  colors.     55. 

51 19     Royal  8vo,  lithographs,  in  colors.     59. 

5120  American  Views.     22. 

5121  New  York  City   Views.      10. 

5122  High  Life  Below  Stairs,  or  Mungo  Addressing  My  Lady's  Maid, 

folio,  mezzo;  Martin-Umfrevs. 

5123  Playing  Cards.    A  miscellaneous  lot,  of  various  countries  and  periods, 

all  different.     42. 

5124  RowLANDSON.     Two  curious  colored  caricatures,  folio  ;  and  Death  of 

Sir  Philip  Sidney,  folio.     3. 

70 


I 
I 


5127 

18. 

5128  - 

5129 

5130 
5I3I  - 

e  T  -yy 

17- 

15- 

5132 

5133  - 

5134  - 

5135  - 

5125  Shakesperean  Scenes.     21. 

5126  Original  Drawings,  in  color,  by  Augustus  Toedteberg,  of  celebrated 

French   actors    and   actresses   in    character,  from  plays   founded  on 
Dumas'  novels  (folio).     18. 

by  F.  Richard  Anderson,  of  costumes,  mounted  on  folio  sheets. 

by  F.  Richard  Anderson,  of  costumes,  mounted  on  folio  sheets. 

by  F.  Richard  Anderson,  of  costumes,  mounted  on  folio  sheets. 

for  the  Foresters,  etc.     52. 

for  Midsummer  Night's  Dream,  etc.     50. 

for  The  Knave.     17. 

by  F.  Siedel,  etc.     27. 

folio  and  smaller.     25. 

landscape,  by  Martin,  i8ic,  etc.     6. 

5136  Engravings,  etc.,  furniture,  many  colored,     no. 

5137  Lithographs,  etc.,  various.     65. 

5138  Plates,  from  French  art  works,  various.     61. 

5139  Photogravures,  on  India  paper,  various.     28. 

5140  Armoiries  des  Croisades,  in  colors  and  gold,  etc.     27. 

5141  Engravings,  various.     75. 

5142     various,     dd. 

5143  Costume  Plates,  in  color,  folio,     no. 

5144 in  color,  quarto.     33  r. 

5145  Daly's  Theatre,  etc.,  photographs  (folio).     No  duplicates.     6. 

5146  Architecture,  Sculptures,  etc.,  many  colored,  quarto,  etc.     32 

5147  Merchant  of  Venice  and  Runaway  Girl,  photographs  unmounted. 

46. 

5148  Wood-cuts  and  Process  Prints,  mostly  dramatic.     412. 

5149  London  Gazette,   1689;  Evening  Pust,  1715;    and  other  old  news- 

papers.    II. 

71 


I 


PLAYS,    PROMPT   BOOKS,    ETC. 

ENGLISH    PLAYS 

5150  PiNERO.     Dandy  Dick,  etc.     80. 

5151  Williams.     Larkin's  Love  Letters,  etc.     80. 

5152  Reade,  Charles,  etc.     The  King's  Rival,  etc.     80. 

5153  Jerrold,  Douglas.     Nell  Gwynne,  etc.     80. 

5154  CoLMAN,  George.     Law  of  Java,  etc.     80. 

5155  Foote,  Samuel.     Taste,  etc.     36. 

5156  Morton.     Two  Bonnycastles,  etc.     80. 

5157  Cowley,  Mrs.     Belle's  Stratagem,  etc.     80. 

5158  BouciCAULT.     Old  Heads  and  Young  Hearts,  etc.     80. 

5159  Payne,  John  Howard.     Charles  H.,  etc.     80. 

5160  Robertson.     Ours,  etc.     80. 

5161  Phillips.     White  Cockade,  etc.     80. 

5162  Webster.     Woman  of  Business,  etc.     80. 

5163  MoNCRiEFF.     Rochester,  etc.     80. 

5164  Scott.     Halidon  Hall,  etc.     63. 

5165  Hunt,  Leigh.     Legend  of  Florence,  etc.     80. 

5166  Howard.     Saratoga,  etc.     80. 

5167  Mikado,  The.     Presentation  copy  from  Sidney  Rosenfeld,  etc.     40. 

5168  Coffee-House,  The.     London,  1727,  etc.     50. 

5169  Medina.     Nick  of  the  Woods,  etc.     80. 

5170  Garrick.     Lying  Valet,  etc.     80. 

5171  Terry.     Guy  Mannering,  etc.     80. 

5172  Theatre,  The  London.     65  Nos, 

5173  46  Nos. 

5174  Shakespeare.      Merchant   of    Venice,    Shakespeare     Birthday    Book, 

etc.     9. 

5175  School  for  Politicians,  etc.     10. 

72 


5176  Plavs.     Miscellaneous  collected.     20. 

5177  Miscellaneous  collected.     20. 

5178  I'lNERO.     Plays.     II. 

5179  MiLNER.     Mazeppa,  etc.     80. 

5180  BoADEN,     Maid  of  Bristol,  etc.     80. 

FRENCH   PLAYS 

5181  ViTU.     Mille  et  une  Nuits  de  Theatre,  etc.     15. 

5182  Dumas  fils.     Works,  etc.     32. 

5183  Works.     26. 

5184  Scribe.     Works,  etc.     40. 

5185  Sigaux.     Pre  Catelan,  etc.     40. 

5186  Brieux.     Blanchette,  etc.     40. 

5187  Legouve.     Beatrix,  etc.     40. 

5188  Perrimet.     Changement  de  Domicile,  etc.     40. 

5189  BissoN.     Nos  Jolies  Fraudeuses,  etc.     40. 

5190  Thomas.     Petite  Maman,  etc.     40. 

5191  Du  Chastel.     The  Times,  etc.     40. 

5192  BouiLLY.     Haine  aux  Femmes,  etc.     40. 

5193  De   Ivock.     Le  Boeuf  Gras,  etc.     100. 

5194  DiNAUX  ET  Eugene  Sue.     Pierre  le  Noir,  etc.     100. 

5195  Repertoire  General  du  Theatre  Fran(;ais.     61  vols. 

5196  Theatre  Contemporain,  Le.     40. 

5197  PiCARD.     L'Enfant  Trouve,  etc.     100. 

5198  Scribe.     L'Etoile  du  Nord,  etc.     40. 

5199  L alone.     L'Elephant  du  Roi  de  Siam,  etc.     100. 

5200  Scribe.     Les  Treize,  etc.     90. 

5201  Brisbarre.     Les  Pauvres  Filles,  etc.     25. 

5202  MoREAU.     Dame  aux  CEillets  Blancs,  etc.      100. 

5203  Halevy.     La  Juive,  etc.     100. 

5204  Blaze.     Robin  des  Bois,  etc.     100. 

5205  Pyat  and  Sue.     Mathilde,  etc.     100. 

73 


5206  Saint-Georges.     Val  d'Andorre,  etc.     loo. 

5207  Gallet.     Crispin  Battu,  etc.     29. 

5208  Mol6.     Gentilhomme.     Berthe  la  Flamande,  etc.     40. 

5209  Blum.     Femmes  Nerveuses,  etc.     40. 

5210  DiLAHAYE.     Dettes  du  Coeur,  etc.     40. 

521 1  Lamartine.     Saiil,  etc.     40. 

5212  Bompar.     L'Espionne,  etc.     40. 

5213  Cohen.     Revanche  du  Mari,  etc.     40. 

5214  Deroul^de.     Messire  du  Guesclin,  etc.     40. 

5215  Daudet.     Lutte  pour  la  Vie,  etc.     40. 

5216  Gautier,  Judith.     Marchande  de  Sourires,  etc.     40. 

5217  Sardou.     Les  vieux  Gargons,  etc.     40. 

5218  Feuillet.     Le  Village,  etc.     40. 

5219  Dumas.     Un  Manage  sous  Louis  XV.,  etc.     40. 

5220  Feuillet.     Portraits  de  la  Marquise,  etc.     40. 

5221  Sand,  George.     Marquis  de  Villemer,  etc.     40. 

5222  Filon.     Theatre  Anglais,  etc.     40. 

5223  Dumas,  Alex.     Gentilhomme  de  la  Montague,  etc.,  40. 

5224  Maeterlinck.     Pelleas  et  M^lisande,  etc.     40. 

GERMAN   PLAYS 

5225  SuDERMANN.     Drei  Reiherfedern,  etc.     36. 

5226  WoLZOGEN,  E.  V.     Kinder  der  Excellenz,  etc.     40. 

5227  FuLDA.     Talisman,  etc.     40. 

5228  Philippi.     Veritas,  etc.     60. 

5229  Hevse.     Unbeschriebenes  Blatt,  etc.     40. 

5230  Schonthan.     Der  Schwabenstreich,  etc.     40. 

5231  Treptow.     Flotte  Berlin,  etc.     40. 

5232  Karl.     Stiize  der  Hausfrau,  etc.     40. 

5233  Teweles.     Ring  des  Polykrates,  etc.     40. 

5234  Rosen.     Gesammelte  Wcrke,  etc.     40. 

5235  K.OHLER.     Extravaganzen,  etc.     40. 

5236  L'Arronge.     Der  Compagnon,  etc.     40. 

74 


I 


ITALIAN   PLAYS 

5238  ToRELLi.     I  Mariti,  etc.     40. 

5239  Alexis.     La  Piovinciale,  etc.     40. 

5240  GoLDONi.     Casa  Nuova,  etc.     40. 

MISCELLANEOUS 

5241  Baedeker.     Italy,  London,  Germany,  France,  etc.     10. 

5242  Guide  Books.     The  Rhine,  Rome,  etc.      13. 

5243  WiLKiNS.     Giles  Corey,  etc.     12. 

5244  Religious  and  Devotional.     10. 

5245  Billings,  Josh.     Trump  Kards,  etc.     12. 

5246  Echegaray.     Realidad  y  el  Delirio,  etc.     23. 

5247  Librettos.     No  duplicates.     27. 

5248  Caro,  Mme.     Bitter  Fruits,  etc.     10. 

5249  Hood.     Rhymester,  etc.      10. 

5250  Hall.     Foam  of  the  Sea,  etc.     10. 

5251  Scottish  Clans  and  their  Tartans,  etc.     15. 

5252  Taylor.     Views  Afoot,  etc.     11. 

5253  Fisher,  Fanny,  etc.     9. 

5254  Insurance  Year  Book,  1882,  etc.     9. 

5255  Heffernan.     Imola,  etc.      10. 

5256  Donovan.     Wanted  I  etc.     10. 

5257  Religious  and  Devotional.     10. 

5258     10. 

5259  Zangvvill.     Ghetto  Tragedies,  etc.     10. 

5260  Easton,     Dessalines,  Anna  Karenina,  etc.      10. 

5261  Religious  and  Devotional.     10. 

5262  Lewes,  Charles  Lee.     Memoirs,  etc.     10. 

5263  Guide  Books.     London,  etc.     10. 

AMERICAN    ART    ASSOCIATION, 

Managers. 
THOMAS    E.    KIRBY, 

.4  uctioneer. 

75 


Some  Treasures  of  the  Daly  Library 

BY  CAROLYN  5HIPA1AN 

In  the  London  Morfiiiig  Herald  of  Thursday,  March  6,  1834,  ap- 
peared the  following  information: 

"Sheridan's  'School  for  Scandal.'  The  MS.  copy  of  this  cele- 
brated comedy,  which  was  supposed  to  have  been  entirely  destroyed  in 
the  late  fire  at  Mr.  Fairburn's  in  Duke-street,  Adelphi,  on  Wednesday 
evening,  is  the  identical  copy  which  was  transmitted  by  Mr.  Sheridan 
to  the  late  ^^'illiam  Chetwynd,  Esq.,  then  Deputy  Lord  Chamberlain, 
previously  to  its  being  performed.  It  was  entrusted  by  Sir  George 
Chetwynd  about  a  fortnight  since  to  Mr.  Fairburn  to  be  bound  in  the 
most  perfectly  classical  style,  and  was  nearly  completed  when  the  fire 


MS.   PAGE   FROM       SCHOOL  FOR  SCANDAL" 


happened.  On  removing  i)art  of  the  ruins  yesterday  the  MS.  was  dis- 
covered, and  not  so  much  injured  as  to  be  quite  irrestorable  by  inlay- 
ing and  mounting.  Parts  of  the  comedy  are  varied.  'I'he  character 
of  Miss  Verjuice  (as  originally  written)  is  consolidated  with  that  of 
Lady  Sneerwell,   and   there   are   many     minor    alterations  which    arc 


213 


2  14  The  Critic 

curious  and  interesting  to  the  admirers  of  the  drama.  Wlienever  this 
MS.  is  restored  to  its  owner,  we  venture  to  express  a  hope  that  he  will 
betjueath  it  to  the  Briiisli  Museum,  whose  indeed  it  ought  to  be." 

The  MS.  in  question  was  not  bequeathed  to  the  British  Museum. 
It  is  now  in  the  library  of  the  late  Augustin  Daly,  awaiting  sale. 

The  fire  referred  to  was  described  in  the  Mor/ii/ig  Heraldoi  Thurs- 
day, February  27,  1834,  as  having  destroyed  the  workshoj)  in  the  house 
of  Mr.  Fairburn,  a  book-binder  at  10  Duke-street,  Adelplii.  The  MS., 
bound  in  the  "perfectly  classical  style"  mentioned,  now  shows  the 
scorching  which  it  received  in  its  escape  from  destruction.  The  Gentle- 
man s  Magazine  comments  on  it  thus: 

"It  is  rendered  still  more  interesting  from  having  several  inter- 
lineations and  emendations  in  the  handwriting  of  Sheridan,  which 
mark  the  (juickness  of  his  conception  in  improving  several  passages 
which  it  might  have  been  thought  almost  impossible  to  mend." 

The  Chetwynd  book-plate  aj)pears  on  the  inside  of  tlie  cover,  and 
on  the  first  left-hand  fly-leaf  is  a  memorandum  in  the  clear  handwriting 
of  Sir  George  Chetwynd  of  Grendon  Hall  (10  vSept.,  1834)  to  this  effect: 

"  This  is  the  identical  copy  of  '  The  School  for  Scandal  '  which  was 
transmitted  by  Mr.  Sheridan  to  my  grandfather,  William  Chetwynd, 
Esq.,  the  'Examiner  of  all  Entertainments  of  the  Stage  '  under  the  Lord 
Chamberlain,  previously  to  it  's  \^sic]  being  performed.  After  my 
grandfather's  death  on  6th  October,  1778,  this,  with  numerous  other 
MS.  Plays  was  found  in  his  house  in  Old  Burlington  street,  London, 
Ly  the  late  Mr.  Brookes  of  Stafford  (Mr.  Chetwynd's  solicitor  and  sole 
acting  executor),  and  in  September,  1833,  Francis  Brookes,  Escp  of 
Moss  Pit,  near  Stafford,  his  eldest  son,  presented  this  MS.  to  me." 

Opposite  this  history  of  the  MS.  are  the  two  Herald  c\\\)])mgs  which 
I  have  quoted.  On  the  next  (left)  fly-leaf  is  the  clipi)ing  from  the 
Gentleman  s  Magazine.  Following  that  page  is  a  three-quarters  mezzo- 
tint of  Sir  Joshua  Reynolds's  portrait  of  Sheridan, —  an  unusally  fine 
copy  which  brings  out  the  brilliancy  of  the  playwright's  eyes. 

The  next  page  is  a  half-length  engraving  of  the  same  portrait,  oppo- 
site w^hich,  in  the  faded  handwriting  of  Sheridan,  is  the  recommenda- 
tion of  the  play  to  the  examiner: 

"Sir:  If  tlie  following  Comedy  called  '  The  School  for  Scandal  ' 
meet  the  approbation  of  the  Lord  Chamberlain,  we  shall  have  it  j)er- 
formed  at  the  Theatre  Royal,  Drury  Lane. 

"  R.  B.  Shkkidan, 
"  for  Self  and  Pioprietors. 
"  May  7,  1777." 

The  Prologue  occupies  one  page  and  part  of  another.  An  engrav- 
ing of  Reynolds's  portrait  of  Mrs.  Abington,  who  first  played  the  part 
of  Lady  Teazle,  faces  the  page  containing  the  Dramatis  Personam.  The 
name  of  Miss  Verjuice,  the  last  of  the  women  in  the  list,  is  marked 
from  the  page  by  a  large  cross.  Then  follows  Act  I.,  Scene  I.,  with 
the  excisions  which  arc  shown  in  the  acconq)anying  rej)roduction. 


Some  Treasures  of  the  Dal\-  Library        215 

I-oose  in  the  back  of  the  book  are  seven  old  play-bills,  four  of  thciii 
dated  thus:  April  8,  1779  ("  23rd  time  this  season  "),  December  3,  1794^ 
October  28,  1806  ("25th  time"),  and  March  26,  1816  ("  152nd"). 
The  MS.  is  bound  in  Russia,  blind-tooled,  and  is  stamjicd  on  both 
sides  with  the  Chetwynd  book-plate. 

A  near  neighbor  of  this  treasure,  in  one  of  the  com|)artments  of  the 
famous  Garrick  desk  in  the  library,  is  "A  Prompter's  Copy  of  'The 
School  for  Scandal,'  "  with  brown  morocco  back.  H.  Holl,  writing 
of  this  book  to  Dr.  HalliwcU  Phillipps  on  January  13,  1854,  says  that 
he  does  not  even  know  how  it  came  into  his  possession;  that  some  one 
told  him  that  it  was  the  prompt-book  of  the  Old  Bath  Theatre,  and 
tiiat  it  was  marked  by  a  rather  celebrated  i)rompter  of  that- day  whose 


END    OF    QARRICK'S    WILL 


name  he  did  not  remember.  "  One  thing,  however,  I  do  know,"  he 
writes,  "  that  it  is  an  excellent  prompt-book,  and  that  whoever  marketl 
it  was  a  practised  hand,  and  knew  exactly  what  he  was  about.  .\s  I 
am  tolerably  well  acquainted  with  the  subject,"  he  continues,  "  I  can 
vouch  for  the  correcting  of  the  cuttings  and  '  gags,'  as  they  are  called, 
and  that  the  stage  directions  are  faultless." 

In  the  central  compartment  of  this  Garrick  desk  are  sixteen  huge 
volumes  of  the  "  Life  and  Correspondence  of  David  Garrick."  Vol- 
ume IV.  contains  the  actor's  first  (unpublished)  will  on  thirleen  siieets 
of  folio  paper.  It  is  dated  March  23,  1767,  ami  contains  tiu-  names  of 
three  witnesses,  Chas.  Holland,  Thos.  Evans,  and  Tiios.  Wyld.     The 


2l6 


The  Critic 


last  (and  published)  will  was  drawn  up  eleven  years  later  (Sept.  24, 


.  E  Iv^ 


OF  . 

Mr.  fohn    tS\-Iilton  , 
I',  o  T  H 
1;  N  G  I,  I  S  H  and   L  A  1  I 
<,oinpQ<  il  at  fever al  time. 

Prmled  hj  hit  true  Ctfies, 
I  were  fet  iiiMudck  I 


Mr  II 


ckl)/ 


tion. 


V  fiir.r  momlis  l)cf()rc  liis  death  on   I.imiary  2oth,  in  his  si.xty-third 

year.  This  will  was 
witnessed  by  Palm- 
crston,  Sophia  Rick- 
etts,  and  George 
Poyntz  Ricketts. 

Mr.  Daly  owned 
two  very  rare  copies 
of  ' '  Paradise  Lost. ' ' 
One  is  a  first  edi- 
tion, 1667,  with  un- 
cut proof  leaves, 
and  the  original  old 
calf  binding,  worm- 
eaten  and  worn.  It 
is  probably  the  fin- 
est copy  in  the 
world,  for  it  is  in 
its  pristine  condi- 
The  preliminary  leaves  are  not  interpolations.     Lowndes,  in  his 


:J  mJ  fMijlyj atterdmt  ft 
ORDER. 

i.ONnoy. 

cta^rdi  iTlVfigncol  OiePrificn 


FIRST    EDITION    OF    MILTON'S    POEMS 


"  Bibliographer's  Manual,"  says  that  in  the  edition  with  the  first  title- 
page,  the  poem  immedi- 
ately follows  the  title-page 
without  the  seven  prelim- 
inary leaves  containing 
the  arguments,  list  of  er- 
rata, etc.,  which  were  af- 
terwards added.  In  the 
Daly  copy  the  arguments 
and  errata  precede  the 
poem,  contrary  to  Lown- 
des's description.  But 
there  is  no  doubt  that  the 
edition  is  that  of  the  first 
title-page.  Mr.  Daly's 
other  copy  of  "  Paradise 
Lost"  is  what  is  known 
as  the  edition  with  the 
seventh  title-page.  It  is 
bound  in  a  comparatively 
modern  binding  of  brown 
morocco.  On  the  back,  in 
gilt  are  the  words,  "  The 
Author's  Copy.  First  Edition.  London,  1669."  On  one  of  the  yellow 
fly-leaves  is  the  autograph  of  Milton,  a  reproduction  of  which  accom- 
panies this  article.     A  loose  memorandum  in  the  book  testifies  to  the 


MILTON'S  AUTOGRAPH   IN   HIS  OWN  COPY 
OF  "  PARADISE  LOST" 


Some  Treasures  of  the  Daly  Library        21; 

fact  that  the  autograph  agrees  with  the  one  in  the  Ashburnham  Col- 
lection, to  a  warrant  under  the  sign  manual  of  the  Protector  Oliver 
Cromwell,  dated  January  i,  1654,  directing  the  payment  of  salaries 
due  to  certain  officers  of  the  Parliament  and  others,  with  the  original 
autographs  of  the  receivers. 

The  autograph  does  not  strikingly  resemble  the  facsimile  autograph 
in  the  Trinity  College  MSB.  which  this  same  edition  contains.  Hut 
that  fact  proves  nothing,  one  way  or  the  other.  The  testimony  of 
handwriting  is  exceedingly  uncertain. 

Still  another  Milton  is  to  be  found  in  this  library  besides  the  first 
edition  of  "  Paradise  Regained  "  (167 1).  This  is  the  first  edition  of 
the  poems,  a  small  8vo  in  the  original  calf,  dated  1645.  Lowndes  de- 
scribes it  as  the  "  First  Collective  Edition,  and  the  first  work  bearing 
Milton's  name,  with  an  oval  portrait,  aetat  21,  by  W.  Marshall,  with  a 
Greek  inscription,  intended  by  the  poet  as  a  satire  on  the  engraver  for 
representing  him  as  of  middle  age." 

The  Marshall  portrait,  which  is  very  rare,  is  herewith  reproduced 
with  the  title-page.  The  portrait  alone  is  worth  at  least  one  hundred 
dollars.  Bound  in  the  book  as  it  is,  it  enhances  the  value  of  the 
edition  tenfold. 

One  of  the  great  pleasures  of  working  in  such  a  library  as   Mr. 

Daly's  is  the  discovery  of  unknown  treasures.     When  I  was  selecting 

subjects  for  photographs  to  accompany  this  article,  I  remembered  a 

little  water-color  drawing  of  Thackeray  by  himself,  hanging  in  a  worn 

gilt  frame  beside  a  piece  of  the  wood  of  Peggotty's  house, — in  Mr. 

Daly's  fourth-floor  den,     I  decided  upon  that.     But  when  it  came  to 

be  photographed,  the  glass  over  it  so  reflected  the  light  that  the  plate 

could  not  be  satisfactorily  made.     The  drawing  had  to  be  removed 

from  the  frame.     On  removing  it,  I  discovered  that  the  sketch  had 

been  washed  in  on  the  third  page  of  a  sheet  of  writing  paper.     And  on 

the  first  and  second  pages  I  found  a  letter  from  Thackeray  to  Lady 

Molesworth.     The  signature  is  missing,  for  the  sheet  was  cut  off  in 

order  to  fit  it  to  the  frame, — evidently  one  that  the  owner  had  in  the 

house!     But  the  body  of  the  note  is  there,  with  the  exception  of  one 

line,    and    possibly    two,    which    were    under    the    signature.       Lady 

Molesworth — if  she  it  was  who  framed  the  picture — evidently  did  not 

value  the  letter  as  an  autograph  of  Thackeray,   or  she  would  have 

turned  the  paper  up  rather  than  cut  it  off. 

The  letter  reads  as  follows: 

"  Kensington,  Apr.  2.  1849. 

Dear  Lady  Molesworth, 

Solomon  in  all  his  glory,  I  am  sure,  never  had  such  a  waistcoat 
as  I  shall  have  the  honor  of  sporting  at  your  i)arty  on  Sunday  id.  I 
imagine  myself  already  attired  in  the  brocade  (see  the  next  Jiagc) :  I  will 
try,  however,  and  not  lose  my  head  with  vanil\,  or  fancy  all  tlie  ladies 
in  love  with  me  as  most  men  would  if  they  luul  such  a  garment.  It  is 
lying  before  me  now;  and  almost  too  splentlid  to 

[/7iv  (/)  /i//fs  ////SS///X'} 
(Madame  having  been  slain  at  the  threshold)  1  will  put  on  the  waist- 


J 


A     4 


/ 


•^    -J     '' 

^     *i     -XT 


14 


IJ 


218 


Two  Glimpses  of  Blackmorc  219 

coat  and  say,  '  Citizens!  rcs])cct  the  citizeness  who  gives  of  her  riches! 

w.iisicoat 

Before  you  touch  the  hem  of  her  garment,  strike  tlirough  the  breaot 
of  Titmarsh!  See  —  they  are  of  the  same  piece!  '  and  tlie  citizens  will 
cheer  you,  and  your  beautiful  house  and  furniture  will  be  safe.  As 
for  me,  I  will  wear  your  colours  as  long  —  as  long  as  they  will  hold  to- 
gether, and  I  am  told  that  there  is  enough  for  2  waistcoats  for  a  slim 
man  like 

Your  very  much  obliged  " 

[Signature  missing.] 

It  is  curious  to  note  that  Thackeray  omits  the  "  u  "  in  "  honor" 
(line  2),  and  introduces  it  into  "  colours  "  farther  on. 

There  is  little  doubt  that  Mr.  Daly  himself  did  not  know  of  tlie 
existence  of  this  autograph  letter  hidden  by  the  drawing,  for  the  dull 
blue  paper  which  seals  the  back  of  the  j^icture  was  unbroken  when  it 
was  unframed.  Across  the  middle  of  the  back,  on  an  oblong  space  of 
board  left  uncovered  by  the  paper,  are  the  three  lines,  "  Lot  322,  Lady 
Molesworth's  sale,  Christie,  Manson  &  Woods." 

The  possibilities  of  this  magnificent  library  are  so  vast  that  a  new 
discovery  might  be  made  every  day  for  months,  now  that  the  one  is 
gone  who  could  point  out  the  riches  of  his  collection. 


Two  Glimpses  of  Blackmore 

Blackmore  at  Se verity  =Three* 

BY  HENRY  TURNER  BAILEY 

[Richard  Doddridge  Blackmore,  wlio  will  always  be  known  as  the  author  of 
"  Lorna  Doone,"  though  he  wrote  a  number  of  other  books,  was  born  in  1S25  at 
Longworth,  in  Berkshire  (England),  and  not,  as  most  people  imagine,  in  Devon.  He 
died  on  the  20th  of  January  at  his  home  in  Teddington,  not  far  from  London,  in  the 
direction  of  Hamilton  Court.  Like  Du  Maurier.  Blackmore  got  very  tired  of  the 
praises  of  his  most  popular  novel.  Du  Maurier  thought  "  Peter  Ibbetson"  a  better 
story  than  "Trilby."  Blackmore  thought  "  Springhaven "  a  better  book  than 
"  Lorna  Doone."  Du  Maurier  may  have  been  right.  Blackmore  certainly  was 
wroui;.  Mr.  Edward  Marston,  Blackmore's  publisher,  says  of  him:  "He  was  a 
John  Ridd  sort  of  man,  big-boned,  a  real  West-countryman,  and  no  nonsense  about 
him.  He  had  no  affectations,  did  not  care  a  rap  for  society  or  anything  of  that  sort, 
l)ut  liked  to  live  in  a  quiet,  simple  way."  I'lackmore  was  buried  at  Teddington  by 
tlie  side  of  his  wife,  who  died  twelve  years  ago.] 

From  London  to  Teddington;  what  a  change!  One  is  astonished 
to  learn  that  but  tw^elve  miles  will  measure  the  distance  between  the 
rush  and  rattle  and  roar  of  the  foggy,  smoky,  one  might  almost  say 
skyless,  metropolis  of  the   world,   U)  the  jieaceful   little   \illage  where 

*  A  letter  written  to  Mr.  Ch.arles  R.  Ballard  of  Middlcton  Springs,  Vt.,  whose  intimate  friendship 
with  Mr.  Blackmore  was  developed  through  a  correspondence  covering  many  years.  The  sketch  of 
that  partof  the  house  which  liolds  Mr.  Bl.ickmorc's  study,  reproduced  herewith,  is  m.idc  from  the  driw- 
ing  to  which  reference  is  made  in  the  letter.  The  sketch  of  Blackmore  was  drawn  from  memory,  the 
morning  after  the  visit.  One  who  had  seen  Mr.  Blackmorc  during  these  last  years  of  his  life  has  »ald 
that  the  likeness  is  good  and  that  I  have  caught  something  of  his  shrewd  and  kindly  look.  Inasmuch 
as  no  photographs  of  Mr.  Blackmore  could  be  obtained  in  London  or  elsewhere  in  181/8,  the  sketch 
may  be  of  some  slight  value  as  the  record  of  an  eye-witness.— H.  T.  B. 


220  The  Critic 

birds  sing  and  trees  dream  in  the  sunshine  and  the  dear  author  of 
"  Lorna  Doone  "  waits  for  the  word  to  go  where  he  shall  be  crowned 
with  stars.     It  is 

"  A  quiet  nook  in  a  pleasant  land  " — 

this  home  of  R.  D.  Blackmore.  To  find  it  one  has  but  to  turn  to  the 
right  from  Teddington  station,  to  the  right  again  and  yet  again,  and  to 
push  open  the  first  gate  on  the  right.  The  house,  two  stories  in  height, 
is  of  yellow  brick,  half  hidden  by  shrubbery  and  clambering  vines. 

A  spaniel  came  from  his  kennel  to  greet  me,  and  after  a  well-bred 
but  thorough  scrutiny  he  accompanied  me  graciously  part  way  to  the 
front  door  under  the  oleander,and  watched  respectfully  while  I  knocked. 
A  maid  as  neat  as  a  cherry  answered  and  invited  me  into  a  little  parlor 
while  she  carried  my  letter  of  introduction  to  the  master.  The  room 
was  furnished  in  good  taste  but  not  expensively;  magazines  and  books 
lay  here  and  there  invitingly,  and  the  large  window  in  the  bay  called 
my  attention  to  the  smooth  green  lawn  and  the  handsome  cedars  which 
screen  the  house  from  the  Southwestern  Railway. 

Presently  the  master  appeared,  my  letter  unread,  save  the  name,  in 
his  hand.  He  looked  me  straight  in  the  eye,  gave  me  a  warm,  hearty 
grasp  of  the  hand,  bade  me  welcome,  and  asked  me  to  be  seated  and  to 
excuse  him  while  he  read  the  letter. 

During  the  reading  I  took  my  never-to-be-forgotten  mental  photo- 
graph. I  had  seen  just  one  engraving  of  his  face.  Now  I  know  it 
was  a  poor  one.  The  face  before  me  is  much  finer  in  line  and  more 
spiritual.  The  head  is  well  modelled;  long  thin  hair  almost  white  was 
combed  from  one  side  over  the  ivory  top,  though  now  in  artistic  dis- 
order, for  Mr.  Blackmore  has  just  come  in  from  the  garden  where  he 
has  been  superintending  the  planting  of  some  bulbs  for  next  spring's 
growing.  His  face  is  clean  shaven,  but  the  beard  is  allowed  to  make 
a  silvery  fringe  above  the  long-pointed  rolling  collar,  which  is  very 
becomingly  unbuttoned  at  the  throat. 

I  was  just  thinking  how  my  friends  in  America  would  like  such  a 
picture  as  a  frontispiece  for  "  Lorna  "  or  "  The  Maid  of  Sker, "  when 
Mr.  Blackmore  looked  up  with  a  kindly  smile,  and  said: 

"  Would  you  like  to  come  up  to  my  little  den  ?  There  is  a  cheerful 
fire  there,  and  perhaps  we  can  talk  better." 

The  room  to  which  we  ascended  was  cosy.  A  fire  of  coke  glowed 
in  an  open  grate  in  the  centre  of  the  east  wall.  At  the  right  stood  a 
bookcase,  and  next  to  it,  near  the  south  window,  a  little  writing-desk; 
at  the  left  of  the  mantel  a  window  let  in  the  light  from  the  east.  I 
went  to  that  window  and  looked  out  over  the  mellow-colored  Middlesex 
landscape, — a  typical  English  landscape,  suggesting  peaceful  homes  of 
thrift  and  happiness,  homes  where  such  people  as  "  Uncle  Cornie  " 
and  "  Kit  "  and  "  George  Cranleigh  "  lived  their  pure,  strong,  helpful 
lives.  In  the  opposite  corner  of  the  room  was  a  high  couch.  The 
north  and  west  walls  were  lined  with  books. 


Price  List 


Daly   Library 


I'UHMSHKI)    HV 

J.  O.  Wright  cS:  Co 

Booksellers,  6  E.  421I  St., 
Nkw  VnKK. 


LIBRARY    OF    AUGUSTIN    DALY 


PRICES    REALIZED    AT    THE    SALE 


Lot.  Price. 

I $2  OO 

2 14  OO 

3 10  50 

4 2  00 

5  22  00 

6 63  (X) 

7 I  00 

8 3  00 

9 r  00 

10 19  50 

II I  50 

12 2  00 

13 28  00 

14 8  00 

15 3  50 

16  23  00 

17 4  00 

18 145  on 

K)  2  0) 

20 2  5' J 

21 I  50 

22 2  00 

23 1  00 

24 4  00 

25 I  00 

2() 5  00 

27 2  00 

28 19  00 

29 2  50 

30 15'^ 

31 24  00 

32  0  50 


Lot.  Price. 

33 $45  00 

34  1 2  no 

35 I"  00 

36 100  00 

37 19  5<' 

38 5  00 

39 78  00 

4') 7  50 

41 10  50 

42 10  00 

43 27  00 

44 7  50 

45 10  50 

46 4 1  00 

47 4  00 

48 4  00 

49 ~  00 

50 2  00 

51 5  50 

52 3  50 

53 ^50 

54 4  00 

55 21  00 

56 1  00, 

57 2  00 

58 2  50 

59 '5" 

60 40  00 

()I 4  f )0 

f)2 3  <>"> 

(yj 3  o<^ 

64. .... ..  2  50 


Lot.  Price. 

65 §2  GO 

fjf)  5  00 

f'7 I  50 

f)8 I  50 

69 I  00 

70 234  00 

71 14  00 

72  .....  .  21  00 

73 I  50 

74 3  00 

75 2  50 

j(> 20  00 

77 12  00 

7S 8  GO 

79 2  50 

80 I  50 

81 I  50 

82 50  00 

83 124  Ol) 

84 4  5«> 

85 I  tx) 

86 I  00 

87 10  CX3 

88 2  50 

89 24  00 

()o Ill  00 

91 192  00 

92 2 1  00 

93 2  50 

94  5  f'o 

95 2  iHi 

96 2  IX) 


Lot. 

97- 

98. 

99. 

00 


Price. 

..  $1  50 

..   I  50 

1  50 
3  DO 

■   3  5" 

9  00 

3  00 

2  00 

..   3  00 

4  00 
2  00 

4  00 

2  00 

3  00 
I  50 

1  00 

3  00 

4  00 

•  35  00 

7  <io 

2  50 

3  »>«> 
3  «X) 

21) 3  <"» 

21  2  1x1 

22  i<>  50 

23 23  <>«> 

24 5" 

25 5  <«' 

20 8  50 

27 I  00 

2S Il>  CX) 


4                                          Prices  Reai.izf.d  at  the  Sale. 

Lot.  Price.  Lot.  Price.  Lot.  Price.  Lot.  Price. 

29 |i  5"  177 Sio  00     225 |i  50     273 S12  00 

[30 2  50  17S 5  00      226   I  50      274 g  <)f) 

131 3  5"  179 5  00      227  7  50      275 S  50 

[32 21  00  I  So 5  00      228 2  00      276 2  25 

133 2  50  iSl 2  50      229  2  50      277 iS  00 

[34  37  50  1S2 2  50       230 I  50        278 61  ()0 

135 3  50  183 4  50     231 1  00     279 21  00 

[36 I  75  184 2  50     232 50     2S0 3  00 

137 I  75  185 26  00     233  7  00     281 4  50 

[38 I  75  1S6 7  00     234  21  25      282 195  00 

[39 175  187 700     235  750     283 23  (X) 

[40 I  75  1S8 112  00     236 r  00     284 8  00 

141 I  75  1S9 2  50     237 8  50     285 22  00 

[42 I  75  190 3  00     238 2  00     286 4  50 

143 I  75  191 8  50     239 I  50     287 4  (X3 

144 I  75  192 3  00     240 50  00     288 I  50 

[45 I  75  193 4  50     241 1 8  00     289 I  00 

[46  I  75  194 I  00     242 6  00     290 12  00 

M7 175  195 150     243 550     291 200 

148 I  75  196 22  00     244 19  CO     292 I  00 

149 175  197 500     245 8  00     293 300 

[50 I  75  198 6  00     246 2  00     294 6  00 

[51 I  75  199  5  00     247 4  00     295  2  50 

[52 9  50  200 I  50     24S 2  00     296  I  50 

[53 5  00  201 2  50     249 2  00     297 22  00 

[54 5  00  202 2  50     250 I  CO     298 28  50 

f55 2  00  203 2  50     251 I  00     299 2  00 

r56 I  50  204 12  00     252 7  00     300 4  50 

[57 50  205 3  50     253 28  00     301 2  00 

158 I  00  206 7  00     254 8  00     302 I  00 

'59 500  207 350     255 450     303 1650 

[60 I  00  20S 2  00     256 50     304 9  00 

[61 I  50  209 I  50     257 4  00     305 7  00 

r62 9  00  210 I  00     258 4  00     306 2  50 

i()3 150  211 6  00     259 5  00     307 2  00 

164 3  00  212 3  00     260 I  50     308  13  00 

165 12  00  213 180  00     261 I  50     309 2  00 

[66 8  00  214 3  00     262 4  00     310 17  00 

167 21  00  215 6  00     263 2  50     311 18  00 

168 50  216 700     ♦264  1200     312 2800 

[69 2  50  217  4  50     265 2  00     313 26  CO 

[70 1  50  2x8 3  00     266 6  00     314 75  00 

[71  27  00  219 3  00     267 7  50     315 24  00 

172  100  00  220 9  50     268 5  5'^     316 I  50 

[73  129  00  221  3  00     269  3  50     317 26  00 

r74 28  00  222 3  00  270 3  00     31S I  00 

[75 6  50  223 I  00     271 I  50     319 3r  00 

[76 3  00  224  I  50     272  7  00     320 2  50 


Prices  Realizf.d  at  the  Sale.  5 

Lot.  I'ricc.  Lot.  Price.  Lot.  Price.  Lot.  Price. 

321 S43  50  369 Si  50     4J7 S20  OJ  465 $22  00 

322 I  50  370 f)0  cx)     418 6  CXI  466 2  <x) 

3'-:3 50  371 500     419 200  467 700 

324  50  372 2  50     420 I  50  46S 25  00 

325  17  00  373  4  50     421 22  00  469 2  00 

326 I  00  374 12  00     422 I  00  470 7  50 

327 3  00  375  4  00     423 I  00  471 «  ^jo 

328 I  00  376 8  00     424 9  00  472 I  50 

329  I  50  377 I  5'J     425 2000  473 i  5^» 

330  6  00  37S 20  00     426  18  00  474 4  «ju 

331 450  379  1000     427 550  475 15" 

332 3  ou  380 5  00     42S 3  00  476 3  50 

333 9  CO  381 9  00     429 500  477 600 

334  3  00  3S2 I  00     430 5  00  478 2  50 

335  200  3S3 50     431 5  CKJ  479 14  "J- J 

336 60  CO  384...  ...  625     432 300  480 650 

337 80  00  385 2  50     433 i6o  00  4S1 36  uo 

333  150  o(j  386  3  50     434 5  00  482 i8  00 

339 2  00  387 35  00     435 2  50  483 I  50 

340 2  00  388 24  GO     436 6  GO  484 6  00 

341 1  50  3S9 2000     437 500  4S5 400 

342 3  00  390 5  00     438 I  50  4*^6 7  50 

343 2000  391 350     439 300  487 100 

344  3  00  392 5  00     440 5  00  48S 34  00 

•  345 3  00  393 3  00     441 I  50  489 80  00 

346 3  00  394 45  "^^     442  34  u<J  490 59  5" 

347 5  oo  395 200     443 1500  491 6000 

34S 800  396 350     444 100  492 11600 

349  I  00  397 3  50     445 5  ""  493  -  5^^ 

350 50  39S 350     446 5^  "<J  494 -50 

351 5  00  399 3  50     447  60  00  495 2  50 

352 62  00  400 3  50     44S 33  «^>  496 252  00 

353 410  CO  401 350     449 4  5"  497 500 

354 600  402 350     450 200  49'"^  ^50 

355 1500  403  3  5"     45' 4000  499-  ^  5" 

356 550  4'->4 3  5"     452 32  •>"     5»'" 3  5" 

357 250  4"5 3  5"     453 4  5<'     5"' 3  5" 

358 300  4"f> 3  5"     454 15"     5"2 i"«' 

359 150c  4"7 3  5"     455 ^'5"     5"^ 3  5" 

360 450  4"S 3  5"     45^' 25..     ?"4 22  S" 

361 250  409 '  ""     457 2  5.i     5"5 »^  "" 

362 300,  410 2  fo     45,H 2  5"     506 2"" 

363 600  41 '  15"     459 '  '"^^     5"7 13  5" 

364 300  412  I  <■"     4f>" 20  «K)     508 "25 

365  800  413 I  c"     4f" 5  'XJ     5"9 350 

366 100  414 I""     4f'2 34""     5»o 5  O" 

367 21  ou  4T5 5  w.     4^3  5""     5«l 3  00 

368 I  MO  416  15"     4f'4 »  5"     5«2 400 


Prices  Realized  at  the  Sale. 


Lot.  Price. 

513 Si  00 

514 4  00 

515 ^  00 

51O 3  00 

517 s  50 

5IS 16  00 

519 50 

520 20  00 

521 1  00 

522 4  5" 

523 3  50 

524 2  00 

525 12  00 

526 I  50 

527 4  50 

528 1  00 

529 5  00 

530 3  00 

531 I  00 

532 2  50 

533 18  00 

534 2  00 

536 75 

537 75 

53S I  50 

539 3  00 

540 S  75 

541 S  00 

542 5S5  00 

543 -40  00 

544 3  00 

545 f'  50 

546 18  00 

547 <'J  50 

54S 12  00 

549 II  "O 

550 2  50 

551 85  25 

552 85  00 

553 I'  00 

554 2  00 

555 2  00 

55^' 3  50 

557 12  00 

55S 2  50 

559 23  00 

560 3  50 

561 5  00 


Lot.  Price. 

562 SS  00 

563 I  50 

5(^4 5  00 

565 go  00 

566 I  50 

567 2  50 

568 3  00 

569 2  00 

57" I  "" 

571 2  50 

572 2  50 

573 I  00 

574 2  50 

575 2  50 

57t> 31  "" 

577 I  00 

578 I  00 

579 I  5" 

5S0 15" 

S^i 2  00 

5S2 2  50 

5S3 2  uo 

5i>4 3  "" 

5S5 2  50 

5SO 85  00 

5S7 2  50 

588 60  00 

589 6  00 

590 16  DO 

591 15" 

592 21  00 

593 17  "" 

594 3  5" 

595 2  00 

59fj 4  "" 

597 2  50 

598 2  00 

599 7  5" 

6ix» I  50 

601 2  o<j 

602 24  00 

603 22  00 

604 3  00 

6(^5 I  00 

605* 23  00 

606 I  50 

607 55  00 

608 145  00 


Lot.  Price. 

609 $4  00 

610 4  50 

611 2  00 

612 2  00 

613 I  50 

614 44  "" 

615 26  00 

616 I  00 

617 2  00 

61S I  50 

619 6  50 

620 2  00 

621 .....  54  00 

622 4  00 

623 14  00 

624 5  00 

625 3  00 

626 I  00 

627 5  00 

628 3  00 

629 3  50 

630 2  50 

631 3  00 

632 4  50 

633 3  "o 

634 4  50 

635 2  00 

636 104  00 

637 6  00 

638 I  50 

639 2  00 

640 2  50 

641 56  00 

642 30  00 

643 40  00 

644 I  50 

645 80  00 

646 85  00 

647 16  00 

648 10  00 

649 5  00 

650 12  00 

651 51  00 

652  15" 

653 5  5" 

654 3  o" 

655 8  cxj 

656 4  00 


Lot.  Price. 

657 $9  5" 

658 2  00 

659 7  t>o 

660 6  00 

661 I  oc 

662 I  50 

663 4  50 

664 2  00 

665 3  00 

666 10  00 

667 2  00 

668 2  CM) 

669 4  00 

670 I  00 

671 I  00 

672 6  00 

673 4  50 

674  2  00 

675 3  o« 

676 I  00 

677 20  00 

678 50 

679 2  50 

680 3  00 

681 10  00 

682 4  00 

683 4  50 

684 3  50 

685 I  50 

686 3  5" 

687  10  5" 

688 I  00 

6S9 4  50 

690 3  00 

691 3  5" 

692 8  50 

693 4  00 

694 52  50 

695 25  00 

696 205  00 

697 1 5  00 

698 5  00 

699 1 6  00 

700 1 1  00 

701 7  00 

702 6  00 

703 22  00 

7"4 4  50 


Prices  Realized  at  thk  Sale.  7 

Lot.                     Price.  Lot.  Price.  Lot.  Price.  Loi.  Price. 

705 $4200      754 $250      Su2 If  I  00  849 $1600 

706 1000      755 250      S.13 lo  00  850 1200 

707 1000      756 G  25      804 15  (X)  851  400 

708 300      757 375      S05 24  (Xj  852 200 

709 100      75S 2  5<j      S06 5  cj<j  853 2400 

710 II  00      759 I  25      807 1  00  854 32  50 

711 31  50     7'^><' 600     8uS 4000  855 500 

712 1500     761 100     809 1000  855* 250 

714 4.30000     762 1000     810 600  856 1500 

715 230  o<i     763 1200     Sii 75  «X)  857 300 

716 no  00     764 450     812 2900  858 200 

717 5000     765 100     813 13  Of  J  859 31  0») 

718 1300     7&f> 300     814 i5(j  00  860 500 

719 200     767 100     815 7500  861 goo 

720 I  00     76S 19  00     8r6 27  (K)  862 105  00 

721 850     769 2800     8x6* 6200  S63 900 

722 I  00     770 I  50     817 55  00  S64 12  00 

723 2,85000     771 700     81S 1500  S65 1700 

724 300  00     772 I  5(j     819 13  0(i  S66 8  00 

725 750  00     773 I  50     820 105  00  867 6  00 

726 2,10000     774 600  821.......  1000  S68 2750 

727 125  00     775 I  00     822 90  00  869 5  00 

728 6  00     776 24  00     S23 i,7<'o  00  870 15  o<j 

729 55  «o     777 1750     824 600  S71 75  (j<, 

730 75  00      778 2  50      825 2  (x>  S72 5  «x> 

731 50  00      779 15  00      826 2  00  873  12  00 

732 95  00     780 7  50     827 3  50  874 18  00 

733 60  uo     78 1 2  50     828 13  o<>  875 10  00 

734 180  00     782 I  5(j     829 4  00  876 17  00 

735 160  00     783 4  50     830 17  (j(j  877 3  00 

736  I20  00     784 2  00     831 28  <K)  87S 2  00 

737 190  00       785 3  00       832 55  0<J  879 In  (d) 

73S 90  00         786 I  50         S33 260  00  S80 7  (K» 

73() &5  00             787 2  50             834 28  <Hj  S8u* 6  «K» 

740 5000             788 600             835 3800  8S1 1750 

741 52  50             789 84  00             836 35  00  8S2 16  01 J 

742   112  00         790 I  00         837 30  00  883 6  (Kl 

743 50  ()i)     791 18  00     838 32  50  S84 3  <«» 

744 120  00         792 I  (JO         S39 15  00  8S5 30  «M1 

745    50  Of)             793 2  50             840 8  00  886 12  fM> 

74O 30  00             794 2  f)o             841 45  00  S87 3  tn) 

747 5250             795 3  5"             842 1300  888 17  ik> 

748 3750             79^) 450             843 2500  8S9 I..  iM) 

749 5000                     797 100                     844 2250  8()l> 15    IKI 

75" 35""     798 5  5"     845 800  891 125.. 

751 4000     799 200     S46 4300  892 5  <K> 

752 73  5"     800 126  50     847 51  00  893 0  «»«• 

753  I  25      Sol I  50     848 36  00  894 4  fx) 


Prices  Rkalizku  at  the  Sale. 


Litt.  Price. 

895 !J>S  (JO 

S96 5  "" 

897 7  ^>" 

898  112  50 

S99 10  00 

9CX3 2  50 

901 2  00 

902  19  00 

903 10  00 

904 5  iJt^ 

905 5  00 

906 II  DO 

907 8  00 

908 5  00 

909 13  <>" 

910 20  00 

911 2  50 

912 4  50 

9'3 4  "" 

914 2  00 

9'5 3  5" 

9if' 4  5<' 

917 \   no 

91 8 4  00 

919 2  00 

920 2  (JO 

921 3  50 

922 2  00 

923 2  00 

924 7  C)0 

9-5 2  50 

926 650 

927 3  5" 

92S 4  00 

929 5  00 

93" 2  50 

931 2  (KJ 

932 2  50 

933 4  <J" 

934 5  "" 

935 2  50 

93''' 3  "o 

937 2  00 

938 2  00 

939 2  00 

940 3  5" 

940* 2  (JO 

94 1 I  (XJ 


L(jt.  I'ricc. 

(J42 §2  00 

943 2  00 

944 24  00 

945 2  (JO 

946 37  50 

947  16  (JO 

948 2  00 

949 9  "" 

950 2  00 

95  ' I  O" 

952  2  00 

953 3  5" 

954 I(J  <JO 

955 3  00 

956 3  00 

957 5  "" 

958 4  "" 

959 5  00 

96(j 150 

961 2  00 

962 80  00 

963 36(j  00 

064 1,080  00 

965 1, 120  00 

9^)6 45  "" 

967 35  oo 

968 6i(j  00 

9f'9 315  "O 

97(j 72  00 

971 I,(JO<J  OCJ 

972 160  (j(j 

973 2  00 

974 10  00 

975 I  "" 

(j76 I  00 

977 I  "" 

97S 3  "" 

979  I  oo 

98(j 50  (JO 

981 3  00 

982 3  00 

953 105  00 

984 I  (JO 

9S5 140  00 

9S6 4  (JO 

987 I  (JO 

988 2  00 

989 3  5" 


Lot.  I'ricc. 

()i)i> $6  50 

99 '  13"" 

992 1 2  00 

993 4  00 

(J94 2  00 

995  2  00 

996 4  50 

997 2  50 

998 I  0(J 

999 3  "" 

1000 I  50 

looi I  00 

1002 I  00 

1003 I  50 

io(J4 54  00 

1005 14  00 

1006 II  00 

1007  12  00 

1008 15" 

1009 4  00 

loio 4  00 

loii 3  00 

1012 20S  00 

10 14  21  00 

I(;i5 lo  00 

1016  2  50 

10 1 7 2  00 

1018  10  00 

i(ji9 2  00 

1020 3  5" 

102  I 45  (X) 

I()22 I  00 

1023 I  5" 

1024 2  00 

i"25 3  5" 

1026 4  50 

1027 50 

102S 27  00 

I02(J 2  00 

i"3" 2  50 

I03I  32  00 

1032 6  00 

1033 12  00 

1034 6  (X) 

i"35 2  00 

1036 2  00 

1037 2  50 

1038 I  (JO 


Lot.  Price. 

1039 $25  00 

io4(j I  00 

I(j4I i(j  00 

1042 24  00 

1043 2  00 

1044 I  00 

1045 6  00 

104'') 14  00 

1047 2  00 

i(J48 50 

i"49 3  <-«^ 

1050 2  (X) 

1051 51  60 

1052 I  (X) 

i"53 4  ^>" 

1054 1  00 

1055 I  00 

1056 I  00 

1057 80  00 

1058 91  50 

1059 I  00 

loGo I  ex  J 

T061 I  00 

1062 2  (JO 

I(j63  II  o(j 

1064 4  (JO 

1065 23(J  0(J 

1066 6  00 

1067 3  00 

1068. ....  15  00 

1069 50 

1070 2  5(j 

107 1  8  00 

1072 30" 

1(373 2  (XJ 

i"74 15" 

1075 6  00 

I(J76  I  50 

1077 9  00 

1078 6  00 

1079  I  (j(j 

loSo II  (JO 

loSi 6  00 

1082 2  50 

1083 32  CX) 

1083* 2(J  (JO 

1084 6  00 

IOS5 240  (JO 


Prices  Reai.i/.f.d  at  thk  Salf.. 


Lol.  Price. 

1086 $5  00 

1087 6  00 

1088 6  00 

loSg 5  (H) 

logo 5  00 

logi g  00 

iog2 16  00 

1093 3  50 

i'jg4 2  50 

1095 2  00 

i.'-gf* 3  5" 

iog7 6  50 

logS  6  00 

logg 3  00 

1 100  22  50 

nor 18  00 

1 102 2  50 

1 103 50  00 

1 104 6  00 

1105 2  00 

1 106 I  50 

1 107 2  (X) 

1 108 3  50 

irog 2  00 

riio 4  00 

I  I  1  I 2  f)0 

1112 2  5(j 

1 1 1 3 I  00 

1 1 14  7  00 

1 1 1 5 3  00 

1 116  2  00 

1117  I  00 

I  r  iS  4  00 

rug 7  00 

r  r2o 6  00 

I  i2r 2  00 

r  122 24  00 

1 123  3  »" 

r  r24 r  00 

1 125 85  00 

1 126  6  00 

'127 2  50 

I  r2S 6g  fx) 

r  r2g 2g  (X) 

113" 17  '>" 

r  1 3  r 2  o( ) 

I  r3'_' 2  00 

1133 5  "•» 


>t.  Price. 

34 $r  00 

35  I  00 

3f> 247  00 

37 8  00 

38 7  50 

39 4  tx) 

40 go  00 

41 I  50 

42 45  o<> 

43 1  00 

44 go  00 

45 II  00 

4^ I  50 

47 13"  5" 

48 7  (X) 

49... 
50. .  . 
51. •• 


r  00 
6  00 

I  5" 
52 21S  00 


2  (XJ 

.  24  00 

3  Of) 

6  (X3 

3  <50 
.  40  00 

I  00 

r  00 

1  5" 
r  (X) 

4  00 

2  (M) 

r  00 

4  00 

67 20  (X) 


6  00 

5" 

2  0(i 

7  00 

(K) 
(M) 

5" 
5" 

(M) 
(XI 
<H) 


Lot.  Price. 

IS2 $1  LM) 

183 I  00 

184 I  Of  J 

IS5 I  fXJ 

tS6 I  (xj 

IS7 1  (XJ 

r88 I  fx. 

iSg  I  00 

rgf) I  fxi 

rgi 3  <x) 

ig2 3  00 

193  •  3  "" 

194 3  "" 

195 4  00 

196 20  00 

197 2  00 

198 2  50 

199 2  50 

200 2  00 

2or 2  50 

202 6  (XJ 

203 4  fXJ 

2(^4 7  00 

205 I  (X) 

2f)6 I  25 

207 250 

208 2  50 

20() '.  I  25 

21"  I  25 

211 I  25 

2r2 I  25 

213 I  25 

214 I  25 

215 I  25 

216 I  25 

217 1  25 

2t8 I  25 

2ig  I  25 

220 2  <HI 


222. 

223 

224 . 

225. 

22f). 

227 

22S. 

22g. 


14  fX) 

2  50 

3  5" 

5  5" 

5  5" 

5" 

2  50 


i^t.  Price. 

230 $3  50 

231 52  ix> 

232 4  (XJ 

233 I   tJO 

234 5  «X) 

235 4  00 

236 3  50 

237 3  50 

238  2  50 

239 3  50 

240 6  00 

241 3  50 

242 5  (XJ 

243 3  00 

244.  ......  4  00 

245 3  50 

246 3  (X). 

247 3  5" 

24S 3  5" 

249 7  50 

250 13  (XJ 

251 4  "«i 

252 30  «JO 

253 2  50 

254 2  5.) 

255 >5  *M 

256 I  uo 

257 1  00 

25S. . .  I  50 

259 1  5i> 

260 I  50 

261 40  00 

262 5t> 

2'^'3 15  "o 

2t>4 5  5" 

265  33  '^^ 

266 20  fx> 

2()7 2  5<i 

•2(i> 3<i  ixi 

2(i() 25  «XI 

270 (>  (X) 

271 6  75 

272 '5" 

273 2  (><> 

274 2  50 

275 »  5" 

276 I  <x) 

277 26  CX) 


Prices  Realized  at  thk.  Sale. 


Lot. 

1278. 

279. 
1280. 
[2Sr. 
r282. 

2S3. 
1284. 
[2S5. 
[286. 
[2S7. 
128S. 
[289. 
[2go. 

[2t)I. 
[2Q2. 
[293, 
1294. 

1295- 
[296. 
[297. 
1298. 
[299. 
[300. 
f3oi. 
1302. 

1303- 
[304. 

1305- 
1306. 
[307- 
[307* 
t3o8. 
[309. 
[310. 
[311. 
[312. 
r3'3- 
1314- 
[315- 
1316. 

[317- 
[318. 
519. 
[320. 
[321. 
r  32 1  ■•* 
[322. 
1323. 


Price. 

$2  00 
2  00 
4  50 

4  00 
I  00 

1  00 
6  00 

2  50 

5  50 
112  00 

8  00 

3  f>'> 
2  00 

2  51.) 

13  (JO 

2  00 

1  50 

2  00 
2  00 

5" 
2  00 

1  50 

2  Of) 
2  5f) 
I  00 

1  50 
31  00 

2  00 
72  00 

I  f)() 
I  00 

S  00 

3  "" 

1  50 

2  00 
I  00 

4  00 

I  00 

1  50 

2  50 
360  00 

10  00 

57  00 

I  00 

I  00 

3  50 
3  00 


Lot. 
1324- 
1325- 
.326 

1327 

132S. 

1329. 

1330. 

'331- 

1332- 

1333- 

1334- 

'335  ■ 

1336. 

1337- 
1338- 
1339- 
1340. 

1341- 
1341* 

1342. 
1343 
1344- 
1345- 
1 346 . 

1347- 
134S. 

1349- 

1350. 

1351- 

1352. 

1353- 

1354- 

1355 

1357. 

135S. 

1359- 

1360 

1 361. 

13(^3- 
1364. 

1365- 
1366. 

1367. 
1368. 
1369 
I37". 
1371. 
1372. 


Price.  Lot.  Price. 

$2  00       1373 $1  00 

I  5"     1374 3  00 

3  00     1375 3  00 

3  50     137'J 2  50 

1  00     1377 3  50 

4  00     137S 2  00 

12  00     1379 4  50 

1  00     13S0 II  00 

4  00     13S1 II  00 

2  50       1382 I  OfJ 

2  00     1383 6  00 

3  00     13S4 27  20 

50        1386 1,800  GO 

II  00     I3S7 25  00 

36  00     I38S 24  50 

1  50     1389 82  00 

6  00     1 390 44  00 

4  50     1 391 5  00 

2  50     1392 17  50 

2  00     1393 2  00 

I  00     1394 2  00 

II  00     1395 3  00 

18  00     1396 I  50 

5"     1397 I  5'5 

40  00     1398 12  00 

4  00     1399 I  50 

80  00     1400 4  00 

II  00     1401 4  00 

1  00     1402 4  00 

2  00     1403 4  00 

4  00     1404 4  o" 

50     1405 50 

1  00     1406 15*^ 

,950  GO        I4'^7 2  GG 

1 5G  GG        1 408 2  GO 

,020  GG        1409 50 

5G  GG       I4IO I  50 

48  GG       141 1 50 

2  00        I412 I  00 

2  00        14 1 3 II  OG 

3  00       I4I4 2  DO 

I  5"     1415 5  00 

I  00       I416 50 

1  00     1 4 1 7 2  00 

2  00     141S 132  00 

I  00     1419 2  00 

3  50     1420 3  00 

I  00        1 42 1 I  (JG 


Lot.  Price. 

1421* $2  50 

1422 12  00 

1423 50 

1424 5" 

1425 2  00 

1426 410  00 

1427 200  00 

I42S 54  00 

1429 4  50 

1430 I  00 

1431 .....  I  00 

1432 2  (XJ 

1433 I  "O 

1434 2  00 

1435 I  0» 

1436 J    '"' 

1437 2  GO 

I43S  2  <«J 

1439 2  00 

1440 2  00 

144I 10  00 

1442 4  GO 

1443 ^'  "" 

1444 5  00 

1445 12  00 

1446 8  00 

1447 21  00 

1448 16  50 

1449 3  50 

1450 4  50 

145 1 600  00 

1452 3  00 

1453 52  00 

1454 15  00 

1455 I  »" 

1456. ....  12  00 

1457 iC)  "o 

1458 2  5G 

1459 3  00 

1460 2  50 

1461 3  50 

1462 2  5G 

1463 3  50 

1464 21  00 

1465 f)  GO 

1466 12  GO 

1467 2  00 

1468 8  GO 


Pricks  Realizf.d  at  thk  Sale. 


Lot.  Price. 

I4f'9 §4  5'J 

147" I  5r> 

1471 I  00 

1472 2  00 

1473  10  {X J 

1474 7  00 

1475 ^>3  "" 

147'^' I  50 

147S ig  CKi 

1479 25  00 

14"^' ■ 34  of> 

14^  t 4  00 

14S2 8  00 

14S3  91  00 

14S4 2  00 

'4~^5 3  <« 

MSf' I  50 

•487 I  50 

14S8 5  00 

14S9 2  00 

M')"  2  50 

14'jr  6  00 

1492 I  50 

'493  15" 

'494 f)  50 

1495 32  00 

14'/) I  00 

1497 2  00 

I49S  I  00 

1499 15" 

1 500 5  00 

1 501 I  00 

1 502  5  00 

i5"3 9  00 

r  504 2  00 

i5"5 I  <>o 

1506  48  CKJ 

1507 18  00 

150S 38  00 

r  509  2  00 

1510  42  00 

'5" 5  5" 

'512 7  50 

'5'3 Afj   "" 

i5'4 I  5" 

15 1 5  18  (10 

I  5  1 6 4  ( )( ) 

'5 '7 3  O" 


-ot.  Price. 

51S St  50 

519  16  00 

520 3  00 

521 2  50 

521*  74  00 

522 260  (X) 

523 3  '» 

524  10  oo 

525  2  00 

526 50 

527 3  «» 

52S 2  50 

529  4f>  "O 

530 I  00 

531 4  O" 

532 15" 

533  5  00 

534 30  00 

535 107  So 

53'J  63  «> 

537 6  00 

53S 825 

539  5  "o 

54" I  "f> 

541 345  o" 

542 . .  124  00 

543 15" 

544  I  ("'" 

545 6  00 

546  8  tx) 

547 5  "" 

54S I  (K) 

549 3  (j(j 

55" 7"  "" 

55f I  5" 

552 I  on 

553 2  50 

554 12  00 

555 I  5" 

55f> 32  00 

557 12  00 

558 3"  "" 

559 5  "" 

560 6  50 

561 4  00 

562 4  uo 

563 ro2  00 

5f)4  I4r>  00 


566. 
567. 
5f>S. 
57" 
57'- 


Lot.         Price. 
5^>5 Si  <)u 

()   <X) 

1  00 

2  <><) 
2  00 
2  00 

572 6  <X) 

573  •• 

574  •• 

575 175  5" 

57f' 15" 

577 ■-   3  5" 

57S... 

579- ■■ 

58". . 

581.. 

582... 

583.  • 

584... 

585... 

5S6... 

587... 

588... 

589... 

59"- •• 

501... 

592... 

593- •• 

594-- 

595 ■ • • 

596... 

597... 

598... 

599... 

6(xj . . . 

:6oi 30  <K) 

602 18  uo 


6  00 
I  00 


16  00 

2  00 

4  on 

3  5" 
9  00 

5  00 

4  50 

3  5" 
53  00 

I  00 

I  5<J 

1  50 

2  (Kl 
2  50 

4  50 

5  50 

2  0(i 

I  00 
r  00 

3  00 
5  00 

5  fH) 

I   00 


603. 

604. 
605. 

6()f.. 
C)i  )7 . 
6(.8. 
6c  19 . 
610. 
611. 
fil2 


3  5" 

1  00 
1 1  00 

3  IX) 
5" 

II  (X  > 

2  5C> 

I  (Ml 
I  (M) 

I  rx) 


Lot. 

1614. 

1615. 

1616. 

1617. 

161S. 

1619. 

1620. 

1621. 

1622. 

1623. 

if.24. 

.r,25. 
1620. 
1627. 
162S. 
1629. 
1630. 
1631. 
1632. 
1633. 
1634. 

1635- 
1636. 

1637. 

163S. 

1639. 

1640. 

164 1 

1642 

iC'43- 

1644. 

1645. 

1646. 

K-.47. 

1648 

if)49 

1650. 

1651. 

.652. 

'^'53  • 

if)54. 

■f'55- 
1656. 

■^•57. 

If.59. 
ir/Ht. 
1661 . 


!*rir^. 


2  50 

2  "i'l 


1  OfJ 

6  00 

1  50 
50 

3  00 

4  50 
52  50 

2  50 
32  00 

5  00 
2  50 

20  00 

2  00 

16  00 

10  00 

.275  00 

50  00 

20  00 

"  (X) 

■  K) 

5  50 
2  00 
0  00 

6  50 
16  00 

0  00 

.'  1  .  .  «X} 

5  (X) 

1  (Ml 

2  50 

A  <*' 

^     (N) 

2  50 

3  «x> 

3  5" 
So  «> 

12  <M) 
3  (Ml 


Prices  Realized  at  the  Sale. 


Lot.        Price. 
662 $19  00 


663. 
664. 
665. 
666. 
667. 
668. 
669. 
670. 
671. 


84  00 
4  00 
2  00 
CK> 
(K) 

5« 
00 

50 
50 


672 20  00 

673... 
674... 

675... 
676... 
677 13  50 

67S 37  00 

679 95  00 

6S0. . . 
681... 
6S2..  . 
6S3... 
6S4... 
685... 
686... 
687... 
688... 
689. .  . 
690 . . . 
691 . . , 
692 . . . 

693- •• 
694... 
695... 
696... 
697... 
698... 
699.. 


9  00 

9  50 

12  00 

5  50 


3  00 

6  00 

2  50 

3  00 
12  00 
10  00 

7  00 
7  00 

4  00 
19  00 

3  00 

r  5" 

5  00 

28  Of) 

3  00 

4  00 
I  00 


00 
00 

700 126  00 

701 32  50 

702 15  00 

703 II  00 

50 
00 
00 


704. 

705- 
706. 
707. 
708. 
709. 


Lot. 
709*.. 
710... 
710*. . 
711... 
711*. . 
712... 

7I3--. 
714.. 

7I5--. 

716... 

717.. 

718.. 

719... 

720. . , 

}2I  . 
722.  . 
723-  ■ 
723* 
724  . 
'725-  • 
726.  . 
727.. 
72S.. 
729.  . 
730.. 
731  • 
732.. 

733- ■ 
734  ■ 
735- • 
736.. 
737- • 
73S.. 

739- • 
740. . 
741.. 
742.. 
743- ■ 
744-. 
745- • 
746.. 

747- • 
74S.. 
749- • 
750-  • 

75I-- 
752.. 

753- • 


Price. 

$9  00 

I  00 

5" 

1  50 

2  00 

5  00 
2  50 
8  00 
I  00 

1  00 
42  00 

5" 

4  00 

2  00 
I  00 

40  00 
105  00 

27  00 
20  00 

I  50 

1  50 

2  50 

3  CO 

3  50 
10  00 

6  00 

5  00 
10  00 
92  00 

5  00 

7  00 
I  00 

I  50 

I  00 

I  50 

60  00 

4  50 
,125  00 

28  00 

1  50 

5  00 

4  50 

2  00 
30  00 
13  50 

5  00 
84  00 
10  00 


Lot.  Price. 

754 ^2  00 

755 I  50 

75^ 50  <J<> 

757 f>  "O 

758 70  00 

759 28  00 


7  50 

20  00 

2  50 

2  50 

1  50 

2  50 
5  50 

12  50 
2  50 

32  00 
2  50 


760. . . 

761  .. 

762  . . 
763... 
764  .. 
765... 
766... 
767  .. 
76S.. . 
769... 
770. . . 

771 19  00 

772  2  00 

773 10  00 

774  3  5" 

775  3  50 

776 4  50 

777 I  50 

77S 10  50 

779  II  00 

750  I  00 

751  50 

782 I  00 

783 4  00 

784 114  00 

785 14  '>" 

786 loo  00 

787 23  00 

788 2  00 

789 4  00 

79" 4  50 

791 I  50 

792 30  00 

793 19  "" 


794- 
796. 

797 
798. 

799- 
800. 
801. 
802. 


38  00 

8  00 

3  5" 

3  "" 

2  00 

3  00 
I  50 

13  00 


Lot. 

[803 

[804. 

[805. 

[806. 

1807. 

[808. 

[809. 

r8io 

[811. 

r8i2. 

1813 

[814. 

[815. 

r8i6. 

[817. 

[818. 

[819. 

[820. 

1821. 

[822. 

1823. 

1824 

[825 

[826. 

[827. 

1828. 

[829 

[S29* 

[830. 

[S31. 

1832. 

[S33. 

[834 

'835. 

[836. 

'837- 
[838. 

[S39 
[840. 
[841. 
[S42. 
[843. 
[844. 

[845 

[846. 

[847 

[848. 

[849 


Price. 

$4  50 
3  00 
5  00 
I  00 
I  00 

1  5" 

2  50 
28  00 

3  "o 

4  50 
I  00 

4  00 
3  00 

1  5" 

16  00 

17  00 
84  00 

2  50 

2  (JO 

2  00 

2  00 
I  00 

715  00 
.2,250  00 
26  00 

3  00 
25  00 

.1,562  50 

I  5" 
9  00 
I  50 

I  5" 
42  00 
13  00 
25  00 

5  25 

1  00 
ir  00 

4  5" 
600  00 

165  (lO 

3  5" 
7  5" 

4  00 

6  00 
II  00 

2  5" 
I  50 


Prices  Reali/eu  at  hie  Sale. 


Lot. 

1850 

1851. 

[852. 

1853- 

'854 

t855 

[856 

'857- 
tS57" 
1858. 
1859. 
[S60 
1861. 
[862. 
[863 
[864. 
[865. 
[866. 
[867. 
1868. 
1S69. 
[870. 
[871. 
[S72. 
1873. 
[874. 
t875- 
[876 
[877. 
[87S. 
[879. 
[8S0. 
h. 
[882. 
[883. 
[884. 
[885. 
[886. 
[887. 


[890. . 
[891. . 
[892. . 
[S93.. 
[894. . 

[895.. 
[896  . 


Price. 

5  uo 

5  <>o 
2  00 
2  00 

14  (X) 

[,680  00 

lu  00 

.  125  00 

2  50 

2  50 

I  50 

13  tK) 

24  00 

I  00 

225  00 

5  00 
I  00 

450  00 

.  150  00 

.  100  00 

■  55  00 

I  00 

1  50 

2  50 
7  00 

3  00 

6  00 
I  50 

3  ou 

1  50 
[,440  00 

2  50 
2  00 

.   I  50 

•  10  50 

12  00 

5  50 

5  00 

4  CXJ 

1  50 
.   I  50 

2  00 
.   I  50 

I  (X) 

35  uo 
I  00 

3  00 


Lot. 

1S97 

1898 

1899 

1900 

1901 

I902 

1903 

1904 

1905 
190C 
1907 
1908 
1909 
1910 
19II 
1912 

19 '3 
1914 
1915 
1916 
191 7 
1918 
1919 
1920 
1921 
1922 
1922^ 
1923 
1924 

1925 
1926 
1927 
1928 
1929 
1930 
•931 
1932 
1933 
1934 
1935 
1936 

1937 
1938 
1939 
1940 
1941 
1942 
")43 


Price. 

$4  (-HJ 

24  00 
15  00 

so 
5" 
5" 

I  (XJ 

1  5u 

2  00 
4  00 

UK)   00 
10  00 

4  00 

3  <JO 

3  50 

2  50 

7  50 

3  00 
40  00 

4  00 
18  00 

3  50 

5  50 

3  50 
7(j  00 

142  00 

127  50 

2  00 

105  CK) 

6  00 

38  50 

4  00 

4  00 

2  50 

3  <JO 

5  50 

1  50 

3  00 

4  ()0 
4  (XI 

8  00 

2  50 
40  00 

2  00 

2  50 

I  00 

65  00 

7  50 


L..t.  Price. 

1944 $5" 

'945 6  50 

1 946 5  00 

i:>47 2,4tj<j  00 

1948 5  00 

1949  14  tXi 

1950 22  00 

1951 9  00 

1952 28  CK) 

1953 16  00 

1954 ^'5  00 

1955  .....  90  o«j 

I95(i 37  5<J 

1957  . . . .2,220  (XJ 

1958 24  00 

1959 2  50 

i960 210  00 

1961 iSo  00 

1962 22  o<j 

1963  30  (XJ 

1964 62  50 

I9C5 12  00 

1966 I  50 

T967 3  50 

1968 3  (X) 

1969  3  50 

1970 7  0(J 

1971 16  50 

1972 5  00 

1973 40  (X) 

1974 5  00 

1975 4  5<J 

1976 10  CX) 

1976* 23  00 

1977 7  ^XJ 

197S 4  00 

1979  3  5" 

19S0 4  00 

19S1 3  00 

1982 3  00 

1983 ^5" 

1984 423  '"> 

19S5  2  00 

1986 4  5" 

1987 5" 

I98S I  (H) 

1989 3  5" 

19(^0 12  txj 


Lot.  Price. 

H)()l    $36  00 

1992 2  50 

19<)3  -•  :.i 

l(>94  .Ml 

'995 3  5^' 

'9</> 3  5" 

'997 3  *>J 

I998 20  (X) 

'999 2  50 

2(XXJ 4  On 

2001 8  cxj 

2(X)2  3  00 

2003 4  <x) 

2cxi4 4  <x> 

2(XJ5 6  50 

2(x»6 3  5" 

2(X)7 4  00 

2(X)8 4  (X) 

2009 2  50 

2010 2  50 

2(JII.  ....  8  50 

2(Jl2 9  (X> 

2013 3  5" 

2014 4  (XJ 

2015 2  (JO 

2016 9  00 

2017 4  (X) 

2018 5  00 

2oig 5  5" 

2020 3  5" 

202  I 4  (  K) 

2022 2  00 

2023 3  (X) 

2024 2  (XI 

2025 2  50 

2(i26 3  5" 

2027 3  00 

202S  3  "<> 

2029 3  50 

203(J 3  50 

2031 2  5(' 

2032 2  50 

2033  4  (Ml 

2(>34 1(1  (X) 

21135 I  00 

2<  >3() 6  (XJ 

2"37 3  5" 

203S  11  <X' 


14                                        Pricks  Realized  at  tiik  Salk. 

I-it.  Price.  Lot.  Price.  Lot.  Price.  Lot.  Price. 

2039 §3  00  2086 .$2400            2134 8800  2183   $500 

2040 2  00  2087 12  00       2135 10  00  2184 2  50 

2041 1,200  00  2088 30  00     2136 3  50  2185 2  50 

2042 2  50  208g 16  GO       2137 I  GO  21S6 2  50 

2043 2  50  2090 6  00     2138 40  GO  2187 5  50 

2044 I  uo  2091 500     2140 52  GO  2r88 900 

2045 2  50  2092 3  GO     2141 54  00  2189 3  50 

2046 2  GO  2093  37  50     2142 6  00  2190 I  GO 

2047 2  50  2094 7  00     2143 5  GO  2191 6  00 

2048 2  50  2095 12  00     2144 15  00  2192 1  00 

2049 1500  2096 700  2145......  600  2193 350 

2050 I  50  2097 lo  GO     2146 5  GO  2194 4  50 

2051 3  GO  2098 IG  GO       2147 5  00  2195 6  OG 

2052 4  00  2099 6  GO      2148 629  GO  2196 3  GO 

2053 2  50  2IGO IG  OG       2149 6  GO  2I97 I  GO 

2054 9  GO  2IOI 9  00     2150 14  75  2198 I  50 

2055 I  50  2102 6  00      2151 4  OG  2199 50 

2056 9  50  2103 6  GO       2152 2  GO  2200 50 

2057 IG  GO  2104 15  00       2153 2  50  2201 4(i  GO 

2058 16  GO  2105 6  GO      2154 41  25  2202 33  GO 

2059 3  50  2106 16  GO     2155 10  50  2203 6  00 

2060 6  50  2107 14  GO     2156 17  00  2204 5(j 

2061 21  (JO  2108 7  00      2157 6  OG  2205 6  GO 

2062 5  50  2109 15  0(J       2 1 58 12  GO  2206 4  50 

2063 6  00  21 10 6  00     2159 5  00  2207 I  50 

2064 2  50  21  I  I 15  GO       2160 4  GO  2208 15  00 

2065 I  00  2112.....  18  GO       2161 6  00  2209 I  OG 

2g66 2  50  2113 18  GO       2162 6  00  2210 13  GO 

2067 5  GO  21  14  6  OG       2163 6  OG  22II 1  GO 

2g6S 2  00  2115 15  00       2164 6  GO  2212 3  50 

2069 30  OG  2116 3  50       2165  6  GO  2213  13  OG 

2070 50  2,1  17 10  00       2166 3  50  2214  2  50 

2071 3  00  2I1S 3  GO       2167 2  50  2215 12  00 

2072 13  00  2 1  19  4  00       2168 3  50  2216  1  GO 

2073 1  (JO  2I2G  ....  I  OG       2169 2  GO  221? 32  (XJ 

2074 4  (JO  212  1 2  50       2I7(J 2  5(J  2218 I  (j(j 

2075 I  50  2122 26  ('(J       2171 IG  GO  2219 25  00 

2076 2  (30  2123 12  (J(J       2172 5  00  2220 42  00 

2077  9  00  2124 I  <J(J       2173 6  OG  2221 I  GO 

2078 2  GO  2125 3  5(J       2174 15  00  2222 4  GO 

2079 6  50  2126 16  GO       2175 2  GO  2223 4  50 

2080 3  OG  2127 64  00       2176 2  GO  2224 7  (JO 

2081 5  50  2128 2  (JO       2177 2  50  2225 I  GO 

2082 3  (JO  2129 2  GO       2178  2  50  2226 12  OG 

2083 120  GO  2130 25  (JO       2179 2  5(J  2227.  ....  I  50 

2084 I  50  2131 iS  (JO      2i8(j 2  5(j  2228 I  50 

2084* 7200  2132 8  00      218 1 350  2229 I  OG 

2085 IG  GO  2133 132  GO       21S2 2  50  2230 2  GO 


Prices  Reali/kd  at  thk  Sale. 


15 


Lot. 

Price. 

Lot. 

Price. 

2231 

Si  50 

2279 

§7  00 

2232 

42  00 

2280 

13  00 

2233 

....    2  00 

2281 

2  00 

2234 

1  00 

2283 

:  00 

2235 

2  50 

22S4 

I  00 

2236 

3  00 

2285 

3  5t) 

2237 

3  50 

2286 

10  00 

223S 

380  00 

2287 

78  CXJ 

2239 

7  00 

2288 

6  50 

2240 

3  00 

22S9 

60  00 

2241 

3  50 

2290 

2  50 

2242 

3  00 

2291 

3  50 

2243 

5  00 

2292 

480  00 

2244 

8  50 

2293 

5  00 

2245 

290  00 

2294 

5  00 

2246 

1  50 

2295 

4  00 

2247 

9  00 

2296 

1  5'J 

224S 

I  50 

2297 

19  00 

2249 

2  00 

2298 

2  00 

2250 

2299 

....    2  uu 

2251 

80  00 

2300 

1 50  ou 

2252 

2  00 

2302 

50  00 

2253 

....     2  50 

2303 

3  00 

2254 

25  00 

2304 

16  UO 

2255 

3  50 

23'>5 

3  UO 

2256 

X  00 

2306 

36  00 

2257 

.....  1 3  00 

23"7 

....   5  00 

2258 

4  50 

23.JS 

550  00 

2259 

4  00 

23'=9 

5  oij 

226a 

7  00 

2310 

2  00 

226  r 

4  50 

2311 

2  50 

2262 

3  50 

2312 

I  50 

2263 

2  50 

2313 

2  00 

22G4 

1 3  00 

2314 

I  00 

2265 

7<''  50 

2315 

2  50 

2266 

25  <;0 

23.6 

15" 

2267 

4  00 

2317 

2  00 

22C8 

50 

2318 

3  00 

2269 

3  00 

2319 

3  5" 

2270 

'50 

2320 

2  00 

2271 

62  50 

2321 

2  00 

2272 

I  00 

2322 

22  0(.) 

2273 

22  50 

2323 

6  00 

2274 

10  00 

2324 

1 2  0(J 

2275 

3  5" 

2325 

1 3  00 

2276 

I  00 

2326 

37  o" 

2277 

I  50 

2327 

2  00 

227S 

2  50 

232S 

So  (JO 

Lot.  Price. 

2329 $6  50 

2330 2  50 

2331 I  00 

2332 33  00 

2333 5  00 

2334  10  50 

2335 4  5" 

233<J 9  00 

2337 2  00 

233S 6  00 

2339 4  "O 

2339* <J  50 

2340 2  00 

2341 9  00 

2342  15  "" 

2343 30  00 

2344  5  "o 

5345  ....  400  GO 

2346  210  00 

2347 47  5" 

2345  490  00 

2349 6  00 

235" 5  00 

2351 2  00 

2352 I  5" 

2353 II  00 

2354  5  50 

2355 42  "O 

2356 7  00 

2357 3  00 

2358 20  00 

2359 4  00 

2360 16  CM  I 

23<')i 3"  25 

2362 1 10  00 

2363 90  00 

2364 I  (KJ 

23^5 84  00 

23f>0 6  00 

23()7 190  00 

23''8 9  50 

23'>9 42  "" 

237" 77  5" 

2371 KKI  tJO 

2372 77  5" 

2373 75  "«» 

2374 100  IHI 

2375  "»«'  o" 


Lot. 

Price. 

2370 

$2  50 

2377 

7  00 

2378 

4  «j«j 

2379 

24  00 

23S<i 

5  25 

23S1 

4  5" 

23S2  

52  5" 

=383 

12  00 

2384 

I  IXJ 

2385 

5  0.. 

2386 

2  00 

2387 

52  50 

23S8 

2  00 

2389 

10  00 

23')<-> 

30  00 

2391 

4  0.. 

2392 

2  <><J 

2393 

I  IXJ 

2394 

I  00 

2395  •••■ 

lO  tJO 

2396..  .. 

2(/)  <x> 

2397 

,310  <H. 

239S 

4  00 

2399 

18  00 

2400 

6  00 

2401 

3  50 

2402 

.3  00 

24"3 

10  00 

2404 

2  uu 

■'■4'>S 

2  50 

2400 

103  50 

24"7 

I  00 

2408 

5  00 

240.) 

-  00 

2410 

i  5" 

2-411 

70  00 

2412 

•   3  5" 

24'3 

4  tw 

2414 

22  50 

24«5 

.  43  .») 

2,41(1 

3  "O 

2417 

2  50 

2418 

I  00 

2419  ••  • 

5  «*> 

2420 

3  0*' 

2421 

3  00 

2421* 

2  50 

2422 

.   5  00 

i6 


Prices  Realized  at  the  Sale. 


Lol. 

Price. 

Lot. 

2423 

$3  50 

2470 

2424 

2  00 

2471 

2425 

....   2  50 

2472 

2426 

1 5  00 

2473 

2427 

4  50 

2474. 

2428 

10  00 

2475- 

2429 

3  50 

247(' 

2430 

1 3  00 

2477 

2431 

......   4  5u 

247S. 

2432 

5" 

2479- 

2433 

....   2  50 

2480. 

2434 

....   5  00 

24S1. 

2435 

4  50 

24S2. 

2436 

S  00 

2483 

2437 

....  32  00 

2484. 

2438 

10  50 

2485. 

2439 

3  CO 

2486. 

2440 

5  50 

2487 

2441 

....   7  00 

24S8. 

2442 

2  00 

2489- 

2443 

I  DO 

2490. 

2444 

4  CO 

2491. 

2445 

175  00 

2492. 

2446 

36  00 

2493 

2447 

I  50 

2494. 

2448 

....  1,100  00 

2495  • 

2449 

58  00 

2496. 

2450 

2  50 

2497 . 

2451 

3  50 

2498. 

2452 

.  ••■  13  50 

2499. 

2453 

4  CO 

2500. 

2454 

I  50 

2501. 

2455 

10  00 

2502 

2456 

48  00 

2503 

2456' 

^ I  2  00 

2504. 

2457 

.  .  .  .2,460  00 

2505 

2458 

....    3  00 

2506 

2459 

....    2  50 

2507 

2460 

330  00 

2508 

2461 

....   13  00 

2510 

2462 

I  00 

2511 

2463 

3  00 

2512 

2464 

I  50 

2513 

2465 

.  ■  •  -   3  50 

2514 

2466 

I  50 

25>5 

2467 

I  00 

2516. 

246S 

2  00 

2517 

2469 

20  CO 

2518. 

Price.  Lol.  Price. 

$4  GO  2519 $3  50 

4  00  2520 7  50 

24  00  2521 7  50 

6  50  2522 6  50 

1  o'>  2523 3  50 

1  00  2524 2  00 

2  50  2525 2  50 

7  00  2526 5  00 

6  00  2527 12  00 

15  00  252S  I  50 

1  50  2529  2  00 

12  50  2530 4  50 

2  50  2531 3  50 

5  f'O  2532 5  50 

3  00  2533 9  00 

5  00  2534 22  00 

3  00  2535 3  50 

2  50  2536 4  00 

6  00  2537 I  00 

50  253S 4  50 

3  00  2540 87  50 

I  GO  2541 I  GO 

I  00  2542  2  00 

T  00  2543 I  00 

I  00  2544 8  50 

50  2545 13  00 

3  50  2546 I  00 

1  00  2547 2  50 

2  00  2548 4  00 

17  00  2549 6  50 

5  50  2550 4  00 

I  00  2551 I  CO 

I  50  2552 2  00 

16  00  2553 3  GO 

12  00  2554  2  50 

7  00  2555 3  00 

4  50  2556 3  00 

1  00  2557 2  50 

3  00  2558 3  GO 

2  50  2559 I  00 

1 1  00  2560 50 

4  00  2561 4  50 

5  50  2562 4  GO 

4  00  2563 4  GO 

7  50  2564 4  00 

4  00  2565 II  00 

8  00  2566 I  GO 

5  00  2567 I  00 


Lot.  Price. 

2568 $1  GO 

2569 6  00 

2570 II  00 

2571 I  00 

2572 2  GO 

2573 2  50 

2574 I  "O 

2574* 13  5" 

2575 3  "o 

257(1 50 

2577 2  50 

2578 4  00 

2579  6  50 

2580 3  00 

2581 2  50 

2582  2  50 

2583 6  00 

2584 I  GO 

2585 5  00 

2586 7  00 

2587 5  00 

2588 50 

2589 1  00 

2590 4  00 

2591 2  00 

2592 T  50 

2593 I  OG 

2594 I  50 

2595 2  50 

2596 I  OG 

2597 80  00 

2598 9  00 

2599  3  00 

2600 50 

2601  50 

2602 50 

2603 I  00 

2604 2G  GO 

2605 if)  00 

2606  9  GO 

2607 12  GO 

260S 6  00 

2609  58  OG 

26IG 5  GO 

261 1 4  50 

2612 15  GO 

2613 2  50 

2614 50 


Prices  Re.\li/f,d  at  thk  Salk. 


17 


Lot.  Price. 

2615 $2  00 

2616 60  00 

2617  3  00 

2618 2  50 

2619 8  00 

2620 50 

2621  2  50 

2622 go  00 

2623 2  00 

2624   ....  4  00 

2625 2  50 

2626  ....  I  00 

2627  40  00 

2628 I  00 

2629  2  00 

2630 50 

2631 3  50 

2632 28  00 

2633  3  00 

2634  I  00 

2635  50 

2636 3  00 

2637 5  00 

2638 8  00 

2f)39 3  50 

2640 I  00 

2641 4  50 

2642 50 

2643 I  00 

2644 I  CO 

2645 26  00 

2646 250 

2647 8  00 

264S I  00 

2f)49 2  50 

2650 31  GO 

2651 525  00 

2652 420  00 

2653 6  00 

2654 I  00 

2655 310  00 

2656 I  50 

2657 348  00 

2658 210  00 

2659 I  00 

2660 4  50 

2661 4  on 

2662 2  00 


Lot.  Price. 

2663 ?2  50 

2664  1 7  00 

2665 7  50 

266G 4  00 

2667 I  50 

266S 25  00 

2669 3  50 

2670 3  <X) 

267 1 30  00 

2672 2  50 

2(173 4  50 

2674 2  00 

2675  2  00 

2676 6  00 

2677 9  50 

2678  2  00 

2679 75  00 

2680 2  50 

26S1 2  00 

26S2 50 

2683 I  00 

2684 150 

26S5  8  00 

2686 I  50 

2687. .....  2  00 

2688 16  00 

2689  lo  00 

2690 6  00 

2691 3  00 

2692 40  00 

2f)93 4  00 

2694 10  00 

2695  2  00 

2696  52  (X) 

2697 I  CX3r 

2698 9  00 

2699 50 

2700 5  00 

2701 2  (M) 

2702 2  00 

2703 2  (K> 

2704 I  50 

2705 I  5'» 

2706 17  00 

27"7 3  'XJ 

27"S  24  50 

2709 20  00 

27  lu 32  00 


Lot.  Price. 

271 1 $2  50 

2712 38  GO 

27»3 7  50 

2714 2  00 

2715 11  00 

2716  12  00 

2717 I  50 

271S 350  00 

2719 2  00 

2720 153  00 

2721 20  00 

2722 •.  50 

2723 II  00 

2724 34  00 

2725 3  00 

2726 24  00 

2727 30  (JO 

2728 15  00 

2729  94  50 

2730 2  00 

2731 75  00 

2732 I  00 

2733 3  50 

2734 5  00 

2735 5  00 

2736 5  50 

2737 "  511 

2738 5  50 

2739 1500 

2740 ir  00 

2741 15  00 

2742. ....  7  00 

2743 96  00 

2744 3  ot' 

2745  ....  2  00 

2746 25  00 

2747 S7  50 

27J8 7  50 

2749 10  00 

2750 I  (H> 

2751 2f)  00 

2752 8  50 

2753 14  w 

2754  4  00 

2755 3  5" 

275O 15  '><> 

2757 2  0«J 

2758 72  5'J 


Lot. 

Price. 

2759 

$2  00 

27()«J 

2  00 

2761 

2  5u 

2762 

9  00 

2763   ... 

2  50 

27^*4 

2  50 

2765 

I  50 

27^6 

70  00 

27f>7 

I  00 

2768 

82  50 

2769  ... 

1  50 

277" 

3  00 

2771 

3  50 

2772 

4  <io 

2773 

3  <x> 

2774 

14  fK> 

2775 

3  <x) 

27-f> 

4  00 

2777 

36  00 

277S 

1 1  00 

2779  ••• 

2  50 

27S0 

•3  5" 

27S1 

3  00 

2782 

2  00 

27S3  .... 

I  50 

2784 

18  (K» 

2785 

2  50 

2786  .... 

I  50 

2787 

2  00 

27S8 

1  50 

2789 

5  50 

279'» 

2  00 

27ql  .... 

2  50 

27')2 

5  00 

2793 

T3  00 

2794 

1  K> 

S79^ 

■  cK> 

279<> 

1  "O 

2797 

50 

279^ 

1   '  K) 

2799 

J  50 

2S<>(1 

a  50 

2S0J 

2  50 

2S02 .  ... 

2  50 

2803 

2  o«» 

2S(i4 

1  <x> 

2805 

1  5" 

2S<;f» 

«;<' 

i8 


Prices  Realized  at  the  Sale. 


Lot.  Price. 

2S07 $20  00 

2S08 50 

2S09 2  50 

2S10 I  00 

2S 1 1 5  ()0 

28 1 2 30  00 

23  >  3 4  50 

28 14 7  00 

28 1 5 I  00 

2816 3  00 

2817 2  50 

2S1S 2  00 

2S19 3  50 

2820 I  50 

2821 16  00 

2S22 20  00 

2823 2  00 

2824 I  00 

2825 2  50 

2S26 50 

2S27 26  CO 

2828 2  50 

2829. ....  2  50 

2S30 3  00 

2831 4  no 

2832 I  50 

2833 ;o 

2834 2  00 

2S35 1  50 

2836  5  00 

2837 2  00 

283S 4  50 

2839 2  00 

2840 I  50 

2841 I  00 

2S42 3  00 

2843 3  50 

2844 I  00 

2845 50 

2846 90  00 

2847 21  00 

2848 8  00 

2849 2  50 

285" 50 

2851 I  00 

2853 I  00 

2854 4  00 

2S55 34  00 


Lot.  Price. 

2856 $16  00 

2857 5  (XJ 

2S58 I  50 

2859 16  00 

2860 10  00 

2S61 7  (XI 

28f>2 3  no 

2S63 12  CO 

2864 16  (X) 

2865 21  00 

2866 20  00 

2867 12  no 

2S6S 15  00 

2869 7  50 

2870 18  50 

2871  13  00 

2872 ri  00 

2S73 4  00 

2S74 7  00 

2S75 3  00 

2876  I  00 

2S77 6  00 

2878 4  50 

2879 2  50 

2880 36  00 

2881 12  00 

2882 50 

2883 165  00 

2884 23  00 

2885  3  00 

2S86. .....  21  00 

2887 2  00 

2888 7  00 

2889 3  50 

2890 2  50 

2891 .....  3  00 

2892  ....  7  00 

2893 27  00 

2894 1 1  00 

2895 5  00 

2896 5  00 

2S97 3  50 

2898 2  00 

2899 3  00 

2900 112  00 

2901 10  00 

2902 T  8  00 

2903 I  50 


Lot.  Price. 

2904 $3  00 

2905 550 

2906 5  no 

2907 3  00 

2908 5  00 

2909  .  .  .  .4,650  00 

2910  2  50 

291 1 I  00 

2912 4  50 

2913 3  00 

29'4 3  50 

2915 5  50 

2916 I  50 

2917 2  50 

2918 50 

2919 I  00 

2920 6  00 

2921. ....  6  50 

2922 2  (X) 

2923 8  50 

2924  2  50 

2925 I  00 

2926 9  00 

2927 I  00 

2928  2  00 

2929 1  50 

2930 5  00 

2931 I  50 

2932 I  50 

2933 2  00 

2934 2  00 

2935 2  00 

2936 3  50 

2937  4  00 

2938 2  00 

2939 1.443  00 

2940 760  00 

2941 42  00 

2942 48  00 

2943 13  00 

2943* f>  50 

2944 6  oc 

2945 6  00 

2946  2  50 

2946a  ....  2  50 

2946b 2  00 

2946c 20  00 

2946c] 3  50 


Lot.  Price. 

29460 $2  50 

2946g 36  IX) 

2946h 1 6  00 

2946i 7  50 

294<JJ 7  5" 

2946k ....  6  00 

2946! 2  00 

2946111  ....    2  50 

2947 6  00 

294S 5  00 

2949 2  50 

2950 2  (X) 

2951. 2  00 

2952 5  50 

2953 I  50 

2954 I  00 

2955 2  00 

2956 703  (X) 

2957 102  GO 

295S 150  00 

2959 12  00 

2960 30  00 

2961 12  00 

2962  50 

2963 3  00 

2964 135  00 

2965 105  00 

2966 100  GO 

2967 90  CO 

2968 165  00 

2969 130  00 

2970 95  00 

2971 200  00 

2972 50 

2973 46  00 

2974 I  00 

2975 I  00 

2976 50 

2977 I  00 

2978 55  00 

2979 4  00 

2980 17  00 

2981 3  50 

2982 2  00 

2983 2  00 

2984 70  00 

2985 2  00 

2986 6  50 


Prices  Rf.am/.f.o  at  the  Sai.r. 


»9 


^'"'                       ^'rice.  Lot.                     Price.  Lot.  Price.  I^t.  Price. 

2987  ..  .!i;5, 400  oo  3035 $14  m          30S0 $350           312S $100 

29S8 650  fXJ  3<.36 3(X)  on             30S1 250             3129 300 

20^9 So  tx)  3037 56250             3082 2  (w.             3130 350 

290" i,4r«  00  3038 95  f>f'             3083 350             3131 200 

2991 4i«^  00  3"39 5W             30S4 4  .H.             3132 2S5  wj 

2992 20500  3<,4,, 100             30S5 115,,             3,33 3  ,ji. 

2993 15  'x^  3'Mi 200             3086 6  51)             3134 150 

2994 II  "O  3042  22  <KJ      30S7 500      3135 50 

2995 12000  3043 150             30S8 150             3136 4500 

299f> 551  <>o  3"44 250             3089 12  (HI             3137 3,Soo  cx) 

2997 15  f>o  3045    2  50             3tKjo 50             313S 2  5«) 

2998   2200  304O rjoo  00             3091 •. .  5,,             3i3g 250 

2999 3400  3046a 100  00              3092 50              3140 29r)  00 

3fJW 25600  3046b 410  (X)              3093 6  <x»  3141..      ..22500 

3"oi 600  3046c 5000             3094 13  o(_)             3142 3750 

3'«2    1 2  (xj  3046(1 3(3  00             3()cj5 S  00             3143 I  o«j 

3'"^3 100  3047 I  DO             3096 200             3144 100 

3'>'^'4 64   50  3(348 2  (X3             3097 1050             3145 15  (Ml 

3'><J5    31   5'^  3f>49 35'"^             309S 250             3146 2300 

3«o6 5850  3050 II  00             3099 240(3             3147 1200 

3'X37 S60  o(3  3051 2   50             2JIM) I  00             314S 3  00 

300S 15  00  3<^52 }  <">             3101 2  GO             3149 2  50 

3'»09 1350  3'^53 ^'  '^'^             3102 300             3150 250 

3(3io 30  (3o  3054 2  00             3103 I  (X)             315J 3  00 

301 1 10  '30  3055 I  <i"             3104 2   50             3152 I  00 

3"I2 5    (30  3056 100                   3105 550                  3153 3   <K> 

31113 I   00  3057 i,8(30  f30             3106 3  50             3154 4  (K) 

3(314 I  00  3058 1,75'^  '^'J             3107 I  (X)             3155 7  «>i« 

3015 4  00  3059 5  (30             310S 6  00             3156 21  (>»> 

3016 4  0(j  306(3 10  o"           .  ^itx) 12  (X)             31 57    I  tx) 

3017 350  3(j6i 2(Xi  (X3             3110 600            3158 150 

3018 150    (3(3  3(362 3    ""                  31  I  I 15    00                  3159 132    Ol> 

3019 5  00  3063 10  (M)      3,12 2  50      3l6(» I  I  (m 

302(3  ....   2  o(3  3"'J4 5  (">     31  '3 5"  3161  ,  J  (») 

3021 825(3  3(365 250             3114 30  0(3  3i6l'  ;  '-' 

3022    76  00  3066 2  00             31 15 64  00  3ifi; 

3023 200  3067 400            3116 3  <X)  3161 

3024 7250  3068 9  ()('            3117 300  ^i(,- 

3025   1400  3069 5""            31  iS 4  (VI  3i(.(.  •  '«' 

3026 2  (3o  3070 7  ""             3"9 5'^  3"'7  ''    "" 

3027 42  (X3  3071 800     3120 50     316S 5  Ol> 

302S 200  (3o  3072 IOC     3121 5"     3''^") S  •*' 

3029 13000  3073 200     3122 85000  317..  I  <«> 

3030 1700  3074 (>'><*             3'23 2000  3171  -  .*• 

3031 18  o(3  3075 I  (M)     3124 15'^^  3«7-  '  5" 

3032 55  00  3076 2  50     3125 4  5"     3'73 -  5" 

3033 150  3077 I  00     3«2f' 5  "«'     3«74 5"" 

3034 500  307S  100     3'27 5  «'     3«75 2  5" 


20                                         Pricks  RF.Ar.izK.n  at  the  Salf.. 

Lot.  Price.  Lot.  Price.  Lot.  Price.  Lot.  Price. 

3i7<J $1  oo  3223 $1  cx)     3272 $8250  3320 $21500 

3177 2  50  3224 30  00     3273 I  00  3321 7  00 

3n^ 150  3225 2300     3274  250  3322 goo 

3179 I  5«  3227 700     3275 100  3323-' 250 

3 1  So 46  (X)  322S I  00     3276 I  00  3324 42  00 

31S1 I  00  3229 8  50     3277 II  00  3325 45  00 

31S2 2  (x>  3230 2  50     3278 2  50  3326 5  00 

31  S3 34  00  3231 2  00     3279 3  00  3327 5  00 

31S4 3000  3232 50     3280 200  3328 3500 

3185 6  00  3233 162  00     32S1 3  00  3329 48  00 

3186 I  00  3234 I  00     3282 no  50  3330 2  00 

3187 1350  3235 r  00     3283 1300  3331 400 

3188 2  (X>  3236 300     3284 53"  00  3332 250 

3189 50  3237 I  00     3285 115  00  3333 2  00 

319" 200  3238 550     3286 85000  3334 200 

3191 5""  3239 250     3287 42000  3335 200 

3f92 10  00  3240 I  00     3288 30  00  3336 2  00 

3193 14  00  3241 I  00     3289 8  00  3337 2  50 

3194 12  00  3242 2  00     3290 20  00  3338 3  00 

3195 500  3243 II  00     3291 26  CX3  3339 1500 

319'^' 28  00  3244 5  25      3292 If)  00  3340 II  00 

3197 5&  f'O  3245 250     3293 5250  3341 4000 

3198 I  o»  3246 1380     3294 8000  3342 1200 

3199 12  00  3247 32  00     3295 42  50  3343 17  00 

3199  "7  of>  3248 12  00     3296 55  00  3344 21  00 

32'J» 1  50  3249 4000     3297 3000  3345 800 

3201 72  50  3250 21  00     329S S  00  3346  ... .  2  00 

32"2 200  3251 250     3299 600  3347 300 

3203  ....  I  00  3252 3  00     3300 3  00  334S 2  00 

32"4 4  00  3253 13  00     3301  32  50  3349  10  00 

3205 900  3254 800     3302 8  00  3350 600 

3-°^ 750  3255 600     3303 400  3351 3400 

3-°7 4  CKJ  3256 500     3304 650  3352 45  "o 

320S 200  3257 350     3305 2600  3353 2100 

32^'9 200  3258  500     3306 17500  3354 4200 

3210 (>  00  325g 250     3307 3200  3355 400 

321 ' 2  00  3260 3  00     330S 13  50  3356 2  00 

3212 I  00  3261 3  00     3309 10  00  3357 3  50 

3213 3  00  3262 2  50     3310  6  00  3358 25  00 

32'4 16  50  3263 4  00     3311 26  00  3359 4  (» 

32' 5 I  00  3264 4  00     3312 100  00  3360 16  00 

321'' 4  50  3265 3  00     3313 6  00  3361 30  00 

32 '7 2  50  3266 2  50     3314 26  00  3362 130  00 

321'' 5(>  <^J  3267 200     3315 6000  3363 1500 

3219 4  5"  3268 2  00     3316 3  00  3364 27  50 

322" I  50  3269 4  50     3317 2  50  3365 8  00 

3221 3  00  3270 95  00     3318 15  00  3366  5  00 

3222...  .  300  3271 500     3319 2400  3367 5500 


Prices  Realizkd  at  thk  Sale. 


Lot.  Price. 

33(jS $4  uu 

3369 ir  00 

3370 6  50 

3371 6  00 

3372 6  00 

3373 2  00 

3374 165  00 

3375 2  00 

337f> 2  00 

3377 i(j  00 

3378 2  00 

3379 2  00 

33S0 2  00 

3381 2  00 

3382 2  00 

3383 2  00 

33S4 7  <>o 

3385 2  00 

3386 1  00 

3387 2  50 

3388 7  o'J 

3389 I  00 

3390 3  50 

3391 2  50 

3392 2  50 

3393 3  50 

3394 2  00 

3395 2  00 

3396 22  50 

3397 2  50 

3398 2  00 

3399 122  00 

3400 105  00 

3401 2,525  00 

3402 307  50 

3403.  .  .  .  lO,2(X)  00 

3403* 3  00 

3404 I  50 

3405 21  00 

3406 6  00 

3407 I  "•> 

3408 25  00 

34"9 3  00 

3410 2  00 

341 1 2  00 

3412 2  00 

3413 2  00 

34M 3  50 


Lot.  Price. 

3415 S3  50 

3416 3  00 

3417 3  00 

341S 3  uo 

3419 3  50 

3420 70  00 

3421 20  00 

3422 2  00 

3423 3  5'> 

3424 5  5u 

3425 2  50 

3426 5  "o 

3427 II  "O 

3428 6  00 

3429  5  00 

3430 2  50 

3431 10  00 

3432 5  00 

3433 19  50 

3434 2  00 

3435 2  00 

3436 3  o« 

3437 2  00 

3438 3  00 

3439 20  00 

344" I  00 

3442 5  5" 

3443 I  00 

3444 I  50 

3445  2  50 

3446....  .  I  50 

3447 7  50 

3449 4  50 

3450 '  <->" 

3451 5" 

3452 '  o" 

3453 40" 

3454 13  50 

3455 2  ou 

345C> I  o" 

3457 3  5<' 

3458 I  "" 

3459 44  <>" 

3461) 4  00 

34^" 15" 

3462 2  <H) 

34'''3 3  "•> 

3464 2  01) 


Lot.  Price. 

34<J5 $5  "O 

3A(i(i 2  50 

34f>7 2  5(1 

34OS 2  50 

34<J9 2  5<i 

347" I  <»<> 

347' 4  5" 

3472 15" 

3473 25  f»() 

3474 2  50 

3475 5  O" 

3476 ■. .  205  o«) 

3477 3  50 

347S 7  "" 

3479  2  5(j 

3480 I  (j() 

348 1 2  00 

3482 7  00 

34S3  9  '-XJ 

3484 2  50 

34S5 2  (3(1 

34S6 21  00 

3487 5  "" 

3488 7  00 

34S9 5" 

349" 2  ou 

349 1  2<J<J  00 

3492 2  50 

3493 I  "<' 

3494 4"  "" 

3495  3(>  "" 

3496 6  i)o 

3497 38  uo 

3498 I  o<» 

3499 2  '^" 

3500 .S  00 

35"! "J  25 

3502.  ....  1  »x> 

35"3 4  5" 

35"4 -  5" 

35"5 '•  "" 

35"''> 7  5" 

3507 '3  5" 

3508 7  5" 

35"9 3  5" 

35>"  ■  ■••  4  5" 

3511 8  5«) 

35'2 3  "" 


I-ot.        Price 
3513 !S4  o« 


t  00 

2  SO 

3  Oil 
I  00 

50 

1  00 

5" 

2  50 


3514  •• 
3515 ••• 
3516 •■■ 
35«7--. 
3518..., 
3519  •• 
3520... 
3521... 

3522 100  00 

3523 2  00 

3524 72  50 

3525  8  (xj 

3526 30  oi» 

3527 5" 

3528 5  rnj 

3529 f^S  f*J 

353" 10  o<) 

3531 10  00 

3532 150  o<) 

3533 55  '^ 

3534  27  00 

353(' 7  <J<> 

3537 »7  o«j 


3538. 

3539- 

354"- 

3541- 

3542. 

3543 

3544 

354? 

354' 

3547 

354^ 

354" 

355" 

355' 

355- 

35?  ; 

35?  I 

355^ 

355'' 

3557. 

3558- 

3559- 

3560, 

35f>i- 


5  i>j 

3  50 
7  00 

4  00 
3  <x> 

6  50 

III  tMI 

J   5.. 

5" 
1  50 


1 

5" 

-; 

5" 

5" 

■- 

(Nl 

-' 

m  1 

3 

<M> 

la 

«K> 

2 

(Ml 

3 

5" 

5 

(M) 

3 

<Mt 

22                                         Prices  Realized  at  the  Sale. 

Lot.  Price.  Lot.  Price.  Lot.  Price.  Lot.  Price. 

3562 ^i  00  3610 §1  50  3^59 $50  00  3707 $4  00 

3563 3  00  361 1 I  50  3660 4  5'>  3708 2  00 

3564 12  00  3612 12  00  3661 3  00  37"9  -   50 

3565 2S0  00  3613 2  50  3662 2  00  3710 2S  00 

3566 260  00  3614 3  cx)  3(>63.  ....  5  00  371 1 200  00 

3567 60  00  3615 2  50  3'Jf>4  2  00  3712 200  00 

3568 I  00  3616 3  50  8665 3  00  3713 y  00 

3569 1  00  3617 18  00  3666 17  00  3714 2  50 

3570 4  50  3618 I  50  3667 I  00  3715 I  00 

3571 500  3619 7000  366S I  50  3716 250 

3572  90  00  3620 1  50  3669  9  00  3717 S  00 

3573 25  00  3621 I  50  3^)70 I  50  3718 22  00 

3574  300  3622 300  3671 450  3719 150 

3575 40  CO  3623 150  3672 350  3720 51  o" 

3576 25  00  3^)24 6  00  3*J73 2  cxj  3721  25  00 

3577 2  00  3625 I  <x)  3<>74 I  5'^  3722 5  00 

3578 200  3626 150  3675 250  3723 200 

3579 450  3627 650  3676 100  3724  100 

35S0 150  3628 1800  3677 250  3725 250 

3581 1600  3629 100  3678 300  3726 100 

3582 I  00  3630 I  00  3679 I  50  3727 45  00 

35S3 2  00  3632 5(J  36S0 12  00  3728 1  50 

3584 3  5"  3633 3200  3681 200  3729 250 

3585 250  3634 850  3682 300  3730 250 

35S6 2400  3635 105c  3683 500  3731 1800 

3587 2  00  3636 I  00  36S4 32  00  3732 57  00 

3588 2200  3637 450  3685 2800  3733 100 

3589 2000  363S 13  t»()  3686 4750  3734 100 

3590 95  (»  3639 400  3687 II  00  3735 300 

35gi I  f)0  3640 I  00  36S8 3  50  3736 3  00 

3592 100  3641 50  36S9  200  3737 550 

3593 II  00  3642 50  3690 3  50  3738 9  (JO 

3594 900  3643 750  3691 200  3739 450 

3595 550  3(144 250  3692 350  3740. 250 

359^' 1350  3645 S  00  3693 300  3741 14  or) 

3597 II  (X)  3646 400  3694 5  CKj  3742 112  50 

3598 5  50  3647 I  00  3695 6  00  3743 2  uo 

3599 200  3648 100  3696  300  3744 7500 

3600 8100  3649 300  3697 250  3745 250 

3601 3  00  3650 14  00  3698 2  50  3746 2  00 

3602 7  50  3651 40  (JO  3699 25  00  3747 I  00 

3603 I  50  3652 I  00  3700 4  50  374S 2  50 

3604 4  5(j     3653 200  3701 300  3749 2200 

3605 2  (jKj     3654 450  3702 250  3750 200 

3606 350     3655 50  37(J3 400  3751 100 

3607 4  fx)     3656 450  37(H 15'-'  3752 2100 

3608 250     3657 350  3705 200  3753 2(j  00 

3609 100     3C5S 400  3706 100  3754 100 


Prices  Realizkd  at  thk  Sale.  23 

Lot.                       Price.                Lot.  Price.  Lot.                       Price.  Lot.  Price. 

3755 Si   ou              3703 §200              3771 $17  Mj  377.J $1    50 

375^ 350             37f>4 goo             3772 1600  37S0 S  uo 

3757 200             3765 21  (xj             3773 12  iM)  37S1 3  «) 

375S 4  u<J             37^6 (J  oo             3774 17  <j<.  37S2 450 

3759 2W             3767 950             3774* 16  rxj  37.S3 600 

3760 550             376S 250             3775 36  IX)  3784 7750 

3761 4  <Jt>             37^") 250             3776 4.)  00  37S5 3  c«*j 

3762 4  <J"             377" 250             377S 37  5"  3786 200 

3787 5.544  «« 


I 


7807 


This  book  is  DUE  on  tlie  last  date  stamped  below 


p0^(,    'ress 


INTERLlBFtARY 


OCT 

Due  Two  We2l<s 


rom  D-A2  of  Receipt 
1985 


iNltKLIBRARt 


■       CIRC  DIEL  UPJ. 


Form  L-9-15m-7,'32 


LOANS 


LOANS 

B6 


c  f>t:  RFOFIP"^ 


II 


V 


3  11 


58  01036 


\r  cru  iTut  at,  n(  r.i'i>,i;     iRRiH. 


AA    001  179  227 


UNIVDKSITY  of  CALIFORNIA 


LOS  ANGIiLisa 
LIBRAKY 


